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Mr. Wicker's Window

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<h2>CHAPTER 36</h2> <div class="figleft"><ANTIMG src="images/image_t.jpg" alt="T" width-obs="85" height-obs="75" /></div> <p>he shop was dark but headlights flashed by out on Wisconsin Avenue, glaring over the meager display of objects in Mr. Wicker's window. There seemed even fewer objects than before, Chris thought, for the carved figure of the Nubian boy was gone, and so was the coil of dusty rope. The ship in the glass bottle was still there, however.</p> <p>Mr. Wicker went forward in the darkness and leaning over, took up the bottle with care from where it had lain for so many years, dusted and polished only by the loving eyes of a boy who had often pressed his nose against the Georgian panes.</p> <p>"You are to have this," Mr. Wicker said, putting the bottle with its delicate contents in both Chris's hands. "Both Ned and I would like to know that it is yours."</p> <p>He turned to put his hand on the doorknob. Chris found his voice.</p> <p>"What about the job, sir?" he broke out. "Can Jakey Harris apply for it?"<span class="pagenum"><SPAN name="Page_270" id="Page_270"></SPAN></span></p> <p>Mr. Wicker smiled, and it was strange, in that dim room inconsistently lit by the lights of passing cars, Mr. Wicker looked exactly like a venerable, wizened old man, when Chris knew perfectly well he was not.</p> <p>It's peculiar, he thought, the tricks your eyes play on you. Guess I'm tired.</p> <p>"Jakey Harris for the job?" Mr. Wicker remarked, "Why no—there is no job to fill. You filled it, Christopher!"</p> <div class="figcenter"> <ANTIMG src="images/image_270.jpg" width-obs="600" height-obs="324" alt="Illustration" /></div> <p>And all at once, without any good-bye, Chris found himself outside on the top step. The din of cars and honking horns rushed at him like a gape-mouthed monster; the drumming whine and roar from the freeway shook the ground, and up ahead the lights of the People's Drugstore looked garish but friendly. Across the way as he turned to go home, Chris glanced at the two tumbledown storehouses opposite, the winch and tackle broken, and panes of glass missing from the windows.<span class="pagenum"><SPAN name="Page_271" id="Page_271"></SPAN></span></p> <p>As he reached the corner of Wisconsin and M Street, Mike rushed breathlessly up.</p> <p>"Hey! Here I am! Not much later than I said I'd be, either! What you got?" he asked, falling into step beside Chris and looking down at the bottle.</p> <p>"Mr. Wicker gave it to me," Chris replied in a colorless voice.</p> <p>"What for?"</p> <p>"I dunno. Guess he didn't need it."</p> <p>A silence fell, and then Mike said as they passed the strong light of a shop window, returning down bustling M Street toward 28th: "Say—you been running—or sitting by a fire? You look almost sunburnt. And look—"</p> <p>They stopped dead while Mike put a grubby forefinger on a mark on Chris's jaw. "I never noticed that before. It shows up white an' plain. Must have been a pretty deep cut ya had there!"</p> <p>For the first time in what felt like hours, Chris smiled, and the smile became a grin.</p> <p>"It sure was!" he said reminiscently.</p> <p>"Oh—an' by the way," Mike said much farther along as he left Chris to go on to his own house, "your Aunt Rachel called my ma and told her your mother was so much better she could come home soon. Seems that your father's on his way back too." He walked off and then turned to call from a quarter-block away, "Bet you'll be glad to have your own folks at home?"</p> <p>Chris's grin deepened but he did not reply, nor even wave, for fear of dropping the bottle.</p> <p>N Street, then Dumbarton Avenue, dropped behind him,<span class="pagenum"><SPAN name="Page_272" id="Page_272"></SPAN></span> and he came to Happy's Grocery with the bookshop on the opposite corner. He stood looking at his lighted windows, the lighted windows of his house, remembering a time when he and Amos had seen only a wooded ridge and a burnt-out campfire.</p> <p>Something stirred in his mind, and after finding the front door unlatched, he eased himself in and up the stairs as quietly as he could. He did not want to face his Aunt Rachel for a few minutes longer.</p> <p>In his own room he shut the door and carefully lifted the <i>Mirabelle</i> in its bottle to the place of honor on top of his chest of drawers. Then he stood looking at his reflection in the small mirror hung askew near the window.</p> <p>He looked the same—well, not quite. The tiny scar was there, to prove it was not a dream, and he quickly undid his shirt, and pulling it off, got up on a chair to peer over his shoulder to see how his back looked in the square of glass.</p> <p>A whiplash like a long clean briar tear lay across his shoulders, and as he looked, he almost felt again the searing cut.</p> <p>Chris grinned, buttoning up his shirt. Then it had been no dream, no childish imagining.</p> <p>A voice soared up the stairs. "Chris! Chris darling? Are you home?"</p> <p>Aunt Rachel had news for him of his mother's imminent return.</p> <p>Chris opened his bedroom door, pulling out from his pocket the first thing his fingers hit on, and as he went downstairs whistling, "Farewell and Adieu, to you Spanish Ladies," he tossed and caught, and tossed and caught again, an old silver button burnt black in a fire.</p> <hr style="width: 65%;" /> <p><b>$3.25</b></p> <h2><i>Mr. Wicker's Window</i></h2> <h4><i>by</i></h4> <h3>Carley Dawson</h3> <p>When twelve-year-old Chris entered Mr. Wicker's shop to inquire about a job for his friend, something about old Mr. Wicker forced him to take the job himself. Chris found himself the pupil of Mr. Wicker, not the old man he first saw, but a powerful man in his forties—a magician. Chris learned how to turn himself into a fish, a bird, a fly, and with a magic rope he learned to make a boat or even an elephant.</p> <p>Chris had been chosen to sail to China on a mysterious mission. Long before he sailed, Chris met the enemies who would try and stop him—evil Claggett Chew, the dandy Osterbridge Hawsey, the treacherous old beggar Simon Gosler. With a Nubian boy Chris brought to life with magic, he set out on his hazardous voyage.</p> <p>Carley Dawson writes beautifully, combining fact and fantasy with skill. Her characters are lifelike and vivid, and the plot of this, her first book, is fantastically exciting and exceptionally outstanding. With power and imagination Lynd Ward has illustrated the book with over eighty drawings in two colors.</p> <h4> <i>Illustrated by</i></h4> <h3>Lynd Ward</h3> <hr style="width: 65%;" /> <h2>Johnny Tremain</h2> <h3><i>By Esther Forbes</i></h3> <h3> Illustrated by</h3> <h3><i>Lynd Ward</i></h3> <p>"If Jonathan Lyte Tremain never lived in the flesh, he lives vividly with the men of his time in this book. So we dare to put him among the people of importance.</p> <p>"He is a boy, an apprentice to a silver-smith in Boston, when we meet him just before the American Revolution. Casting the handle of a sugar basin for John Hancock, he seriously burns his right hand. He is crippled, the work that he loves must be given up—forever. Johnny goes through some hard and bitter times before he finds his work in the struggle that is to free the Colonies from British rule. The solution comes through the young printer, who likes Johnny and befriends him. Rab, too, is a 'person of importance.'...</p> <p>"This story of Johnny Tremain is almost uncanny in its 'aliveness.' Esther Forbes's power to create, and to recreate, a face, a voice, a scene takes us as living spectators to the Boston Tea Party, to the Battles of Lexington and of North Creek. It takes us, with Johnny, to the secret meetings of the Sons of Liberty, to the secret training of the Minute Men...."</p> <h4><i>Saturday Review of Literature</i></h4> <p><b>$3.00</b></p> <div style="break-after:column;"></div><br />

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