<h2> <SPAN name="ch52" id="ch52"></SPAN><br/> <br/> CHAPTER LII. </h2>
<p><small><i>A Curious Way to Secure Salvation—The Banks of the Ganges—Architecture
Represents Piety—A Trip on the River—Bathers and their
Costumes—Drinking the Water—A Scientific Test of the Nasty
Purifier—Hindoo Faith in the Ganges—A Cremation—Remembrances
of the Suttee—All Life Sacred Except Human Life—The Goddess
Bhowanee, and the Sacrificers—Sacred Monkeys—Ugly Idols
Everywhere—Two White Minarets—A Great View with a Monkey in it—A
Picture on the Water<br/> <br/> <br/></i></small></p>
<p><i>Wrinkles should merely indicate where smiles have been.</i></p>
<p>—Pudd'nhead Wilson's New Calendar.</p>
<p>In one of those Benares temples we saw a devotee working for salvation in
a curious way. He had a huge wad of clay beside him and was making it up
into little wee gods no bigger than carpet tacks. He stuck a grain of rice
into each—to represent the lingam, I think. He turned them out
nimbly, for he had had long practice and had acquired great facility.
Every day he made 2,000 gods, then threw them into the holy Ganges. This
act of homage brought him the profound homage of the pious—also
their coppers. He had a sure living here, and was earning a high place in
the hereafter.</p>
<p>The Ganges front is the supreme show-place of Benares. Its tall bluffs are
solidly caked from water to summit, along a stretch of three miles, with a
splendid jumble of massive and picturesque masonry, a bewildering and
beautiful confusion of stone platforms, temples, stair-flights, rich and
stately palaces—nowhere a break, nowhere a glimpse of the bluff
itself; all the long face of it is compactly walled from sight by this
crammed perspective of platforms, soaring stairways, sculptured temples,
majestic palaces, softening away into the distances; and there is
movement, motion, human life everywhere, and brilliantly costumed—streaming
in rainbows up and down the lofty stairways, and massed in metaphorical
flower-gardens on the miles of great platforms at the river's edge.</p>
<p>All this masonry, all this architecture represents piety. The palaces were
built by native princes whose homes, as a rule, are far from Benares, but
who go there from time to time to refresh their souls with the sight and
touch of the Ganges, the river of their idolatry. The stairways are
records of acts of piety; the crowd of costly little temples are tokens of
money spent by rich men for present credit and hope of future reward.
Apparently, the rich Christian who spends large sums upon his religion is
conspicuous with us, by his rarity, but the rich Hindoo who doesn't spend
large sums upon his religion is seemingly non-existent. With us the poor
spend money on their religion, but they keep back some to live on.
Apparently, in India, the poor bankrupt themselves daily for their
religion. The rich Hindoo can afford his pious outlays; he gets much glory
for his spendings, yet keeps back a sufficiency of his income for temporal
purposes; but the poor Hindoo is entitled to compassion, for his spendings
keep him poor, yet get him no glory.</p>
<p>We made the usual trip up and down the river, seated in chairs under an
awning on the deck of the usual commodious hand-propelled ark; made it two
or three times, and could have made it with increasing interest and
enjoyment many times more; for, of course, the palaces and temples would
grow more and more beautiful every time one saw them, for that happens
with all such things; also, I think one would not get tired of the
bathers, nor their costumes, nor of their ingenuities in getting out of
them and into them again without exposing too much bronze, nor of their
devotional gesticulations and absorbed bead-tellings.</p>
<p>But I should get tired of seeing them wash their mouths with that dreadful
water and drink it. In fact, I did get tired of it, and very early, too.
At one place where we halted for a while, the foul gush from a sewer was
making the water turbid and murky all around, and there was a random
corpse slopping around in it that had floated down from up country. Ten
steps below that place stood a crowd of men, women, and comely young
maidens waist deep in the water-and they were scooping it up in their
hands and drinking it. Faith can certainly do wonders, and this is an
instance of it. Those people were not drinking that fearful stuff to
assuage thirst, but in order to purify their souls and the interior of
their bodies. According to their creed, the Ganges water makes everything
pure that it touches—instantly and utterly pure. The sewer water was
not an offence to them, the corpse did not revolt them; the sacred water
had touched both, and both were now snow-pure, and could defile no one.
The memory of that sight will always stay by me; but not by request.<br/>
<br/> <br/> <br/></p>
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<p><br/></p>
<p>A word further concerning the nasty but all-purifying Ganges water. When
we went to Agra, by and by, we happened there just in time to be in at the
birth of a marvel—a memorable scientific discovery—the
discovery that in certain ways the foul and derided Ganges water is the
most puissant purifier in the world! This curious fact, as I have said,
had just been added to the treasury of modern science. It had long been
noted as a strange thing that while Benares is often afflicted with the
cholera she does not spread it beyond her borders. This could not be
accounted for. Mr. Henkin, the scientist in the employ of the government
of Agra, concluded to examine the water. He went to Benares and made his
tests. He got water at the mouths of the sewers where they empty into the
river at the bathing ghats; a cubic centimetre of it contained millions of
germs; at the end of six hours they were all dead. He caught a floating
corpse, towed it to the shore, and from beside it he dipped up water that
was swarming with cholera germs; at the end of six hours they were all
dead. He added swarm after swarm of cholera germs to this water; within
the six hours they always died, to the last sample. Repeatedly, he took
pure well water which was barren of animal life, and put into it a few
cholera germs; they always began to propagate at once, and always within
six hours they swarmed—and were numberable by millions upon
millions.</p>
<p>For ages and ages the Hindoos have had absolute faith that the water of
the Ganges was absolutely pure, could not be defiled by any contact
whatsoever, and infallibly made pure and clean whatsoever thing touched
it. They still believe it, and that is why they bathe in it and drink it,
caring nothing for its seeming filthiness and the floating corpses. The
Hindoos have been laughed at, these many generations, but the laughter
will need to modify itself a little from now on. How did they find out the
water's secret in those ancient ages? Had they germ-scientists then? We do
not know. We only know that they had a civilization long before we emerged
from savagery. But to return to where I was before; I was about to speak
of the burning-ghat.</p>
<p>They do not burn fakeers—those revered mendicants. They are so holy
that they can get to their place without that sacrament, provided they be
consigned to the consecrating river. We saw one carried to mid-stream and
thrown overboard. He was sandwiched between two great slabs of stone.</p>
<p>We lay off the cremation-ghat half an hour and saw nine corpses burned. I
should not wish to see any more of it, unless I might select the parties.
The mourners follow the bier through the town and down to the ghat; then
the bier-bearers deliver the body to some low-caste natives—Doms—and
the mourners turn about and go back home. I heard no crying and saw no
tears, there was no ceremony of parting. Apparently, these expressions of
grief and affection are reserved for the privacy of the home. The dead
women came draped in red, the men in white. They are laid in the water at
the river's edge while the pyre is being prepared.</p>
<p>The first subject was a man. When the Doms unswathed him to wash him, he
proved to be a sturdily built, well-nourished and handsome old gentleman,
with not a sign about him to suggest that he had ever been ill. Dry wood
was brought and built up into a loose pile; the corpse was laid upon it
and covered over with fuel. Then a naked holy man who was sitting on high
ground a little distance away began to talk and shout with great energy,
and he kept up this noise right along. It may have been the funeral
sermon, and probably was. I forgot to say that one of the mourners
remained behind when the others went away. This was the dead man's son, a
boy of ten or twelve, brown and handsome, grave and self-possessed, and
clothed in flowing white. He was there to burn his father. He was given a
torch, and while he slowly walked seven times around the pyre the naked
black man on the high ground poured out his sermon more clamorously than
ever. The seventh circuit completed, the boy applied the torch at his
father's head, then at his feet; the flames sprang briskly up with a sharp
crackling noise, and the lad went away. Hindoos do not want daughters,
because their weddings make such a ruinous expense; but they want sons, so
that at death they may have honorable exit from the world; and there is no
honor equal to the honor of having one's pyre lighted by one's son. The
father who dies sonless is in a grievous situation indeed, and is pitied.
Life being uncertain, the Hindoo marries while he is still a boy, in the
hope that he will have a son ready when the day of his need shall come.
But if he have no son, he will adopt one. This answers every purpose.</p>
<p>Meantime the corpse is burning, also several others. It is a dismal
business. The stokers did not sit down in idleness, but moved briskly
about, punching up the fires with long poles, and now and then adding
fuel. Sometimes they hoisted the half of a skeleton into the air, then
slammed it down and beat it with the pole, breaking it up so that it would
burn better. They hoisted skulls up in the same way and banged and
battered them. The sight was hard to bear; it would have been harder if
the mourners had stayed to witness it. I had but a moderate desire to see
a cremation, so it was soon satisfied. For sanitary reasons it would be
well if cremation were universal; but this form is revolting, and not to
be recommended.</p>
<p>The fire used is sacred, of course—for there is money in it.
Ordinary fire is forbidden; there is no money in it. I was told that this
sacred fire is all furnished by one person, and that he has a monopoly of
it and charges a good price for it. Sometimes a rich mourner pays a
thousand rupees for it. To get to paradise from India is an expensive
thing. Every detail connected with the matter costs something, and helps
to fatten a priest. I suppose it is quite safe to conclude that that
fire-bug is in holy orders.<br/> <br/> <br/> <br/></p>
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<p><br/> <br/> <br/> <br/></p>
<p>Close to the cremation-ground stand a few time-worn stones which are
remembrances of the suttee. Each has a rough carving upon it, representing
a man and a woman standing or walking hand in hand, and marks the spot
where a widow went to her death by fire in the days when the suttee
flourished. Mr. Parker said that widows would burn themselves now if the
government would allow it. The family that can point to one of these
little memorials and say: "She who burned herself there was an ancestress
of ours," is envied.</p>
<p>It is a curious people. With them, all life seems to be sacred except
human life. Even the life of vermin is sacred, and must not be taken. The
good Jain wipes off a seat before using it, lest he cause the death
of-some valueless insect by sitting down on it. It grieves him to have to
drink water, because the provisions in his stomach may not agree with the
microbes. Yet India invented Thuggery and the Suttee. India is a hard
country to understand. We went to the temple of the Thug goddess,
Bhowanee, or Kali, or Durga. She has these names and others. She is the
only god to whom living sacrifices are made. Goats are sacrificed to her.
Monkeys would be cheaper.<br/> <br/> <br/> <br/></p>
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<p><br/> <br/> <br/> <br/></p>
<p>There are plenty of them about the place. Being sacred, they make
themselves very free, and scramble around wherever they please. The temple
and its porch are beautifully carved, but this is not the case with the
idol. Bhowanee is not pleasant to look at. She has a silver face, and a
projecting swollen tongue painted a deep red. She wears a necklace of
skulls.</p>
<p>In fact, none of the idols in Benares are handsome or attractive. And what
a swarm of them there is! The town is a vast museum of idols—and all
of them crude, misshapen, and ugly. They flock through one's dreams at
night, a wild mob of nightmares. When you get tired of them in the temples
and take a trip on the river, you find idol giants, flashily painted,
stretched out side by side on the shore. And apparently wherever there is
room for one more lingam, a lingam is there. If Vishnu had foreseen what
his town was going to be, he would have called it Idolville or Lingamburg.</p>
<p>The most conspicuous feature of Benares is the pair of slender white
minarets which tower like masts from the great Mosque of Aurangzeb. They
seem to be always in sight, from everywhere, those airy, graceful,
inspiring things. But masts is not the right word, for masts have a
perceptible taper, while these minarets have not. They are 142 feet high,
and only 8 1/2 feet in diameter at the base, and 7 1/2 at the summit—scarcely
any taper at all. These are the proportions of a candle; and fair and
fairylike candles these are. Will be, anyway, some day, when the
Christians inherit them and top them with the electric light. There is a
great view from up there—a wonderful view. A large gray monkey was
part of it, and damaged it. A monkey has no judgment. This one was
skipping about the upper great heights of the mosque—skipping across
empty yawning intervals which were almost too wide for him, and which he
only just barely cleared, each time, by the skin of his teeth. He got me
so nervous that I couldn't look at the view. I couldn't look at anything
but him. Every time he went sailing over one of those abysses my breath
stood still, and when he grabbed for the perch he was going for, I grabbed
too, in sympathy. And he was perfectly indifferent, perfectly unconcerned,
and I did all the panting myself. He came within an ace of losing his life
a dozen times, and I was so troubled about him that I would have shot him
if I had had anything to do it with. But I strongly recommend the view.
There is more monkey than view, and there is always going to be more
monkey while that idiot survives, but what view you get is superb. All
Benares, the river, and the region round about are spread before you. Take
a gun, and look at the view.</p>
<p>The next thing I saw was more reposeful. It was a new kind of art. It was
a picture painted on water. It was done by a native. He sprinkled fine
dust of various colors on the still surface of a basin of water, and out
of these sprinklings a dainty and pretty picture gradually grew, a picture
which a breath could destroy. Somehow it was impressive, after so much
browsing among massive and battered and decaying fanes that rest upon
ruins, and those ruins upon still other ruins, and those upon still others
again. It was a sermon, an allegory, a symbol of Instability. Those
creations in stone were only a kind of water pictures, after all.</p>
<p>A prominent episode in the Indian career of Warren Hastings had Benares
for its theater. Wherever that extraordinary man set his foot, he left his
mark. He came to Benares in 1781 to collect a fine of L500,000 which he
had levied upon its Rajah, Cheit Singh, on behalf of the East India
Company. Hastings was a long way from home and help. There were, probably,
not a dozen Englishmen within reach; the Rajah was in his fort with his
myriads around him. But no matter. From his little camp in a neighboring
garden, Hastings sent a party to arrest the sovereign. He sent on this
daring mission a couple of hundred native soldiers— sepoys—under
command of three young English lieutenants. The Rajah submitted without a
word. The incident lights up the Indian situation electrically, and gives
one a vivid sense of the strides which the English had made and the
mastership they had acquired in the land since the date of Clive's great
victory. In a quarter of a century, from being nobodies, and feared by
none, they were become confessed lords and masters, feared by all,
sovereigns included, and served by all, sovereigns included. It makes the
fairy tales sound true. The English had not been afraid to enlist native
soldiers to fight against their own people and keep them obedient. And now
Hastings was not afraid to come away out to this remote place with a
handful of such soldiers and send them to arrest a native sovereign.</p>
<p>The lieutenants imprisoned the Rajah in his own fort. It was beautiful,
the pluckiness of it, the impudence of it. The arrest enraged the Rajah's
people, and all Benares came storming about the place and threatening
vengeance. And yet, but for an accident, nothing important would have
resulted, perhaps. The mob found out a most strange thing, an almost
incredible thing—that this handful of soldiers had come on this
hardy errand with empty guns and no ammunition. This has been attributed
to thoughtlessness, but it could hardly have been that, for in such large
emergencies as this, intelligent people do think. It must have been
indifference, an over-confidence born of the proved submissiveness of the
native character, when confronted by even one or two stern Britons in
their war paint. But, however that may be, it was a fatal discovery that
the mob had made. They were full of courage, now, and they broke into the
fort and massacred the helpless soldiers and their officers. Hastings
escaped from Benares by night and got safely away, leaving the
principality in a state of wild insurrection; but he was back again within
the month, and quieted it down in his prompt and virile way, and took the
Rajah's throne away from him and gave it to another man. He was a capable
kind of person was Warren Hastings. This was the only time he was ever out
of ammunition. Some of his acts have left stains upon his name which can
never be washed away, but he saved to England the Indian Empire, and that
was the best service that was ever done to the Indians themselves, those
wretched heirs of a hundred centuries of pitiless oppression and abuse.<br/>
<br/> <br/> <br/></p>
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