<SPAN name="chap62"></SPAN>
<h3> CHAPTER 62 </h3>
<p>A faint light, twinkling from the window of the counting-house on
Quilp's wharf, and looking inflamed and red through the night-fog, as
though it suffered from it like an eye, forewarned Mr Sampson Brass, as
he approached the wooden cabin with a cautious step, that the excellent
proprietor, his esteemed client, was inside, and probably waiting with
his accustomed patience and sweetness of temper the fulfilment of the
appointment which now brought Mr Brass within his fair domain.</p>
<p>'A treacherous place to pick one's steps in, of a dark night,' muttered
Sampson, as he stumbled for the twentieth time over some stray lumber,
and limped in pain. 'I believe that boy strews the ground differently
every day, on purpose to bruise and maim one; unless his master does it
with his own hands, which is more than likely. I hate to come to this
place without Sally. She's more protection than a dozen men.'</p>
<p>As he paid this compliment to the merit of the absent charmer, Mr Brass
came to a halt; looking doubtfully towards the light, and over his
shoulder.</p>
<p>'What's he about, I wonder?' murmured the lawyer, standing on tiptoe,
and endeavouring to obtain a glimpse of what was passing inside, which
at that distance was impossible—'drinking, I suppose,—making himself
more fiery and furious, and heating his malice and mischievousness till
they boil. I'm always afraid to come here by myself, when his
account's a pretty large one. I don't believe he'd mind throttling me,
and dropping me softly into the river when the tide was at its
strongest, any more than he'd mind killing a rat—indeed I don't know
whether he wouldn't consider it a pleasant joke. Hark! Now he's
singing!'</p>
<p>Mr Quilp was certainly entertaining himself with vocal exercise, but it
was rather a kind of chant than a song; being a monotonous repetition
of one sentence in a very rapid manner, with a long stress upon the
last word, which he swelled into a dismal roar. Nor did the burden of
this performance bear any reference to love, or war, or wine, or
loyalty, or any other, the standard topics of song, but to a subject
not often set to music or generally known in ballads; the words being
these:—'The worthy magistrate, after remarking that the prisoner would
find some difficulty in persuading a jury to believe his tale,
committed him to take his trial at the approaching sessions; and
directed the customary recognisances to be entered into for the
pros-e-cu-tion.'</p>
<p>Every time he came to this concluding word, and had exhausted all
possible stress upon it, Quilp burst into a shriek of laughter, and
began again.</p>
<p>'He's dreadfully imprudent,' muttered Brass, after he had listened to
two or three repetitions of the chant. 'Horribly imprudent. I wish he
was dumb. I wish he was deaf. I wish he was blind. Hang him,' cried
Brass, as the chant began again. 'I wish he was dead!'</p>
<p>Giving utterance to these friendly aspirations in behalf of his client,
Mr Sampson composed his face into its usual state of smoothness, and
waiting until the shriek came again and was dying away, went up to the
wooden house, and knocked at the door.</p>
<p>'Come in!' cried the dwarf.</p>
<p>'How do you do to-night sir?' said Sampson, peeping in. 'Ha ha ha!
How do you do sir? Oh dear me, how very whimsical! Amazingly
whimsical to be sure!'</p>
<p>'Come in, you fool!' returned the dwarf, 'and don't stand there shaking
your head and showing your teeth. Come in, you false witness, you
perjurer, you suborner of evidence, come in!'</p>
<p>'He has the richest humour!' cried Brass, shutting the door behind him;
'the most amazing vein of comicality! But isn't it rather injudicious,
sir—?'</p>
<p>'What?' demanded Quilp. 'What, Judas?'</p>
<p>'Judas!' cried Brass. 'He has such extraordinary spirits! His humour
is so extremely playful! Judas! Oh yes—dear me, how very good! Ha
ha ha!' All this time, Sampson was rubbing his hands, and staring, with
ludicrous surprise and dismay, at a great, goggle-eyed, blunt-nosed
figure-head of some old ship, which was reared up against the wall in a
corner near the stove, looking like a goblin or hideous idol whom the
dwarf worshipped. A mass of timber on its head, carved into the dim
and distant semblance of a cocked hat, together with a representation
of a star on the left breast and epaulettes on the shoulders, denoted
that it was intended for the effigy of some famous admiral; but,
without those helps, any observer might have supposed it the authentic
portrait of a distinguished merman, or great sea-monster. Being
originally much too large for the apartment which it was now employed
to decorate, it had been sawn short off at the waist. Even in this
state it reached from floor to ceiling; and thrusting itself forward,
with that excessively wide-awake aspect, and air of somewhat obtrusive
politeness, by which figure-heads are usually characterised, seemed to
reduce everything else to mere pigmy proportions.</p>
<p>'Do you know it?' said the dwarf, watching Sampson's eyes. 'Do you see
the likeness?'</p>
<p>'Eh?' said Brass, holding his head on one side, and throwing it a
little back, as connoisseurs do. 'Now I look at it again, I fancy I
see a—yes, there certainly is something in the smile that reminds me
of—and yet upon my word I—'</p>
<p>Now, the fact was, that Sampson, having never seen anything in the
smallest degree resembling this substantial phantom, was much
perplexed; being uncertain whether Mr Quilp considered it like himself,
and had therefore bought it for a family portrait; or whether he was
pleased to consider it as the likeness of some enemy. He was not very
long in doubt; for, while he was surveying it with that knowing look
which people assume when they are contemplating for the first time
portraits which they ought to recognise but don't, the dwarf threw down
the newspaper from which he had been chanting the words already quoted,
and seizing a rusty iron bar, which he used in lieu of poker, dealt the
figure such a stroke on the nose that it rocked again.</p>
<p>'Is it like Kit—is it his picture, his image, his very self?' cried
the dwarf, aiming a shower of blows at the insensible countenance, and
covering it with deep dimples. 'Is it the exact model and counterpart
of the dog—is it—is it—is it?' And with every repetition of the
question, he battered the great image, until the perspiration streamed
down his face with the violence of the exercise.</p>
<p>Although this might have been a very comical thing to look at from a
secure gallery, as a bull-fight is found to be a comfortable spectacle
by those who are not in the arena, and a house on fire is better than a
play to people who don't live near it, there was something in the
earnestness of Mr Quilp's manner which made his legal adviser feel that
the counting-house was a little too small, and a deal too lonely, for
the complete enjoyment of these humours. Therefore, he stood as far
off as he could, while the dwarf was thus engaged; whimpering out but
feeble applause; and when Quilp left off and sat down again from pure
exhaustion, approached with more obsequiousness than ever.</p>
<p>'Excellent indeed!' cried Brass. 'He he! Oh, very good Sir. You
know,' said Sampson, looking round as if in appeal to the bruised
animal, 'he's quite a remarkable man—quite!'</p>
<p>'Sit down,' said the dwarf. 'I bought the dog yesterday. I've been
screwing gimlets into him, and sticking forks in his eyes, and cutting
my name on him. I mean to burn him at last.'</p>
<p>'Ha ha!' cried Brass. 'Extremely entertaining, indeed!'</p>
<p>'Come here,' said Quilp, beckoning him to draw near. 'What's
injudicious, hey?'</p>
<p>'Nothing Sir—nothing. Scarcely worth mentioning Sir; but I thought
that song—admirably humorous in itself you know—was perhaps rather—'</p>
<p>'Yes,' said Quilp, 'rather what?'</p>
<p>'Just bordering, or as one may say remotely verging, upon the confines
of injudiciousness perhaps, Sir,' returned Brass, looking timidly at
the dwarf's cunning eyes, which were turned towards the fire and
reflected its red light.</p>
<p>'Why?' inquired Quilp, without looking up.</p>
<p>'Why, you know, sir,' returned Brass, venturing to be more familiar:
'—the fact is, sir, that any allusion to these little combinings
together, of friends, for objects in themselves extremely laudable, but
which the law terms conspiracies, are—you take me, sir?—best kept
snug and among friends, you know.'</p>
<p>'Eh!' said Quilp, looking up with a perfectly vacant countenance.
'What do you mean?'</p>
<p>'Cautious, exceedingly cautious, very right and proper!' cried Brass,
nodding his head. 'Mum, sir, even here—my meaning, sir, exactly.'</p>
<p>'YOUR meaning exactly, you brazen scarecrow,—what's your meaning?'
retorted Quilp. 'Why do you talk to me of combining together? Do I
combine? Do I know anything about your combinings?'</p>
<p>'No no, sir—certainly not; not by any means,' returned Brass.</p>
<p>'If you so wink and nod at me,' said the dwarf, looking about him as if
for his poker, 'I'll spoil the expression of your monkey's face, I
will.' 'Don't put yourself out of the way I beg, sir,' rejoined Brass,
checking himself with great alacrity. 'You're quite right, sir, quite
right. I shouldn't have mentioned the subject, sir. It's much better
not to. You're quite right, sir. Let us change it, if you please.
You were asking, sir, Sally told me, about our lodger. He has not
returned, sir.'</p>
<p>'No?' said Quilp, heating some rum in a little saucepan, and watching
it to prevent its boiling over. 'Why not?'</p>
<p>'Why, sir,' returned Brass, 'he—dear me, Mr Quilp, sir—'</p>
<p>'What's the matter?' said the dwarf, stopping his hand in the act of
carrying the saucepan to his mouth.</p>
<p>'You have forgotten the water, sir,' said Brass. 'And—excuse me,
sir—but it's burning hot.'</p>
<p>Deigning no other than a practical answer to this remonstrance, Mr
Quilp raised the hot saucepan to his lips, and deliberately drank off
all the spirit it contained, which might have been in quantity about
half a pint, and had been but a moment before, when he took it off the
fire, bubbling and hissing fiercely. Having swallowed this gentle
stimulant, and shaken his fist at the admiral, he bade Mr Brass proceed.</p>
<p>'But first,' said Quilp, with his accustomed grin, 'have a drop
yourself—a nice drop—a good, warm, fiery drop.'</p>
<p>'Why, sir,' replied Brass, 'if there was such a thing as a mouthful of
water that could be got without trouble—'</p>
<p>'There's no such thing to be had here,' cried the dwarf. 'Water for
lawyers! Melted lead and brimstone, you mean, nice hot blistering
pitch and tar—that's the thing for them—eh, Brass, eh?'</p>
<p>'Ha ha ha!' laughed Mr Brass. 'Oh very biting! and yet it's like being
tickled—there's a pleasure in it too, sir!'</p>
<p>'Drink that,' said the dwarf, who had by this time heated some more.
'Toss it off, don't leave any heeltap, scorch your throat and be happy!'</p>
<p>The wretched Sampson took a few short sips of the liquor, which
immediately distilled itself into burning tears, and in that form came
rolling down his cheeks into the pipkin again, turning the colour of
his face and eyelids to a deep red, and giving rise to a violent fit of
coughing, in the midst of which he was still heard to declare, with the
constancy of a martyr, that it was 'beautiful indeed!' While he was
yet in unspeakable agonies, the dwarf renewed their conversation.</p>
<p>'The lodger,' said Quilp, '—what about him?' 'He is still, sir,'
returned Brass, with intervals of coughing, 'stopping with the Garland
family. He has only been home once, Sir, since the day of the
examination of that culprit. He informed Mr Richard, sir, that he
couldn't bear the house after what had taken place; that he was
wretched in it; and that he looked upon himself as being in a certain
kind of way the cause of the occurrence.—A very excellent lodger Sir.
I hope we may not lose him.'</p>
<p>'Yah!' cried the dwarf. 'Never thinking of anybody but yourself—why
don't you retrench then—scrape up, hoard, economise, eh?'</p>
<p>'Why, sir,' replied Brass, 'upon my word I think Sarah's as good an
economiser as any going. I do indeed, Mr Quilp.'</p>
<p>'Moisten your clay, wet the other eye, drink, man!' cried the dwarf.
'You took a clerk to oblige me.'</p>
<p>'Delighted, sir, I am sure, at any time,' replied Sampson. 'Yes, Sir,
I did.'</p>
<p>'Then now you may discharge him,' said Quilp. 'There's a means of
retrenchment for you at once.'</p>
<p>'Discharge Mr Richard, sir?' cried Brass.</p>
<p>'Have you more than one clerk, you parrot, that you ask the question?
Yes.'</p>
<p>'Upon my word, Sir,' said Brass, 'I wasn't prepared for this-'</p>
<p>'How could you be?' sneered the dwarf, 'when I wasn't? How often am I
to tell you that I brought him to you that I might always have my eye
on him and know where he was—and that I had a plot, a scheme, a little
quiet piece of enjoyment afoot, of which the very cream and essence
was, that this old man and grandchild (who have sunk underground I
think) should be, while he and his precious friend believed them rich,
in reality as poor as frozen rats?'</p>
<p>'I quite understood that, sir,' rejoined Brass. 'Thoroughly.'</p>
<p>'Well, Sir,' retorted Quilp, 'and do you understand now, that they're
not poor—that they can't be, if they have such men as your lodger
searching for them, and scouring the country far and wide?'</p>
<p>'Of course I do, Sir,' said Sampson.</p>
<p>'Of course you do,' retorted the dwarf, viciously snapping at his
words. 'Of course do you understand then, that it's no matter what
comes of this fellow? of course do you understand that for any other
purpose he's no man for me, nor for you?'</p>
<p>'I have frequently said to Sarah, sir,' returned Brass, 'that he was of
no use at all in the business. You can't put any confidence in him,
sir. If you'll believe me I've found that fellow, in the commonest
little matters of the office that have been trusted to him, blurting
out the truth, though expressly cautioned. The aggravation of that
chap sir, has exceeded anything you can imagine, it has indeed.
Nothing but the respect and obligation I owe to you, sir—'</p>
<p>As it was plain that Sampson was bent on a complimentary harangue,
unless he received a timely interruption, Mr Quilp politely tapped him
on the crown of his head with the little saucepan, and requested that
he would be so obliging as to hold his peace.</p>
<p>'Practical, sir, practical,' said Brass, rubbing the place and smiling;
'but still extremely pleasant—immensely so!'</p>
<p>'Hearken to me, will you?' returned Quilp, 'or I'll be a little more
pleasant, presently. There's no chance of his comrade and friend
returning. The scamp has been obliged to fly, as I learn, for some
knavery, and has found his way abroad. Let him rot there.'</p>
<p>'Certainly, sir. Quite proper.—Forcible!' cried Brass, glancing at
the admiral again, as if he made a third in company. 'Extremely
forcible!'</p>
<p>'I hate him,' said Quilp between his teeth, 'and have always hated him,
for family reasons. Besides, he was an intractable ruffian; otherwise
he would have been of use. This fellow is pigeon-hearted and
light-headed. I don't want him any longer. Let him hang or
drown—starve—go to the devil.'</p>
<p>'By all means, sir,' returned Brass. 'When would you wish him, sir,
to—ha, ha!—to make that little excursion?'</p>
<p>'When this trial's over,' said Quilp. 'As soon as that's ended, send
him about his business.'</p>
<p>'It shall be done, sir,' returned Brass; 'by all means. It will be
rather a blow to Sarah, sir, but she has all her feelings under
control. Ah, Mr Quilp, I often think, sir, if it had only pleased
Providence to bring you and Sarah together, in earlier life, what
blessed results would have flowed from such a union! You never saw our
dear father, sir?—A charming gentleman. Sarah was his pride and joy,
sir. He would have closed his eyes in bliss, would Foxey, Mr Quilp, if
he could have found her such a partner. You esteem her, sir?'</p>
<p>'I love her,' croaked the dwarf.</p>
<p>'You're very good, Sir,' returned Brass, 'I am sure. Is there any
other order, sir, that I can take a note of, besides this little matter
of Mr Richard?'</p>
<p>'None,' replied the dwarf, seizing the saucepan. 'Let us drink the
lovely Sarah.'</p>
<p>'If we could do it in something, sir, that wasn't quite boiling,'
suggested Brass humbly, 'perhaps it would be better. I think it will
be more agreeable to Sarah's feelings, when she comes to hear from me
of the honour you have done her, if she learns it was in liquor rather
cooler than the last, Sir.'</p>
<p>But to these remonstrances, Mr Quilp turned a deaf ear. Sampson Brass,
who was, by this time, anything but sober, being compelled to take
further draughts of the same strong bowl, found that, instead of at all
contributing to his recovery, they had the novel effect of making the
counting-house spin round and round with extreme velocity, and causing
the floor and ceiling to heave in a very distressing manner. After a
brief stupor, he awoke to a consciousness of being partly under the
table and partly under the grate. This position not being the most
comfortable one he could have chosen for himself, he managed to stagger
to his feet, and, holding on by the admiral, looked round for his host.</p>
<p>Mr Brass's first impression was, that his host was gone and had left
him there alone—perhaps locked him in for the night. A strong smell
of tobacco, however, suggested a new train of ideas, he looked upward,
and saw that the dwarf was smoking in his hammock.</p>
<p>'Good bye, Sir,' cried Brass faintly. 'Good bye, Sir.'</p>
<p>'Won't you stop all night?' said the dwarf, peeping out. 'Do stop all
night!'</p>
<p>'I couldn't indeed, Sir,' replied Brass, who was almost dead from
nausea and the closeness of the room. 'If you'd have the goodness to
show me a light, so that I may see my way across the yard, sir—'</p>
<p>Quilp was out in an instant; not with his legs first, or his head
first, or his arms first, but bodily—altogether.</p>
<p>'To be sure,' he said, taking up a lantern, which was now the only
light in the place. 'Be careful how you go, my dear friend. Be sure
to pick your way among the timber, for all the rusty nails are upwards.
There's a dog in the lane. He bit a man last night, and a woman the
night before, and last Tuesday he killed a child—but that was in play.
Don't go too near him.'</p>
<p>'Which side of the road is he, sir?' asked Brass, in great dismay.</p>
<p>'He lives on the right hand,' said Quilp, 'but sometimes he hides on
the left, ready for a spring. He's uncertain in that respect. Mind
you take care of yourself. I'll never forgive you if you don't.
There's the light out—never mind—you know the way—straight on!'
Quilp had slily shaded the light by holding it against his breast, and
now stood chuckling and shaking from head to foot in a rapture of
delight, as he heard the lawyer stumbling up the yard, and now and then
falling heavily down. At length, however, he got quit of the place,
and was out of hearing.</p>
<p>The dwarf shut himself up again, and sprang once more into his hammock.</p>
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