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<h2> 4—The Halt on the Turnpike Road </h2>
<p>Down, downward they went, and yet further down—their descent at each
step seeming to outmeasure their advance. Their skirts were scratched
noisily by the furze, their shoulders brushed by the ferns, which, though
dead and dry, stood erect as when alive, no sufficient winter weather
having as yet arrived to beat them down. Their Tartarean situation might
by some have been called an imprudent one for two unattended women. But
these shaggy recesses were at all seasons a familiar surrounding to Olly
and Mrs. Yeobright; and the addition of darkness lends no frightfulness to
the face of a friend.</p>
<p>"And so Tamsin has married him at last," said Olly, when the incline had
become so much less steep that their foot-steps no longer required
undivided attention.</p>
<p>Mrs. Yeobright answered slowly, "Yes; at last."</p>
<p>"How you will miss her—living with 'ee as a daughter, as she always
have."</p>
<p>"I do miss her."</p>
<p>Olly, though without the tact to perceive when remarks were untimely, was
saved by her very simplicity from rendering them offensive. Questions that
would have been resented in others she could ask with impunity. This
accounted for Mrs. Yeobright's acquiescence in the revival of an evidently
sore subject.</p>
<p>"I was quite strook to hear you'd agreed to it, ma'am, that I was,"
continued the besom-maker.</p>
<p>"You were not more struck by it than I should have been last year this
time, Olly. There are a good many sides to that wedding. I could not tell
you all of them, even if I tried."</p>
<p>"I felt myself that he was hardly solid-going enough to mate with your
family. Keeping an inn—what is it? But 'a's clever, that's true, and
they say he was an engineering gentleman once, but has come down by being
too outwardly given."</p>
<p>"I saw that, upon the whole, it would be better she should marry where she
wished."</p>
<p>"Poor little thing, her feelings got the better of her, no doubt. 'Tis
nature. Well, they may call him what they will—he've several acres
of heth-ground broke up here, besides the public house, and the
heth-croppers, and his manners be quite like a gentleman's. And what's
done cannot be undone."</p>
<p>"It cannot," said Mrs. Yeobright. "See, here's the wagon-track at last.
Now we shall get along better."</p>
<p>The wedding subject was no further dwelt upon; and soon a faint diverging
path was reached, where they parted company, Olly first begging her
companion to remind Mr. Wildeve that he had not sent her sick husband the
bottle of wine promised on the occasion of his marriage. The besom-maker
turned to the left towards her own house, behind a spur of the hill, and
Mrs. Yeobright followed the straight track, which further on joined the
highway by the Quiet Woman Inn, whither she supposed her niece to have
returned with Wildeve from their wedding at Anglebury that day.</p>
<p>She first reached Wildeve's Patch, as it was called, a plot of land
redeemed from the heath, and after long and laborious years brought into
cultivation. The man who had discovered that it could be tilled died of
the labour; the man who succeeded him in possession ruined himself in
fertilizing it. Wildeve came like Amerigo Vespucci, and received the
honours due to those who had gone before.</p>
<p>When Mrs. Yeobright had drawn near to the inn, and was about to enter, she
saw a horse and vehicle some two hundred yards beyond it, coming towards
her, a man walking alongside with a lantern in his hand. It was soon
evident that this was the reddleman who had inquired for her. Instead of
entering the inn at once, she walked by it and towards the van.</p>
<p>The conveyance came close, and the man was about to pass her with little
notice, when she turned to him and said, "I think you have been inquiring
for me? I am Mrs. Yeobright of Blooms-End."</p>
<p>The reddleman started, and held up his finger. He stopped the horses, and
beckoned to her to withdraw with him a few yards aside, which she did,
wondering.</p>
<p>"You don't know me, ma'am, I suppose?" he said.</p>
<p>"I do not," said she. "Why, yes, I do! You are young Venn—your
father was a dairyman somewhere here?"</p>
<p>"Yes; and I knew your niece, Miss Tamsin, a little. I have something bad
to tell you."</p>
<p>"About her—no! She has just come home, I believe, with her husband.
They arranged to return this afternoon—to the inn beyond here."</p>
<p>"She's not there."</p>
<p>"How do you know?"</p>
<p>"Because she's here. She's in my van," he added slowly.</p>
<p>"What new trouble has come?" murmured Mrs. Yeobright, putting her hand
over her eyes.</p>
<p>"I can't explain much, ma'am. All I know is that, as I was going along the
road this morning, about a mile out of Anglebury, I heard something
trotting after me like a doe, and looking round there she was, white as
death itself. 'Oh, Diggory Venn!' she said, 'I thought 'twas you—will
you help me? I am in trouble.'"</p>
<p>"How did she know your Christian name?" said Mrs. Yeobright doubtingly.</p>
<p>"I had met her as a lad before I went away in this trade. She asked then
if she might ride, and then down she fell in a faint. I picked her up and
put her in, and there she has been ever since. She has cried a good deal,
but she has hardly spoke; all she has told me being that she was to have
been married this morning. I tried to get her to eat something, but she
couldn't; and at last she fell asleep."</p>
<p>"Let me see her at once," said Mrs. Yeobright, hastening towards the van.</p>
<p>The reddleman followed with the lantern, and, stepping up first, assisted
Mrs. Yeobright to mount beside him. On the door being opened she perceived
at the end of the van an extemporized couch, around which was hung
apparently all the drapery that the reddleman possessed, to keep the
occupant of the little couch from contact with the red materials of his
trade. A young girl lay thereon, covered with a cloak. She was asleep, and
the light of the lantern fell upon her features.</p>
<p>A fair, sweet, and honest country face was revealed, reposing in a nest of
wavy chestnut hair. It was between pretty and beautiful. Though her eyes
were closed, one could easily imagine the light necessarily shining in
them as the culmination of the luminous workmanship around. The groundwork
of the face was hopefulness; but over it now I ay like a foreign substance
a film of anxiety and grief. The grief had been there so shortly as to
have abstracted nothing of the bloom, and had as yet but given a dignity
to what it might eventually undermine. The scarlet of her lips had not had
time to abate, and just now it appeared still more intense by the absence
of the neighbouring and more transient colour of her cheek. The lips
frequently parted, with a murmur of words. She seemed to belong rightly to
a madrigal—to require viewing through rhyme and harmony.</p>
<p>One thing at least was obvious: she was not made to be looked at thus. The
reddleman had appeared conscious of as much, and, while Mrs. Yeobright
looked in upon her, he cast his eyes aside with a delicacy which well
became him. The sleeper apparently thought so too, for the next moment she
opened her own.</p>
<p>The lips then parted with something of anticipation, something more of
doubt; and her several thoughts and fractions of thoughts, as signalled by
the changes on her face, were exhibited by the light to the utmost nicety.
An ingenuous, transparent life was disclosed, as if the flow of her
existence could be seen passing within her. She understood the scene in a
moment.</p>
<p>"O yes, it is I, Aunt," she cried. "I know how frightened you are, and how
you cannot believe it; but all the same, it is I who have come home like
this!"</p>
<p>"Tamsin, Tamsin!" said Mrs. Yeobright, stooping over the young woman and
kissing her. "O my dear girl!"</p>
<p>Thomasin was now on the verge of a sob, but by an unexpected self-command
she uttered no sound. With a gentle panting breath she sat upright.</p>
<p>"I did not expect to see you in this state, any more than you me," she
went on quickly. "Where am I, Aunt?"</p>
<p>"Nearly home, my dear. In Egdon Bottom. What dreadful thing is it?"</p>
<p>"I'll tell you in a moment. So near, are we? Then I will get out and walk.
I want to go home by the path."</p>
<p>"But this kind man who has done so much will, I am sure, take you right on
to my house?" said the aunt, turning to the reddleman, who had withdrawn
from the front of the van on the awakening of the girl, and stood in the
road.</p>
<p>"Why should you think it necessary to ask me? I will, of course," said he.</p>
<p>"He is indeed kind," murmured Thomasin. "I was once acquainted with him,
Aunt, and when I saw him today I thought I should prefer his van to any
conveyance of a stranger. But I'll walk now. Reddleman, stop the horses,
please."</p>
<p>The man regarded her with tender reluctance, but stopped them</p>
<p>Aunt and niece then descended from the van, Mrs. Yeobright saying to its
owner, "I quite recognize you now. What made you change from the nice
business your father left you?"</p>
<p>"Well, I did," he said, and looked at Thomasin, who blushed a little.
"Then you'll not be wanting me any more tonight, ma'am?"</p>
<p>Mrs. Yeobright glanced around at the dark sky, at the hills, at the
perishing bonfires, and at the lighted window of the inn they had neared.
"I think not," she said, "since Thomasin wishes to walk. We can soon run
up the path and reach home—we know it well."</p>
<p>And after a few further words they parted, the reddleman moving onwards
with his van, and the two women remaining standing in the road. As soon as
the vehicle and its driver had withdrawn so far as to be beyond all
possible reach of her voice, Mrs. Yeobright turned to her niece.</p>
<p>"Now, Thomasin," she said sternly, "what's the meaning of this disgraceful
performance?"</p>
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