<h2> <SPAN name="ch48" id="ch48"></SPAN>CHAPTER XLVIII. </h2>
<p>Magdala is not a beautiful place. It is thoroughly Syrian, and that is to
say that it is thoroughly ugly, and cramped, squalid, uncomfortable, and
filthy—just the style of cities that have adorned the country since
Adam's time, as all writers have labored hard to prove, and have
succeeded. The streets of Magdala are any where from three to six feet
wide, and reeking with uncleanliness. The houses are from five to seven
feet high, and all built upon one arbitrary plan—the ungraceful form
of a dry-goods box. The sides are daubed with a smooth white plaster, and
tastefully frescoed aloft and alow with disks of camel-dung placed there
to dry. This gives the edifice the romantic appearance of having been
riddled with cannon-balls, and imparts to it a very warlike aspect. When
the artist has arranged his materials with an eye to just proportion—the
small and the large flakes in alternate rows, and separated by
carefully-considered intervals—I know of nothing more cheerful to
look upon than a spirited Syrian fresco. The flat, plastered roof is
garnished by picturesque stacks of fresco materials, which, having become
thoroughly dried and cured, are placed there where it will be convenient.
It is used for fuel. There is no timber of any consequence in Palestine—none
at all to waste upon fires—and neither are there any mines of coal.
If my description has been intelligible, you will perceive, now, that a
square, flat-roofed hovel, neatly frescoed, with its wall-tops gallantly
bastioned and turreted with dried camel-refuse, gives to a landscape a
feature that is exceedingly festive and picturesque, especially if one is
careful to remember to stick in a cat wherever, about the premises, there
is room for a cat to sit. There are no windows to a Syrian hut, and no
chimneys. When I used to read that they let a bed-ridden man down through
the roof of a house in Capernaum to get him into the presence of the
Saviour, I generally had a three-story brick in my mind, and marveled that
they did not break his neck with the strange experiment. I perceive now,
however, that they might have taken him by the heels and thrown him clear
over the house without discommoding him very much. Palestine is not
changed any since those days, in manners, customs, architecture, or
people.<br/> <br/> <br/></p>
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<p>As we rode into Magdala not a soul was visible. But the ring of the
horses' hoofs roused the stupid population, and they all came trooping out—old
men and old women, boys and girls, the blind, the crazy, and the crippled,
all in ragged, soiled and scanty raiment, and all abject beggars by
nature, instinct and education. How the vermin-tortured vagabonds did
swarm! How they showed their scars and sores, and piteously pointed to
their maimed and crooked limbs, and begged with their pleading eyes for
charity! We had invoked a spirit we could not lay. They hung to the
horses's tails, clung to their manes and the stirrups, closed in on every
aide in scorn of dangerous hoofs—and out of their infidel throats,
with one accord, burst an agonizing and most infernal chorus: "Howajji,
bucksheesh! howajji, bucksheesh! howajji, bucksheesh! bucksheesh!
bucksheesh!" I never was in a storm like that before.</p>
<p>As we paid the bucksheesh out to sore-eyed children and brown, buxom girls
with repulsively tattooed lips and chins, we filed through the town and by
many an exquisite fresco, till we came to a bramble-infested inclosure and
a Roman-looking ruin which had been the veritable dwelling of St. Mary
Magdalene, the friend and follower of Jesus. The guide believed it, and so
did I. I could not well do otherwise, with the house right there before my
eyes as plain as day. The pilgrims took down portions of the front wall
for specimens, as is their honored custom, and then we departed.</p>
<p>We are camped in this place, now, just within the city walls of Tiberias.
We went into the town before nightfall and looked at its people—we
cared nothing about its houses. Its people are best examined at a
distance. They are particularly uncomely Jews, Arabs, and negroes. Squalor
and poverty are the pride of Tiberias. The young women wear their dower
strung upon a strong wire that curves downward from the top of the head to
the jaw—Turkish silver coins which they have raked together or
inherited. Most of these maidens were not wealthy, but some few had been
very kindly dealt with by fortune. I saw heiresses there worth, in their
own right—worth, well, I suppose I might venture to say, as much as
nine dollars and a half. But such cases are rare. When you come across one
of these, she naturally puts on airs. She will not ask for bucksheesh. She
will not even permit of undue familiarity. She assumes a crushing dignity
and goes on serenely practicing with her fine-tooth comb and quoting
poetry just the same as if you were not present at all. Some people can
not stand prosperity.</p>
<p>They say that the long-nosed, lanky, dyspeptic-looking body-snatchers,
with the indescribable hats on, and a long curl dangling down in front of
each ear, are the old, familiar, self-righteous Pharisees we read of in
the Scriptures. Verily, they look it. Judging merely by their general
style, and without other evidence, one might easily suspect that
self-righteousness was their specialty.</p>
<p>From various authorities I have culled information concerning Tiberias. It
was built by Herod Antipas, the murderer of John the Baptist, and named
after the Emperor Tiberius. It is believed that it stands upon the site of
what must have been, ages ago, a city of considerable architectural
pretensions, judging by the fine porphyry pillars that are scattered
through Tiberias and down the lake shore southward. These were fluted,
once, and yet, although the stone is about as hard as iron, the flutings
are almost worn away. These pillars are small, and doubtless the edifices
they adorned were distinguished more for elegance than grandeur. This
modern town—Tiberias—is only mentioned in the New Testament;
never in the Old.<br/> <br/> <br/></p>
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<p>The Sanhedrim met here last, and for three hundred years Tiberias was the
metropolis of the Jews in Palestine. It is one of the four holy cities of
the Israelites, and is to them what Mecca is to the Mohammedan and
Jerusalem to the Christian. It has been the abiding place of many learned
and famous Jewish rabbins. They lie buried here, and near them lie also
twenty-five thousand of their faith who traveled far to be near them while
they lived and lie with them when they died. The great Rabbi Ben Israel
spent three years here in the early part of the third century. He is dead,
now.</p>
<p>The celebrated Sea of Galilee is not so large a sea as Lake Tahoe by a
good deal—it is just about two-thirds as large. And when we come to
speak of beauty, this sea is no more to be compared to Tahoe than a
meridian of longitude is to a rainbow. The dim waters of this pool can not
suggest the limpid brilliancy of Tahoe; these low, shaven, yellow hillocks
of rocks and sand, so devoid of perspective, can not suggest the grand
peaks that compass Tahoe like a wall, and whose ribbed and chasmed fronts
are clad with stately pines that seem to grow small and smaller as they
climb, till one might fancy them reduced to weeds and shrubs far upward,
where they join the everlasting snows. Silence and solitude brood over
Tahoe; and silence and solitude brood also over this lake of Genessaret.
But the solitude of the one is as cheerful and fascinating as the solitude
of the other is dismal and repellant.</p>
<blockquote>
<p>[I measure all lakes by Tahoe, partly because I am far more familiar
with it than with any other, and partly because I have such a high
admiration for it and such a world of pleasant recollections of it, that
it is very nearly impossible for me to speak of lakes and not mention
it.]</p>
</blockquote>
<p>In the early morning one watches the silent battle of dawn and darkness
upon the waters of Tahoe with a placid interest; but when the shadows sulk
away and one by one the hidden beauties of the shore unfold themselves in
the full splendor of noon; when the still surface is belted like a rainbow
with broad bars of blue and green and white, half the distance from
circumference to centre; when, in the lazy summer afternoon, he lies in a
boat, far out to where the dead blue of the deep water begins, and smokes
the pipe of peace and idly winks at the distant crags and patches of snow
from under his cap-brim; when the boat drifts shoreward to the white
water, and he lolls over the gunwale and gazes by the hour down through
the crystal depths and notes the colors of the pebbles and reviews the
finny armies gliding in procession a hundred feet below; when at night he
sees moon and stars, mountain ridges feathered with pines, jutting white
capes, bold promontories, grand sweeps of rugged scenery topped with bald,
glimmering peaks, all magnificently pictured in the polished mirror of the
lake, in richest, softest detail, the tranquil interest that was born with
the morning deepens and deepens, by sure degrees, till it culminates at
last in resistless fascination!</p>
<p>It is solitude, for birds and squirrels on the shore and fishes in the
water are all the creatures that are near to make it otherwise, but it is
not the sort of solitude to make one dreary. Come to Galilee for that. If
these unpeopled deserts, these rusty mounds of barrenness, that never,
never, never do shake the glare from their harsh outlines, and fade and
faint into vague perspective; that melancholy ruin of Capernaum; this
stupid village of Tiberias, slumbering under its six funereal plumes of
palms; yonder desolate declivity where the swine of the miracle ran down
into the sea, and doubtless thought it was better to swallow a devil or
two and get drowned into the bargain than have to live longer in such a
place; this cloudless, blistering sky; this solemn, sailless, tintless
lake, reposing within its rim of yellow hills and low, steep banks, and
looking just as expressionless and unpoetical (when we leave its sublime
history out of the question,) as any metropolitan reservoir in Christendom—if
these things are not food for rock me to sleep, mother, none exist, I
think.</p>
<p>But I should not offer the evidence for the prosecution and leave the
defense unheard. Wm. C. Grimes deposes as follows:—</p>
<blockquote>
<p>"We had taken ship to go over to the other side. The sea was not more
than six miles wide. Of the beauty of the scene, however, I can not say
enough, nor can I imagine where those travelers carried their eyes who
have described the scenery of the lake as tame or uninteresting. The
first great characteristic of it is the deep basin in which it lies.
This is from three to four hundred feet deep on all sides except at the
lower end, and the sharp slope of the banks, which are all of the
richest green, is broken and diversified by the wadys and water-courses
which work their way down through the sides of the basin, forming dark
chasms or light sunny valleys. Near Tiberias these banks are rocky, and
ancient sepulchres open in them, with their doors toward the water. They
selected grand spots, as did the Egyptians of old, for burial places, as
if they designed that when the voice of God should reach the sleepers,
they should walk forth and open their eyes on scenes of glorious beauty.
On the east, the wild and desolate mountains contrast finely with the
deep blue lake; and toward the north, sublime and majestic, Hermon looks
down on the sea, lifting his white crown to heaven with the pride of a
hill that has seen the departing footsteps of a hundred generations. On
the north-east shore of the sea was a single tree, and this is the only
tree of any size visible from the water of the lake, except a few lonely
palms in the city of Tiberias, and by its solitary position attracts
more attention than would a forest. The whole appearance of the scene is
precisely what we would expect and desire the scenery of Genessaret to
be, grand beauty, but quiet calm. The very mountains are calm."</p>
</blockquote>
<p>It is an ingeniously written description, and well calculated to deceive.
But if the paint and the ribbons and the flowers be stripped from it, a
skeleton will be found beneath.</p>
<p>So stripped, there remains a lake six miles wide and neutral in color;
with steep green banks, unrelieved by shrubbery; at one end bare,
unsightly rocks, with (almost invisible) holes in them of no consequence
to the picture; eastward, "wild and desolate mountains;" (low, desolate
hills, he should have said;) in the north, a mountain called Hermon, with
snow on it; peculiarity of the picture, "calmness;" its prominent feature,
one tree.</p>
<p>No ingenuity could make such a picture beautiful—to one's actual
vision.</p>
<p>I claim the right to correct misstatements, and have so corrected the
color of the water in the above recapitulation. The waters of Genessaret
are of an exceedingly mild blue, even from a high elevation and a distance
of five miles. Close at hand (the witness was sailing on the lake,) it is
hardly proper to call them blue at all, much less "deep" blue. I wish to
state, also, not as a correction, but as matter of opinion, that Mount
Hermon is not a striking or picturesque mountain by any means, being too
near the height of its immediate neighbors to be so. That is all. I do not
object to the witness dragging a mountain forty-five miles to help the
scenery under consideration, because it is entirely proper to do it, and
besides, the picture needs it.</p>
<p>"C. W. E.," (of "Life in the Holy Land,") deposes as follows:—</p>
<blockquote>
<p>"A beautiful sea lies unbosomed among the Galilean hills, in the midst
of that land once possessed by Zebulon and Naphtali, Asher and Dan. The
azure of the sky penetrates the depths of the lake, and the waters are
sweet and cool. On the west, stretch broad fertile plains; on the north
the rocky shores rise step by step until in the far distance tower the
snowy heights of Hermon; on the east through a misty veil are seen the
high plains of Perea, which stretch away in rugged mountains leading the
mind by varied paths toward Jerusalem the Holy. Flowers bloom in this
terrestrial paradise, once beautiful and verdant with waving trees;
singing birds enchant the ear; the turtle-dove soothes with its soft
note; the crested lark sends up its song toward heaven, and the grave
and stately stork inspires the mind with thought, and leads it on to
meditation and repose. Life here was once idyllic, charming; here were
once no rich, no poor, no high, no low. It was a world of ease,
simplicity, and beauty; now it is a scene of desolation and misery."</p>
</blockquote>
<p>This is not an ingenious picture. It is the worst I ever saw. It describes
in elaborate detail what it terms a "terrestrial paradise," and closes
with the startling information that this paradise is "a scene of
desolation and misery."</p>
<p>I have given two fair, average specimens of the character of the testimony
offered by the majority of the writers who visit this region. One says,
"Of the beauty of the scene I can not say enough," and then proceeds to
cover up with a woof of glittering sentences a thing which, when stripped
for inspection, proves to be only an unobtrusive basin of water, some
mountainous desolation, and one tree. The other, after a conscientious
effort to build a terrestrial paradise out of the same materials, with the
addition of a "grave and stately stork," spoils it all by blundering upon
the ghastly truth at the last.</p>
<p>Nearly every book concerning Galilee and its lake describes the scenery as
beautiful. No—not always so straightforward as that. Sometimes the
impression intentionally conveyed is that it is beautiful, at the same
time that the author is careful not to say that it is, in plain Saxon. But
a careful analysis of these descriptions will show that the materials of
which they are formed are not individually beautiful and can not be
wrought into combinations that are beautiful. The veneration and the
affection which some of these men felt for the scenes they were speaking
of, heated their fancies and biased their judgment; but the pleasant
falsities they wrote were full of honest sincerity, at any rate. Others
wrote as they did, because they feared it would be unpopular to write
otherwise. Others were hypocrites and deliberately meant to deceive. Any
of them would say in a moment, if asked, that it was always right and
always best to tell the truth. They would say that, at any rate, if they
did not perceive the drift of the question.</p>
<p>But why should not the truth be spoken of this region? Is the truth
harmful? Has it ever needed to hide its face? God made the Sea of Galilee
and its surroundings as they are. Is it the province of Mr. Grimes to
improve upon the work?</p>
<p>I am sure, from the tenor of books I have read, that many who have visited
this land in years gone by, were Presbyterians, and came seeking evidences
in support of their particular creed; they found a Presbyterian Palestine,
and they had already made up their minds to find no other, though possibly
they did not know it, being blinded by their zeal. Others were Baptists,
seeking Baptist evidences and a Baptist Palestine. Others were Catholics,
Methodists, Episcopalians, seeking evidences indorsing their several
creeds, and a Catholic, a Methodist, an Episcopalian Palestine. Honest as
these men's intentions may have been, they were full of partialities and
prejudices, they entered the country with their verdicts already prepared,
and they could no more write dispassionately and impartially about it than
they could about their own wives and children. Our pilgrims have brought
their verdicts with them. They have shown it in their conversation ever
since we left Beirout. I can almost tell, in set phrase, what they will
say when they see Tabor, Nazareth, Jericho and Jerusalem—because I
have the books they will "smouch" their ideas from. These authors write
pictures and frame rhapsodies, and lesser men follow and see with the
author's eyes instead of their own, and speak with his tongue. What the
pilgrims said at Cesarea Philippi surprised me with its wisdom. I found it
afterwards in Robinson. What they said when Genessaret burst upon their
vision, charmed me with its grace. I find it in Mr. Thompson's "Land and
the Book." They have spoken often, in happily worded language which never
varied, of how they mean to lay their weary heads upon a stone at Bethel,
as Jacob did, and close their dim eyes, and dream, perchance, of angels
descending out of heaven on a ladder. It was very pretty. But I have
recognized the weary head and the dim eyes, finally. They borrowed the
idea—and the words—and the construction—and the
punctuation—from Grimes. The pilgrims will tell of Palestine, when
they get home, not as it appeared to them, but as it appeared to Thompson
and Robinson and Grimes—with the tints varied to suit each pilgrim's
creed.</p>
<p>Pilgrims, sinners and Arabs are all abed, now, and the camp is still.
Labor in loneliness is irksome. Since I made my last few notes, I have
been sitting outside the tent for half an hour. Night is the time to see
Galilee. Genessaret under these lustrous stars has nothing repulsive about
it. Genessaret with the glittering reflections of the constellations
flecking its surface, almost makes me regret that I ever saw the rude
glare of the day upon it. Its history and its associations are its
chiefest charm, in any eyes, and the spells they weave are feeble in the
searching light of the sun. Then, we scarcely feel the fetters. Our
thoughts wander constantly to the practical concerns of life, and refuse
to dwell upon things that seem vague and unreal. But when the day is done,
even the most unimpressible must yield to the dreamy influences of this
tranquil starlight. The old traditions of the place steal upon his memory
and haunt his reveries, and then his fancy clothes all sights and sounds
with the supernatural. In the lapping of the waves upon the beach, he
hears the dip of ghostly oars; in the secret noises of the night he hears
spirit voices; in the soft sweep of the breeze, the rush of invisible
wings. Phantom ships are on the sea, the dead of twenty centuries come
forth from the tombs, and in the dirges of the night wind the songs of old
forgotten ages find utterance again.</p>
<p>In the starlight, Galilee has no boundaries but the broad compass of the
heavens, and is a theatre meet for great events; meet for the birth of a
religion able to save a world; and meet for the stately Figure appointed
to stand upon its stage and proclaim its high decrees. But in the
sunlight, one says: Is it for the deeds which were done and the words
which were spoken in this little acre of rocks and sand eighteen centuries
gone, that the bells are ringing to-day in the remote islands of the sea
and far and wide over continents that clasp the circumference of the huge
globe?</p>
<p>One can comprehend it only when night has hidden all incongruities and
created a theatre proper for so grand a drama.<br/> <br/> <br/> <br/>
<br/> <br/></p>
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