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<h2> V. The Seismograph Adventure </h2>
<p>"Dr. James Hanson, Coroner's Physician, Criminal Courts Building," read
Craig Kennedy, as he held a visitor's card in his hand. Then to the
visitor he added, "Take a chair, Doctor."</p>
<p>The physician thanked him and sat down. "Professor Kennedy," he began, "I
have been referred to you by Inspector O'Connor of the Detective Bureau.
It may seem an impertinence for a city official to call on you for
assistance, but—well, you see, I'm completely floored. I think, too,
that the case will interest you. It's the Vandam case."</p>
<p>If Dr. Hanson had suddenly turned on the current of an induction coil and
I had been holding the handles I don't think the thrill I received could
have been any more sudden. The Vandam case was the sensation of the
moment, a triple puzzle, as both Kennedy and myself had agreed. Was it
suicide, murder, or sudden death? Every theory, so far, had proved
unsatisfactory.</p>
<p>"I have read only what the newspapers have published," replied Craig to
the doctor's look of inquiry. "You see, my friend Jameson here is on the
staff of the Star, and we are in the habit of discussing these cases."</p>
<p>"Very glad to meet you, Mr. Jameson," exclaimed Dr. Hanson at the implied
introduction. "The relations between my office and your paper have always
been very satisfactory, I can assure you."</p>
<p>"Thank you, Doctor. Depend on me to keep them so," I replied, shaking his
proffered hand.</p>
<p>"Now, as to the case," continued the doctor slowly. "Here is a beautiful
woman in the prime of life, the wife of a very wealthy retired banker
considerably older than herself—perhaps nearly seventy—of very
fine family. Of course you have read it all, but let me sketch it so you
will look at it from my point of view. This woman, apparently in good
health, with every luxury money can buy, is certain within a very few
years, from her dower rights, to be numbered among the richest women in
America. Yet she is discovered in the middle of the night by her maid,
seated at the table in the library of her home, unconscious. She never
regains consciousness, but dies the following morning.</p>
<p>"The coroner is called in, and, as his physician, I must advise him. The
family physician has pronounced it due to natural causes, the uremic coma
of latent kidney trouble. Some of the newspapers, I think the Star among
them, have hinted at suicide. And then there are others, who have flatly
asserted it was murder."</p>
<p>The coroner's physician paused to see if we were following him. Needless
to say Kennedy was ahead of him.</p>
<p>"Have you any facts in your possession which have not been given to the
public yet?" asked Craig.</p>
<p>"I'm coming to that in a moment," replied Dr. Hanson. "Let me sketch the
case first. Henry Vandam had become—well, very eccentric in his old
age, we will say. Among his eccentricities none seems to have impressed
the newspapers more than his devotion to a medium and her manager, Mrs.
May Popper and Mr. Howard Farrington. Now, of course, the case does not go
into the truth or falsity of spiritualism, you understand. You have your
opinion, and I have mine. What this aspect of the case involves is merely
the character of the medium and her manager. You know, of course, that
Henry Vandam is completely under their control."</p>
<p>He paused again, to emphasise the point.</p>
<p>"You asked me if I was in possession of any facts which have not been
given to the press. Yes, I am. And just there lies the trouble. They are
so very conflicting as to be almost worse than useless, as far as I can
see. We found near the unfortunate woman a small pill-box with three
capsules still in it. It was labelled 'One before retiring' and bore the
name of a certain druggist and the initials 'Dr. C. W. H.' Now, I am
convinced that the initials are merely a blind and do not give any clue.
The druggist says that a maid from the Vandam house brought in the
prescription, which of course he filled. It is a harmless enough
prescription—contains, among other things, four and a half grains of
quinine and one-sixth of a grain of morphine. Six capsules were prepared
altogether.</p>
<p>"Now, of course my first thought was that she might have taken several
capsules at once and that it was a case of accidental morphine poisoning,
or it might even be suicide. But it cannot be either, to my mind, for only
three of the six capsules are gone. No doubt, also, you are acquainted
with the fact that the one invariable symptom of morphine poisoning is the
contraction of the pupils of the eyes to a pin-point—often so that
they are unrecognisable. Moreover, the pupils are symmetrically
contracted, and this symptom is the one invariably present in coma from
morphine poisoning and distinguishes it from all other forms of death.</p>
<p>"On the other hand, in the coma of kidney disease one pupil is dilated and
the other contracted—they are unsymmetrical. But in this case both
the pupils are normal, or only a very little dilated, and they are
symmetrical. So far we have been able to find no other poison than the
slight traces of morphine remaining in the stomach after so many hours. I
think you are enough of a chemist to know that no doctor would dare go on
the stand and swear to death from morphine poisoning in the face of such
evidence against him. The veriest tyro of an expert toxicologist could too
easily confute him."</p>
<p>Kennedy nodded. "Have you the pill-box and the prescription?"</p>
<p>"I have," replied Dr. Hanson, placing them on the table.</p>
<p>Kennedy scrutinised them sharply. "I shall need these," he said. "Of
course you understand I will take very good care of them. Is there
anything else of importance?"</p>
<p>"Really, I don't know," said the physician dubiously. "It's rather out of
my province, but perhaps you would think it important. It's mighty uncanny
anyhow. Henry Vandam, as you doubtless know, was much more deeply
interested in the work of this medium than was his wife. Perhaps Mrs.
Vandam was a bit jealous—I don't know. But she, too, had an interest
in spiritualism, though he was much more deeply influenced by Mrs. Popper
than she.</p>
<p>"Here's the strange part of it. The old man believes so thoroughly in
rappings and materialisations that he constantly keeps a notebook in his
pocket in which he records all the materialisations he thinks he sees and
the rappings he hears, along with the time and place. Now it so happened
that on the night Mrs. Vandam was taken ill, he had retired—I
believe in another part of the house, where he has a regular seance-room.
According to his story, he was awakened from a profound sleep by a series
of rappings. As was his custom, he noted the time at which they occurred.
Something made him uneasy, and he said to his 'control'—at least
this is his story:</p>
<p>"'John, is it about Mary?'</p>
<p>"Three raps answered 'yes,' the usual code.</p>
<p>"'What is the matter? Is she ill?'</p>
<p>"The three answering raps were so vigorous that he sprang out of bed and
called for his wife's maid. The maid replied that Mrs. Vandam had not gone
to bed yet, but that there was a light in the library and she would go to
her mistress immediately. The next moment the house was awakened by the
screams of the maid calling for help, that Mrs. Vandam was dying.</p>
<p>"That was three nights ago. On each of the two succeeding nights Henry
Vandam says he has been awakened at precisely the same hour by a rapping,
and on each night his 'control' has given him a message from his dead
wife. As a man of science, I attribute the whole thing to an overwrought
imagination. The original rappings may have been a mere coincidence with
the fact of the condition of Mrs. Vandam. However, I give this to you for
what it is worth."</p>
<p>Craig said nothing, but, as was his habit, shaded his eyes with the tips
of his fingers, resting his elbows on the arms of his chair: "I suppose,"
he said, "you can give me the necessary authority to enter the Vandam
house and look at the scene of these happenings?"</p>
<p>"Certainly," assented the physician, "but you will find it a queer place.
There are spirit paintings and spirit photographs in every room, and
Vandam's own part of the house—well, it's creepy, that's all I can
say."</p>
<p>"And also I suppose you have performed an autopsy on the body and will
allow me to drop into your laboratory to-morrow morning and satisfy myself
on this morphine point?"</p>
<p>"Certainly," replied the coroner's physician, "at any time you say."</p>
<p>"At ten sharp, then, to-morrow I shall be there," said Craig. "It is now
eight-thirty. Do you think I can see Vandam to-night? What time do these
rappings occur?"</p>
<p>"Why, yes, you surely will be able to see him to-night. He hasn't stirred
from the house since his wife died. He told me he momentarily expected
messages from her direct when she had got strong enough in her new world.
I believe they had some kind of a compact to that effect. The rappings
come at twelve-thirty."</p>
<p>"Ah, then I shall have plenty of time to run over to my laboratory before
seeing Mr. Vandam and get some apparatus I have in mind. No, Doctor, you
needn't bother to go with me. Just give me a card of introduction. I'll
see you to-morrow at ten. Good-night—oh, by the way, don't give out
any of the facts you have told me."</p>
<p>"Jameson," said Craig, when we were walking rapidly over toward the
university, "this promises to be an uncommonly difficult case."</p>
<p>"As I view it now," I said, "I have suspicions of everybody concerned in
it. Even the view of the Star, that it is a case of suicide due to
overwrought nerves, may explain it."</p>
<p>"It might even be a natural death," Craig added. "And that would make it a
greater mystery than ever—a case for psychical research. One thing
that I am going to do to-night will tell me much, however."</p>
<p>At the laboratory he unlocked a glass case and took out a little
instrument which looked like two horizontal pendulums suspended by fine
wires. There was a large magnet near each pendulum, and the end of each
pendulum bore a needle which touched a circular drum driven by clock-work.
Craig fussed with and adjusted the apparatus, while I said nothing, for I
had long ago learned that in applying a new apparatus to doing old things
Craig was as dumb as an oyster, until his work was crowned with success.</p>
<p>We had no trouble in getting in to see Mr. Vandam in his seance-room. His
face was familiar to me, for I had seen him in public a number of times,
but it looked strangely altered. He was nervous, and showed his age very
perceptibly.</p>
<p>It was as the coroner's physician had said. The house was littered with
reminders of the cult, books, papers, curious daubs of paintings
handsomely framed, and photographs; hazy overexposures, I should have
called them, but Mr. Vandam took great pride in them, and Kennedy quite
won him over by his admiration for them.</p>
<p>They talked about the rappings, and the old man explained where and when
they occurred. They proceeded from a little cabinet or closet at one end
of the room. It was evident that he was a thorough believer in them and in
the messages they conveyed.</p>
<p>Craig carefully noted everything about the room and then fell to admiring
the spirit photographs, if such they might be called.</p>
<p>"The best of all I do not display, they are too precious," said the old
man. "Would you like to see them?"</p>
<p>Craig assented eagerly, and Vandam left us for a moment to get them. In an
instant Craig had entered the cabinet, and in a dark corner on the floor
he deposited the mechanism he had brought from the laboratory. Then he
resumed his seat, shutting the box in which he had brought the mechanism,
so that it would not appear that he had left anything about the room.</p>
<p>Artfully he led the conversation along lines that interested the old man
until he seemed to forget the hour. Not so, Craig. He knew it was nearing
half-past twelve. The more they talked the more uncanny did this house and
room of spirits seem to me. In fact, I was rapidly reaching the point
where I could have sworn that once or twice something incorporeal brushed
by me. I know now that it was purely imagination, but it shows what tricks
the imagination can play on us.</p>
<p>Rap! rap! rap! rap! rap!</p>
<p>Five times came a curiously hollow noise from the cabinet. If it had been
possible I should certainly have fled, it was so sudden and unexpected.
The hall clock downstairs struck the half-hour in those chimes written by
Handel for St. Paul's.</p>
<p>Craig leaned over to me and whispered hoarsely, "Keep perfectly still—don't
move a hand or foot."</p>
<p>The old man seemed utterly to have forgotten us. "Is that you, John?" he
asked expectantly.</p>
<p>Rap! rap! rap! came the reply.</p>
<p>"Is Mary strong enough to speak to me to-night?"</p>
<p>Rap! rap!</p>
<p>"Is she happy?"</p>
<p>Rap! rap!</p>
<p>"What makes her unhappy? What does she want? Will you spell it out?"</p>
<p>Rap! rap! rap!</p>
<p>Then, after a pause, the rapping started slowly, and distinctly to spell
out words. It was so weird and uncanny that I scarcely breathed. Letter
after letter the message came, nineteen raps for "s," eight for "h," five
for "e," according to the place in the alphabet, numerically, of the
required letter. At last it was complete.</p>
<p>"She thinks you are not well. She asks you to have that prescription
filled again."</p>
<p>"Tell her I will do it to-morrow morning. Is there anything else?"</p>
<p>Rap! rap! came back faintly:</p>
<p>"John, John, don't go yet," pleaded the old man earnestly. It was easy to
see how thoroughly he believed in "John," as perhaps well he might after
the warning of his wife's death three nights before. "Won't you answer one
other question?"</p>
<p>Fainter, almost imperceptibly, came a rap! rap!</p>
<p>For several minutes the old man sat absorbed in thought, trance-like.
Then, gradually, he seemed to realise that we were in the room with him.
With difficulty he took up the thread of the conversation where the
rappings had broken it.</p>
<p>"We were talking about the photographs," he said slowly. "I hope soon to
get one of my wife as she is now that she is transfigured. John has
promised me one soon."</p>
<p>He was gathering up his treasures preparatory to putting them back in
their places of safekeeping. The moment he was out of the room Craig
darted into the cabinet and replaced his mechanism in the box. Then he
began softly to tap the walls. At last he found the side that gave a noise
similar to that which we had heard, and he seemed pleased to have found
it, for he hastily sketched on an old envelope a plan of that part of the
house, noting on it the location of the side of the cabinet.</p>
<p>Kennedy almost dragged me back to our apartment, he was in such a hurry to
examine the apparatus at his leisure. He turned on all the lights, took
the thing out of its case, and stripped off the two sheets of ruled paper
wound around the two revolving drums. He laid them flat on the table and
studied them for some minutes with evidently growing satisfaction.</p>
<p>At last he turned to me and said, "Walter, here is a ghost caught in the
act."</p>
<p>I looked dubiously at the irregular up-and-down scrawl on the paper, while
he rang up the Homicide Bureau of the Central Office and left word for
O'Connor to call him up the first thing in the morning.</p>
<p>Still eyeing with satisfaction the record traced on the sheets of paper,
he lighted a cigarette in a matter-of-fact way and added: "It proves to be
a very much flesh-and-blood ghost, this 'John.' It walked up to the wall
back of that cabinet, rapped, listened to old Vandam, rapped some more,
got the answer it wanted, and walked deliberately away. The cabinet, as
you may have noticed, is in a corner of the room with one side along the
hallway. The ghost must have been in the hall."</p>
<p>"But who was it?"</p>
<p>"Not so fast, Walter," laughed Craig. "Isn't it enough for one night that
we have found out that much?"</p>
<p>Fortunately I was tired, or I certainly should have dreamed of rappings
and of "John" that night. I was awakened early by Kennedy talking with
someone over the telephone. It was Inspector O'Connor.</p>
<p>Of course I heard only one side of the conversation, but as near as I
could gather Kennedy was asking the inspector to obtain several samples of
ink for him. I had not heard the first part of the conversation, and was
considerably surprised when Kennedy hung up the receiver and said:</p>
<p>"Vandam had the prescription filled again early this morning, and it will
soon be in the hands of O'Connor. I hope I haven't spoiled things by
acting too soon, but I don't want to run the risk of a double tragedy."</p>
<p>"Well," I said, "it is incomprehensible to me. First I suspected suicide.
Then I suspected murder. Now I almost suspect a murder and a suicide. The
fact is, I don't know just what I suspect. I'm like Dr. Hanson—floored.
I wonder if Vandam would voluntarily take all the capsules at once in
order to be with his wife?"</p>
<p>"One of them alone would be quite sufficient if the 'ghost' should take a
notion, as I think it will, to walk in the daytime," replied Craig
enigmatically. "I don't want to run any chances, as I have said. I may be
wrong in my theory of the case, Walter, so let us not discuss this phase
of it until I have gone a step farther and am sure of my ground.
O'Connor's man will get the capsules before Vandam has a chance to take
the first one, anyhow. The 'ghost' had a purpose in that message, for
O'Connor tells me that Vandam's lawyer visited him yesterday and in all
probability a new will is being made, perhaps has already been made."</p>
<p>We breakfasted in silence and later rode down to the office of Dr. Hanson,
who greeted us enthusiastically.</p>
<p>"I've solved it at last," he cried, "and it's easy."</p>
<p>Kennedy looked gravely over the analysis which Dr. Hanson shoved into his
hand, and seemed very much interested in the probable quantity of morphine
that must have been taken to yield such an analysis. The physician had a
text-book open on his desk.</p>
<p>"Our old ideas of the infallible test of morphine poisoning are all
exploded," he said, excitedly beginning to read a passage he had marked in
the book.</p>
<p>"'I have thought that inequality of the pupils, that is to say, where they
are not symmetrically contracted, is proof that a case is not one of
narcotism, or morphine poisoning. But Professor Taylor has recorded a case
of morphine poisoning in which the unsymmetrical contraction occurred.'</p>
<p>"There, now, until I happened to run across that in one of the authorities
I had supposed the symmetrical contraction of the pupils of the eyes to be
the distinguishing symptom of morphine poisoning Professor Kennedy, in my
opinion we can, after all, make out our case as one of morphine
poisoning."</p>
<p>"Is that case in the book all you base your opinion on?" asked Craig with
excessive politeness.</p>
<p>"Yes, sir," replied the doctor reluctantly.</p>
<p>"Well," said Kennedy quietly, "if you will investigate that case quoted
from Professor Taylor, you will find that it has been proved that the
patient had one glass eye."</p>
<p>"Then my contention collapses and she was not poisoned?"</p>
<p>"No, I do not say that. All I say is that expert testimony would refute us
as far as we have gone. But if you will let me make a few tests of my own
I can readily clear up that end of the case, I now feel sure. Let me take
these samples to my laboratory."</p>
<p>I was surprised when we ran into Inspector O'Connor waiting for us in the
corridor of the Criminal Courts Building as we left the office of the
coroner's physician. He rushed up to Kennedy and shoved into his hand a
pill-box in which six capsules rattled. Kennedy narrowly inspected the
box, opened it, and looked thoughtfully at the six white capsules lying so
innocently within.</p>
<p>"One of these capsules would have been worth hundreds of thousands of
dollars to 'John,'" said Craig contemplatively, as he shut the box and
deposited it carefully in his inside vest pocket. "I don't believe I even
said good morning to you, O'Connor," he continued. "I hope I haven't kept
you waiting here long. Have you obtained the samples of ink?"</p>
<p>"Yes, Professor. Here they are. As soon as you telephoned this morning I
sent my men out separately to get them. There's the ink from the druggist,
this is from the Vandam library, this is from Farrington's room, and this
is from Mrs. Popper's apartment."</p>
<p>"Thank you, Inspector. I don't know what I'd do without your help," said
Kennedy, eagerly taking four small vials from him. "Science is all right,
but organisation enables science to work quickly. And quickness is the
essence of this case."</p>
<p>During the afternoon Kennedy was very busy in his laboratory, where I
found him that night after my hurried dinner, from which he was absent.</p>
<p>"What, is it after dinner-time?" he exclaimed, holding up a glass beaker
and watching the reaction of something he poured into it from a test-tube.</p>
<p>"Craig, I believe that when you are absorbed in a case, you would rather
work than eat. Did you have any lunch after I left you?"</p>
<p>"I don't think so," he replied, regarding the beaker and not his answer.
"Now, Walter, old fellow, I don't want you to be offended with me, but
really I can work better if you don't constantly remind me of such things
as eating and sleeping. Say, do you want to help me—really?"</p>
<p>"Certainly. I am as interested in the case as you are, but I can't make
heads or tails of it," I replied.</p>
<p>"Then, I wish you would look up Mrs. Popper to-night and have a private
seance with her. What I want you to do particularly is to get a good idea
of the looks of the room in which she is accustomed to work. I'm going to
duplicate it here in my laboratory as nearly as possible. Then I want you
to arrange with her for a private 'circle' here to-morrow night. Tell her
it is with a few professors at the university who are interested in
psychical research and that Mr. Vandam will be present. I'd rather have
her come willingly than to force her to come. Incidentally watch that
manager of hers, Farrington. By all means he must accompany her."</p>
<p>That evening I dropped casually in on Mrs. Popper. She was a woman of
great brilliance and delicacy, both in her physical and mental
perceptions, of exceptional vivacity and cleverness. She must have studied
me more closely than I was aware of, for I believe she relied on diverting
my attention whenever she desired to produce one of her really wonderful
results. Needless to say, I was completely mystified by her performance.
She did spirit writing that would have done credit to the immortal Slade,
told me a lot of things that were true, and many more that were
unverifiable or hopelessly vague. It was really worth much more than the
price, and I did not need to feign the interest necessary to get her terms
for a circle in the laboratory.</p>
<p>Of course I had to make the terms with Farrington. The first glance
aroused my suspicions of him. He was shifty-eyed, and his face had a hard
and mercenary look. In spite of, perhaps rather because of, my repugnance
we quickly came to an agreement, and as I left the apartment I mentally
resolved to keep my eye on him.</p>
<p>Craig came in late, having been engaged in his chemical analyses all the
evening. From his manner I inferred that they had been satisfactory, and
he seemed much gratified when I told him that I had arranged successfully
for the seance and that Farrington would accompany the medium.</p>
<p>As we were talking over the case a messenger arrived with a note from
O'Connor. It was written with his usual brevity: "Have just found from
servants that Farrington and Mrs. P. have key to Vandam house. Wish I had
known it before. House shadowed. No one has entered or left it to-night."</p>
<p>Craig looked at his watch. It was a quarter after one. "The ghost won't
walk to-night, Walter," he said as he entered his bedroom for a
much-needed rest. "I guess I was right after all in getting the capsules
as soon as possible. The ghost must have flitted unobserved in there this
morning directly after the maid brought them back from the druggist."</p>
<p>Again, the next morning, he had me out of bed bright and early. As we
descended from the Sixth Avenue "L," he led me into a peculiar little shop
in the shadow of the "L" structure. He entered as though he knew the place
well; but, then, that air of assurance was Kennedy's stock in trade and
sat very well on him.</p>
<p>Few people, I suppose, have ever had a glimpse of this workshop of magic
and deception. This little shop of Marina's was the headquarters of the
magicians of the country. Levitation and ghostly disappearing hands were
on every side. The shelves in the back of the shop were full of nickel,
brass, wire, wood, and papier-mache contrivances, new and strange to the
eye of the uninitiated. Yet it was all as systematic as a hardware shop.</p>
<p>"Is Signor Marina in?" asked Craig of a girl in the first room, given up
to picture post-cards. The room was as deceptive as the trade, for it was
only an anteroom to the storeroom I have described above. This storeroom
was also a factory, and half a dozen artisans were hard at work in it.</p>
<p>Yes, the signor was in, the girl replied, leading us back into the
workshop. He proved to be a short man with a bland, open face and frank
eyes, the very antithesis of his trade.</p>
<p>"I have arranged for a circle with Mrs. May Popper," began Kennedy,
handing the man his card. "I suppose you know her?"</p>
<p>"Indeed yes," he answered. "I furnished her seance room."</p>
<p>"Well, I want to hire for to-night just the same sort of tables, cabinets,
carpets, everything that she has—only hire, you understand, but I am
willing to pay you well for them. It is the best way to get a good
sitting, I believe. Can you do it?"</p>
<p>The little man thought a moment, then replied: "Si, signor yes—very
nearly, near enough. I would do anything for Mrs. Popper. She is a good
customer. But her manager—"</p>
<p>"My friend here, Mr. Jameson, has had seances with her in her own
apartment," interposed Craig. "Perhaps he can help you to recollect just
what is necessary."</p>
<p>"I know very well, signor. I have the duplicate bill, the bill which was
paid by that Farrington with a check from the banker Vandam. Leave it to
me."</p>
<p>"Then you will get the stuff together this morning and have it up to my
place this afternoon."</p>
<p>"Yes, Professor, yes. It is a bargain. I would do anything for Mrs. Popper—she
is a fine woman."</p>
<p>Late that afternoon I rejoined Craig at his laboratory. Signor Marina had
already arrived with a truck and was disposing the paraphernalia about the
laboratory. He had first laid a thick black rug. Mrs. Popper very much
affected black carpets, and I had noticed that Vandam's room was carpeted
in black, too. I suppose black conceals everything that one oughtn't to
see at a seance.</p>
<p>A cabinet with a black curtain, several chairs, a light deal table,
several banjos, horns, and other instruments were disposed about the room.
With a few suggestions from me we made a fair duplication of the hangings
on the walls. Kennedy was manifestly anxious to finish, and at last it was
done.</p>
<p>After Marina had gone, Kennedy stretched a curtain over the end of the
room farthest from the cabinet. Behind it he placed on a shelf the
apparatus composed of the pendulums and magnets. The beakers and
test-tubes were also on this shelf.</p>
<p>He had also arranged that the cabinet should be so situated that it was
next a hallway that ran past his laboratory.</p>
<p>"To-night, Jameson," he said, indicating a spot on the hall wall just back
of the cabinet, "I shall want you to bring my guests out here and do a
little spirit rapping—I'll tell you just what to do when the time
comes."</p>
<p>That night, when we gathered in the transformed laboratory, there were
Henry Vandam, Dr. Hanson, Inspector O'Connor, Kennedy, and myself. At last
the sound of wheels was heard, and Mrs. Popper drove up in a hansom,
accompanied by Farrington. They both inspected the room narrowly and
seemed satisfied. I had, as I have said, taken a serious dislike to the
man, and watched him closely. I did not like his air of calm assurance.</p>
<p>The lights were switched off, all except one sixteen-candle-power lamp in
the farthest corner, shaded by a deep-red globe. It was just light enough
to see to read very, large print with difficulty.</p>
<p>Mrs. Popper began immediately with the table. Kennedy and I sat on her
right and left respectively, in the circle, and held her hands and feet. I
confess to a real thrill when I felt the light table rise first on two
legs, then on one, and finally remain suspended in the air, whence it
dropped with a thud, as if someone had suddenly withdrawn his support.</p>
<p>The medium sat with her back to the curtain of the cabinet, and several
times I could have sworn that a hand reached out and passed close to my
head. At least it seemed so. The curtain bulged at times, and a breeze
seemed to sweep out from the cabinet.</p>
<p>After some time of this sort of work Craig led gradually up to a request
for a materialisation of the control of Vandam, but Mrs. Popper refused.
She said she did not feel strong enough, and Farrington put in a hasty
word that he, too, could feel that "there was something working against
them." But Kennedy was importunate and at last she consented to see if
"John" would do some rapping, even if he could not materialise.</p>
<p>Kennedy asked to be permitted to put the questions.</p>
<p>"Are you the 'John' who appears to Mr. Vandam every night at
twelve-thirty?"</p>
<p>Rap! rap! rap! came the faint reply from the cabinet. Or rather it seemed
to me to come from the floor near the cabinet, and perhaps to be a trifle
muffled by the black carpet.</p>
<p>"Are you in communication with Mrs. Vandam?"</p>
<p>Rap! rap! rap!</p>
<p>"Can she be made to rap for us?"</p>
<p>Rap! rap!</p>
<p>"Will you ask her a question and spell out her answer?"</p>
<p>Rap! rap! rap!</p>
<p>Craig paused a moment to frame the question, then shot it out point-blank:
"Does Mrs. Vandam know now in the other world whether anyone in this room
substituted a morphine capsule for one of those ordered by her three days
before she died? Does she know whether the same person has done the same
thing with those later ordered by Mr. Vandam?"</p>
<p>"John" seemed considerably perturbed at the mention of capsules. It was a
long time before any answer was forthcoming. Kennedy was about to repeat
the question when a faint sound was heard.</p>
<p>Rap!——</p>
<p>Suddenly came a wild scream. It was such a scream as I had never heard
before in my life. It came as though a dagger had been thrust into the
heart of Mrs. Popper. The lights flashed up as Kennedy turned the switch.</p>
<p>A man was lying flat on the floor—it was Inspector O'Connor. He had
succeeded in slipping noiselessly, like a snake, below the curtain into
the cabinet. Craig had told him to look out for wires or threads stretched
from Mrs. Popper's clothing to the bulging curtain of the cabinet. Imagine
his surprise when he saw that she had simply freed her foot from the shoe,
which I was carefully holding down, and with a backward movement of the
leg was reaching out into the cabinet behind her chair and was doing the
rapping with her toes.</p>
<p>Lying on the floor he had grasped her foot and caught her heel with a firm
hand. She had responded with a wild yell that showed she knew she was
trapped. Her secret was out.</p>
<p>Hysterically Mrs. Popper began to upbraid the inspector as he rose to his
feet, but Farrington quickly interposed.</p>
<p>"Something was working against us to-night, gentlemen. Yet you demanded
results. And when the spirits will not come, what is she to do? She
forgets herself in her trance; she produces, herself, the things that you
all could see supernaturally if you were in sympathy."</p>
<p>The mere sound of Farrington's voice seemed to rouse in me all the
animosity of my nature. I felt that a man who could trump up an excuse
like that when a person was caught with the goods was capable of almost
anything.</p>
<p>"Enough of this fake seance," exclaimed Craig. "I have let it go on merely
for the purpose of opening the eyes of a certain deluded gentleman in this
room. Now, if you will all be seated I shall have something to say that
will finally establish whether Mary Vandam was the victim of accident,
suicide, or murder."</p>
<p>With hearts beating rapidly we sat in silence.</p>
<p>Craig took the beakers and test-tubes from the shelf behind the curtain
and placed them on the little deal table that had been so merrily dancing
about the room.</p>
<p>"The increasing frequency with which tales of murder by poison appear in
the newspapers," he began formally, "is proof of how rapidly this new
civilisation of ours is taking on the aspects of the older civilisations
across the seas. Human life is cheap in this country; but the ways in
which human life has been taken among us have usually been direct, simple,
aboveboard, in keeping with our democratic and pioneer traditions. The
pistol and the bowie-knife for the individual, the rope and the torch for
the mob, have been the usual instruments of sudden death. But when we
begin to use poisons most artfully compounded in order to hasten an
expected bequest and remove obstacles in its way—well, we are
practising an art that calls up all the memories of sixteenth century
Italy.</p>
<p>"In this beaker," he continued, "I have some of the contents of the
stomach of the unfortunate woman. The coroner's physician has found that
they show traces of morphine. Was the morphine in such quantities as to be
fatal? Without doubt. But equally without doubt analysis could not
discover and prove it in the face of one inconsistency. The usual test
which shows morphine poisoning failed in this case. The pupils of her eyes
were not symmetrically contracted. In fact they were normal.</p>
<p>"Now, the murderer must have known of this test. This clever criminal also
knew that to be successful in the use of this drug where others had
failed, the drug must be skilfully mixed with something else. In that
first box of capsules there were six. The druggist compounded them
correctly according to the prescription. But between the time when they
came into the house from the druggist's and the time when she took the
first capsule, that night, someone who had access to the house emptied one
capsule of its harmless contents and refilled it with a deadly dose of
morphine—a white powder which looks just like the powder already in
the capsules.</p>
<p>"Why, then, the normal pupils of the eyes? Simply because the criminal put
a little atropine, or belladonna, with the morphine. My tests show
absolutely the presence of atropine, Dr. Hanson," said Craig, bowing to
the physician.</p>
<p>"The best evidence, however, is yet to come. A second box of six capsules,
all intact, was discovered yesterday in the possession of Henry Vandam. I
have analysed the capsules. One contains no quinine at all—it is all
morphine and atropine. It is, without doubt, precisely similar to the
capsule which killed Mrs. Vandam. Another night or so, and Henry Vandam
would have died the same death."</p>
<p>The old man groaned. Two such exposures had shaken him. He looked from one
of us to another as if not knowing in whom he could trust. But Kennedy
hurried on to his next point.</p>
<p>"Who was it that gave the prescription to Mrs. Vandam originally? She is
dead and cannot tell. The others won't tell, for the person who gave her
that prescription was the person who later substituted the fatal capsule
in place of the harmless. The original prescription is here. I have been
able to discover from it nothing at all by examining the handwriting. Nor
does the texture of the paper indicate anything to me. But the ink—ah,
the ink.</p>
<p>"Most inks seem very similar, I suppose, but to a person who has made a
study of the chemical composition of ink they are very different. Ink is
composed of iron tannate, which on exposure to air gives the black of
writing. The original pigment—say blue or blue-black ink—is
placed in the ink, to make the writing visible at first, and gradually
fades, giving place to the black of the tannate which is formed. The
dyestuffs employed in the commercial inks of to-day vary in colour from
pale greenish blue to indigo and deep violet. No two give identical
reactions—at all events not when mixed with the iron tannate to form
the pigment in writing.</p>
<p>"It is owing to the difference in these provisional colouring matters that
it is possible to distinguish between writing written with different kinds
of ink. I was able easily to obtain samples of the inks used by the
Vandams, by Mrs. Popper, by Mr. Farrington, and by the druggist. I have
compared the writing of the original prescription with a colour scale of
my own construction, and I have made chemical tests. The druggist's ink
conforms exactly to the writing on the two pill-boxes, but not to the
prescription. One of the other three inks conforms by test absolutely to
the ink in that prescription signed 'Dr. C. W. H.' as a blind. In a moment
my chain of evidence against the owner of that bottle of ink will be
complete."</p>
<p>I could not help but think of the two pendulums on the shelf behind the
curtain, but Craig said nothing for a moment to indicate that he referred
to that apparatus. We sat dazed. Farrington seemed nervous and ill at
ease. Mrs. Popper, who had not recovered from the hysterical condition of
her exposure, with difficulty controlled her emotion. Vandam was crushed.</p>
<p>"I have not only arranged this laboratory so as to reproduce Mrs. Popper's
seance-room," began Craig afresh, "but I have had the cabinet placed in
relatively the same position a similar cabinet occupies in Mr. Vandam's
private seance-room in the Vandam mansion.</p>
<p>"One night, Mr. Jameson and myself were visiting Mr. Vandam. At precisely
twelve-thirty we heard most unaccountable rappings from that cabinet. I
particularly noted the position of the cabinet. Back of it ran a hallway.
That is duplicated here. Back of this cabinet is a hallway. I had heard of
these rappings before we went, but was afraid that it would be impossible
for me to catch the ghost red handed. There is a limit to what you can do
the first time you enter a man's house, and, besides, that was no time to
arouse suspicion in the mind of anyone. But science has a way out of every
dilemma. I determined to learn something of these rappings."</p>
<p>Craig paused and glanced first at Farrington, then at Mrs. Popper, and
then at Mr. Vandam.</p>
<p>"Mr. Jameson," he resumed, "will escort the doctor, the inspector, Mr.
Farrington, Mrs. Popper, and Mr. Vandam into my imitation hall of the
Vandam mansion. I want each of you in turn to tiptoe up that hall to a
spot indicated on the wall, back of the cabinet, and strike that spot
several sharp blows with your knuckles."</p>
<p>I did as Craig instructed tiptoeing up myself first so that they could not
mistake his meaning. The rest followed separately, and after a moment we
returned silently in suppressed excitement to the room.</p>
<p>Craig was still standing by the table, but now the pendulums with the
magnets and needles and the drums worked by clockwork were before him.</p>
<p>"Another person outside the Vandam family had a key to the Vandam
mansion," he began gravely. "That person, by the way, was the one who
waited, night by night, until Mrs. Vandam took the fatal capsule, and then
when she had taken it apprised the old man of the fact and strengthened an
already blind faith in the shadow world."</p>
<p>You could have heard a pin drop. In fact you could almost have felt it
drop.</p>
<p>"That other person who, unobserved, had free access to the house," he
continued in the breathless stillness, "is in this room now."</p>
<p>He was looking at O'Connor as if for corroboration. O'Connor nodded.
"Information derived from the butler," he muttered.</p>
<p>"I did not know this until yesterday," Kennedy continued, "but I suspected
that something of the sort existed when I was first told by Dr. Hanson of
the rappings. I determined to hear those rappings, and make a record of
them. So, the night Mr. Jameson and I visited Mr. Vandam, I carried this
little instrument with me."</p>
<p>Almost lovingly he touched the pendulums on the table. They were now at
rest and kept so by means of a lever that prevented all vibration
whatever.</p>
<p>"See, I release this lever—now, let no one in the room move. Watch
the needles on the paper as the clockwork revolves the drums. I take a
step—ever so lightly. The pendulums vibrate, and the needles trace a
broken line on the paper on each drum. I stop; the lines are practically
straight. I take another step and another, ever so lightly. See the
delicate pendulums vibrate? See, the lines they trace are jagged lines."</p>
<p>He stripped the paper off the drums and laid it flat on the table before
him, with two other similar pieces of paper.</p>
<p>"Just before the time of the rapping I placed this instrument in the
corner of the Vandam cabinet, just as I placed it in this cabinet after
Mr. Jameson conducted you from the room. In neither case were suspicions
aroused. Everything in both cases was perfectly normal—I mean the
'ghost' was in ignorance of the presence, if not the very existence, of
this instrument.</p>
<p>"This is an improved seismograph," he explained, "one after a very recent
model by Prince Galitzin of the Imperial Academy of St. Petersburg. The
seismograph, as you know, was devised to register earthquakes at a
distance. This one not only measures the size of a distant earthquake, but
the actual direction from which the earth-tremors come. That is why there
are two pendulums and two drums.</p>
<p>"The magnetic arrangement is to cut short the vibrations set up in the
pendulums, to prevent them from continuing to vibrate after the first
shock. Thus they are ready in an instant to record another tremor. Other
seismographs continue to vibrate for a long time as a result of one tremor
only. Besides, they give little indication of the direction from which the
tremors come.</p>
<p>"I think you must all appreciate that your tiptoeing up the hall must
cause a far greater disturbance in this delicate seismograph than even a
very severe earthquake thousands of miles away, which it was built to
record."</p>
<p>He paused and examined the papers sharply.</p>
<p>"This is the record made by the 'ghost's' walk the other night," he said,
holding up two of them in his left hand. "Here on the table, on two other
longer sheets, I have records of the vibrations set up by those in this
room walking to-night.</p>
<p>"Here is Mr. Jameson's—his is not a bit like the ghost's. Nor is Mr.
Vandam's. Least of all are Dr. Hanson's and Inspector O'Connor's, for they
are heavy men.</p>
<p>"Now here is Mr. Farrington's"—he bent down closely, "he is a light
man, and the ghost was light."</p>
<p>Craig was playing with his victim like a cat with a mouse.</p>
<p>Suddenly I felt something brush by me, and with a swish of air and of
garments I saw Mrs. Popper fling herself wildly at the table that bore the
incriminating records. In another instant Farrington was on his feet and
had made a wild leap in the same direction.</p>
<p>It was done so quickly that I must have acted first and thought afterward.
I found myself in the midst of a melee with my hand at his throat and his
at mine. O'Connor with a jiu-jitsu movement bent Farrington's other arm
until he released me with a cry of pain.</p>
<p>In front of me I saw Craig grasping Mrs. Popper's wrists as in a vise. She
was glaring at him like a tigress.</p>
<p>"Do you suppose for a moment that that toy is going to convince the world
that Henry Vandam has been deceived and that the spirit which visited him
was a fraud? Is that why you have lured me here under false pretences, to
play on my feelings, to insult me, to take advantage of a lone,
defenceless woman, surrounded by hostile men? Shame on you," she added
contemptuously. "You call yourself a gentleman, but I call you a coward."</p>
<p>Kennedy, always calm and collected, ignored the tirade. His voice was as
cold as steel as he said: "It would do little good, Mrs. Popper, to
destroy this one link in the chain I have forged. The other links are too
heavy for you. Don't forget the evidence of the ink. It was your ink.
Don't forget that Henry Vandam will not any longer conceal that he has
altered his will in favour of you. To-night he goes from here to his
lawyer's to draw up a new will altogether. Don't forget that you have
caused the Vandams separately to have the prescription filled, and that
you are now caught in the act of a double murder. Don't forget that you
had access to the Vandam mansion, that you substituted the deadly for the
harmless capsules. Don't forget that your rappings announced the death of
one of your victims and urged the other, a cruelly wronged and credulous
old man, to leave millions to you who had deceived and would have killed
him.</p>
<p>"No, the record of the ghost on the seismograph was not Mr. Farrington's,
as I implied at the moment when you so kindly furnished this additional
proof of your guilt by trying to destroy the evidence. The ghost was you,
Mrs. Popper, and you are at liberty to examine the markings as minutely as
you please, but you must not destroy them. You are an astute criminal,
Mrs. Popper, but to-night you are under arrest for the murder of Mary
Vandam and the attempted murder of Henry Vandam."</p>
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