<p><SPAN name="link2HCH0251" id="link2HCH0251"></SPAN></p>
<h2> CHAPTER III—THE VICISSITUDES OF FLIGHT </h2>
<h3> This is what had taken place that same night at the La Force:— </h3>
<p>An escape had been planned between Babet, Brujon, Guelemer, and
Thenardier, although Thenardier was in close confinement. Babet had
arranged the matter for his own benefit, on the same day, as the reader
has seen from Montparnasse's account to Gavroche. Montparnasse was to help
them from outside.</p>
<p>Brujon, after having passed a month in the punishment cell, had had time,
in the first place, to weave a rope, in the second, to mature a plan. In
former times, those severe places where the discipline of the prison
delivers the convict into his own hands, were composed of four stone
walls, a stone ceiling, a flagged pavement, a camp bed, a grated window,
and a door lined with iron, and were called dungeons; but the dungeon was
judged to be too terrible; nowadays they are composed of an iron door, a
grated window, a camp bed, a flagged pavement, four stone walls, and a
stone ceiling, and are called chambers of punishment. A little light
penetrates towards mid-day. The inconvenient point about these chambers
which, as the reader sees, are not dungeons, is that they allow the
persons who should be at work to think.</p>
<p>So Brujon meditated, and he emerged from the chamber of punishment with a
rope. As he had the name of being very dangerous in the Charlemagne
courtyard, he was placed in the New Building. The first thing he found in
the New Building was Guelemer, the second was a nail; Guelemer, that is to
say, crime; a nail, that is to say, liberty. Brujon, of whom it is high
time that the reader should have a complete idea, was, with an appearance
of delicate health and a profoundly premeditated languor, a polished,
intelligent sprig, and a thief, who had a caressing glance, and an
atrocious smile. His glance resulted from his will, and his smile from his
nature. His first studies in his art had been directed to roofs. He had
made great progress in the industry of the men who tear off lead, who
plunder the roofs and despoil the gutters by the process called double
pickings.</p>
<p>The circumstance which put the finishing touch on the moment peculiarly
favorable for an attempt at escape, was that the roofers were re-laying
and re-jointing, at that very moment, a portion of the slates on the
prison. The Saint-Bernard courtyard was no longer absolutely isolated from
the Charlemagne and the Saint-Louis courts. Up above there were
scaffoldings and ladders; in other words, bridges and stairs in the
direction of liberty.</p>
<p>The New Building, which was the most cracked and decrepit thing to be seen
anywhere in the world, was the weak point in the prison. The walls were
eaten by saltpetre to such an extent that the authorities had been obliged
to line the vaults of the dormitories with a sheathing of wood, because
stones were in the habit of becoming detached and falling on the prisoners
in their beds. In spite of this antiquity, the authorities committed the
error of confining in the New Building the most troublesome prisoners, of
placing there "the hard cases," as they say in prison parlance.</p>
<p>The New Building contained four dormitories, one above the other, and a
top story which was called the Bel-Air (Fine Air). A large chimney-flue,
probably from some ancient kitchen of the Dukes de la Force, started from
the groundfloor, traversed all four stories, cut the dormitories, where it
figured as a flattened pillar, into two portions, and finally pierced the
roof.</p>
<p>Guelemer and Brujon were in the same dormitory. They had been placed, by
way of precaution, on the lower story. Chance ordained that the heads of
their beds should rest against the chimney.</p>
<p>Thenardier was directly over their heads in the top story known as
Fine-Air. The pedestrian who halts on the Rue Culture-Sainte-Catherine,
after passing the barracks of the firemen, in front of the porte-coch�re
of the bathing establishment, beholds a yard full of flowers and shrubs in
wooden boxes, at the extremity of which spreads out a little white rotunda
with two wings, brightened up with green shutters, the bucolic dream of
Jean Jacques.</p>
<p>Not more than ten years ago, there rose above that rotunda an enormous
black, hideous, bare wall by which it was backed up.</p>
<p>This was the outer wall of La Force.</p>
<p>This wall, beside that rotunda, was Milton viewed through Berquin.</p>
<p>Lofty as it was, this wall was overtopped by a still blacker roof, which
could be seen beyond. This was the roof of the New Building. There one
could descry four dormer-windows, guarded with bars; they were the windows
of the Fine-Air.</p>
<p>A chimney pierced the roof; this was the chimney which traversed the
dormitories.</p>
<p>The Bel-Air, that top story of the New Building, was a sort of large hall,
with a Mansard roof, guarded with triple gratings and double doors of
sheet iron, which were studded with enormous bolts. When one entered from
the north end, one had on one's left the four dormer-windows, on one's
right, facing the windows, at regular intervals, four square, tolerably
vast cages, separated by narrow passages, built of masonry to about the
height of the elbow, and the rest, up to the roof, of iron bars.</p>
<p>Thenardier had been in solitary confinement in one of these cages since
the night of the 3d of February. No one was ever able to discover how, and
by what connivance, he succeeded in procuring, and secreting a bottle of
wine, invented, so it is said, by Desrues, with which a narcotic is mixed,
and which the band of the Endormeurs, or Sleep-compellers, rendered
famous.</p>
<p>There are, in many prisons, treacherous employees, half-jailers,
half-thieves, who assist in escapes, who sell to the police an unfaithful
service, and who turn a penny whenever they can.</p>
<p>On that same night, then, when Little Gavroche picked up the two lost
children, Brujon and Guelemer, who knew that Babet, who had escaped that
morning, was waiting for them in the street as well as Montparnasse, rose
softly, and with the nail which Brujon had found, began to pierce the
chimney against which their beds stood. The rubbish fell on Brujon's bed,
so that they were not heard. Showers mingled with thunder shook the doors
on their hinges, and created in the prison a terrible and opportune
uproar. Those of the prisoners who woke, pretended to fall asleep again,
and left Guelemer and Brujon to their own devices. Brujon was adroit;
Guelemer was vigorous. Before any sound had reached the watcher, who was
sleeping in the grated cell which opened into the dormitory, the wall had,
been pierced, the chimney scaled, the iron grating which barred the upper
orifice of the flue forced, and the two redoubtable ruffians were on the
roof. The wind and rain redoubled, the roof was slippery.</p>
<p>"What a good night to leg it!" said Brujon.</p>
<p>An abyss six feet broad and eighty feet deep separated them from the
surrounding wall. At the bottom of this abyss, they could see the musket
of a sentinel gleaming through the gloom. They fastened one end of the
rope which Brujon had spun in his dungeon to the stumps of the iron bars
which they had just wrenched off, flung the other over the outer wall,
crossed the abyss at one bound, clung to the coping of the wall, got
astride of it, let themselves slip, one after the other, along the rope,
upon a little roof which touches the bath-house, pulled their rope after
them, jumped down into the courtyard of the bath-house, traversed it,
pushed open the porter's wicket, beside which hung his rope, pulled this,
opened the porte-coch�re, and found themselves in the street.</p>
<p>Three-quarters of an hour had not elapsed since they had risen in bed in
the dark, nail in hand, and their project in their heads.</p>
<p>A few moments later they had joined Babet and Montparnasse, who were
prowling about the neighborhood.</p>
<p>They had broken their rope in pulling it after them, and a bit of it
remained attached to the chimney on the roof. They had sustained no other
damage, however, than that of scratching nearly all the skin off their
hands.</p>
<p>That night, Thenardier was warned, without any one being able to explain
how, and was not asleep.</p>
<p>Towards one o'clock in the morning, the night being very dark, he saw two
shadows pass along the roof, in the rain and squalls, in front of the
dormer-window which was opposite his cage. One halted at the window, long
enough to dart in a glance. This was Brujon.</p>
<p>Thenardier recognized him, and understood. This was enough.</p>
<p>Thenardier, rated as a burglar, and detained as a measure of precaution
under the charge of organizing a nocturnal ambush, with armed force, was
kept in sight. The sentry, who was relieved every two hours, marched up
and down in front of his cage with loaded musket. The Fine-Air was lighted
by a skylight. The prisoner had on his feet fetters weighing fifty pounds.
Every day, at four o'clock in the afternoon, a jailer, escorted by two
dogs,—this was still in vogue at that time,—entered his cage,
deposited beside his bed a loaf of black bread weighing two pounds, a jug
of water, a bowl filled with rather thin bouillon, in which swam a few
Mayagan beans, inspected his irons and tapped the bars. This man and his
dogs made two visits during the night.</p>
<p>Thenardier had obtained permission to keep a sort of iron bolt which he
used to spike his bread into a crack in the wall, "in order to preserve it
from the rats," as he said. As Thenardier was kept in sight, no objection
had been made to this spike. Still, it was remembered afterwards, that one
of the jailers had said: "It would be better to let him have only a wooden
spike."</p>
<p>At two o'clock in the morning, the sentinel, who was an old soldier, was
relieved, and replaced by a conscript. A few moments later, the man with
the dogs paid his visit, and went off without noticing anything, except,
possibly, the excessive youth and "the rustic air" of the "raw recruit."
Two hours afterwards, at four o'clock, when they came to relieve the
conscript, he was found asleep on the floor, lying like a log near
Thenardier's cage. As for Thenardier, he was no longer there. There was a
hole in the ceiling of his cage, and, above it, another hole in the roof.
One of the planks of his bed had been wrenched off, and probably carried
away with him, as it was not found. They also seized in his cell a
half-empty bottle which contained the remains of the stupefying wine with
which the soldier had been drugged. The soldier's bayonet had disappeared.</p>
<p>At the moment when this discovery was made, it was assumed that Thenardier
was out of reach. The truth is, that he was no longer in the New Building,
but that he was still in great danger.</p>
<p>Thenardier, on reaching the roof of the New Building, had found the
remains of Brujon's rope hanging to the bars of the upper trap of the
chimney, but, as this broken fragment was much too short, he had not been
able to escape by the outer wall, as Brujon and Guelemer had done.</p>
<p>When one turns from the Rue des Ballets into the Rue du Roi-de-Sicile, one
almost immediately encounters a repulsive ruin. There stood on that spot,
in the last century, a house of which only the back wall now remains, a
regular wall of masonry, which rises to the height of the third story
between the adjoining buildings. This ruin can be recognized by two large
square windows which are still to be seen there; the middle one, that
nearest the right gable, is barred with a worm-eaten beam adjusted like a
prop. Through these windows there was formerly visible a lofty and
lugubrious wall, which was a fragment of the outer wall of La Force.</p>
<p>The empty space on the street left by the demolished house is half-filled
by a fence of rotten boards, shored up by five stone posts. In this recess
lies concealed a little shanty which leans against the portion of the ruin
which has remained standing. The fence has a gate, which, a few years ago,
was fastened only by a latch.</p>
<p>It was the crest of this ruin that Thenardier had succeeded in reaching, a
little after one o'clock in the morning.</p>
<p>How had he got there? That is what no one has ever been able to explain or
understand. The lightning must, at the same time, have hindered and helped
him. Had he made use of the ladders and scaffoldings of the slaters to get
from roof to roof, from enclosure to enclosure, from compartment to
compartment, to the buildings of the Charlemagne court, then to the
buildings of the Saint-Louis court, to the outer wall, and thence to the
hut on the Rue du Roi-de-Sicile? But in that itinerary there existed
breaks which seemed to render it an impossibility. Had he placed the plank
from his bed like a bridge from the roof of the Fine-Air to the outer
wall, and crawled flat, on his belly on the coping of the outer wall the
whole distance round the prison as far as the hut? But the outer wall of
La Force formed a crenellated and unequal line; it mounted and descended,
it dropped at the firemen's barracks, it rose towards the bath-house, it
was cut in twain by buildings, it was not even of the same height on the
Hotel Lamoignon as on the Rue Pavee; everywhere occurred falls and right
angles; and then, the sentinels must have espied the dark form of the
fugitive; hence, the route taken by Thenardier still remains rather
inexplicable. In two manners, flight was impossible. Had Thenardier,
spurred on by that thirst for liberty which changes precipices into
ditches, iron bars into wattles of osier, a legless man into an athlete, a
gouty man into a bird, stupidity into instinct, instinct into
intelligence, and intelligence into genius, had Thenardier invented a
third mode? No one has ever found out.</p>
<p>The marvels of escape cannot always be accounted for. The man who makes
his escape, we repeat, is inspired; there is something of the star and of
the lightning in the mysterious gleam of flight; the effort towards
deliverance is no less surprising than the flight towards the sublime, and
one says of the escaped thief: "How did he contrive to scale that wall?"
in the same way that one says of Corneille: "Where did he find the means
of dying?"</p>
<p>At all events, dripping with perspiration, drenched with rain, with his
clothes hanging in ribbons, his hands flayed, his elbows bleeding, his
knees torn, Thenardier had reached what children, in their figurative
language, call the edge of the wall of the ruin, there he had stretched
himself out at full length, and there his strength had failed him. A steep
escarpment three stories high separated him from the pavement of the
street.</p>
<p>The rope which he had was too short.</p>
<p>There he waited, pale, exhausted, desperate with all the despair which he
had undergone, still hidden by the night, but telling himself that the day
was on the point of dawning, alarmed at the idea of hearing the
neighboring clock of Saint-Paul strike four within a few minutes, an hour
when the sentinel was relieved and when the latter would be found asleep
under the pierced roof, staring in horror at a terrible depth, at the
light of the street lanterns, the wet, black pavement, that pavement
longed for yet frightful, which meant death, and which meant liberty.</p>
<p>He asked himself whether his three accomplices in flight had succeeded, if
they had heard him, and if they would come to his assistance. He listened.
With the exception of the patrol, no one had passed through the street
since he had been there. Nearly the whole of the descent of the
market-gardeners from Montreuil, from Charonne, from Vincennes, and from
Bercy to the markets was accomplished through the Rue Saint-Antoine.</p>
<p>Four o'clock struck. Thenardier shuddered. A few moments later, that
terrified and confused uproar which follows the discovery of an escape
broke forth in the prison. The sound of doors opening and shutting, the
creaking of gratings on their hinges, a tumult in the guard-house, the
hoarse shouts of the turnkeys, the shock of musket-butts on the pavement
of the courts, reached his ears. Lights ascended and descended past the
grated windows of the dormitories, a torch ran along the ridge-pole of the
top story of the New Building, the firemen belonging in the barracks on
the right had been summoned. Their helmets, which the torch lighted up in
the rain, went and came along the roofs. At the same time, Thenardier
perceived in the direction of the Bastille a wan whiteness lighting up the
edge of the sky in doleful wise.</p>
<p>He was on top of a wall ten inches wide, stretched out under the heavy
rains, with two gulfs to right and left, unable to stir, subject to the
giddiness of a possible fall, and to the horror of a certain arrest, and
his thoughts, like the pendulum of a clock, swung from one of these ideas
to the other: "Dead if I fall, caught if I stay." In the midst of this
anguish, he suddenly saw, the street being still dark, a man who was
gliding along the walls and coming from the Rue Pavee, halt in the recess
above which Thenardier was, as it were, suspended. Here this man was
joined by a second, who walked with the same caution, then by a third,
then by a fourth. When these men were re-united, one of them lifted the
latch of the gate in the fence, and all four entered the enclosure in
which the shanty stood. They halted directly under Thenardier. These men
had evidently chosen this vacant space in order that they might consult
without being seen by the passers-by or by the sentinel who guards the
wicket of La Force a few paces distant. It must be added, that the rain
kept this sentinel blocked in his box. Thenardier, not being able to
distinguish their visages, lent an ear to their words with the desperate
attention of a wretch who feels himself lost.</p>
<p>Thenardier saw something resembling a gleam of hope flash before his eyes,—these
men conversed in slang.</p>
<p>The first said in a low but distinct voice:—</p>
<p>"Let's cut. What are we up to here?"</p>
<p>The second replied: "It's raining hard enough to put out the very devil's
fire. And the bobbies will be along instanter. There's a soldier on guard
yonder. We shall get nabbed here."</p>
<p>These two words, icigo and icicaille, both of which mean ici, and which
belong, the first to the slang of the barriers, the second to the slang of
the Temple, were flashes of light for Thenardier. By the icigo he
recognized Brujon, who was a prowler of the barriers, by the icicaille he
knew Babet, who, among his other trades, had been an old-clothes broker at
the Temple.</p>
<p>The antique slang of the great century is no longer spoken except in the
Temple, and Babet was really the only person who spoke it in all its
purity. Had it not been for the icicaille, Thenardier would not have
recognized him, for he had entirely changed his voice.</p>
<p>In the meanwhile, the third man had intervened.</p>
<p>"There's no hurry yet, let's wait a bit. How do we know that he doesn't
stand in need of us?"</p>
<p>By this, which was nothing but French, Thenardier recognized Montparnasse,
who made it a point in his elegance to understand all slangs and to speak
none of them.</p>
<p>As for the fourth, he held his peace, but his huge shoulders betrayed him.
Thenardier did not hesitate. It was Guelemer.</p>
<p>Brujon replied almost impetuously but still in a low tone:—</p>
<p>"What are you jabbering about? The tavern-keeper hasn't managed to cut his
stick. He don't tumble to the racket, that he don't! You have to be a
pretty knowing cove to tear up your shirt, cut up your sheet to make a
rope, punch holes in doors, get up false papers, make false keys, file
your irons, hang out your cord, hide yourself, and disguise yourself! The
old fellow hasn't managed to play it, he doesn't understand how to work
the business."</p>
<p>Babet added, still in that classical slang which was spoken by Poulailler
and Cartouche, and which is to the bold, new, highly colored and risky
argot used by Brujon what the language of Racine is to the language of
Andre Chenier:—</p>
<p>"Your tavern-keeper must have been nabbed in the act. You have to be
knowing. He's only a greenhorn. He must have let himself be taken in by a
bobby, perhaps even by a sheep who played it on him as his pal. Listen,
Montparnasse, do you hear those shouts in the prison? You have seen all
those lights. He's recaptured, there! He'll get off with twenty years. I
ain't afraid, I ain't a coward, but there ain't anything more to do, or
otherwise they'd lead us a dance. Don't get mad, come with us, let's go
drink a bottle of old wine together."</p>
<p>"One doesn't desert one's friends in a scrape," grumbled Montparnasse.</p>
<p>"I tell you he's nabbed!" retorted Brujon. "At the present moment, the
inn-keeper ain't worth a ha'penny. We can't do nothing for him. Let's be
off. Every minute I think a bobby has got me in his fist."</p>
<p>Montparnasse no longer offered more than a feeble resistance; the fact is,
that these four men, with the fidelity of ruffians who never abandon each
other, had prowled all night long about La Force, great as was their
peril, in the hope of seeing Thenardier make his appearance on the top of
some wall. But the night, which was really growing too fine,—for the
downpour was such as to render all the streets deserted,—the cold
which was overpowering them, their soaked garments, their hole-ridden
shoes, the alarming noise which had just burst forth in the prison, the
hours which had elapsed, the patrol which they had encountered, the hope
which was vanishing, all urged them to beat a retreat. Montparnasse
himself, who was, perhaps, almost Thenardier's son-in-law, yielded. A
moment more, and they would be gone. Thenardier was panting on his wall
like the shipwrecked sufferers of the Meduse on their raft when they
beheld the vessel which had appeared in sight vanish on the horizon.</p>
<p>He dared not call to them; a cry might be heard and ruin everything. An
idea occurred to him, a last idea, a flash of inspiration; he drew from
his pocket the end of Brujon's rope, which he had detached from the
chimney of the New Building, and flung it into the space enclosed by the
fence.</p>
<p>This rope fell at their feet.</p>
<p>"A widow,"<SPAN href="#linknote-37" name="linknoteref-37" id="noteref-37">37</SPAN>
said Babet.</p>
<p>"My tortouse!"<SPAN href="#linknote-38" name="linknoteref-38" id="noteref-38">38</SPAN>
said Brujon.</p>
<p>"The tavern-keeper is there," said Montparnasse.</p>
<p>They raised their eyes. Thenardier thrust out his head a very little.</p>
<p>"Quick!" said Montparnasse, "have you the other end of the rope, Brujon?"</p>
<p>"Yes."</p>
<p>"Knot the two pieces together, we'll fling him the rope, he can fasten it
to the wall, and he'll have enough of it to get down with."</p>
<p>Thenardier ran the risk, and spoke:—</p>
<p>"I am paralyzed with cold."</p>
<p>"We'll warm you up."</p>
<p>"I can't budge."</p>
<p>"Let yourself slide, we'll catch you."</p>
<p>"My hands are benumbed."</p>
<p>"Only fasten the rope to the wall."</p>
<p>"I can't."</p>
<p>"Then one of us must climb up," said Montparnasse.</p>
<p>"Three stories!" ejaculated Brujon.</p>
<p>An ancient plaster flue, which had served for a stove that had been used
in the shanty in former times, ran along the wall and mounted almost to
the very spot where they could see Thenardier. This flue, then much
damaged and full of cracks, has since fallen, but the marks of it are
still visible.</p>
<p>It was very narrow.</p>
<p>"One might get up by the help of that," said Montparnasse.</p>
<p>"By that flue?" exclaimed Babet, "a grown-up cove, never! it would take a
brat."</p>
<p>"A brat must be got," resumed Brujon.</p>
<p>"Where are we to find a young 'un?" said Guelemer.</p>
<p>"Wait," said Montparnasse. "I've got the very article."</p>
<p>He opened the gate of the fence very softly, made sure that no one was
passing along the street, stepped out cautiously, shut the gate behind
him, and set off at a run in the direction of the Bastille.</p>
<p>Seven or eight minutes elapsed, eight thousand centuries to Thenardier;
Babet, Brujon, and Guelemer did not open their lips; at last the gate
opened once more, and Montparnasse appeared, breathless, and followed by
Gavroche. The rain still rendered the street completely deserted.</p>
<p>Little Gavroche entered the enclosure and gazed at the forms of these
ruffians with a tranquil air. The water was dripping from his hair.
Guelemer addressed him:—</p>
<p>"Are you a man, young 'un?"</p>
<p>Gavroche shrugged his shoulders, and replied:—</p>
<p>"A young 'un like me's a man, and men like you are babes."</p>
<p>"The brat's tongue's well hung!" exclaimed Babet.</p>
<p>"The Paris brat ain't made of straw," added Brujon.</p>
<p>"What do you want?" asked Gavroche.</p>
<p>Montparnasse answered:—</p>
<p>"Climb up that flue."</p>
<p>"With this rope," said Babet.</p>
<p>"And fasten it," continued Brujon.</p>
<p>"To the top of the wall," went on Babet.</p>
<p>"To the cross-bar of the window," added Brujon.</p>
<p>"And then?" said Gavroche.</p>
<p>"There!" said Guelemer.</p>
<p>The gamin examined the rope, the flue, the wall, the windows, and made
that indescribable and disdainful noise with his lips which signifies:—</p>
<p>"Is that all!"</p>
<p>"There's a man up there whom you are to save," resumed Montparnasse.</p>
<p>"Will you?" began Brujon again.</p>
<p>"Greenhorn!" replied the lad, as though the question appeared a most
unprecedented one to him.</p>
<p>And he took off his shoes.</p>
<p>Guelemer seized Gavroche by one arm, set him on the roof of the shanty,
whose worm-eaten planks bent beneath the urchin's weight, and handed him
the rope which Brujon had knotted together during Montparnasse's absence.
The gamin directed his steps towards the flue, which it was easy to enter,
thanks to a large crack which touched the roof. At the moment when he was
on the point of ascending, Thenardier, who saw life and safety
approaching, bent over the edge of the wall; the first light of dawn
struck white upon his brow dripping with sweat, upon his livid
cheek-bones, his sharp and savage nose, his bristling gray beard, and
Gavroche recognized him.</p>
<p>"Hullo! it's my father! Oh, that won't hinder."</p>
<p>And taking the rope in his teeth, he resolutely began the ascent.</p>
<p>He reached the summit of the hut, bestrode the old wall as though it had
been a horse, and knotted the rope firmly to the upper cross-bar of the
window.</p>
<p>A moment later, Thenardier was in the street.</p>
<p>As soon as he touched the pavement, as soon as he found himself out of
danger, he was no longer either weary, or chilled or trembling; the
terrible things from which he had escaped vanished like smoke, all that
strange and ferocious mind awoke once more, and stood erect and free,
ready to march onward.</p>
<p>These were this man's first words:—</p>
<p>"Now, whom are we to eat?"</p>
<p>It is useless to explain the sense of this frightfully transparent remark,
which signifies both to kill, to assassinate, and to plunder. To eat, true
sense: to devour.</p>
<p>"Let's get well into a corner," said Brujon. "Let's settle it in three
words, and part at once. There was an affair that promised well in the Rue
Plumet, a deserted street, an isolated house, an old rotten gate on a
garden, and lone women."</p>
<p>"Well! why not?" demanded Thenardier.</p>
<p>"Your girl, Eponine, went to see about the matter," replied Babet.</p>
<p>"And she brought a biscuit to Magnon," added Guelemer. "Nothing to be made
there."</p>
<p>"The girl's no fool," said Thenardier. "Still, it must be seen to."</p>
<p>"Yes, yes," said Brujon, "it must be looked up."</p>
<p>In the meanwhile, none of the men seemed to see Gavroche, who, during this
colloquy, had seated himself on one of the fence-posts; he waited a few
moments, thinking that perhaps his father would turn towards him, then he
put on his shoes again, and said:—</p>
<p>"Is that all? You don't want any more, my men? Now you're out of your
scrape. I'm off. I must go and get my brats out of bed."</p>
<p>And off he went.</p>
<p>The five men emerged, one after another, from the enclosure.</p>
<p>When Gavroche had disappeared at the corner of the Rue des Ballets, Babet
took Thenardier aside.</p>
<p>"Did you take a good look at that young 'un?" he asked.</p>
<p>"What young 'un?"</p>
<p>"The one who climbed the wall and carried you the rope."</p>
<p>"Not particularly."</p>
<p>"Well, I don't know, but it strikes me that it was your son."</p>
<p>"Bah!" said Thenardier, "do you think so?"</p>
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