<h2>CHAPTER VIII</h2>
<h3>MARY BALLARD’S DISCOVERY</h3></div>
<p>Peter Junior’s mind was quite made up to go his own
way and leave home to study abroad, but first he would
try to convert his father to his way of thinking. Then
there was another thing to be done. Not to marry, of
course; that, under present conditions, would never do;
but to make sure of Betty, lest some one come and steal
into her heart before his return.</p>
<p>After his talk with his father in the bank he lay long
into the night, gazing at the shadowed tracery on his wall
cast by the full harvest moon shining through the maple
branches outside his window. The leaves had not all fallen,
and in the light breeze they danced and quivered, and the
branches swayed, and the shadows also swayed and danced
delicately over the soft gray wall paper and the red-coated
old soldier standing stiffly in his gold frame. Often in his
waking dreams in after life he saw the moving shadows
silently swaying and dancing over gray and red and gold,
and often he tried to call them out from the past to banish
things he would forget.</p>
<p>Long this night he lay planning and thinking. Should
he speak to Betty and tell her he loved her? Should he
only teach her to think of him, not with the frank liking of
her girlhood, so well expressed to him that very day, but
with the warm feeling which would cause her cheeks to
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redden when he spoke? Could he be sure of himself––to
do this discreetly, or would he overstep the mark? He
would wait and see what the next day would bring forth.</p>
<p>In the morning he discarded his crutch, as he had threatened,
and walked out to the studio, using only a stout old
blackthorn stick he had found one day when rummaging
among a collection of odds and ends in the attic. He
thought the stick was his father’s and wondered why so
interesting a walking stick––or staff; it could hardly be
called a cane, he thought, because it was so large and oddly
shaped––should be hidden away there. Had his father
seen it he would have recognized it instantly as one that
had belonged to his brother-in-law, Larry Kildene, and it
would have been cut up and used for lighting fires. But
it had been many years since the Elder had laid eyes on that
knobbed and sturdy stick, which Larry had treasured as
a rare thing in the new world, and a fine antique specimen
of a genuine blackthorn. It had belonged to his great-grandfather
in Ireland, and no doubt had done its part in
cracking crowns.</p>
<p>Betty, kneading bread at a table before the kitchen window,
spied Peter Junior limping wearily up the walk without
his crutch, and ran to him, dusting the flour from her
hands as she came.</p>
<p>“Lean on me. I won’t get flour on your coat. What
did you go without your crutch for? It’s very silly of you.”</p>
<p>He essayed a laugh, but it was a self-conscious one.
“I’m not going to use a crutch all my lifetime; don’t you
think it. I’m very well off without, and almost myself
again. I don’t need to lean on you––but I will––just for
fun.” He put his arm about her and drew her to him.</p>
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<p>“Stop, Peter Junior. Don’t you see you’re getting flour
all over your clothes?”</p>
<p>“I like flour on my clothes. It will do for stiffening.”
He raised her hand and kissed her wrist where there was no
flour.</p>
<p>“You’re not leaning on me. You’re just acting silly,
and you can hardly walk, you’re so tired! Coming all this
way without your crutch. I think you’re foolish.”</p>
<p>“If you say anything more about that crutch, I’ll throw
away my cane too.” He dropped down on the piazza and
drew her to the step beside him.</p>
<p>“I must finish kneading the bread; I can’t sit here.
You rest in the rocker awhile before you go up to the studio.
Father’s up there. He came home late last night after we
were all in bed.” She returned to her work, and after a
moment called to him through the open window. “There’s
going to be a nutting party to-morrow, and we want you
to go. We’re going out to Carter’s grove; we’ve got permission.
Every one’s going.”</p>
<p>Peter Junior rubbed the moisture from his hair and shook
his head. He must get nearer her, but it was always the
same thing; just a happy game, with no touch of sentiment––no
more, he thought gloomily, than if she were his
sister.</p>
<p>“What are you all going there for?”</p>
<p>“Why, nuts, goosey; didn’t I say we were going
nutting?”</p>
<p>“I don’t happen to want nuts.” No, he wanted her to
urge and coax him to go for her sake, but what could he say?</p>
<p>He left his seat, took the side path around to the kitchen
door, and drew up a chair to the end of the table where she
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deftly manipulated the sweet-smelling dough, patting it,
and pulling it, and turning it about until she was ready to
put the shapely balls in the pans, holding them in her two
firm little hands with a slight rolling motion as she slipped
each loaf in its place. It had never occurred to Peter Junior
that bread making was such an interesting process.</p>
<p>“Why do you fuss with it so? Why don’t you just dump
it in the pan any old way? That’s the way I’d do.” But
he loved to watch her pink-tipped fingers carefully shaping
the loaves, nevertheless.</p>
<p>“Oh––because.”</p>
<p>“Good reason.”</p>
<p>“Well––the more you work it the better it is, just like
everything else; and then––if you don’t make good-looking
loaves, you’ll never have a handsome husband. Mother
says so.” She tossed a stray lock from her eyes, and
opening the oven door thrust in her arm. “My, but
it’s hot! Why do you sit here in the heat? It’s a lot
nicer on the porch in the rocker. Mother’s gone to town––and––”</p>
<p>“I’d rather sit here with you––thank you.” He spoke
stiffly and waited. What could he say; what could he do
next? She left him a moment and quickly returned with a
cup of butter.</p>
<p>“You know––I’d stop and go out in the cool with you,
Peter, but I must work this dough I have left into raised
biscuit; and then I have to make a cake for to-morrow––and
cookies––there’s something to do in this house, I
tell you! How about to-morrow?”</p>
<p>“I don’t believe I’d better go. All the rest of the world
will be there, and––”</p>
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<p>“Only our little crowd. When I said everybody, you
didn’t think I meant everybody in the whole world, did you?
You know us all.”</p>
<p>“Do you want me to go? There’ll be enough others––”</p>
<p>She tossed her head and gave him a sidelong glance.
“I always ask people to go when I don’t want them to.”</p>
<p>He rose at that and stood close to her side, and, stooping,
looked in her eyes; and for the first time the color flamed
up in her face because of him. “I say––do you want me
to go?”</p>
<p>“No, I don’t.”</p>
<p>But the red he had brought into her cheeks intoxicated
him with delight. Now he knew a thing to do. He seized
her wrists and turned her away from the table and continued
to look into her eyes. She twisted about, looking
away from him, but the burning blush made even the little
ear she turned toward him pink, and he loved it. His
discretion was all gone. He loved her, and he would tell
her now––now! She must hear it, and slipping his arm
around her, he drew her away and out to the seat under
the old silver-leaf poplar tree.</p>
<p>“You’re acting silly, Peter Junior,––and my bread will
all spoil and get too light,––and my hands are all covered
with flour, and––”</p>
<p>“And you’ll sit right here while I talk to you a bit, if
the bread spoils and gets too light and everything burns to
a cinder.” She started to run away from him, and his
peremptory tone changed to pleading. “Please, Betty,
dear! just hear me this far. I’m going away, Betty, and
I love you. No, sit close and be my sweetheart. Dear,
it isn’t the old thing. It’s love, and it’s what I want you
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to feel for me. I woke up yesterday, and found I loved
you.” He held her closer and lifted her face to his. “You
must wake up, too, Betty; we can’t play always. Say
you’ll love me and be my wife––some day––won’t you,
Betty?”</p>
<p>She drooped in his arms, hanging her head and looking
down on her floury hands.</p>
<p>“Say it, Betty dear, won’t you?”</p>
<p>Her lip quivered. “I don’t want to be anybody’s wife––and,
anyway––I liked you better the other way.”</p>
<p>“Why, Betty? Tell me why.”</p>
<p>“Because––lots of reasons. I must help mother––and
I’m only seventeen, and––”</p>
<p>“Most eighteen, I know, because––”</p>
<p>“Well, anyway, mother says no girl of hers shall marry
before she’s of age, and she says that means twenty-one,
and––”</p>
<p>“That’s all right. I can wait. Kiss me, Betty.” But
she was silent, with face turned from him. Again he lifted
her face to his. “I say, kiss me, Betty. Just one? That
was a stingy little kiss. You know I’m going away, and
that is why I spoke to you now. I didn’t dare go without
telling you this first. You’re so sweet, Betty, some one
might find you out and love you––just as I have––only
not so deeply in love with you––no one could––but some
one might come and win you away from me, and so I must
make sure that you will marry me when you are of age and
I come back for you. Promise me.”</p>
<p>“Where?––why––Peter Junior! Where are you going?”
Betty removed his arm from around her waist and slipped
to her own end of the seat. There, with hands folded decorously
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in her lap, with heightened color and serious eyes,
she looked shyly up at him. He had never seen her shy
before. Always she had been merry and teasing, and his
heart was proud that he had wrought such a miracle in her.</p>
<p>“I am going to Paris. I mean to be an artist.” He
leaned toward her and would have taken her in his arms
again, but she put his hands away.</p>
<p>“Will your father let you do that?” Her eyes widened
with surprise, and the surprise nettled him.</p>
<p>“I don’t know. He’s thinking about it. Anyway, a
man must decide for himself what his career will be, and if
he won’t let me, I’ll earn the money and go without his
letting me.”</p>
<p>“Wouldn’t that be the best way, anyway?”</p>
<p>“What do you mean? To go without his consent?”</p>
<p>“Of course not––goosey.” She laughed and was herself
again, but he liked her better the other way. “To earn
the money and then go. It––it––would be more––more
as if you were in earnest.”</p>
<p>“My soul! Do you think I’m not in earnest? Do you
think I’m not in love with you?”</p>
<p>Instantly she was serious and shy again. His heart
leaped. He loved to feel his power over her thus. Still
she tantalized him. “I’m not meaning about loving me.
That’s not the question. I mean it would look more as if
you were in earnest about becoming an artist.”</p>
<p>“No. The real question is, Do you love me? Will you
marry me when I come back?” She was silent and he
came nearer. “Say it. Say it. I must hear you say it
before I leave.” Her lips trembled as if she were trying to
form the words, and their eyes met.</p>
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<p>“Yes––if––if––”</p>
<p>Then he caught her to him, and stopped her mouth with
kisses. He did not know himself. He was a man he had
never met the like of, and he gloried in himself. It seemed
as if he heard bells ringing out in joy. Then he looked up
and saw Mary Ballard’s eyes fixed on him.</p>
<p>“Peter Junior––what are you doing?” Her voice
shook.</p>
<p>“I––I’m kissing Betty.”</p>
<p>“I see that.”</p>
<p>“We are to be married some day––and––”</p>
<p>“You are precipitate, Peter Junior.”</p>
<p>Then Betty did what every woman does when her lover
is blamed, no matter how earnestly she may have resisted
him before. She went completely over to his side and took
his part.</p>
<p>“He’s going away, mother. He’s going away to be gone––perhaps
for years; and I’ve––I’ve told him yes, mother,––so
it isn’t his fault.” Then she turned and fled to her
own room, and hid her flaming face in the pillow and wept.</p>
<p>“Sit here with me awhile, Peter Junior, and we’ll talk it
all over,” said Mary.</p>
<p>He obeyed her, and looking squarely in her eyes, manfully
told her his plans, and tried to make her feel as he felt,
that no love like his had ever filled a man’s heart before.
At last she sent him up to the studio to tell her
husband, and she went in and finished Betty’s task, putting
the bread––alas! too light by this time––in the
oven, and shaping the raised biscuit which Betty had left
half-finished.</p>
<p>Then she paused a moment to look out of the window
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down the path where the boys and little Janey would soon
come tumbling home from school, hot and hungry. A tear
slowly coursed down her cheek, and, following the curves,
trembled on the tip of her chin. She brushed it away impatiently.
Of course it had to come––that was what life
must bring––but ah! not so soon––not so soon. Then
she set about preparations for dinner without Betty’s
help. That, too, was what it would mean––sometime––to
go on doing things without Betty. She gave a little sigh,
and at the instant an arm was slipped about her waist, and
she turned to look in Bertrand’s eyes.</p>
<p>“Is it all right, Mary?”</p>
<p>“Why––yes––that is––if they’ll always love each other
as we have. I think it ought not to be too definite an engagement,
though, until his plans are more settled. What
do you think?”</p>
<p>“You are right, no doubt. I’ll speak to him about that.”
Then he kissed her warm, flushed cheek. “I declare, it
makes me feel as Peter Junior feels again, to have this
happen.”</p>
<p>“Ah, Bertrand! You never grew up––thank the
Lord!” Then Mary laughed. After all, they had been
happy, and why not Betty and Peter? Surely the young
had their rights.</p>
<p>Bertrand climbed back to the studio where Peter Junior
was pacing restlessly back and forth, and again they talked
it all over, until the call came for dinner, when Peter was
urged to stay, but would not. No, he would not see Betty
again until he could have her quite to himself. So he limped
away, feeling as if he were walking on air in spite of his
halting gait, and Betty from her window watched him pass
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down the path and off along the grassy roadside. Then she
went down to dinner, flushed and grave, but with shining
eyes. Her father kissed her, but nothing was said, and the
children thought nothing of it, for it was quite natural in
the family to kiss Betty.</p>
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