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<h2> 4—Eustacia Is Led on to an Adventure </h2>
<p>In the evening of this last day of expectation, which was the twenty-third
of December, Eustacia was at home alone. She had passed the recent hour in
lamenting over a rumour newly come to her ears—that Yeobright's
visit to his mother was to be of short duration, and would end some time
the next week. "Naturally," she said to herself. A man in the full swing
of his activities in a gay city could not afford to linger long on Egdon
Heath. That she would behold face to face the owner of the awakening voice
within the limits of such a holiday was most unlikely, unless she were to
haunt the environs of his mother's house like a robin, to do which was
difficult and unseemly.</p>
<p>The customary expedient of provincial girls and men in such circumstances
is churchgoing. In an ordinary village or country town one can safely
calculate that, either on Christmas day or the Sunday contiguous, any
native home for the holidays, who has not through age or ennui lost the
appetite for seeing and being seen, will turn up in some pew or other,
shining with hope, self-consciousness, and new clothes. Thus the
congregation on Christmas morning is mostly a Tussaud collection of
celebrities who have been born in the neighbourhood. Hither the mistress,
left neglected at home all the year, can steal and observe the development
of the returned lover who has forgotten her, and think as she watches him
over her prayer book that he may throb with a renewed fidelity when
novelties have lost their charm. And hither a comparatively recent settler
like Eustacia may betake herself to scrutinize the person of a native son
who left home before her advent upon the scene, and consider if the
friendship of his parents be worth cultivating during his next absence in
order to secure a knowledge of him on his next return.</p>
<p>But these tender schemes were not feasible among the scattered inhabitants
of Egdon Heath. In name they were parishioners, but virtually they
belonged to no parish at all. People who came to these few isolated houses
to keep Christmas with their friends remained in their friends'
chimney-corners drinking mead and other comforting liquors till they left
again for good and all. Rain, snow, ice, mud everywhere around, they did
not care to trudge two or three miles to sit wet-footed and splashed to
the nape of their necks among those who, though in some measure
neighbours, lived close to the church, and entered it clean and dry.
Eustacia knew it was ten to one that Clym Yeobright would go to no church
at all during his few days of leave, and that it would be a waste of
labour for her to go driving the pony and gig over a bad road in hope to
see him there.</p>
<p>It was dusk, and she was sitting by the fire in the dining-room or hall,
which they occupied at this time of the year in preference to the parlour,
because of its large hearth, constructed for turf-fires, a fuel the
captain was partial to in the winter season. The only visible articles in
the room were those on the window-sill, which showed their shapes against
the low sky, the middle article being the old hourglass, and the other two
a pair of ancient British urns which had been dug from a barrow near, and
were used as flowerpots for two razor-leaved cactuses. Somebody knocked at
the door. The servant was out; so was her grandfather. The person, after
waiting a minute, came in and tapped at the door of the room.</p>
<p>"Who's there?" said Eustacia.</p>
<p>"Please, Cap'n Vye, will you let us——"</p>
<p>Eustacia arose and went to the door. "I cannot allow you to come in so
boldly. You should have waited."</p>
<p>"The cap'n said I might come in without any fuss," was answered in a lad's
pleasant voice.</p>
<p>"Oh, did he?" said Eustacia more gently. "What do you want, Charley?"</p>
<p>"Please will your grandfather lend us his fuelhouse to try over our parts
in, tonight at seven o'clock?"</p>
<p>"What, are you one of the Egdon mummers for this year?"</p>
<p>"Yes, miss. The cap'n used to let the old mummers practise here."</p>
<p>"I know it. Yes, you may use the fuelhouse if you like," said Eustacia
languidly.</p>
<p>The choice of Captain Vye's fuelhouse as the scene of rehearsal was
dictated by the fact that his dwelling was nearly in the centre of the
heath. The fuelhouse was as roomy as a barn, and was a most desirable
place for such a purpose. The lads who formed the company of players lived
at different scattered points around, and by meeting in this spot the
distances to be traversed by all the comers would be about equally
proportioned.</p>
<p>For mummers and mumming Eustacia had the greatest contempt. The mummers
themselves were not afflicted with any such feeling for their art, though
at the same time they were not enthusiastic. A traditional pastime is to
be distinguished from a mere revival in no more striking feature than in
this, that while in the revival all is excitement and fervour, the
survival is carried on with a stolidity and absence of stir which sets one
wondering why a thing that is done so perfunctorily should be kept up at
all. Like Balaam and other unwilling prophets, the agents seem moved by an
inner compulsion to say and do their allotted parts whether they will or
no. This unweeting manner of performance is the true ring by which, in
this refurbishing age, a fossilized survival may be known from a spurious
reproduction.</p>
<p>The piece was the well-known play of Saint George, and all who were behind
the scenes assisted in the preparations, including the women of each
household. Without the co-operation of sisters and sweethearts the dresses
were likely to be a failure; but on the other hand, this class of
assistance was not without its drawbacks. The girls could never be brought
to respect tradition in designing and decorating the armour; they insisted
on attaching loops and bows of silk and velvet in any situation pleasing
to their taste. Gorget, gusset, basinet, cuirass, gauntlet, sleeve, all
alike in the view of these feminine eyes were practicable spaces whereon
to sew scraps of fluttering colour.</p>
<p>It might be that Joe, who fought on the side of Christendom, had a
sweetheart, and that Jim, who fought on the side of the Moslem, had one
likewise. During the making of the costumes it would come to the knowledge
of Joe's sweetheart that Jim's was putting brilliant silk scallops at the
bottom of her lover's surcoat, in addition to the ribbons of the visor,
the bars of which, being invariably formed of coloured strips about half
an inch wide hanging before the face, were mostly of that material. Joe's
sweetheart straight-way placed brilliant silk on the scallops of the hem
in question, and, going a little further, added ribbon tufts to the
shoulder pieces. Jim's, not to be outdone, would affix bows and rosettes
everywhere.</p>
<p>The result was that in the end the Valiant Soldier, of the Christian army,
was distinguished by no peculiarity of accoutrement from the Turkish
Knight; and what was worse, on a casual view Saint George himself might be
mistaken for his deadly enemy, the Saracen. The guisers themselves, though
inwardly regretting this confusion of persons, could not afford to offend
those by whose assistance they so largely profited, and the innovations
were allowed to stand.</p>
<p>There was, it is true, a limit to this tendency to uniformity. The Leech
or Doctor preserved his character intact—his darker habiliments,
peculiar hat, and the bottle of physic slung under his arm, could never be
mistaken. And the same might be said of the conventional figure of Father
Christmas, with his gigantic club, an older man, who accompanied the band
as general protector in long night journeys from parish to parish, and was
bearer of the purse.</p>
<p>Seven o'clock, the hour of the rehearsal, came round, and in a short time
Eustacia could hear voices in the fuelhouse. To dissipate in some trifling
measure her abiding sense of the murkiness of human life she went to the
"linhay" or lean-to shed, which formed the root-store of their dwelling
and abutted on the fuelhouse. Here was a small rough hole in the mud wall,
originally made for pigeons, through which the interior of the next shed
could be viewed. A light came from it now; and Eustacia stepped upon a
stool to look in upon the scene.</p>
<p>On a ledge in the fuelhouse stood three tall rushlights and by the light
of them seven or eight lads were marching about, haranguing, and confusing
each other, in endeavours to perfect themselves in the play. Humphrey and
Sam, the furze-and turf-cutters, were there looking on, so also was
Timothy Fairway, who leant against the wall and prompted the boys from
memory, interspersing among the set words remarks and anecdotes of the
superior days when he and others were the Egdon mummers-elect that these
lads were now.</p>
<p>"Well, ye be as well up to it as ever ye will be," he said. "Not that such
mumming would have passed in our time. Harry as the Saracen should strut a
bit more, and John needn't holler his inside out. Beyond that perhaps
you'll do. Have you got all your clothes ready?"</p>
<p>"We shall by Monday."</p>
<p>"Your first outing will be Monday night, I suppose?"</p>
<p>"Yes. At Mrs. Yeobright's."</p>
<p>"Oh, Mrs. Yeobright's. What makes her want to see ye? I should think a
middle-aged woman was tired of mumming."</p>
<p>"She's got up a bit of a party, because 'tis the first Christmas that her
son Clym has been home for a long time."</p>
<p>"To be sure, to be sure—her party! I am going myself. I almost
forgot it, upon my life."</p>
<p>Eustacia's face flagged. There was to be a party at the Yeobrights'; she,
naturally, had nothing to do with it. She was a stranger to all such local
gatherings, and had always held them as scarcely appertaining to her
sphere. But had she been going, what an opportunity would have been
afforded her of seeing the man whose influence was penetrating her like
summer sun! To increase that influence was coveted excitement; to cast it
off might be to regain serenity; to leave it as it stood was tantalizing.</p>
<p>The lads and men prepared to leave the premises, and Eustacia returned to
her fireside. She was immersed in thought, but not for long. In a few
minutes the lad Charley, who had come to ask permission to use the place,
returned with the key to the kitchen. Eustacia heard him, and opening the
door into the passage said, "Charley, come here."</p>
<p>The lad was surprised. He entered the front room not without blushing; for
he, like many, had felt the power of this girl's face and form.</p>
<p>She pointed to a seat by the fire, and entered the other side of the
chimney-corner herself. It could be seen in her face that whatever motive
she might have had in asking the youth indoors would soon appear.</p>
<p>"Which part do you play, Charley—the Turkish Knight, do you not?"
inquired the beauty, looking across the smoke of the fire to him on the
other side.</p>
<p>"Yes, miss, the Turkish Knight," he replied diffidently.</p>
<p>"Is yours a long part?"</p>
<p>"Nine speeches, about."</p>
<p>"Can you repeat them to me? If so I should like to hear them."</p>
<p>The lad smiled into the glowing turf and began—</p>
<p>"Here come I, a Turkish Knight,<br/>
Who learnt in Turkish land to fight,"<br/></p>
<p>continuing the discourse throughout the scenes to the concluding
catastrophe of his fall by the hand of Saint George.</p>
<p>Eustacia had occasionally heard the part recited before. When the lad
ended she began, precisely in the same words, and ranted on without hitch
or divergence till she too reached the end. It was the same thing, yet how
different. Like in form, it had the added softness and finish of a
Raffaelle after Perugino, which, while faithfully reproducing the original
subject, entirely distances the original art.</p>
<p>Charley's eyes rounded with surprise. "Well, you be a clever lady!" he
said, in admiration. "I've been three weeks learning mine."</p>
<p>"I have heard it before," she quietly observed. "Now, would you do
anything to please me, Charley?"</p>
<p>"I'd do a good deal, miss."</p>
<p>"Would you let me play your part for one night?"</p>
<p>"Oh, miss! But your woman's gown—you couldn't."</p>
<p>"I can get boy's clothes—at least all that would be wanted besides
the mumming dress. What should I have to give you to lend me your things,
to let me take your place for an hour or two on Monday night, and on no
account to say a word about who or what I am? You would, of course, have
to excuse yourself from playing that night, and to say that somebody—a
cousin of Miss Vye's—would act for you. The other mummers have never
spoken to me in their lives so that it would be safe enough; and if it
were not, I should not mind. Now, what must I give you to agree to this?
Half a crown?"</p>
<p>The youth shook his head</p>
<p>"Five shillings?"</p>
<p>He shook his head again. "Money won't do it," he said, brushing the iron
head of the firedog with the hollow of his hand.</p>
<p>"What will, then, Charley?" said Eustacia in a disappointed tone.</p>
<p>"You know what you forbade me at the Maypoling, miss," murmured the lad,
without looking at her, and still stroking the firedog's head.</p>
<p>"Yes," said Eustacia, with a little more hauteur. "You wanted to join
hands with me in the ring, if I recollect?"</p>
<p>"Half an hour of that, and I'll agree, miss."</p>
<p>Eustacia regarded the youth steadfastly. He was three years younger than
herself, but apparently not backward for his age. "Half an hour of what?"
she said, though she guessed what.</p>
<p>"Holding your hand in mine."</p>
<p>She was silent. "Make it a quarter of an hour," she said</p>
<p>"Yes, Miss Eustacia—I will, if I may kiss it too. A quarter of an
hour. And I'll swear to do the best I can to let you take my place without
anybody knowing. Don't you think somebody might know your tongue, miss?"</p>
<p>"It is possible. But I will put a pebble in my mouth to make is less
likely. Very well; you shall be allowed to have my hand as soon as you
bring the dress and your sword and staff. I don't want you any longer
now."</p>
<p>Charley departed, and Eustacia felt more and more interest in life. Here
was something to do: here was some one to see, and a charmingly
adventurous way to see him. "Ah," she said to herself, "want of an object
to live for—that's all is the matter with me!"</p>
<p>Eustacia's manner was as a rule of a slumberous sort, her passions being
of the massive rather than the vivacious kind. But when aroused she would
make a dash which, just for the time, was not unlike the move of a
naturally lively person.</p>
<p>On the question of recognition she was somewhat indifferent. By the acting
lads themselves she was not likely to be known. With the guests who might
be assembled she was hardly so secure. Yet detection, after all, would be
no such dreadful thing. The fact only could be detected, her true motive
never. It would be instantly set down as the passing freak of a girl whose
ways were already considered singular. That she was doing for an earnest
reason what would most naturally be done in jest was at any rate a safe
secret.</p>
<p>The next evening Eustacia stood punctually at the fuelhouse door, waiting
for the dusk which was to bring Charley with the trappings. Her
grandfather was at home tonight, and she would be unable to ask her
confederate indoors.</p>
<p>He appeared on the dark ridge of heathland, like a fly on a Negro, bearing
the articles with him, and came up breathless with his walk.</p>
<p>"Here are the things," he whispered, placing them upon the threshold. "And
now, Miss Eustacia—"</p>
<p>"The payment. It is quite ready. I am as good as my word."</p>
<p>She leant against the door-post, and gave him her hand. Charley took it in
both his own with a tenderness beyond description, unless it was like that
of a child holding a captured sparrow.</p>
<p>"Why, there's a glove on it!" he said in a deprecating way.</p>
<p>"I have been walking," she observed.</p>
<p>"But, miss!"</p>
<p>"Well—it is hardly fair." She pulled off the glove, and gave him her
bare hand.</p>
<p>They stood together minute after minute, without further speech, each
looking at the blackening scene, and each thinking his and her own
thoughts.</p>
<p>"I think I won't use it all up tonight," said Charley devotedly, when six
or eight minutes had been passed by him caressing her hand. "May I have
the other few minutes another time?"</p>
<p>"As you like," said she without the least emotion. "But it must be over in
a week. Now, there is only one thing I want you to do—to wait while
I put on the dress, and then to see if I do my part properly. But let me
look first indoors."</p>
<p>She vanished for a minute or two, and went in. Her grandfather was safely
asleep in his chair. "Now, then," she said, on returning, "walk down the
garden a little way, and when I am ready I'll call you."</p>
<p>Charley walked and waited, and presently heard a soft whistle. He returned
to the fuelhouse door.</p>
<p>"Did you whistle, Miss Vye?"</p>
<p>"Yes; come in," reached him in Eustacia's voice from a back quarter. "I
must not strike a light till the door is shut, or it may be seen shining.
Push your hat into the hole through to the wash-house, if you can feel
your way across."</p>
<p>Charley did as commanded, and she struck the light revealing herself to be
changed in sex, brilliant in colours, and armed from top to toe. Perhaps
she quailed a little under Charley's vigorous gaze, but whether any
shyness at her male attire appeared upon her countenance could not be seen
by reason of the strips of ribbon which used to cover the face in mumming
costumes, representing the barred visor of the mediaeval helmet.</p>
<p>"It fits pretty well," she said, looking down at the white overalls,
"except that the tunic, or whatever you call it, is long in the sleeve.
The bottom of the overalls I can turn up inside. Now pay attention."</p>
<p>Eustacia then proceeded in her delivery, striking the sword against the
staff or lance at the minatory phrases, in the orthodox mumming manner,
and strutting up and down. Charley seasoned his admiration with criticism
of the gentlest kind, for the touch of Eustacia's hand yet remained with
him.</p>
<p>"And now for your excuse to the others," she said. "Where do you meet
before you go to Mrs. Yeobright's?"</p>
<p>"We thought of meeting here, miss, if you have nothing to say against it.
At eight o'clock, so as to get there by nine."</p>
<p>"Yes. Well, you of course must not appear. I will march in about five
minutes late, ready-dressed, and tell them that you can't come. I have
decided that the best plan will be for you to be sent somewhere by me, to
make a real thing of the excuse. Our two heath-croppers are in the habit
of straying into the meads, and tomorrow evening you can go and see if
they are gone there. I'll manage the rest. Now you may leave me."</p>
<p>"Yes, miss. But I think I'll have one minute more of what I am owed, if
you don't mind."</p>
<p>Eustacia gave him her hand as before.</p>
<p>"One minute," she said, and counted on till she reached seven or eight
minutes. Hand and person she then withdrew to a distance of several feet,
and recovered some of her old dignity. The contract completed, she raised
between them a barrier impenetrable as a wall.</p>
<p>"There, 'tis all gone; and I didn't mean quite all," he said, with a sigh.</p>
<p>"You had good measure," said she, turning away.</p>
<p>"Yes, miss. Well, 'tis over, and now I'll get home-along."</p>
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