<SPAN name="chap03"></SPAN>
<h3> CHAPTER THREE </h3>
<h3> PISTOL PRACTICE </h3>
<p>She knew who it was, of course. The Bat! No doubt of it. And
yet—did the Bat ever threaten before he struck? She could not
remember. But it didn't matter. The Bat was unprecedented—unique. At
any rate, Bat or no Bat, she must think out a course of action. The
defection of cook and housemaid left her alone in the house with Lizzie
and Billy—and Dale, of course, if Dale returned. Two old women, a
young girl, and a Japanese butler to face the most dangerous criminal
in America, she thought grimly. And yet—one couldn't be sure. The
threatening letter might be only a joke—a letter from a crank—after
all. Still, she must take precautions; look for aid somewhere. But
where could she look for aid?</p>
<p>She ran over in her mind the new acquaintances she had made since she
moved to the country. There was Doctor Wells, the local physician, who
had joked with her about moving into the Bat's home territory—He
seemed an intelligent man—but she knew him only slightly—she couldn't
call a busy Doctor away from his patients to investigate something
which might only prove to be a mare's-nest. The boys Dale had met at
the country club—"Humph!" she sniffed, "I'd rather trust my gumption
than any of theirs." The logical person to call on, of course, was
Richard Fleming, Courtleigh Fleming's nephew and heir, who had rented
her the house. He lived at the country club—she could probably reach
him now. She was just on the point of doing so when she decided
against it—partly from delicacy, partly from an indefinable feeling
that he would not be of much help. Besides, she thought sturdily, it's
my house now, not his. He didn't guarantee burglar protection in the
lease.</p>
<p>As for the local police—her independence revolted at summoning them.
They would bombard her with ponderous questions and undoubtedly think
she was merely a nervous old spinster. If it was just me, she thought,
I swear I wouldn't say a word to anybody—and if the Bat flew in he
mightn't find it so easy to fly out again, if I am sixty-five and never
shot a burglar in my life! But there's Dale—and Lizzie. I've got to
be fair to them.</p>
<p>For a moment she felt very helpless, very much alone. Then her courage
returned.</p>
<p>"Pshaw, Cornelia, if you have got to get help—get the help you want
and hang the consequences!" she adjured herself. "You've always
hankered to see a first-class detective do his detecting—well, get
one—or decide to do the job yourself. I'll bet you could at that."</p>
<p>She tiptoed to the main door of the living-room and closed it
cautiously, smiling as she did so. Lizzie might be about and Lizzie
would promptly go into hysterics if she got an inkling of her
mistress's present intentions. Then she went to the city telephone and
asked for long distance.</p>
<p>When she had finished her telephoning, she looked at once relieved and
a little naughty—like a demure child who has carried out some piece of
innocent mischief unobserved. "My stars!" she muttered to herself.
"You never can tell what you can do till you try." Then she sat down
again and tried to think of other measures of defense.</p>
<p>Now if I were the Bat, or any criminal, she mused, how would I get into
this house? Well, that's it—I might get in 'most any way—it's so big
and rambling. All the grounds you want to lurk in, too; it'd take a
company of police to shut them off. Then there's the house itself.
Let's see—third floor—trunk room, servants' rooms—couldn't get in
there very well except with a pretty long ladder—that's all right.
Second floor—well, I suppose a man could get into my bedroom from the
porch if he were an acrobat, but he'd need to be a very good acrobat
and there's no use borrowing trouble. Downstairs is the problem,
Cornelia, downstairs is the problem.</p>
<p>"Take this room now." She rose and examined it carefully. "There's
the door over there on the right that leads into the billiard room.
There's this door over here that leads into the hall. Then there's
that other door by the alcove, and all those French windows—whew!" She
shook her head.</p>
<p>It was true. The room in which she stood, while comfortable and
charming, seemed unusually accessible to the night prowler. A row of
French windows at the rear gave upon a little terrace; below the
terrace, the drive curved about and beneath the billiard-room windows
in a hairpin loop, drawing up again at the main entrance on the other
side of the house. At the left of the French windows (if one faced the
terrace as Miss Cornelia was doing) was the alcove door of which she
spoke. When open, it disclosed a little alcove, almost entirely
devoted to the foot of a flight of stairs that gave direct access to
the upper regions of the house. The alcove itself opened on one side
upon the terrace and upon the other into a large butler's pantry. The
arrangement was obviously designed so that, if necessary, one could
pass directly from the terrace to the downstairs service quarters or
the second floor of the house without going through the living-room,
and so that trays could be carried up from the pantry by the side
stairs without using the main staircase.</p>
<p>The middle pair of French windows were open, forming a double door.
Miss Cornelia went over to them—shut them—tried the locks. Humph!
Flimsy enough! she thought. Then she turned toward the billiard room.</p>
<p>The billiard room, as has been said, was the last room to the right in
the main wing of the house. A single door led to it from the
living-room. Miss Cornelia passed through this door, glanced about the
billiard room, noting that most of its windows were too high from the
ground to greatly encourage a marauder. She locked the only one that
seemed to her particularly tempting—the billiard-room window on the
terrace side of the house. Then she returned to the living-room and
again considered her defenses.</p>
<p>Three points of access from the terrace to the house—the door that led
into the alcove, the French windows of the living room—the
billiard-room window. On the other side of the house there was the
main entrance, the porch, the library and dining-room windows. The
main entrance led into a hall-living-room, and the main door of the
living-room was on the right as one entered, the dining-room and
library on the left, main staircase in front. "My mind is starting to
go round like a pinwheel, thinking of all those windows and doors," she
murmured to herself. She sat down once more, and taking a pencil and a
piece of paper drew a plan of the lower floor of the house.</p>
<p>And now I've studied it, she thought after a while, I'm no further than
if I hadn't. As far as I can figure out, there are so many ways for a
clever man to get into this house that I'd have to be a couple of
Siamese twins to watch it properly. The next house I rent in the
country, she decided, just isn't going to have any windows and
doors—or I'll know the reason why.</p>
<p>But of course she was not entirely shut off from the world, even if the
worst developed. She considered the telephone instruments on a table
near the wall, one the general phone, the other connecting a house line
which also connected with the garage and the greenhouses. The garage
would not be helpful, since Slocum, her chauffeur for many years, had
gone back to England for a visit. Dale had been driving the car. But
with an able-bodied man in the gardener's house—</p>
<p>She pulled herself together with a jerk.</p>
<p>"Cornelia Van Gorder, you're going to go crazy before nightfall if you
don't take hold of yourself. What you need is lunch and a nap in the
afternoon if you can make yourself take it. You'd better look up that
revolver of yours, too, that you bought when you thought you were going
to take a trip to China. You've never fired it off yet, but you've got
to sometime today—there's no other way of telling if it will work.
You can shut your eyes when you do it—no, you can't either—that's
silly.</p>
<p>"Call you a spirited old lady, do they? Well, you never had a better
time to show your spirit than now!"</p>
<p>And Miss Van Gorder, sighing, left the living-room to reach the kitchen
just in time to calm a heated argument between Lizzie and Billy on the
relative merits of Japanese and Irish-American cooking.</p>
<p>Dale Ogden, taxiing up from the two o'clock train some time later, to
her surprise discovered the front door locked and rang for some time
before she could get an answer. At last, Billy appeared, white-coated,
with an inscrutable expression on his face.</p>
<p>"Will you take my bag, Billy—thanks. Where is Miss Van Gorder—taking
a nap?"</p>
<p>"No," said Billy succinctly. "She take no nap. She out in srubbery
shotting."</p>
<p>Dale stared at him incredulously. "Shooting, Billy?"</p>
<p>"Yes, ma'am. At least—she not shoot yet but she say she going to
soon."</p>
<p>"But, good heavens, Billy—shooting what?"</p>
<p>"Shotting pistol," said Billy, his yellow mask of a face preserving its
impish repose. He waved his hand. "You go srubbery. You see."</p>
<p>The scene that met Dale's eyes when she finally found the "srubbery"
was indeed a singular one. Miss Van Gorder, her back firmly planted
against the trunk of a large elm tree and an expression of ineffable
distaste on her features, was holding out a blunt, deadly looking
revolver at arm's length. Its muzzle wavered, now pointing at the
ground, now at the sky. Behind the tree Lizzie sat in a heap, moaning
quietly to herself, and now and then appealing to the saints to avert a
visioned calamity.</p>
<p>As Dale approached, unseen, the climax came. The revolver steadied,
pointed ferociously at an inoffensive grass-blade some 10 yards from
Miss Van Gorder and went off. Lizzie promptly gave vent to a shrill
Irish scream. Miss Van Gorder dropped the revolver like a hot potato
and opened her mouth to tell Lizzie not to be such a fool. Then she
saw Dale—her mouth went into a round O of horror and her hand clutched
weakly at her heart.</p>
<p>"Good heavens, child!" she gasped. "Didn't Billy tell you what I was
doing? I might have shot you like a rabbit!" and, overcome with
emotion, she sat down on the ground and started to fan herself
mechanically with a cartridge.</p>
<p>Dale couldn't help laughing—and the longer she looked at her aunt the
more she laughed—until that dignified lady joined in the mirth herself.</p>
<p>"Aunt Cornelia—Aunt Cornelia!" said Dale when she could get her
breath. "That I've lived to see the day—and they call US the wild
generation! Why on earth were you having pistol practice, darling—has
Billy turned into a Japanese spy or what?"</p>
<p>Miss Van Gorder rose from the ground with as much stateliness as she
could muster under the circumstances.</p>
<p>"No, my dear—but there's no fool like an old fool—that's all," she
stated. "I've wanted to fire that infernal revolver off ever since I
bought it two years ago, and now I have and I'm satisfied. Still," she
went on thoughtfully, picking up the weapon, "it seems a very good
revolver—and shooting people must be much easier than I supposed. All
you have to do is to point the—the front of it—like this and—"</p>
<p>"Oh, Miss Dale, dear Miss Dale!" came in woebegone accents from the
other side of the tree. "For the love of heaven, Miss Dale, say no
more but take it away from her—she'll have herself all riddled through
with bullets like a kitchen sieve—and me too—if she's let to have it
again."</p>
<p>"Lizzie, I'm ashamed of you!" said Lizzie's mistress. "Come out from
behind that tree and stop wailing like a siren. This weapon is
perfectly safe in competent hands and—" She seemed on the verge of
another demonstration of its powers.</p>
<p>"MISS DALE, FOR THE DEAR LOVE O' GOD WILL YOU MAKE HER PUT IT AWAY?"</p>
<p>Dale laughed again. "I really think you'd better, Aunt Cornelia. Or
both of us will have to put Lizzie to bed with a case of acute
hysteria."</p>
<p>"Well," said Miss Van Gorder, "perhaps you're right, dear." Her eyes
gleamed. "I should have liked to try it just once more though," she
confided. "I feel certain that I could hit that tree over there if my
eye wouldn't wink so when the thing goes off."</p>
<p>"Now, it's winking eyes," said Lizzie on a note of tragic chant, "but
next time it'll be bleeding corpses and—"</p>
<p>Dale added her own protestations to Lizzie's. "Please, darling, if you
really want to practice, Billy can fix up some sort of target
range—but I don't want my favorite aunt assassinated by a ricocheted
bullet before my eyes!"</p>
<p>"Well, perhaps it would be best to try again another time," admitted
Miss Van Gorder. But there was a wistful look in her eyes as she gave
the revolver to Dale and the three started back to the house.</p>
<p>"I should never have allowed Lizzie to know what I was doing," she
confided in a whisper, on the way. "A woman is perfectly capable of
managing firearms—but Lizzie is really too nervous to live, sometimes."</p>
<p>"I know just how you feel, darling," Dale agreed, suppressed mirth
shaking her as the little procession reached the terrace. "But—oh,"
she could keep it no longer, "oh—you did look funny, darling—sitting
under that tree, with Lizzie on the other side of it making banshee
noises and—"</p>
<p>Miss Van Gorder laughed too, a little shamefacedly.</p>
<p>"I must have," she said. "But—oh, you needn't shake your head, Lizzie
Allen—I am going to practice with it. There's no reason I shouldn't
and you never can tell when things like that might be useful," she
ended rather vaguely. She did not wish to alarm Dale with her
suspicions yet.</p>
<p>"There, Dale—yes, put it in the drawer of the table—that will
reassure Lizzie. Lizzie, you might make us some lemonade, I
think—Miss Dale must be thirsty after her long, hot ride."</p>
<p>"Yes, Miss Cornelia," said Lizzie, recovering her normal calm as the
revolver was shut away in the drawer of the large table in the
living-room. But she could not resist one parting shot. "And thank
God it's lemonade I'll be making—and not bandages for bullet wounds!"
she muttered darkly as she went toward the service quarters.</p>
<p>Miss Van Gorder glared after her departing back. "Lizzie is really
impossible sometimes!" she said with stately ire. Then her voice
softened. "Though of course I couldn't do without her," she added.</p>
<p>Dale stretched out on the settee opposite her aunt's chair. "I know
you couldn't, darling. Thanks for thinking of the lemonade." She
passed her hand over her forehead in a gesture of fatigue. "I AM
hot—and tired."</p>
<p>Miss Van Gorder looked at her keenly. The young face seemed curiously
worn and haggard in the clear afternoon light.</p>
<p>"You—you don't really feel very well, do you, Dale?"</p>
<p>"Oh—it's nothing. I feel all right—really."</p>
<p>"I could send for Doctor Wells if—"</p>
<p>"Oh, heavens, no, Aunt Cornelia." She managed a wan smile. "It isn't
as bad as all that. I'm just tired and the city was terribly hot and
noisy and—" She stole a glance at her aunt from between lowered lids.
"I got your gardener, by the way," she said casually.</p>
<p>"Did you, dear? That's splendid, though—but I'll tell you about that
later. Where did you get him?"</p>
<p>"That good agency, I can't remember its name." Dale's hand moved
restlessly over her eyes, as if remembering details were too great an
effort. "But I'm sure he'll be satisfactory. He'll be out here this
evening—he—he couldn't get away before, I believe. What have you
been doing all day, darling?"</p>
<p>Miss Cornelia hesitated. Now that Dale had returned she suddenly
wanted very much to talk over the various odd happenings of the day
with her—get the support of her youth and her common sense. Then that
independence which was so firmly rooted a characteristic of hers
restrained her. No use worrying the child unnecessarily; they all
might have to worry enough before tomorrow morning.</p>
<p>She compromised. "We have had a domestic upheaval," she said. "The
cook and the housemaid have left—if you'd only waited till the next
train you could have had the pleasure of their company into town."</p>
<p>"Aunt Cornelia—how exciting! I'm so sorry! Why did they leave?"</p>
<p>"Why do servants ever leave a good place?" asked Miss Cornelia grimly.
"Because if they had sense enough to know when they were well off, they
wouldn't be servants. Anyhow, they've gone—we'll have to depend on
Lizzie and Billy the rest of this week. I telephoned—but they
couldn't promise me any others before Monday."</p>
<p>"And I was in town and could have seen people for you—if I'd only
known!" said Dale remorsefully. "Only," she hesitated, "I mightn't
have had time—at least I mean there were some other things I had to
do, besides getting the gardener and—" She rose. "I think I will go
and lie down for a little if you don't mind, darling."</p>
<p>Miss Van Gorder was concerned. "Of course I don't mind but—won't you
even have your lemonade?"</p>
<p>"Oh, I'll get some from Lizzie in the pantry before I go up," Dale
managed to laugh. "I think I must have a headache after all," she
said. "Maybe I'll take an aspirin. Don't worry, darling."</p>
<p>"I shan't. I only wish there were something I could do for you, my
dear."</p>
<p>Dale stopped in the alcove doorway. "There's nothing anybody can do
for me, really," she said soberly. "At least—oh, I don't know what
I'm saying! But don't worry. I'm quite all right. I may go over to
the country club after dinner—and dance. Won't you come with me, Aunt
Cornelia?"</p>
<p>"Depends on your escort," said Miss Cornelia tartly. "If our landlord,
Mr. Richard Fleming, is taking you I certainly shall—I don't like his
looks and never did!"</p>
<p>Dale laughed. "Oh, he's all right," she said. "Drinks a good deal and
wastes a lot of money, but harmless enough. No, this is a very sedate
party; I'll be home early."</p>
<p>"Well, in that case," said her aunt, "I shall stay here with my Lizzie
and my ouija-board. Lizzie deserves some punishment for the very
cowardly way she behaved this afternoon—and the ouija-board will
furnish it. She's scared to death to touch the thing. I think she
believes it's alive."</p>
<p>"Well, maybe I'll send you a message on it from the country club," said
Dale lightly. She had paused, half-way up the flight of side stairs in
the alcove, and her aunt noticed how her shoulders drooped, belying the
lightness of her voice. "Oh," she went on, "by the way—have the
afternoon papers come yet? I didn't have time to get one when I was
rushing for the train."</p>
<p>"I don't think so, dear, but I'll ask Lizzie." Miss Cornelia moved
toward a bell push.</p>
<p>"Oh, don't bother; it doesn't matter. Only if they have, would you ask
Lizzie to bring me one when she brings up the lemonade? I want to read
about—about the Bat—he fascinates me."</p>
<p>"There was something else in the paper this morning," said Miss
Cornelia idly. "Oh, yes—the Union Bank—the bank Mr. Fleming, Senior,
was president of has failed. They seem to think the cashier robbed it.
Did you see that, Dale?"</p>
<p>The shoulders of the girl on the staircase straightened suddenly. Then
they drooped again. "Yes—I saw it," she said in a queerly colorless
voice. "Too bad. It must be terrible to—to have everyone suspect
you—and hunt you—as I suppose they're hunting that poor cashier."</p>
<p>"Well," said Miss Cornelia, "a man who wrecks a bank deserves very
little sympathy to my way of thinking. But then I'm old-fashioned.
Well, dear, I won't keep you. Run along—and if you want an aspirin,
there's a box in my top bureau-drawer."</p>
<p>"Thanks, darling. Maybe I'll take one and maybe I won't—all I really
need is to lie down for a while."</p>
<p>She moved on up the staircase and disappeared from the range of Miss
Cornelia's vision, leaving Miss Cornelia to ponder many things. Her
trip to the city had done Dale no good, of a certainty. If not
actually ill, she was obviously under some considerable mental strain.
And why this sudden interest, first in the Bat, then in the failure of
the Union Bank? Was it possible that Dale, too, had been receiving
threatening letters?</p>
<p>I'll be glad when that gardener comes, she thought to herself. He'll
make a MAN in the house at any rate.</p>
<p>When Lizzie at last came in with the lemonade she found her mistress
shaking her head.</p>
<p>"Cornelia, Cornelia," she was murmuring to herself, "you should have
taken to pistol practice when you were younger; it just shows how
children waste their opportunities."</p>
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