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<h2> CHAPTER VII—ONE SOMETIMES RUNS AGROUND WHEN ONE FANCIES THAT ONE IS DISEMBARKING </h2>
<p>He set out on his way once more.</p>
<p>However, although he had not left his life in the fontis, he seemed to
have left his strength behind him there. That supreme effort had exhausted
him. His lassitude was now such that he was obliged to pause for breath
every three or four steps, and lean against the wall. Once he was forced
to seat himself on the banquette in order to alter Marius' position, and
he thought that he should have to remain there. But if his vigor was dead,
his energy was not. He rose again.</p>
<p>He walked on desperately, almost fast, proceeded thus for a hundred paces,
almost without drawing breath, and suddenly came in contact with the wall.
He had reached an elbow of the sewer, and, arriving at the turn with head
bent down, he had struck the wall. He raised his eyes, and at the
extremity of the vault, far, very far away in front of him, he perceived a
light. This time it was not that terrible light; it was good, white light.
It was daylight. Jean Valjean saw the outlet.</p>
<p>A damned soul, who, in the midst of the furnace, should suddenly perceive
the outlet of Gehenna, would experience what Jean Valjean felt. It would
fly wildly with the stumps of its burned wings towards that radiant
portal. Jean Valjean was no longer conscious of fatigue, he no longer felt
Marius' weight, he found his legs once more of steel, he ran rather than
walked. As he approached, the outlet became more and more distinctly
defined. It was a pointed arch, lower than the vault, which gradually
narrowed, and narrower than the gallery, which closed in as the vault grew
lower. The tunnel ended like the interior of a funnel; a faulty
construction, imitated from the wickets of penitentiaries, logical in a
prison, illogical in a sewer, and which has since been corrected.</p>
<p>Jean Valjean reached the outlet.</p>
<p>There he halted.</p>
<p>It certainly was the outlet, but he could not get out.</p>
<p>The arch was closed by a heavy grating, and the grating, which, to all
appearance, rarely swung on its rusty hinges, was clamped to its stone
jamb by a thick lock, which, red with rust, seemed like an enormous brick.
The keyhole could be seen, and the robust latch, deeply sunk in the iron
staple. The door was plainly double-locked. It was one of those prison
locks which old Paris was so fond of lavishing.</p>
<p>Beyond the grating was the open air, the river, the daylight, the shore,
very narrow but sufficient for escape. The distant quays, Paris, that gulf
in which one so easily hides oneself, the broad horizon, liberty. On the
right, down stream, the bridge of Jena was discernible, on the left,
upstream, the bridge of the Invalides; the place would have been a
propitious one in which to await the night and to escape. It was one of
the most solitary points in Paris; the shore which faces the
Grand-Caillou. Flies were entering and emerging through the bars of the
grating.</p>
<p>It might have been half-past eight o'clock in the evening. The day was
declining.</p>
<p>Jean Valjean laid Marius down along the wall, on the dry portion of the
vaulting, then he went to the grating and clenched both fists round the
bars; the shock which he gave it was frenzied, but it did not move. The
grating did not stir. Jean Valjean seized the bars one after the other, in
the hope that he might be able to tear away the least solid, and to make
of it a lever wherewith to raise the door or to break the lock. Not a bar
stirred. The teeth of a tiger are not more firmly fixed in their sockets.
No lever; no prying possible. The obstacle was invincible. There was no
means of opening the gate.</p>
<p>Must he then stop there? What was he to do? What was to become of him? He
had not the strength to retrace his steps, to recommence the journey which
he had already taken. Besides, how was he to again traverse that quagmire
whence he had only extricated himself as by a miracle? And after the
quagmire, was there not the police patrol, which assuredly could not be
twice avoided? And then, whither was he to go? What direction should he
pursue? To follow the incline would not conduct him to his goal. If he
were to reach another outlet, he would find it obstructed by a plug or a
grating. Every outlet was, undoubtedly, closed in that manner. Chance had
unsealed the grating through which he had entered, but it was evident that
all the other sewer mouths were barred. He had only succeeded in escaping
into a prison.</p>
<p>All was over. Everything that Jean Valjean had done was useless.
Exhaustion had ended in failure.</p>
<p>They were both caught in the immense and gloomy web of death, and Jean
Valjean felt the terrible spider running along those black strands and
quivering in the shadows. He turned his back to the grating, and fell upon
the pavement, hurled to earth rather than seated, close to Marius, who
still made no movement, and with his head bent between his knees. This was
the last drop of anguish.</p>
<p>Of what was he thinking during this profound depression? Neither of
himself nor of Marius. He was thinking of Cosette.</p>
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<h2> CHAPTER VIII—THE TORN COAT-TAIL </h2>
<p>In the midst of this prostration, a hand was laid on his shoulder, and a
low voice said to him:</p>
<p>"Half shares."</p>
<p>Some person in that gloom? Nothing so closely resembles a dream as
despair. Jean Valjean thought that he was dreaming. He had heard no
footsteps. Was it possible? He raised his eyes.</p>
<p>A man stood before him.</p>
<p>This man was clad in a blouse; his feet were bare; he held his shoes in
his left hand; he had evidently removed them in order to reach Jean
Valjean, without allowing his steps to be heard.</p>
<p>Jean Valjean did not hesitate for an instant. Unexpected as was this
encounter, this man was known to him. The man was Thenardier.</p>
<p>Although awakened, so to speak, with a start, Jean Valjean, accustomed to
alarms, and steeled to unforeseen shocks that must be promptly parried,
instantly regained possession of his presence of mind. Moreover, the
situation could not be made worse, a certain degree of distress is no
longer capable of a crescendo, and Thenardier himself could add nothing to
this blackness of this night.</p>
<p>A momentary pause ensued.</p>
<p>Thenardier, raising his right hand to a level with his forehead, formed
with it a shade, then he brought his eyelashes together, by screwing up
his eyes, a motion which, in connection with a slight contraction of the
mouth, characterizes the sagacious attention of a man who is endeavoring
to recognize another man. He did not succeed. Jean Valjean, as we have
just stated, had his back turned to the light, and he was, moreover, so
disfigured, so bemired, so bleeding that he would have been unrecognizable
in full noonday. On the contrary, illuminated by the light from the
grating, a cellar light, it is true, livid, yet precise in its lividness,
Thenardier, as the energetic popular metaphor expresses it, immediately
"leaped into" Jean Valjean's eyes. This inequality of conditions sufficed
to assure some advantage to Jean Valjean in that mysterious duel which was
on the point of beginning between the two situations and the two men. The
encounter took place between Jean Valjean veiled and Thenardier unmasked.</p>
<p>Jean Valjean immediately perceived that Thenardier did not recognize him.</p>
<p>They surveyed each other for a moment in that half-gloom, as though taking
each other's measure. Thenardier was the first to break the silence.</p>
<p>"How are you going to manage to get out?"</p>
<p>Jean Valjean made no reply. Thenardier continued:</p>
<p>"It's impossible to pick the lock of that gate. But still you must get out
of this."</p>
<p>"That is true," said Jean Valjean.</p>
<p>"Well, half shares then."</p>
<p>"What do you mean by that?"</p>
<p>"You have killed that man; that's all right. I have the key."</p>
<p>Thenardier pointed to Marius. He went on:</p>
<p>"I don't know you, but I want to help you. You must be a friend."</p>
<p>Jean Valjean began to comprehend. Thenardier took him for an assassin.</p>
<p>Thenardier resumed:</p>
<p>"Listen, comrade. You didn't kill that man without looking to see what he
had in his pockets. Give me my half. I'll open the door for you."</p>
<p>And half drawing from beneath his tattered blouse a huge key, he added:</p>
<p>"Do you want to see how a key to liberty is made? Look here."</p>
<p>Jean Valjean "remained stupid"—the expression belongs to the elder
Corneille—to such a degree that he doubted whether what he beheld
was real. It was providence appearing in horrible guise, and his good
angel springing from the earth in the form of Thenardier.</p>
<p>Thenardier thrust his fist into a large pocket concealed under his blouse,
drew out a rope and offered it to Jean Valjean.</p>
<p>"Hold on," said he, "I'll give you the rope to boot."</p>
<p>"What is the rope for?"</p>
<p>"You will need a stone also, but you can find one outside. There's a heap
of rubbish."</p>
<p>"What am I to do with a stone?"</p>
<p>"Idiot, you'll want to sling that stiff into the river, you'll need a
stone and a rope, otherwise it would float on the water."</p>
<p>Jean Valjean took the rope. There is no one who does not occasionally
accept in this mechanical way.</p>
<p>Thenardier snapped his fingers as though an idea had suddenly occurred to
him.</p>
<p>"Ah, see here, comrade, how did you contrive to get out of that slough
yonder? I haven't dared to risk myself in it. Phew! you don't smell good."</p>
<p>After a pause he added:</p>
<p>"I'm asking you questions, but you're perfectly right not to answer. It's
an apprenticeship against that cursed quarter of an hour before the
examining magistrate. And then, when you don't talk at all, you run no
risk of talking too loud. That's no matter, as I can't see your face and
as I don't know your name, you are wrong in supposing that I don't know
who you are and what you want. I twig. You've broken up that gentleman a
bit; now you want to tuck him away somewhere. The river, that great hider
of folly, is what you want. I'll get you out of your scrape. Helping a
good fellow in a pinch is what suits me to a hair."</p>
<p>While expressing his approval of Jean Valjean's silence, he endeavored to
force him to talk. He jostled his shoulder in an attempt to catch a sight
of his profile, and he exclaimed, without, however, raising his tone:</p>
<p>"Apropos of that quagmire, you're a hearty animal. Why didn't you toss the
man in there?"</p>
<p>Jean Valjean preserved silence.</p>
<p>Thenardier resumed, pushing the rag which served him as a cravat to the
level of his Adam's apple, a gesture which completes the capable air of a
serious man:</p>
<p>"After all, you acted wisely. The workmen, when they come to-morrow to
stop up that hole, would certainly have found the stiff abandoned there,
and it might have been possible, thread by thread, straw by straw, to pick
up the scent and reach you. Some one has passed through the sewer. Who?
Where did he get out? Was he seen to come out? The police are full of
cleverness. The sewer is treacherous and tells tales of you. Such a find
is a rarity, it attracts attention, very few people make use of the sewers
for their affairs, while the river belongs to everybody. The river is the
true grave. At the end of a month they fish up your man in the nets at
Saint-Cloud. Well, what does one care for that? It's carrion! Who killed
that man? Paris. And justice makes no inquiries. You have done well."</p>
<p>The more loquacious Thenardier became, the more mute was Jean Valjean.</p>
<p>Again Thenardier shook him by the shoulder.</p>
<p>"Now let's settle this business. Let's go shares. You have seen my key,
show me your money."</p>
<p>Thenardier was haggard, fierce, suspicious, rather menacing, yet amicable.</p>
<p>There was one singular circumstance; Thenardier's manners were not simple;
he had not the air of being wholly at his ease; while affecting an air of
mystery, he spoke low; from time to time he laid his finger on his mouth,
and muttered, "hush!" It was difficult to divine why. There was no one
there except themselves. Jean Valjean thought that other ruffians might
possibly be concealed in some nook, not very far off, and that Thenardier
did not care to share with them.</p>
<p>Thenardier resumed:</p>
<p>"Let's settle up. How much did the stiff have in his bags?"</p>
<p>Jean Valjean searched his pockets.</p>
<p>It was his habit, as the reader will remember, to always have some money
about him. The mournful life of expedients to which he had been condemned
imposed this as a law upon him. On this occasion, however, he had been
caught unprepared. When donning his uniform of a National Guardsman on the
preceding evening, he had forgotten, dolefully absorbed as he was, to take
his pocket-book. He had only some small change in his fob. He turned out
his pocket, all soaked with ooze, and spread out on the banquette of the
vault one louis d'or, two five-franc pieces, and five or six large sous.</p>
<p>Thenardier thrust out his lower lip with a significant twist of the neck.</p>
<p>"You knocked him over cheap," said he.</p>
<p>He set to feeling the pockets of Jean Valjean and Marius, with the
greatest familiarity. Jean Valjean, who was chiefly concerned in keeping
his back to the light, let him have his way.</p>
<p>While handling Marius' coat, Thenardier, with the skill of a pickpocket,
and without being noticed by Jean Valjean, tore off a strip which he
concealed under his blouse, probably thinking that this morsel of stuff
might serve, later on, to identify the assassinated man and the assassin.
However, he found no more than the thirty francs.</p>
<p>"That's true," said he, "both of you together have no more than that."</p>
<p>And, forgetting his motto: "half shares," he took all.</p>
<p>He hesitated a little over the large sous. After due reflection, he took
them also, muttering:</p>
<p>"Never mind! You cut folks' throats too cheap altogether."</p>
<p>That done, he once more drew the big key from under his blouse.</p>
<p>"Now, my friend, you must leave. It's like the fair here, you pay when you
go out. You have paid, now clear out."</p>
<p>And he began to laugh.</p>
<p>Had he, in lending to this stranger the aid of his key, and in making some
other man than himself emerge from that portal, the pure and disinterested
intention of rescuing an assassin? We may be permitted to doubt this.</p>
<p>Thenardier helped Jean Valjean to replace Marius on his shoulders, then he
betook himself to the grating on tiptoe, and barefooted, making Jean
Valjean a sign to follow him, looked out, laid his finger on his mouth,
and remained for several seconds, as though in suspense; his inspection
finished, he placed the key in the lock. The bolt slipped back and the
gate swung open. It neither grated nor squeaked. It moved very softly.</p>
<p>It was obvious that this gate and those hinges, carefully oiled, were in
the habit of opening more frequently than was supposed. This softness was
suspicious; it hinted at furtive goings and comings, silent entrances and
exits of nocturnal men, and the wolf-like tread of crime.</p>
<p>The sewer was evidently an accomplice of some mysterious band. This
taciturn grating was a receiver of stolen goods.</p>
<p>Thenardier opened the gate a little way, allowing just sufficient space
for Jean Valjean to pass out, closed the grating again, gave the key a
double turn in the lock and plunged back into the darkness, without making
any more noise than a breath. He seemed to walk with the velvet paws of a
tiger.</p>
<p>A moment later, that hideous providence had retreated into the
invisibility.</p>
<p>Jean Valjean found himself in the open air.</p>
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