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<h2> CHAPTER V—WHICH WOULD BE IMPOSSIBLE WITH GAS LANTERNS </h2>
<p>At that moment a heavy and measured sound began to be audible at some
distance. Jean Valjean risked a glance round the corner of the street.
Seven or eight soldiers, drawn up in a platoon, had just debouched into
the Rue Polonceau. He saw the gleam of their bayonets. They were advancing
towards him; these soldiers, at whose head he distinguished Javert's tall
figure, advanced slowly and cautiously. They halted frequently; it was
plain that they were searching all the nooks of the walls and all the
embrasures of the doors and alleys.</p>
<p>This was some patrol that Javert had encountered—there could be no
mistake as to this surmise—and whose aid he had demanded.</p>
<p>Javert's two acolytes were marching in their ranks.</p>
<p>At the rate at which they were marching, and in consideration of the halts
which they were making, it would take them about a quarter of an hour to
reach the spot where Jean Valjean stood. It was a frightful moment. A few
minutes only separated Jean Valjean from that terrible precipice which
yawned before him for the third time. And the galleys now meant not only
the galleys, but Cosette lost to him forever; that is to say, a life
resembling the interior of a tomb.</p>
<p>There was but one thing which was possible.</p>
<p>Jean Valjean had this peculiarity, that he carried, as one might say, two
beggar's pouches: in one he kept his saintly thoughts; in the other the
redoubtable talents of a convict. He rummaged in the one or the other,
according to circumstances.</p>
<p>Among his other resources, thanks to his numerous escapes from the prison
at Toulon, he was, as it will be remembered, a past master in the
incredible art of crawling up without ladder or climbing-irons, by sheer
muscular force, by leaning on the nape of his neck, his shoulders, his
hips, and his knees, by helping himself on the rare projections of the
stone, in the right angle of a wall, as high as the sixth story, if need
be; an art which has rendered so celebrated and so alarming that corner of
the wall of the Conciergerie of Paris by which Battemolle, condemned to
death, made his escape twenty years ago.</p>
<p>Jean Valjean measured with his eyes the wall above which he espied the
linden; it was about eighteen feet in height. The angle which it formed
with the gable of the large building was filled, at its lower extremity,
by a mass of masonry of a triangular shape, probably intended to preserve
that too convenient corner from the rubbish of those dirty creatures
called the passers-by. This practice of filling up corners of the wall is
much in use in Paris.</p>
<p>This mass was about five feet in height; the space above the summit of
this mass which it was necessary to climb was not more than fourteen feet.</p>
<p>The wall was surmounted by a flat stone without a coping.</p>
<p>Cosette was the difficulty, for she did not know how to climb a wall.
Should he abandon her? Jean Valjean did not once think of that. It was
impossible to carry her. A man's whole strength is required to
successfully carry out these singular ascents. The least burden would
disturb his centre of gravity and pull him downwards.</p>
<p>A rope would have been required; Jean Valjean had none. Where was he to
get a rope at midnight, in the Rue Polonceau? Certainly, if Jean Valjean
had had a kingdom, he would have given it for a rope at that moment.</p>
<p>All extreme situations have their lightning flashes which sometimes
dazzle, sometimes illuminate us.</p>
<p>Jean Valjean's despairing glance fell on the street lantern-post of the
blind alley Genrot.</p>
<p>At that epoch there were no gas-jets in the streets of Paris. At nightfall
lanterns placed at regular distances were lighted; they were ascended and
descended by means of a rope, which traversed the street from side to
side, and was adjusted in a groove of the post. The pulley over which this
rope ran was fastened underneath the lantern in a little iron box, the key
to which was kept by the lamp-lighter, and the rope itself was protected
by a metal case.</p>
<p>Jean Valjean, with the energy of a supreme struggle, crossed the street at
one bound, entered the blind alley, broke the latch of the little box with
the point of his knife, and an instant later he was beside Cosette once
more. He had a rope. These gloomy inventors of expedients work rapidly
when they are fighting against fatality.</p>
<p>We have already explained that the lanterns had not been lighted that
night. The lantern in the Cul-de-Sac Genrot was thus naturally extinct,
like the rest; and one could pass directly under it without even noticing
that it was no longer in its place.</p>
<p>Nevertheless, the hour, the place, the darkness, Jean Valjean's
absorption, his singular gestures, his goings and comings, all had begun
to render Cosette uneasy. Any other child than she would have given vent
to loud shrieks long before. She contented herself with plucking Jean
Valjean by the skirt of his coat. They could hear the sound of the
patrol's approach ever more and more distinctly.</p>
<p>"Father," said she, in a very low voice, "I am afraid. Who is coming
yonder?"</p>
<p>"Hush!" replied the unhappy man; "it is Madame Thenardier."</p>
<p>Cosette shuddered. He added:—</p>
<p>"Say nothing. Don't interfere with me. If you cry out, if you weep, the
Thenardier is lying in wait for you. She is coming to take you back."</p>
<p>Then, without haste, but without making a useless movement, with firm and
curt precision, the more remarkable at a moment when the patrol and Javert
might come upon him at any moment, he undid his cravat, passed it round
Cosette's body under the armpits, taking care that it should not hurt the
child, fastened this cravat to one end of the rope, by means of that knot
which seafaring men call a "swallow knot," took the other end of the rope
in his teeth, pulled off his shoes and stockings, which he threw over the
wall, stepped upon the mass of masonry, and began to raise himself in the
angle of the wall and the gable with as much solidity and certainty as
though he had the rounds of a ladder under his feet and elbows. Half a
minute had not elapsed when he was resting on his knees on the wall.</p>
<p>Cosette gazed at him in stupid amazement, without uttering a word. Jean
Valjean's injunction, and the name of Madame Thenardier, had chilled her
blood.</p>
<p>All at once she heard Jean Valjean's voice crying to her, though in a very
low tone:—</p>
<p>"Put your back against the wall."</p>
<p>She obeyed.</p>
<p>"Don't say a word, and don't be alarmed," went on Jean Valjean.</p>
<p>And she felt herself lifted from the ground.</p>
<p>Before she had time to recover herself, she was on the top of the wall.</p>
<p>Jean Valjean grasped her, put her on his back, took her two tiny hands in
his large left hand, lay down flat on his stomach and crawled along on top
of the wall as far as the cant. As he had guessed, there stood a building
whose roof started from the top of the wooden barricade and descended to
within a very short distance of the ground, with a gentle slope which
grazed the linden-tree. A lucky circumstance, for the wall was much higher
on this side than on the street side. Jean Valjean could only see the
ground at a great depth below him.</p>
<p>He had just reached the slope of the roof, and had not yet left the crest
of the wall, when a violent uproar announced the arrival of the patrol.
The thundering voice of Javert was audible:—</p>
<p>"Search the blind alley! The Rue Droit-Mur is guarded! so is the Rue
Petit-Picpus. I'll answer for it that he is in the blind alley."</p>
<p>The soldiers rushed into the Genrot alley.</p>
<p>Jean Valjean allowed himself to slide down the roof, still holding fast to
Cosette, reached the linden-tree, and leaped to the ground. Whether from
terror or courage, Cosette had not breathed a sound, though her hands were
a little abraded.</p>
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