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<h2> CHAPTER XXXIII </h2>
<p>There was a heavy town-fog that afternoon, a smoke-mist, densest in the
sanctuary of the temple. The people went about in it, busy and dirty,
thickening their outside and inside linings of coal-tar, asphalt,
sulphurous acid, oil of vitriol, and the other familiar things the men
liked to breathe and to have upon their skins and garments and upon their
wives and babies and sweethearts. The growth of the city was visible in
the smoke and the noise and the rush. There was more smoke than there had
been this day of February a year earlier; there was more noise; and the
crowds were thicker—yet quicker in spite of that. The traffic
policeman had a hard time, for the people were independent—they
retained some habits of the old market-town period, and would cross the
street anywhere and anyhow, which not only got them killed more frequently
than if they clung to the legal crossings, but kept the motormen, the
chauffeurs, and the truck-drivers in a stew of profane nervousness. So the
traffic policemen led harried lives; they themselves were killed, of
course, with a certain periodicity, but their main trouble was that they
could not make the citizens realize that it was actually and mortally
perilous to go about their city. It was strange, for there were probably
no citizens of any length of residence who had not personally known either
some one who had been killed or injured in an accident, or some one who
had accidentally killed or injured others. And yet, perhaps it was not
strange, seeing the sharp preoccupation of the faces—the people had
something on their minds; they could not stop to bother about dirt and
danger.</p>
<p>Mary Vertrees was not often down-town; she had never seen an accident
until this afternoon. She had come upon errands for her mother connected
with a timorous refurbishment; and as she did these, in and out of the
department stores, she had an insistent consciousness of the Sheridan
Building. From the street, anywhere, it was almost always in sight, like
some monstrous geometrical shadow, murk-colored and rising limitlessly
into the swimming heights of the smoke-mist. It was gaunt and grimy and
repellent; it had nothing but strength and size—but in that
consciousness of Mary's the great structure may have partaken of beauty.
Sheridan had made some of the things he said emphatic enough to remain
with her. She went over and over them—and they began to seem true:
"Only ONE girl he could feel THAT sorry for!" "Gurney says he's got you on
his brain so bad—" The man's clumsy talk began to sing in her heart.
The song was begun there when she saw the accident.</p>
<p>She was directly opposite the Sheridan Building then, waiting for the
traffic to thin before she crossed, though other people were risking the
passage, darting and halting and dodging parlously. Two men came from the
crowd behind her, talking earnestly, and started across. Both wore black;
one was tall and broad and thick, and the other was taller, but noticeably
slender. And Mary caught her breath, for they were Bibbs and his father.
They did not see her, and she caught a phrase in Bibbs's mellow voice,
which had taken a crisper ring: "Sixty-eight thousand dollars? Not
sixty-eight thousand buttons!" It startled her queerly, and as there was a
glimpse of his profile she saw for the first time a resemblance to his
father.</p>
<p>She watched them. In the middle of the street Bibbs had to step ahead of
his father, and the two were separated. But the reckless passing of a
truck, beyond the second line of rails, frightened a group of country
women who were in course of passage; they were just in front of Bibbs, and
shoved backward upon him violently. To extricate himself from them he
stepped back, directly in front of a moving trolley-car—no place for
absent-mindedness, but Bibbs was still absorbed in thoughts concerned with
what he had been saying to his father. There were shrieks and yells; Bibbs
looked the wrong way—and then Mary saw the heavy figure of Sheridan
plunge straight forward in front of the car. With absolute disregard of
his own life, he hurled himself at Bibbs like a football-player shunting
off an opponent, and to Mary it seemed that they both went down together.
But that was all she could see—automobiles, trucks, and wagons
closed in between. She made out that the trolley-car stopped jerkily, and
she saw a policeman breaking his way through the instantly condensing
crowd, while the traffic came to a standstill, and people stood up in
automobiles or climbed upon the hubs and tires of wheels, not to miss a
chance of seeing anything horrible.</p>
<p>Mary tried to get through; it was impossible. Other policemen came to help
the first, and in a minute or two the traffic was in motion again. The
crowd became pliant, dispersing—there was no figure upon the ground,
and no ambulance came. But one of the policemen was detained by the
clinging and beseeching of a gloved hand.</p>
<p>"What IS the matter, lady?"</p>
<p>"Where are they?" Mary cried.</p>
<p>"Who? Ole man Sheridan? I reckon HE wasn't much hurt!"</p>
<p>"His SON—"</p>
<p>"Was that who the other one was? I seen him knock him—oh, he's not
bad off, I guess, lady. The ole man got him out of the way all right. The
fender shoved the ole man around some, but I reckon he only got shook up.
They both went on in the Sheridan Building without any help. Excuse me,
lady."</p>
<p>Sheridan and Bibbs, in fact, were at that moment in the elevator,
ascending. "Whisk-broom up in the office," Sheridan was saying. "You got
to look out on those corners nowadays, I tell you. I don't know I got any
call to blow, though—because I tried to cross after you did. That's
how I happened to run into you. Well, you want to remember to look out
after this. We were talkin' about Murtrie's askin' sixty-eight thousand
flat for that ninety-nine-year lease. It's his lookout if he'd rather take
it that way, and I don't know but—"</p>
<p>"No," said Bibbs, emphatically, as the elevator stopped; "he won't get it.
Not from us, he won't, and I'll show you why. I can convince you in five
minutes." He followed his father into the office anteroom—and
convinced him. Then, having been diligently brushed by a youth of color,
Bibbs went into his own room and closed the door.</p>
<p>He was more shaken than he had allowed his father to perceive, and his
side was sore where Sheridan had struck him. He desired to be alone; he
wanted to rub himself and, for once, to do some useless thinking again. He
knew that his father had not "happened" to run into him; he knew that
Sheridan had instantly—and instinctively—proved that he held
his own life of no account whatever compared to that of his son and heir.
Bibbs had been unable to speak of that, or to seem to know it; for
Sheridan, just as instinctively, had swept the matter aside—as of no
importance, since all was well—reverting immediately to business.</p>
<p>Bibbs began to think intently of his father. He perceived, as he had never
perceived before, the shadowing of something enormous and indomitable—and
lawless; not to be daunted by the will of nature's very self; laughing at
the lightning and at wounds and mutilation; conquering, irresistible—and
blindly noble. For the first time in his life Bibbs began to understand
the meaning of being truly this man's son.</p>
<p>He would be the more truly his son henceforth, though, as Sheridan said,
Bibbs had not come down-town with him meanly or half-heartedly. He had
given his word because he had wanted the money, simply, for Mary Vertrees
in her need. And he shivered with horror of himself, thinking how he had
gone to her to offer it, asking her to marry him—with his head on
his breast in shameful fear that she would accept him! He had not known
her; the knowing had lost her to him, and this had been his real
awakening; for he knew now how deep had been that slumber wherein he
dreamily celebrated the superiority of "friendship"! The sleep-walker had
wakened to bitter knowledge of love and life, finding himself a failure in
both. He had made a burnt offering of his dreams, and the sacrifice had
been an unforgivable hurt to Mary. All that was left for him was the work
he had not chosen, but at least he would not fail in that, though it was
indeed no more than "dust in his mouth." If there had been anything "to
work for—"</p>
<p>He went to the window, raised it, and let in the uproar of the streets
below. He looked down at the blurred, hurrying swarms and he looked
across, over the roofs with their panting jets of vapor, into the vast,
foggy heart of the smoke. Dizzy traceries of steel were rising dimly
against it, chattering with steel on steel, and screeching in steam, while
tiny figures of men walked on threads in the dull sky. Buildings would
overtop the Sheridan. Bigness was being served.</p>
<p>But what for? The old question came to Bibbs with a new despair. Here,
where his eyes fell, had once been green fields and running brooks, and
how had the kind earth been despoiled and disfigured! The pioneers had
begun the work, but in their old age their orators had said for them that
they had toiled and risked and sacrificed that their posterity might live
in peace and wisdom, enjoying the fruits of the earth. Well, their
posterity was here—and there was only turmoil. Where was the
promised land? It had been promised by the soldiers of all the wars; it
had been promised to this generation by the pioneers; but here was the
very posterity to whom it had been promised, toiling and risking and
sacrificing in turn—for what?</p>
<p>The harsh roar of the city came in through the open window, continuously
beating upon Bibbs's ear until he began to distinguish a pulsation in it—a
broken and irregular cadence. It seemed to him that it was like a titanic
voice, discordant, hoarse, rustily metallic—the voice of the god,
Bigness. And the voice summoned Bibbs as it summoned all its servants.</p>
<p>"Come and work!" it seemed to yell. "Come and work for Me, all men! By
your youth and your hope I summon you! By your age and your despair I
summon you to work for Me yet a little, with what strength you have. By
your love of home I summon you! By your love of woman I summon you! By
your hope of children I summon you!</p>
<p>"You shall be blind slaves of Mine, blind to everything but Me, your
Master and Driver! For your reward you shall gaze only upon my ugliness.
You shall give your toil and your lives, you shall go mad for love and
worship of my ugliness! You shall perish still worshipping Me, and your
children shall perish knowing no other god!"</p>
<p>And then, as Bibbs closed the window down tight, he heard his father's
voice booming in the next room; he could not distinguish the words but the
tone was exultant—and there came the THUMP! THUMP! of the maimed
hand. Bibbs guessed that Sheridan was bragging of the city and of Bigness
to some visitor from out-of-town.</p>
<p>And he thought how truly Sheridan was the high priest of Bigness. But with
the old, old thought again, "What for?" Bibbs caught a glimmer of far,
faint light. He saw that Sheridan had all his life struggled and
conquered, and must all his life go on struggling and inevitably
conquering, as part of a vast impulse not his own. Sheridan served blindly—but
was the impulse blind? Bibbs asked himself if it was not he who had been
in the greater hurry, after all. The kiln must be fired before the vase is
glazed, and the Acropolis was not crowned with marble in a day.</p>
<p>Then the voice came to him again, but there was a strain in it as of some
high music struggling to be born of the turmoil. "Ugly I am," it seemed to
say to him, "but never forget that I AM a god!" And the voice grew in
sonorousness and in dignity. "The highest should serve, but so long as you
worship me for my own sake I will not serve you. It is man who makes me
ugly, by his worship of me. If man would let me serve him, I should be
beautiful!"</p>
<p>Looking once more from the window, Bibbs sculptured for himself—in
the vague contortions of the smoke and fog above the roofs—a
gigantic figure with feet pedestaled upon the great buildings and
shoulders disappearing in the clouds, a colossus of steel and wholly
blackened with soot. But Bibbs carried his fancy further—for there
was still a little poet lingering in the back of his head—and he
thought that up over the clouds, unseen from below, the giant labored with
his hands in the clean sunshine; and Bibbs had a glimpse of what he made
there—perhaps for a fellowship of the children of the children that
were children now—a noble and joyous city, unbelievably white—</p>
<p>It was the telephone that called him from his vision. It rang fiercely.</p>
<p>He lifted the thing from his desk and answered—and as the small
voice inside it spoke he dropped the receiver with a crash. He trembled
violently as he picked it up, but he told himself he was wrong—he
had been mistaken—yet it was a startlingly beautiful voice;
startlingly kind, too, and ineffably like the one he hungered most to
hear.</p>
<p>"Who?" he said, his own voice shaking—like his hand.</p>
<p>"Mary."</p>
<p>He responded with two hushed and incredulous words: "IS IT?"</p>
<p>There was a little thrill of pathetic half-laughter in the instrument.
"Bibbs—I wanted to—just to see if you—"</p>
<p>"Yes—Mary?"</p>
<p>"I was looking when you were so nearly run over. I saw it, Bibbs. They
said you hadn't been hurt, they thought, but I wanted to know for myself."</p>
<p>"No, no, I wasn't hurt at all—Mary. It was father who came nearer
it. He saved me."</p>
<p>"Yes, I saw; but you had fallen. I couldn't get through the crowd until
you had gone. And I wanted to KNOW."</p>
<p>"Mary—would you—have minded?" he said.</p>
<p>There was a long interval before she answered.</p>
<p>"Yes."</p>
<p>"Then why—"</p>
<p>"Yes, Bibbs?"</p>
<p>"I don't know what to say," he cried. "It's so wonderful to hear your
voice again—I'm shaking, Mary—I—I don't know—I
don't know anything except that I AM talking to you! It IS you—Mary?"</p>
<p>"Yes, Bibbs!"</p>
<p>"Mary—I've seen you from my window at home—only five times
since I—since then. You looked—oh, how can I tell you? It was
like a man chained in a cave catching a glimpse of the blue sky, Mary.
Mary, won't you—let me see you again—near? I think I could
make you really forgive me—you'd have to—"</p>
<p>"I DID—then."</p>
<p>"No—not really—or you wouldn't have said you couldn't see me
any more."</p>
<p>"That wasn't the reason." The voice was very low.</p>
<p>"Mary," he said, even more tremulously than before, "I can't—you
COULDN'T mean it was because—you can't mean it was because you—care?"</p>
<p>There was no answer.</p>
<p>"Mary?" he called, huskily. "If you mean THAT—you'd let me see you—wouldn't
you?"</p>
<p>And now the voice was so low he could not be sure it spoke at all, but if
it did, the words were, "Yes, Bibbs—dear."</p>
<p>But the voice was not in the instrument—it was so gentle and so
light, so almost nothing, it seemed to be made of air—and it came
from the air.</p>
<p>Slowly and incredulously he turned—and glory fell upon his shining
eyes. The door of his father's room had opened.</p>
<p>Mary stood upon the threshold.</p>
<p>THE END <br/><br/></p>
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