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<h2> XIII </h2>
<p>Spring had really come at last. There were leaves on the ailanthus-tree
that Evelina could see from her bed, gentle clouds floated over it in the
blue, and now and then the cry of a flower-seller sounded from the street.</p>
<p>One day there was a shy knock on the back-room door, and Johnny Hawkins
came in with two yellow jonquils in his fist. He was getting bigger and
squarer, and his round freckled face was growing into a smaller copy of
his father's. He walked up to Evelina and held out the flowers.</p>
<p>"They blew off the cart and the fellow said I could keep 'em. But you can
have 'em," he announced.</p>
<p>Ann Eliza rose from her seat at the sewing-machine and tried to take the
flowers from him.</p>
<p>"They ain't for you; they're for her," he sturdily objected; and Evelina
held out her hand for the jonquils.</p>
<p>After Johnny had gone she lay and looked at them without speaking. Ann
Eliza, who had gone back to the machine, bent her head over the seam she
was stitching; the click, click, click of the machine sounded in her ear
like the tick of Ramy's clock, and it seemed to her that life had gone
backward, and that Evelina, radiant and foolish, had just come into the
room with the yellow flowers in her hand.</p>
<p>When at last she ventured to look up, she saw that her sister's head had
drooped against the pillow, and that she was sleeping quietly. Her relaxed
hand still held the jonquils, but it was evident that they had awakened no
memories; she had dozed off almost as soon as Johnny had given them to
her. The discovery gave Ann Eliza a startled sense of the ruins that must
be piled upon her past. "I don't believe I could have forgotten that day,
though," she said to herself. But she was glad that Evelina had forgotten.</p>
<p>Evelina's disease moved on along the usual course, now lifting her on a
brief wave of elation, now sinking her to new depths of weakness. There
was little to be done, and the doctor came only at lengthening intervals.
On his way out he always repeated his first friendly suggestion about
sending Evelina to the hospital; and Ann Eliza always answered: "I guess
we can manage."</p>
<p>The hours passed for her with the fierce rapidity that great joy or
anguish lends them. She went through the days with a sternly smiling
precision, but she hardly knew what was happening, and when night-fall
released her from the shop, and she could carry her work to Evelina's
bedside, the same sense of unreality accompanied her, and she still seemed
to be accomplishing a task whose object had escaped her memory.</p>
<p>Once, when Evelina felt better, she expressed a desire to make some
artificial flowers, and Ann Eliza, deluded by this awakening interest, got
out the faded bundles of stems and petals and the little tools and spools
of wire. But after a few minutes the work dropped from Evelina's hands and
she said: "I'll wait until to-morrow."</p>
<p>She never again spoke of the flower-making, but one day, after watching
Ann Eliza's laboured attempt to trim a spring hat for Mrs. Hawkins, she
demanded impatiently that the hat should be brought to her, and in a trice
had galvanized the lifeless bow and given the brim the twist it needed.</p>
<p>These were rare gleams; and more frequent were the days of speechless
lassitude, when she lay for hours silently staring at the window, shaken
only by the hard incessant cough that sounded to Ann Eliza like the
hammering of nails into a coffin.</p>
<p>At length one morning Ann Eliza, starting up from the mattress at the foot
of the bed, hastily called Miss Mellins down, and ran through the smoky
dawn for the doctor. He came back with her and did what he could to give
Evelina momentary relief; then he went away, promising to look in again
before night. Miss Mellins, her head still covered with curl-papers,
disappeared in his wake, and when the sisters were alone Evelina beckoned
to Ann Eliza.</p>
<p>"You promised," she whispered, grasping her sister's arm; and Ann Eliza
understood. She had not yet dared to tell Miss Mellins of Evelina's change
of faith; it had seemed even more difficult than borrowing the money; but
now it had to be done. She ran upstairs after the dress-maker and detained
her on the landing.</p>
<p>"Miss Mellins, can you tell me where to send for a priest—a Roman
Catholic priest?"</p>
<p>"A priest, Miss Bunner?"</p>
<p>"Yes. My sister became a Roman Catholic while she was away. They were kind
to her in her sickness—and now she wants a priest." Ann Eliza faced
Miss Mellins with unflinching eyes.</p>
<p>"My aunt Dugan'll know. I'll run right round to her the minute I get my
papers off," the dress-maker promised; and Ann Eliza thanked her.</p>
<p>An hour or two later the priest appeared. Ann Eliza, who was watching, saw
him coming down the steps to the shop-door and went to meet him. His
expression was kind, but she shrank from his peculiar dress, and from his
pale face with its bluish chin and enigmatic smile. Ann Eliza remained in
the shop. Miss Mellins's girl had mixed the buttons again and she set
herself to sort them. The priest stayed a long time with Evelina. When he
again carried his enigmatic smile past the counter, and Ann Eliza rejoined
her sister, Evelina was smiling with something of the same mystery; but
she did not tell her secret.</p>
<p>After that it seemed to Ann Eliza that the shop and the back room no
longer belonged to her. It was as though she were there on sufferance,
indulgently tolerated by the unseen power which hovered over Evelina even
in the absence of its minister. The priest came almost daily; and at last
a day arrived when he was called to administer some rite of which Ann
Eliza but dimly grasped the sacramental meaning. All she knew was that it
meant that Evelina was going, and going, under this alien guidance, even
farther from her than to the dark places of death.</p>
<p>When the priest came, with something covered in his hands, she crept into
the shop, closing the door of the back room to leave him alone with
Evelina.</p>
<p>It was a warm afternoon in May, and the crooked ailanthus-tree rooted in a
fissure of the opposite pavement was a fountain of tender green. Women in
light dresses passed with the languid step of spring; and presently there
came a man with a hand-cart full of pansy and geranium plants who stopped
outside the window, signalling to Ann Eliza to buy.</p>
<p>An hour went by before the door of the back room opened and the priest
reappeared with that mysterious covered something in his hands. Ann Eliza
had risen, drawing back as he passed. He had doubtless divined her
antipathy, for he had hitherto only bowed in going in and out; but to day
he paused and looked at her compassionately.</p>
<p>"I have left your sister in a very beautiful state of mind," he said in a
low voice like a woman's. "She is full of spiritual consolation."</p>
<p>Ann Eliza was silent, and he bowed and went out. She hastened back to
Evelina's bed, and knelt down beside it. Evelina's eyes were very large
and bright; she turned them on Ann Eliza with a look of inner
illumination.</p>
<p>"I shall see the baby," she said; then her eyelids fell and she dozed.</p>
<p>The doctor came again at nightfall, administering some last palliatives;
and after he had gone Ann Eliza, refusing to have her vigil shared by Miss
Mellins or Mrs. Hawkins, sat down to keep watch alone.</p>
<p>It was a very quiet night. Evelina never spoke or opened her eyes, but in
the still hour before dawn Ann Eliza saw that the restless hand outside
the bed-clothes had stopped its twitching. She stooped over and felt no
breath on her sister's lips.</p>
<p>The funeral took place three days later. Evelina was buried in Calvary
Cemetery, the priest assuming the whole care of the necessary
arrangements, while Ann Eliza, a passive spectator, beheld with stony
indifference this last negation of her past.</p>
<p>A week afterward she stood in her bonnet and mantle in the doorway of the
little shop. Its whole aspect had changed. Counter and shelves were bare,
the window was stripped of its familiar miscellany of artificial flowers,
note-paper, wire hat-frames, and limp garments from the dyer's; and
against the glass pane of the doorway hung a sign: "This store to let."</p>
<p>Ann Eliza turned her eyes from the sign as she went out and locked the
door behind her. Evelina's funeral had been very expensive, and Ann Eliza,
having sold her stock-in-trade and the few articles of furniture that
remained to her, was leaving the shop for the last time. She had not been
able to buy any mourning, but Miss Mellins had sewed some crape on her old
black mantle and bonnet, and having no gloves she slipped her bare hands
under the folds of the mantle.</p>
<p>It was a beautiful morning, and the air was full of a warm sunshine that
had coaxed open nearly every window in the street, and summoned to the
window-sills the sickly plants nurtured indoors in winter. Ann Eliza's way
lay westward, toward Broadway; but at the corner she paused and looked
back down the familiar length of the street. Her eyes rested a moment on
the blotched "Bunner Sisters" above the empty window of the shop; then
they travelled on to the overflowing foliage of the Square, above which
was the church tower with the dial that had marked the hours for the
sisters before Ann Eliza had bought the nickel clock. She looked at it all
as though it had been the scene of some unknown life, of which the vague
report had reached her: she felt for herself the only remote pity that
busy people accord to the misfortunes which come to them by hearsay.</p>
<p>She walked to Broadway and down to the office of the house-agent to whom
she had entrusted the sub-letting of the shop. She left the key with one
of his clerks, who took it from her as if it had been any one of a
thousand others, and remarked that the weather looked as if spring was
really coming; then she turned and began to move up the great
thoroughfare, which was just beginning to wake to its multitudinous
activities.</p>
<p>She walked less rapidly now, studying each shop window as she passed, but
not with the desultory eye of enjoyment: the watchful fixity of her gaze
overlooked everything but the object of its quest. At length she stopped
before a small window wedged between two mammoth buildings, and
displaying, behind its shining plate-glass festooned with muslin, a varied
assortment of sofa-cushions, tea-cloths, pen-wipers, painted calendars and
other specimens of feminine industry. In a corner of the window she had
read, on a slip of paper pasted against the pane: "Wanted, a Saleslady,"
and after studying the display of fancy articles beneath it, she gave her
mantle a twitch, straightened her shoulders and went in.</p>
<p>Behind a counter crowded with pin-cushions, watch-holders and other
needlework trifles, a plump young woman with smooth hair sat sewing bows
of ribbon on a scrap basket. The little shop was about the size of the one
on which Ann Eliza had just closed the door; and it looked as fresh and
gay and thriving as she and Evelina had once dreamed of making Bunner
Sisters. The friendly air of the place made her pluck up courage to speak.</p>
<p>"Saleslady? Yes, we do want one. Have you any one to recommend?" the young
woman asked, not unkindly.</p>
<p>Ann Eliza hesitated, disconcerted by the unexpected question; and the
other, cocking her head on one side to study the effect of the bow she had
just sewed on the basket, continued: "We can't afford more than thirty
dollars a month, but the work is light. She would be expected to do a
little fancy sewing between times. We want a bright girl: stylish, and
pleasant manners. You know what I mean. Not over thirty, anyhow; and
nice-looking. Will you write down the name?"</p>
<p>Ann Eliza looked at her confusedly. She opened her lips to explain, and
then, without speaking, turned toward the crisply-curtained door.</p>
<p>"Ain't you going to leave the AD-dress?" the young woman called out after
her. Ann Eliza went out into the thronged street. The great city, under
the fair spring sky, seemed to throb with the stir of innumerable
beginnings. She walked on, looking for another shop window with a sign in
it.</p>
<p>THE END. <br/><br/></p>
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