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<h2> CHAPTER III—THEY RECALL THE GARDEN OF THE RUE PLUMET </h2>
<p>This was the last time. After that last flash of light, complete
extinction ensued. No more familiarity, no more good-morning with a kiss,
never more that word so profoundly sweet: "My father!" He was at his own
request and through his own complicity driven out of all his happinesses
one after the other; and he had this sorrow, that after having lost
Cosette wholly in one day, he was afterwards obliged to lose her again in
detail.</p>
<p>The eye eventually becomes accustomed to the light of a cellar. In short,
it sufficed for him to have an apparition of Cosette every day. His whole
life was concentrated in that one hour.</p>
<p>He seated himself close to her, he gazed at her in silence, or he talked
to her of years gone by, of her childhood, of the convent, of her little
friends of those bygone days.</p>
<p>One afternoon,—it was on one of those early days in April, already
warm and fresh, the moment of the sun's great gayety, the gardens which
surrounded the windows of Marius and Cosette felt the emotion of waking,
the hawthorn was on the point of budding, a jewelled garniture of
gillyflowers spread over the ancient walls, snapdragons yawned through the
crevices of the stones, amid the grass there was a charming beginning of
daisies, and buttercups, the white butterflies of the year were making
their first appearance, the wind, that minstrel of the eternal wedding,
was trying in the trees the first notes of that grand, auroral symphony
which the old poets called the springtide,—Marius said to Cosette:—"We
said that we would go back to take a look at our garden in the Rue Plumet.
Let us go thither. We must not be ungrateful."—And away they
flitted, like two swallows towards the spring. This garden of the Rue
Plumet produced on them the effect of the dawn. They already had behind
them in life something which was like the springtime of their love. The
house in the Rue Plumet being held on a lease, still belonged to Cosette.
They went to that garden and that house. There they found themselves
again, there they forgot themselves. That evening, at the usual hour, Jean
Valjean came to the Rue des Filles-du-Calvaire.—"Madame went out
with Monsieur and has not yet returned," Basque said to him. He seated
himself in silence, and waited an hour. Cosette did not return. He
departed with drooping head.</p>
<p>Cosette was so intoxicated with her walk to "their garden," and so joyous
at having "lived a whole day in her past," that she talked of nothing else
on the morrow. She did not notice that she had not seen Jean Valjean.</p>
<p>"In what way did you go thither?" Jean Valjean asked her."</p>
<p>"On foot."</p>
<p>"And how did you return?"</p>
<p>"In a hackney carriage."</p>
<p>For some time, Jean Valjean had noticed the economical life led by the
young people. He was troubled by it. Marius' economy was severe, and that
word had its absolute meaning for Jean Valjean. He hazarded a query:</p>
<p>"Why do you not have a carriage of your own? A pretty coupe would only
cost you five hundred francs a month. You are rich."</p>
<p>"I don't know," replied Cosette.</p>
<p>"It is like Toussaint," resumed Jean Valjean. "She is gone. You have not
replaced her. Why?"</p>
<p>"Nicolette suffices."</p>
<p>"But you ought to have a maid."</p>
<p>"Have I not Marius?"</p>
<p>"You ought to have a house of your own, your own servants, a carriage, a
box at the theatre. There is nothing too fine for you. Why not profit by
your riches? Wealth adds to happiness."</p>
<p>Cosette made no reply.</p>
<p>Jean Valjean's visits were not abridged. Far from it. When it is the heart
which is slipping, one does not halt on the downward slope.</p>
<p>When Jean Valjean wished to prolong his visit and to induce forgetfulness
of the hour, he sang the praises of Marius; he pronounced him handsome,
noble, courageous, witty, eloquent, good. Cosette outdid him. Jean Valjean
began again. They were never weary. Marius—that word was
inexhaustible; those six letters contained volumes. In this manner, Jean
Valjean contrived to remain a long time.</p>
<p>It was so sweet to see Cosette, to forget by her side! It alleviated his
wounds. It frequently happened that Basque came twice to announce: "M.
Gillenormand sends me to remind Madame la Baronne that dinner is served."</p>
<p>On those days, Jean Valjean was very thoughtful on his return home.</p>
<p>Was there, then, any truth in that comparison of the chrysalis which had
presented itself to the mind of Marius? Was Jean Valjean really a
chrysalis who would persist, and who would come to visit his butterfly?</p>
<p>One day he remained still longer than usual. On the following day he
observed that there was no fire on the hearth.—"Hello!" he thought.
"No fire."—And he furnished the explanation for himself.—"It
is perfectly simple. It is April. The cold weather has ceased."</p>
<p>"Heavens! how cold it is here!" exclaimed Cosette when she entered.</p>
<p>"Why, no," said Jean Valjean.</p>
<p>"Was it you who told Basque not to make a fire then?"</p>
<p>"Yes, since we are now in the month of May."</p>
<p>"But we have a fire until June. One is needed all the year in this
cellar."</p>
<p>"I thought that a fire was unnecessary."</p>
<p>"That is exactly like one of your ideas!" retorted Cosette.</p>
<p>On the following day there was a fire. But the two arm-chairs were
arranged at the other end of the room near the door. "—What is the
meaning of this?" thought Jean Valjean.</p>
<p>He went for the arm-chairs and restored them to their ordinary place near
the hearth.</p>
<p>This fire lighted once more encouraged him, however. He prolonged the
conversation even beyond its customary limits. As he rose to take his
leave, Cosette said to him:</p>
<p>"My husband said a queer thing to me yesterday."</p>
<p>"What was it?"</p>
<p>"He said to me: 'Cosette, we have an income of thirty thousand livres.
Twenty-seven that you own, and three that my grandfather gives me.' I
replied: 'That makes thirty.' He went on: 'Would you have the courage to
live on the three thousand?' I answered: 'Yes, on nothing. Provided that
it was with you.' And then I asked: 'Why do you say that to me?' He
replied: 'I wanted to know.'"</p>
<p>Jean Valjean found not a word to answer. Cosette probably expected some
explanation from him; he listened in gloomy silence. He went back to the
Rue de l'Homme Arme; he was so deeply absorbed that he mistook the door
and instead of entering his own house, he entered the adjoining dwelling.
It was only after having ascended nearly two stories that he perceived his
error and went down again.</p>
<p>His mind was swarming with conjectures. It was evident that Marius had his
doubts as to the origin of the six hundred thousand francs, that he feared
some source that was not pure, who knows? that he had even, perhaps,
discovered that the money came from him, Jean Valjean, that he hesitated
before this suspicious fortune, and was disinclined to take it as his own,—preferring
that both he and Cosette should remain poor, rather than that they should
be rich with wealth that was not clean.</p>
<p>Moreover, Jean Valjean began vaguely to surmise that he was being shown
the door.</p>
<p>On the following day, he underwent something like a shock on entering the
ground-floor room. The arm-chairs had disappeared. There was not a single
chair of any sort.</p>
<p>"Ah, what's this!" exclaimed Cosette as she entered, "no chairs! Where are
the arm-chairs?"</p>
<p>"They are no longer here," replied Jean Valjean.</p>
<p>"This is too much!"</p>
<p>Jean Valjean stammered:</p>
<p>"It was I who told Basque to remove them."</p>
<p>"And your reason?"</p>
<p>"I have only a few minutes to stay to-day."</p>
<p>"A brief stay is no reason for remaining standing."</p>
<p>"I think that Basque needed the chairs for the drawing-room."</p>
<p>"Why?"</p>
<p>"You have company this evening, no doubt."</p>
<p>"We expect no one."</p>
<p>Jean Valjean had not another word to say.</p>
<p>Cosette shrugged her shoulders.</p>
<p>"To have the chairs carried off! The other day you had the fire put out.
How odd you are!"</p>
<p>"Adieu!" murmured Jean Valjean.</p>
<p>He did not say: "Adieu, Cosette." But he had not the strength to say:
"Adieu, Madame."</p>
<p>He went away utterly overwhelmed.</p>
<p>This time he had understood.</p>
<p>On the following day he did not come. Cosette only observed the fact in
the evening.</p>
<p>"Why," said she, "Monsieur Jean has not been here today."</p>
<p>And she felt a slight twinge at her heart, but she hardly perceived it,
being immediately diverted by a kiss from Marius.</p>
<p>On the following day he did not come.</p>
<p>Cosette paid no heed to this, passed her evening and slept well that
night, as usual, and thought of it only when she woke. She was so happy!
She speedily despatched Nicolette to M. Jean's house to inquire whether he
were ill, and why he had not come on the previous evening. Nicolette
brought back the reply of M. Jean that he was not ill. He was busy. He
would come soon. As soon as he was able. Moreover, he was on the point of
taking a little journey. Madame must remember that it was his custom to
take trips from time to time. They were not to worry about him. They were
not to think of him.</p>
<p>Nicolette on entering M. Jean's had repeated to him her mistress' very
words. That Madame had sent her to inquire why M. Jean bad not come on the
preceding evening."—It is two days since I have been there," said
Jean Valjean gently.</p>
<p>But the remark passed unnoticed by Nicolette, who did not report it to
Cosette.</p>
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<h2> CHAPTER IV—ATTRACTION AND EXTINCTION </h2>
<p>During the last months of spring and the first months of summer in 1833,
the rare passersby in the Marais, the petty shopkeepers, the loungers on
thresholds, noticed an old man neatly clad in black, who emerged every day
at the same hour, towards nightfall, from the Rue de l'Homme Arme, on the
side of the Rue Sainte-Croix-de-la-Bretonnerie, passed in front of the
Blancs Manteaux, gained the Rue Culture-Sainte-Catherine, and, on arriving
at the Rue de l'Echarpe, turned to the left, and entered the Rue
Saint-Louis.</p>
<p>There he walked at a slow pace, with his head strained forward, seeing
nothing, hearing nothing, his eye immovably fixed on a point which seemed
to be a star to him, which never varied, and which was no other than the
corner of the Rue des Filles-du-Calvaire. The nearer he approached the
corner of the street the more his eye lighted up; a sort of joy
illuminated his pupils like an inward aurora, he had a fascinated and much
affected air, his lips indulged in obscure movements, as though he were
talking to some one whom he did not see, he smiled vaguely and advanced as
slowly as possible. One would have said that, while desirous of reaching
his destination, he feared the moment when he should be close at hand.
When only a few houses remained between him and that street which appeared
to attract him his pace slackened, to such a degree that, at times, one
might have thought that he was no longer advancing at all. The vacillation
of his head and the fixity of his eyeballs suggested the thought of the
magnetic needle seeking the pole. Whatever time he spent on arriving, he
was obliged to arrive at last; he reached the Rue des Filles-du-Calvaire;
then he halted, he trembled, he thrust his head with a sort of melancholy
timidity round the corner of the last house, and gazed into that street,
and there was in that tragic look something which resembled the dazzling
light of the impossible, and the reflection from a paradise that was
closed to him. Then a tear, which had slowly gathered in the corner of his
lids, and had become large enough to fall, trickled down his cheek, and
sometimes stopped at his mouth. The old man tasted its bitter flavor. Thus
he remained for several minutes as though made of stone, then he returned
by the same road and with the same step, and, in proportion as he
retreated, his glance died out.</p>
<p>Little by little, this old man ceased to go as far as the corner of the
Rue des Filles-du-Calvaire; he halted half way in the Rue Saint-Louis;
sometimes a little further off, sometimes a little nearer.</p>
<p>One day he stopped at the corner of the Rue Culture-Sainte-Catherine and
looked at the Rue des Filles-du-Calvaire from a distance. Then he shook
his head slowly from right to left, as though refusing himself something,
and retraced his steps.</p>
<p>Soon he no longer came as far as the Rue Saint-Louis. He got as far as the
Rue Pavee, shook his head and turned back; then he went no further than
the Rue des Trois-Pavillons; then he did not overstep the Blancs-Manteaux.
One would have said that he was a pendulum which was no longer wound up,
and whose oscillations were growing shorter before ceasing altogether.</p>
<p>Every day he emerged from his house at the same hour, he undertook the
same trip, but he no longer completed it, and, perhaps without himself
being aware of the fact, he constantly shortened it. His whole countenance
expressed this single idea: What is the use?—His eye was dim; no
more radiance. His tears were also exhausted; they no longer collected in
the corner of his eye-lid; that thoughtful eye was dry. The old man's head
was still craned forward; his chin moved at times; the folds in his gaunt
neck were painful to behold. Sometimes, when the weather was bad, he had
an umbrella under his arm, but he never opened it.</p>
<p>The good women of the quarter said: "He is an innocent." The children
followed him and laughed.</p>
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