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<h2> CHAPTER XIII </h2>
<p>SHE tried, more from loyalty than from desire, to call upon the Perrys on
a November evening when Kennicott was away. They were not at home.</p>
<p>Like a child who has no one to play with she loitered through the dark
hall. She saw a light under an office door. She knocked. To the person who
opened she murmured, "Do you happen to know where the Perrys are?" She
realized that it was Guy Pollock.</p>
<p>"I'm awfully sorry, Mrs. Kennicott, but I don't know. Won't you come in
and wait for them?"</p>
<p>"W-why——" she observed, as she reflected that in Gopher
Prairie it is not decent to call on a man; as she decided that no, really,
she wouldn't go in; and as she went in.</p>
<p>"I didn't know your office was up here."</p>
<p>"Yes, office, town-house, and chateau in Picardy. But you can't see the
chateau and town-house (next to the Duke of Sutherland's). They're beyond
that inner door. They are a cot and a wash-stand and my other suit and the
blue crepe tie you said you liked."</p>
<p>"You remember my saying that?"</p>
<p>"Of course. I always shall. Please try this chair."</p>
<p>She glanced about the rusty office—gaunt stove, shelves of tan
law-books, desk-chair filled with newspapers so long sat upon that they
were in holes and smudged to grayness. There were only two things which
suggested Guy Pollock. On the green felt of the table-desk, between legal
blanks and a clotted inkwell, was a cloissone vase. On a swing shelf was a
row of books unfamiliar to Gopher Prairie: Mosher editions of the poets,
black and red German novels, a Charles Lamb in crushed levant.</p>
<p>Guy did not sit down. He quartered the office, a grayhound on the scent; a
grayhound with glasses tilted forward on his thin nose, and a silky
indecisive brown mustache. He had a golf jacket of jersey, worn through at
the creases in the sleeves. She noted that he did not apologize for it, as
Kennicott would have done.</p>
<p>He made conversation: "I didn't know you were a bosom friend of the
Perrys. Champ is the salt of the earth but somehow I can't imagine him
joining you in symbolic dancing, or making improvements on the Diesel
engine."</p>
<p>"No. He's a dear soul, bless him, but he belongs in the National Museum,
along with General Grant's sword, and I'm——Oh, I suppose I'm
seeking for a gospel that will evangelize Gopher Prairie."</p>
<p>"Really? Evangelize it to what?"</p>
<p>"To anything that's definite. Seriousness or frivolousness or both. I
wouldn't care whether it was a laboratory or a carnival. But it's merely
safe. Tell me, Mr. Pollock, what is the matter with Gopher Prairie?"</p>
<p>"Is anything the matter with it? Isn't there perhaps something the matter
with you and me? (May I join you in the honor of having something the
matter?)"</p>
<p>"(Yes, thanks.) No, I think it's the town."</p>
<p>"Because they enjoy skating more than biology?"</p>
<p>"But I'm not only more interested in biology than the Jolly Seventeen, but
also in skating! I'll skate with them, or slide, or throw snowballs, just
as gladly as talk with you."</p>
<p>("Oh no!")</p>
<p>("Yes!) But they want to stay home and embroider."</p>
<p>"Perhaps. I'm not defending the town. It's merely——I'm a
confirmed doubter of myself. (Probably I'm conceited about my lack of
conceit!) Anyway, Gopher Prairie isn't particularly bad. It's like all
villages in all countries. Most places that have lost the smell of earth
but not yet acquired the smell of patchouli—or of factory-smoke—are
just as suspicious and righteous. I wonder if the small town isn't, with
some lovely exceptions, a social appendix? Some day these dull
market-towns may be as obsolete as monasteries. I can imagine the farmer
and his local store-manager going by monorail, at the end of the day, into
a city more charming than any William Morris Utopia—music, a
university, clubs for loafers like me. (Lord, how I'd like to have a real
club!)"</p>
<p>She asked impulsively, "You, why do you stay here?"</p>
<p>"I have the Village Virus."</p>
<p>"It sounds dangerous."</p>
<p>"It is. More dangerous than the cancer that will certainly get me at fifty
unless I stop this smoking. The Village Virus is the germ which—it's
extraordinarily like the hook-worm—it infects ambitious people who
stay too long in the provinces. You'll find it epidemic among lawyers and
doctors and ministers and college-bred merchants—all these people
who have had a glimpse of the world that thinks and laughs, but have
returned to their swamp. I'm a perfect example. But I sha'n't pester you
with my dolors."</p>
<p>"You won't. And do sit down, so I can see you."</p>
<p>He dropped into the shrieking desk-chair. He looked squarely at her; she
was conscious of the pupils of his eyes; of the fact that he was a man,
and lonely. They were embarrassed. They elaborately glanced away, and were
relieved as he went on:</p>
<p>"The diagnosis of my Village Virus is simple enough. I was born in an Ohio
town about the same size as Gopher Prairie, and much less friendly. It'd
had more generations in which to form an oligarchy of respectability.
Here, a stranger is taken in if he is correct, if he likes hunting and
motoring and God and our Senator. There, we didn't take in even our own
till we had contemptuously got used to them. It was a red-brick Ohio town,
and the trees made it damp, and it smelled of rotten apples. The country
wasn't like our lakes and prairie. There were small stuffy corn-fields and
brick-yards and greasy oil-wells.</p>
<p>"I went to a denominational college and learned that since dictating the
Bible, and hiring a perfect race of ministers to explain it, God has never
done much but creep around and try to catch us disobeying it. From college
I went to New York, to the Columbia Law School. And for four years I
lived. Oh, I won't rhapsodize about New York. It was dirty and noisy and
breathless and ghastly expensive. But compared with the moldy academy in
which I had been smothered——! I went to symphonies twice a
week. I saw Irving and Terry and Duse and Bernhardt, from the top gallery.
I walked in Gramercy Park. And I read, oh, everything.</p>
<p>"Through a cousin I learned that Julius Flickerbaugh was sick and needed a
partner. I came here. Julius got well. He didn't like my way of loafing
five hours and then doing my work (really not so badly) in one. We parted.</p>
<p>"When I first came here I swore I'd 'keep up my interests.' Very lofty! I
read Browning, and went to Minneapolis for the theaters. I thought I was
'keeping up.' But I guess the Village Virus had me already. I was reading
four copies of cheap fiction-magazines to one poem. I'd put off the
Minneapolis trips till I simply had to go there on a lot of legal matters.</p>
<p>"A few years ago I was talking to a patent lawyer from Chicago, and I
realized that——I'd always felt so superior to people like
Julius Flickerbaugh, but I saw that I was as provincial and
behind-the-times as Julius. (Worse! Julius plows through the Literary
Digest and the Outlook faithfully, while I'm turning over pages of a book
by Charles Flandrau that I already know by heart.)</p>
<p>"I decided to leave here. Stern resolution. Grasp the world. Then I found
that the Village Virus had me, absolute: I didn't want to face new streets
and younger men—real competition. It was too easy to go on making
out conveyances and arguing ditching cases. So——That's all of
the biography of a living dead man, except the diverting last chapter, the
lies about my having been 'a tower of strength and legal wisdom' which
some day a preacher will spin over my lean dry body."</p>
<p>He looked down at his table-desk, fingering the starry enameled vase.</p>
<p>She could not comment. She pictured herself running across the room to pat
his hair. She saw that his lips were firm, under his soft faded mustache.
She sat still and maundered, "I know. The Village Virus. Perhaps it will
get me. Some day I'm going——Oh, no matter. At least, I am
making you talk! Usually you have to be polite to my garrulousness, but
now I'm sitting at your feet."</p>
<p>"It would be rather nice to have you literally sitting at my feet, by a
fire."</p>
<p>"Would you have a fireplace for me?"</p>
<p>"Naturally! Please don't snub me now! Let the old man rave. How old are
you, Carol?"</p>
<p>"Twenty-six, Guy."</p>
<p>"Twenty-six! I was just leaving New York, at twenty-six. I heard Patti
sing, at twenty-six. And now I'm forty-seven. I feel like a child, yet I'm
old enough to be your father. So it's decently paternal to imagine you
curled at my feet. . . . Of course I hope it isn't, but we'll reflect the
morals of Gopher Prairie by officially announcing that it is! . . . These
standards that you and I live up to! There's one thing that's the matter
with Gopher Prairie, at least with the ruling-class (there is a
ruling-class, despite all our professions of democracy). And the penalty
we tribal rulers pay is that our subjects watch us every minute. We can't
get wholesomely drunk and relax. We have to be so correct about sex
morals, and inconspicuous clothes, and doing our commercial trickery only
in the traditional ways, that none of us can live up to it, and we become
horribly hypocritical. Unavoidably. The widow-robbing deacon of fiction
can't help being hypocritical. The widows themselves demand it! They
admire his unctuousness. And look at me. Suppose I did dare to make love
to—some exquisite married woman. I wouldn't admit it to myself. I
giggle with the most revolting salaciousness over La Vie Parisienne, when
I get hold of one in Chicago, yet I shouldn't even try to hold your hand.
I'm broken. It's the historical Anglo-Saxon way of making life miserable.
. . . Oh, my dear, I haven't talked to anybody about myself and all our
selves for years."</p>
<p>"Guy! Can't we do something with the town? Really?"</p>
<p>"No, we can't!" He disposed of it like a judge ruling out an improper
objection; returned to matters less uncomfortably energetic: "Curious.
Most troubles are unnecessary. We have Nature beaten; we can make her grow
wheat; we can keep warm when she sends blizzards. So we raise the devil
just for pleasure—wars, politics, race-hatreds, labor-disputes. Here
in Gopher Prairie we've cleared the fields, and become soft, so we make
ourselves unhappy artificially, at great expense and exertion: Methodists
disliking Episcopalians, the man with the Hudson laughing at the man with
the flivver. The worst is the commercial hatred—the grocer feeling
that any man who doesn't deal with him is robbing him. What hurts me is
that it applies to lawyers and doctors (and decidedly to their wives!) as
much as to grocers. The doctors—you know about that—how your
husband and Westlake and Gould dislike one another."</p>
<p>"No! I won't admit it!"</p>
<p>He grinned.</p>
<p>"Oh, maybe once or twice, when Will has positively known of a case where
Doctor—where one of the others has continued to call on patients
longer than necessary, he has laughed about it, but——"</p>
<p>He still grinned.</p>
<p>"No, REALLY! And when you say the wives of the doctors share these
jealousies——Mrs. McGanum and I haven't any particular crush on
each other; she's so stolid. But her mother, Mrs. Westlake—nobody
could be sweeter."</p>
<p>"Yes, I'm sure she's very bland. But I wouldn't tell her my heart's
secrets if I were you, my dear. I insist that there's only one
professional-man's wife in this town who doesn't plot, and that is you,
you blessed, credulous outsider!"</p>
<p>"I won't be cajoled! I won't believe that medicine, the priesthood of
healing, can be turned into a penny-picking business."</p>
<p>"See here: Hasn't Kennicott ever hinted to you that you'd better be nice
to some old woman because she tells her friends which doctor to call in?
But I oughtn't to——"</p>
<p>She remembered certain remarks which Kennicott had offered regarding the
Widow Bogart. She flinched, looked at Guy beseechingly.</p>
<p>He sprang up, strode to her with a nervous step, smoothed her hand. She
wondered if she ought to be offended by his caress. Then she wondered if
he liked her hat, the new Oriental turban of rose and silver brocade.</p>
<p>He dropped her hand. His elbow brushed her shoulder. He flitted over to
the desk-chair, his thin back stooped. He picked up the cloisonne vase.
Across it he peered at her with such loneliness that she was startled. But
his eyes faded into impersonality as he talked of the jealousies of Gopher
Prairie. He stopped himself with a sharp, "Good Lord, Carol, you're not a
jury. You are within your legal rights in refusing to be subjected to this
summing-up. I'm a tedious old fool analyzing the obvious, while you're the
spirit of rebellion. Tell me your side. What is Gopher Prairie to you?"</p>
<p>"A bore!"</p>
<p>"Can I help?"</p>
<p>"How could you?"</p>
<p>"I don't know. Perhaps by listening. I haven't done that tonight. But
normally——Can't I be the confidant of the old French plays,
the tiring-maid with the mirror and the loyal ears?"</p>
<p>"Oh, what is there to confide? The people are savorless and proud of it.
And even if I liked you tremendously, I couldn't talk to you without
twenty old hexes watching, whispering."</p>
<p>"But you will come talk to me, once in a while?"</p>
<p>"I'm not sure that I shall. I'm trying to develop my own large capacity
for dullness and contentment. I've failed at every positive thing I've
tried. I'd better 'settle down,' as they call it, and be satisfied to be—nothing."</p>
<p>"Don't be cynical. It hurts me, in you. It's like blood on the wing of a
humming-bird."</p>
<p>"I'm not a humming-bird. I'm a hawk; a tiny leashed hawk, pecked to death
by these large, white, flabby, wormy hens. But I am grateful to you for
confirming me in the faith. And I'm going home!"</p>
<p>"Please stay and have some coffee with me."</p>
<p>"I'd like to. But they've succeeded in terrorizing me. I'm afraid of what
people might say."</p>
<p>"I'm not afraid of that. I'm only afraid of what you might say!" He
stalked to her; took her unresponsive hand. "Carol! You have been happy
here tonight? (Yes. I'm begging!)"</p>
<p>She squeezed his hand quickly, then snatched hers away. She had but little
of the curiosity of the flirt, and none of the intrigante's joy in
furtiveness. If she was the naive girl, Guy Pollock was the clumsy boy. He
raced about the office; he rammed his fists into his pockets. He
stammered, "I—I—I——Oh, the devil! Why do I awaken
from smooth dustiness to this jagged rawness? I'll make I'm going to trot
down the hall and bring in the Dillons, and we'll all have coffee or
something."</p>
<p>"The Dillons?"</p>
<p>"Yes. Really quite a decent young pair—Harvey Dillon and his wife.
He's a dentist, just come to town. They live in a room behind his office,
same as I do here. They don't know much of anybody——"</p>
<p>"I've heard of them. And I've never thought to call. I'm horribly ashamed.
Do bring them——"</p>
<p>She stopped, for no very clear reason, but his expression said, her
faltering admitted, that they wished they had never mentioned the Dillons.
With spurious enthusiasm he said, "Splendid! I will." From the door he
glanced at her, curled in the peeled leather chair. He slipped out, came
back with Dr. and Mrs. Dillon.</p>
<p>The four of them drank rather bad coffee which Pollock made on a kerosene
burner. They laughed, and spoke of Minneapolis, and were tremendously
tactful; and Carol started for home, through the November wind.</p>
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