<h3><SPAN name="chap06"></SPAN>[ 6 ]</h3>
<p>Martin Cunningham, first, poked his silkhatted head into the creaking carriage
and, entering deftly, seated himself. Mr Power stepped in after him, curving
his height with care.</p>
<p>—Come on, Simon.</p>
<p>—After you, Mr Bloom said.</p>
<p>Mr Dedalus covered himself quickly and got in, saying:</p>
<p>—Yes, yes.</p>
<p>—Are we all here now? Martin Cunningham asked. Come along, Bloom.</p>
<p>Mr Bloom entered and sat in the vacant place. He pulled the door to after him
and slammed it twice till it shut tight. He passed an arm through the armstrap
and looked seriously from the open carriagewindow at the lowered blinds of the
avenue. One dragged aside: an old woman peeping. Nose whiteflattened against
the pane. Thanking her stars she was passed over. Extraordinary the interest
they take in a corpse. Glad to see us go we give them such trouble coming. Job
seems to suit them. Huggermugger in corners. Slop about in slipperslappers for
fear he’d wake. Then getting it ready. Laying it out. Molly and Mrs Fleming
making the bed. Pull it more to your side. Our windingsheet. Never know who
will touch you dead. Wash and shampoo. I believe they clip the nails and the
hair. Keep a bit in an envelope. Grows all the same after. Unclean job.</p>
<p>All waited. Nothing was said. Stowing in the wreaths probably. I am sitting on
something hard. Ah, that soap: in my hip pocket. Better shift it out of that.
Wait for an opportunity.</p>
<p>All waited. Then wheels were heard from in front, turning: then nearer: then
horses’ hoofs. A jolt. Their carriage began to move, creaking and swaying.
Other hoofs and creaking wheels started behind. The blinds of the avenue passed
and number nine with its craped knocker, door ajar. At walking pace.</p>
<p>They waited still, their knees jogging, till they had turned and were passing
along the tramtracks. Tritonville road. Quicker. The wheels rattled rolling
over the cobbled causeway and the crazy glasses shook rattling in the
doorframes.</p>
<p>—What way is he taking us? Mr Power asked through both windows.</p>
<p>—Irishtown, Martin Cunningham said. Ringsend. Brunswick street.</p>
<p>Mr Dedalus nodded, looking out.</p>
<p>—That’s a fine old custom, he said. I am glad to see it has not died out.</p>
<p>All watched awhile through their windows caps and hats lifted by passers.
Respect. The carriage swerved from the tramtrack to the smoother road past
Watery lane. Mr Bloom at gaze saw a lithe young man, clad in mourning, a wide
hat.</p>
<p>—There’s a friend of yours gone by, Dedalus, he said.</p>
<p>—Who is that?</p>
<p>—Your son and heir.</p>
<p>—Where is he? Mr Dedalus said, stretching over across.</p>
<p>The carriage, passing the open drains and mounds of rippedup roadway before the
tenement houses, lurched round the corner and, swerving back to the tramtrack,
rolled on noisily with chattering wheels. Mr Dedalus fell back, saying:</p>
<p>—Was that Mulligan cad with him? His <i>fidus Achates</i>!</p>
<p>—No, Mr Bloom said. He was alone.</p>
<p>—Down with his aunt Sally, I suppose, Mr Dedalus said, the Goulding
faction, the drunken little costdrawer and Crissie, papa’s little lump of dung,
the wise child that knows her own father.</p>
<p>Mr Bloom smiled joylessly on Ringsend road. Wallace Bros: the bottleworks:
Dodder bridge.</p>
<p>Richie Goulding and the legal bag. Goulding, Collis and Ward he calls the firm.
His jokes are getting a bit damp. Great card he was. Waltzing in Stamer street
with Ignatius Gallaher on a Sunday morning, the landlady’s two hats pinned on
his head. Out on the rampage all night. Beginning to tell on him now: that
backache of his, I fear. Wife ironing his back. Thinks he’ll cure it with
pills. All breadcrumbs they are. About six hundred per cent profit.</p>
<p>—He’s in with a lowdown crowd, Mr Dedalus snarled. That Mulligan is a
contaminated bloody doubledyed ruffian by all accounts. His name stinks all
over Dublin. But with the help of God and His blessed mother I’ll make it my
business to write a letter one of those days to his mother or his aunt or
whatever she is that will open her eye as wide as a gate. I’ll tickle his
catastrophe, believe you me.</p>
<p>He cried above the clatter of the wheels:</p>
<p>—I won’t have her bastard of a nephew ruin my son. A counterjumper’s son.
Selling tapes in my cousin, Peter Paul M’Swiney’s. Not likely.</p>
<p>He ceased. Mr Bloom glanced from his angry moustache to Mr Power’s mild face
and Martin Cunningham’s eyes and beard, gravely shaking. Noisy selfwilled man.
Full of his son. He is right. Something to hand on. If little Rudy had lived.
See him grow up. Hear his voice in the house. Walking beside Molly in an Eton
suit. My son. Me in his eyes. Strange feeling it would be. From me. Just a
chance. Must have been that morning in Raymond terrace she was at the window
watching the two dogs at it by the wall of the cease to do evil. And the
sergeant grinning up. She had that cream gown on with the rip she never
stitched. Give us a touch, Poldy. God, I’m dying for it. How life begins.</p>
<p>Got big then. Had to refuse the Greystones concert. My son inside her. I could
have helped him on in life. I could. Make him independent. Learn German too.</p>
<p>—Are we late? Mr Power asked.</p>
<p>—Ten minutes, Martin Cunningham said, looking at his watch.</p>
<p>Molly. Milly. Same thing watered down. Her tomboy oaths. O jumping Jupiter! Ye
gods and little fishes! Still, she’s a dear girl. Soon be a woman. Mullingar.
Dearest Papli. Young student. Yes, yes: a woman too. Life, life.</p>
<p>The carriage heeled over and back, their four trunks swaying.</p>
<p>—Corny might have given us a more commodious yoke, Mr Power said.</p>
<p>—He might, Mr Dedalus said, if he hadn’t that squint troubling him. Do
you follow me?</p>
<p>He closed his left eye. Martin Cunningham began to brush away crustcrumbs from
under his thighs.</p>
<p>—What is this, he said, in the name of God? Crumbs?</p>
<p>—Someone seems to have been making a picnic party here lately, Mr Power
said.</p>
<p>All raised their thighs and eyed with disfavour the mildewed buttonless leather
of the seats. Mr Dedalus, twisting his nose, frowned downward and said:</p>
<p>—Unless I’m greatly mistaken. What do you think, Martin?</p>
<p>—It struck me too, Martin Cunningham said.</p>
<p>Mr Bloom set his thigh down. Glad I took that bath. Feel my feet quite clean.
But I wish Mrs Fleming had darned these socks better.</p>
<p>Mr Dedalus sighed resignedly.</p>
<p>—After all, he said, it’s the most natural thing in the world.</p>
<p>—Did Tom Kernan turn up? Martin Cunningham asked, twirling the peak of
his beard gently.</p>
<p>—Yes, Mr Bloom answered. He’s behind with Ned Lambert and Hynes.</p>
<p>—And Corny Kelleher himself? Mr Power asked.</p>
<p>—At the cemetery, Martin Cunningham said.</p>
<p>—I met M’Coy this morning, Mr Bloom said. He said he’d try to come.</p>
<p>The carriage halted short.</p>
<p>—What’s wrong?</p>
<p>—We’re stopped.</p>
<p>—Where are we?</p>
<p>Mr Bloom put his head out of the window.</p>
<p>—The grand canal, he said.</p>
<p>Gasworks. Whooping cough they say it cures. Good job Milly never got it. Poor
children! Doubles them up black and blue in convulsions. Shame really. Got off
lightly with illnesses compared. Only measles. Flaxseed tea. Scarlatina,
influenza epidemics. Canvassing for death. Don’t miss this chance. Dogs’ home
over there. Poor old Athos! Be good to Athos, Leopold, is my last wish. Thy
will be done. We obey them in the grave. A dying scrawl. He took it to heart,
pined away. Quiet brute. Old men’s dogs usually are.</p>
<p>A raindrop spat on his hat. He drew back and saw an instant of shower spray
dots over the grey flags. Apart. Curious. Like through a colander. I thought it
would. My boots were creaking I remember now.</p>
<p>—The weather is changing, he said quietly.</p>
<p>—A pity it did not keep up fine, Martin Cunningham said.</p>
<p>—Wanted for the country, Mr Power said. There’s the sun again coming out.</p>
<p>Mr Dedalus, peering through his glasses towards the veiled sun, hurled a mute
curse at the sky.</p>
<p>—It’s as uncertain as a child’s bottom, he said.</p>
<p>—We’re off again.</p>
<p>The carriage turned again its stiff wheels and their trunks swayed gently.
Martin Cunningham twirled more quickly the peak of his beard.</p>
<p>—Tom Kernan was immense last night, he said. And Paddy Leonard taking him
off to his face.</p>
<p>—O, draw him out, Martin, Mr Power said eagerly. Wait till you hear him,
Simon, on Ben Dollard’s singing of <i>The Croppy Boy</i>.</p>
<p>—Immense, Martin Cunningham said pompously. <i>His singing of that simple
ballad, Martin, is the most trenchant rendering I ever heard in the whole
course of my experience.</i></p>
<p>—Trenchant, Mr Power said laughing. He’s dead nuts on that. And the
retrospective arrangement.</p>
<p>—Did you read Dan Dawson’s speech? Martin Cunningham asked.</p>
<p>—I did not then, Mr Dedalus said. Where is it?</p>
<p>—In the paper this morning.</p>
<p>Mr Bloom took the paper from his inside pocket. That book I must change for
her.</p>
<p>—No, no, Mr Dedalus said quickly. Later on please.</p>
<p>Mr Bloom’s glance travelled down the edge of the paper, scanning the deaths:
Callan, Coleman, Dignam, Fawcett, Lowry, Naumann, Peake, what Peake is that? is
it the chap was in Crosbie and Alleyne’s? no, Sexton, Urbright. Inked
characters fast fading on the frayed breaking paper. Thanks to the Little
Flower. Sadly missed. To the inexpressible grief of his. Aged 88 after a long
and tedious illness. Month’s mind: Quinlan. On whose soul Sweet Jesus have
mercy.</p>
<p class="poem">
It is now a month since dear Henry fled<br/>
To his home up above in the sky<br/>
While his family weeps and mourns his loss<br/>
Hoping some day to meet him on high.</p>
<p>I tore up the envelope? Yes. Where did I put her letter after I read it in the
bath? He patted his waistcoatpocket. There all right. Dear Henry fled. Before
my patience are exhausted.</p>
<p>National school. Meade’s yard. The hazard. Only two there now. Nodding. Full as
a tick. Too much bone in their skulls. The other trotting round with a fare. An
hour ago I was passing there. The jarvies raised their hats.</p>
<p>A pointsman’s back straightened itself upright suddenly against a tramway
standard by Mr Bloom’s window. Couldn’t they invent something automatic so that
the wheel itself much handier? Well but that fellow would lose his job then?
Well but then another fellow would get a job making the new invention?</p>
<p>Antient concert rooms. Nothing on there. A man in a buff suit with a crape
armlet. Not much grief there. Quarter mourning. People in law perhaps.</p>
<p>They went past the bleak pulpit of saint Mark’s, under the railway bridge, past
the Queen’s theatre: in silence. Hoardings: Eugene Stratton, Mrs Bandmann
Palmer. Could I go to see <i>Leah</i> tonight, I wonder. I said I. Or the
<i>Lily of Killarney</i>? Elster Grimes Opera Company. Big powerful change. Wet
bright bills for next week. <i>Fun on the Bristol</i>. Martin Cunningham could
work a pass for the Gaiety. Have to stand a drink or two. As broad as it’s
long.</p>
<p>He’s coming in the afternoon. Her songs.</p>
<p>Plasto’s. Sir Philip Crampton’s memorial fountain bust. Who was he?</p>
<p>—How do you do? Martin Cunningham said, raising his palm to his brow in
salute.</p>
<p>—He doesn’t see us, Mr Power said. Yes, he does. How do you do?</p>
<p>—Who? Mr Dedalus asked.</p>
<p>—Blazes Boylan, Mr Power said. There he is airing his quiff.</p>
<p>Just that moment I was thinking.</p>
<p>Mr Dedalus bent across to salute. From the door of the Red Bank the white disc
of a straw hat flashed reply: spruce figure: passed.</p>
<p>Mr Bloom reviewed the nails of his left hand, then those of his right hand. The
nails, yes. Is there anything more in him that they she sees? Fascination.
Worst man in Dublin. That keeps him alive. They sometimes feel what a person
is. Instinct. But a type like that. My nails. I am just looking at them: well
pared. And after: thinking alone. Body getting a bit softy. I would notice
that: from remembering. What causes that? I suppose the skin can’t contract
quickly enough when the flesh falls off. But the shape is there. The shape is
there still. Shoulders. Hips. Plump. Night of the dance dressing. Shift stuck
between the cheeks behind.</p>
<p>He clasped his hands between his knees and, satisfied, sent his vacant glance
over their faces.</p>
<p>Mr Power asked:</p>
<p>—How is the concert tour getting on, Bloom?</p>
<p>—O, very well, Mr Bloom said. I hear great accounts of it. It’s a good
idea, you see...</p>
<p>—Are you going yourself?</p>
<p>—Well no, Mr Bloom said. In point of fact I have to go down to the county
Clare on some private business. You see the idea is to tour the chief towns.
What you lose on one you can make up on the other.</p>
<p>—Quite so, Martin Cunningham said. Mary Anderson is up there now.</p>
<p>Have you good artists?</p>
<p>—Louis Werner is touring her, Mr Bloom said. O yes, we’ll have all
topnobbers. J. C. Doyle and John MacCormack I hope and. The best, in fact.</p>
<p>—And <i>Madame</i>, Mr Power said smiling. Last but not least.</p>
<p>Mr Bloom unclasped his hands in a gesture of soft politeness and clasped them.
Smith O’Brien. Someone has laid a bunch of flowers there. Woman. Must be his
deathday. For many happy returns. The carriage wheeling by Farrell’s statue
united noiselessly their unresisting knees.</p>
<p>Oot: a dullgarbed old man from the curbstone tendered his wares, his mouth
opening: oot.</p>
<p>—Four bootlaces for a penny.</p>
<p>Wonder why he was struck off the rolls. Had his office in Hume street. Same
house as Molly’s namesake, Tweedy, crown solicitor for Waterford. Has that silk
hat ever since. Relics of old decency. Mourning too. Terrible comedown, poor
wretch! Kicked about like snuff at a wake. O’Callaghan on his last legs.</p>
<p>And <i>Madame</i>. Twenty past eleven. Up. Mrs Fleming is in to clean. Doing
her hair, humming: <i>voglio e non vorrei</i>. No: <i>vorrei e non</i>. Looking
at the tips of her hairs to see if they are split. <i>Mi trema un poco il</i>.
Beautiful on that <i>tre</i> her voice is: weeping tone. A thrush. A throstle.
There is a word throstle that expresses that.</p>
<p>His eyes passed lightly over Mr Power’s goodlooking face. Greyish over the
ears. <i>Madame</i>: smiling. I smiled back. A smile goes a long way. Only
politeness perhaps. Nice fellow. Who knows is that true about the woman he
keeps? Not pleasant for the wife. Yet they say, who was it told me, there is no
carnal. You would imagine that would get played out pretty quick. Yes, it was
Crofton met him one evening bringing her a pound of rumpsteak. What is this she
was? Barmaid in Jury’s. Or the Moira, was it?</p>
<p>They passed under the hugecloaked Liberator’s form.</p>
<p>Martin Cunningham nudged Mr Power.</p>
<p>—Of the tribe of Reuben, he said.</p>
<p>A tall blackbearded figure, bent on a stick, stumping round the corner of
Elvery’s Elephant house, showed them a curved hand open on his spine.</p>
<p>—In all his pristine beauty, Mr Power said.</p>
<p>Mr Dedalus looked after the stumping figure and said mildly:</p>
<p>—The devil break the hasp of your back!</p>
<p>Mr Power, collapsing in laughter, shaded his face from the window as the
carriage passed Gray’s statue.</p>
<p>—We have all been there, Martin Cunningham said broadly.</p>
<p>His eyes met Mr Bloom’s eyes. He caressed his beard, adding:</p>
<p>—Well, nearly all of us.</p>
<p>Mr Bloom began to speak with sudden eagerness to his companions’ faces.</p>
<p>—That’s an awfully good one that’s going the rounds about Reuben J and
the son.</p>
<p>—About the boatman? Mr Power asked.</p>
<p>—Yes. Isn’t it awfully good?</p>
<p>—What is that? Mr Dedalus asked. I didn’t hear it.</p>
<p>—There was a girl in the case, Mr Bloom began, and he determined to send
him to the Isle of Man out of harm’s way but when they were both.....</p>
<p>—What? Mr Dedalus asked. That confirmed bloody hobbledehoy is it?</p>
<p>—Yes, Mr Bloom said. They were both on the way to the boat and he tried
to drown.....</p>
<p>—Drown Barabbas! Mr Dedalus cried. I wish to Christ he did!</p>
<p>Mr Power sent a long laugh down his shaded nostrils.</p>
<p>—No, Mr Bloom said, the son himself.....</p>
<p>Martin Cunningham thwarted his speech rudely:</p>
<p>—Reuben J and the son were piking it down the quay next the river on
their way to the Isle of Man boat and the young chiseller suddenly got loose
and over the wall with him into the Liffey.</p>
<p>—For God’s sake! Mr Dedalus exclaimed in fright. Is he dead?</p>
<p>—Dead! Martin Cunningham cried. Not he! A boatman got a pole and fished
him out by the slack of the breeches and he was landed up to the father on the
quay more dead than alive. Half the town was there.</p>
<p>—Yes, Mr Bloom said. But the funny part is.....</p>
<p>—And Reuben J, Martin Cunningham said, gave the boatman a florin for
saving his son’s life.</p>
<p>A stifled sigh came from under Mr Power’s hand.</p>
<p>—O, he did, Martin Cunningham affirmed. Like a hero. A silver florin.</p>
<p>—Isn’t it awfully good? Mr Bloom said eagerly.</p>
<p>—One and eightpence too much, Mr Dedalus said drily.</p>
<p>Mr Power’s choked laugh burst quietly in the carriage.</p>
<p>Nelson’s pillar.</p>
<p>—Eight plums a penny! Eight for a penny!</p>
<p>—We had better look a little serious, Martin Cunningham said.</p>
<p>Mr Dedalus sighed.</p>
<p>—Ah then indeed, he said, poor little Paddy wouldn’t grudge us a laugh.
Many a good one he told himself.</p>
<p>—The Lord forgive me! Mr Power said, wiping his wet eyes with his
fingers. Poor Paddy! I little thought a week ago when I saw him last and he was
in his usual health that I’d be driving after him like this. He’s gone from us.</p>
<p>—As decent a little man as ever wore a hat, Mr Dedalus said. He went very
suddenly.</p>
<p>—Breakdown, Martin Cunningham said. Heart.</p>
<p>He tapped his chest sadly.</p>
<p>Blazing face: redhot. Too much John Barleycorn. Cure for a red nose. Drink like
the devil till it turns adelite. A lot of money he spent colouring it.</p>
<p>Mr Power gazed at the passing houses with rueful apprehension.</p>
<p>—He had a sudden death, poor fellow, he said.</p>
<p>—The best death, Mr Bloom said.</p>
<p>Their wide open eyes looked at him.</p>
<p>—No suffering, he said. A moment and all is over. Like dying in sleep.</p>
<p>No-one spoke.</p>
<p>Dead side of the street this. Dull business by day, land agents, temperance
hotel, Falconer’s railway guide, civil service college, Gill’s, catholic club,
the industrious blind. Why? Some reason. Sun or wind. At night too. Chummies
and slaveys. Under the patronage of the late Father Mathew. Foundation stone
for Parnell. Breakdown. Heart.</p>
<p>White horses with white frontlet plumes came round the Rotunda corner,
galloping. A tiny coffin flashed by. In a hurry to bury. A mourning coach.
Unmarried. Black for the married. Piebald for bachelors. Dun for a nun.</p>
<p>—Sad, Martin Cunningham said. A child.</p>
<p>A dwarf’s face, mauve and wrinkled like little Rudy’s was. Dwarf’s body, weak
as putty, in a whitelined deal box. Burial friendly society pays. Penny a week
for a sod of turf. Our. Little. Beggar. Baby. Meant nothing. Mistake of nature.
If it’s healthy it’s from the mother. If not from the man. Better luck next
time.</p>
<p>—Poor little thing, Mr Dedalus said. It’s well out of it.</p>
<p>The carriage climbed more slowly the hill of Rutland square. Rattle his bones.
Over the stones. Only a pauper. Nobody owns.</p>
<p>—In the midst of life, Martin Cunningham said.</p>
<p>—But the worst of all, Mr Power said, is the man who takes his own life.</p>
<p>Martin Cunningham drew out his watch briskly, coughed and put it back.</p>
<p>—The greatest disgrace to have in the family, Mr Power added.</p>
<p>—Temporary insanity, of course, Martin Cunningham said decisively. We
must take a charitable view of it.</p>
<p>—They say a man who does it is a coward, Mr Dedalus said.</p>
<p>—It is not for us to judge, Martin Cunningham said.</p>
<p>Mr Bloom, about to speak, closed his lips again. Martin Cunningham’s large
eyes. Looking away now. Sympathetic human man he is. Intelligent. Like
Shakespeare’s face. Always a good word to say. They have no mercy on that here
or infanticide. Refuse christian burial. They used to drive a stake of wood
through his heart in the grave. As if it wasn’t broken already. Yet sometimes
they repent too late. Found in the riverbed clutching rushes. He looked at me.
And that awful drunkard of a wife of his. Setting up house for her time after
time and then pawning the furniture on him every Saturday almost. Leading him
the life of the damned. Wear the heart out of a stone, that. Monday morning.
Start afresh. Shoulder to the wheel. Lord, she must have looked a sight that
night Dedalus told me he was in there. Drunk about the place and capering with
Martin’s umbrella.</p>
<p class="poem">
And they call me the jewel of Asia,<br/>
Of Asia,<br/>
The geisha.</p>
<p>He looked away from me. He knows. Rattle his bones.</p>
<p>That afternoon of the inquest. The redlabelled bottle on the table. The room in
the hotel with hunting pictures. Stuffy it was. Sunlight through the slats of
the Venetian blind. The coroner’s sunlit ears, big and hairy. Boots giving
evidence. Thought he was asleep first. Then saw like yellow streaks on his
face. Had slipped down to the foot of the bed. Verdict: overdose. Death by
misadventure. The letter. For my son Leopold.</p>
<p>No more pain. Wake no more. Nobody owns.</p>
<p>The carriage rattled swiftly along Blessington street. Over the stones.</p>
<p>—We are going the pace, I think, Martin Cunningham said.</p>
<p>—God grant he doesn’t upset us on the road, Mr Power said.</p>
<p>—I hope not, Martin Cunningham said. That will be a great race tomorrow
in Germany. The Gordon Bennett.</p>
<p>—Yes, by Jove, Mr Dedalus said. That will be worth seeing, faith.</p>
<p>As they turned into Berkeley street a streetorgan near the Basin sent over and
after them a rollicking rattling song of the halls. Has anybody here seen
Kelly? Kay ee double ell wy. Dead March from <i>Saul.</i> He’s as bad as old
Antonio. He left me on my ownio. Pirouette! The <i>Mater Misericordiae</i>.
Eccles street. My house down there. Big place. Ward for incurables there. Very
encouraging. Our Lady’s Hospice for the dying. Deadhouse handy underneath.
Where old Mrs Riordan died. They look terrible the women. Her feeding cup and
rubbing her mouth with the spoon. Then the screen round her bed for her to die.
Nice young student that was dressed that bite the bee gave me. He’s gone over
to the lying-in hospital they told me. From one extreme to the other.</p>
<p>The carriage galloped round a corner: stopped.</p>
<p>—What’s wrong now?</p>
<p>A divided drove of branded cattle passed the windows, lowing, slouching by on
padded hoofs, whisking their tails slowly on their clotted bony croups. Outside
them and through them ran raddled sheep bleating their fear.</p>
<p>—Emigrants, Mr Power said.</p>
<p>—Huuuh! the drover’s voice cried, his switch sounding on their flanks.
Huuuh! out of that!</p>
<p>Thursday, of course. Tomorrow is killing day. Springers. Cuffe sold them about
twentyseven quid each. For Liverpool probably. Roastbeef for old England. They
buy up all the juicy ones. And then the fifth quarter lost: all that raw stuff,
hide, hair, horns. Comes to a big thing in a year. Dead meat trade. Byproducts
of the slaughterhouses for tanneries, soap, margarine. Wonder if that dodge
works now getting dicky meat off the train at Clonsilla.</p>
<p>The carriage moved on through the drove.</p>
<p>—I can’t make out why the corporation doesn’t run a tramline from the
parkgate to the quays, Mr Bloom said. All those animals could be taken in
trucks down to the boats.</p>
<p>—Instead of blocking up the thoroughfare, Martin Cunningham said. Quite
right. They ought to.</p>
<p>—Yes, Mr Bloom said, and another thing I often thought, is to have
municipal funeral trams like they have in Milan, you know. Run the line out to
the cemetery gates and have special trams, hearse and carriage and all. Don’t
you see what I mean?</p>
<p>—O, that be damned for a story, Mr Dedalus said. Pullman car and saloon
diningroom.</p>
<p>—A poor lookout for Corny, Mr Power added.</p>
<p>—Why? Mr Bloom asked, turning to Mr Dedalus. Wouldn’t it be more decent
than galloping two abreast?</p>
<p>—Well, there’s something in that, Mr Dedalus granted.</p>
<p>—And, Martin Cunningham said, we wouldn’t have scenes like that when the
hearse capsized round Dunphy’s and upset the coffin on to the road.</p>
<p>—That was terrible, Mr Power’s shocked face said, and the corpse fell
about the road. Terrible!</p>
<p>—First round Dunphy’s, Mr Dedalus said, nodding. Gordon Bennett cup.</p>
<p>—Praises be to God! Martin Cunningham said piously.</p>
<p>Bom! Upset. A coffin bumped out on to the road. Burst open. Paddy Dignam shot
out and rolling over stiff in the dust in a brown habit too large for him. Red
face: grey now. Mouth fallen open. Asking what’s up now. Quite right to close
it. Looks horrid open. Then the insides decompose quickly. Much better to close
up all the orifices. Yes, also. With wax. The sphincter loose. Seal up all.</p>
<p>—Dunphy’s, Mr Power announced as the carriage turned right.</p>
<p>Dunphy’s corner. Mourning coaches drawn up, drowning their grief. A pause by
the wayside. Tiptop position for a pub. Expect we’ll pull up here on the way
back to drink his health. Pass round the consolation. Elixir of life.</p>
<p>But suppose now it did happen. Would he bleed if a nail say cut him in the
knocking about? He would and he wouldn’t, I suppose. Depends on where. The
circulation stops. Still some might ooze out of an artery. It would be better
to bury them in red: a dark red.</p>
<p>In silence they drove along Phibsborough road. An empty hearse trotted by,
coming from the cemetery: looks relieved.</p>
<p>Crossguns bridge: the royal canal.</p>
<p>Water rushed roaring through the sluices. A man stood on his dropping barge,
between clamps of turf. On the towpath by the lock a slacktethered horse.
Aboard of the <i>Bugabu.</i></p>
<p>Their eyes watched him. On the slow weedy waterway he had floated on his raft
coastward over Ireland drawn by a haulage rope past beds of reeds, over slime,
mudchoked bottles, carrion dogs. Athlone, Mullingar, Moyvalley, I could make a
walking tour to see Milly by the canal. Or cycle down. Hire some old crock,
safety. Wren had one the other day at the auction but a lady’s. Developing
waterways. James M’Cann’s hobby to row me o’er the ferry. Cheaper transit. By
easy stages. Houseboats. Camping out. Also hearses. To heaven by water. Perhaps
I will without writing. Come as a surprise, Leixlip, Clonsilla. Dropping down
lock by lock to Dublin. With turf from the midland bogs. Salute. He lifted his
brown straw hat, saluting Paddy Dignam.</p>
<p>They drove on past Brian Boroimhe house. Near it now.</p>
<p>—I wonder how is our friend Fogarty getting on, Mr Power said.</p>
<p>—Better ask Tom Kernan, Mr Dedalus said.</p>
<p>—How is that? Martin Cunningham said. Left him weeping, I suppose?</p>
<p>—Though lost to sight, Mr Dedalus said, to memory dear.</p>
<p>The carriage steered left for Finglas road.</p>
<p>The stonecutter’s yard on the right. Last lap. Crowded on the spit of land
silent shapes appeared, white, sorrowful, holding out calm hands, knelt in
grief, pointing. Fragments of shapes, hewn. In white silence: appealing. The
best obtainable. Thos. H. Dennany, monumental builder and sculptor.</p>
<p>Passed.</p>
<p>On the curbstone before Jimmy Geary, the sexton’s, an old tramp sat, grumbling,
emptying the dirt and stones out of his huge dustbrown yawning boot. After
life’s journey.</p>
<p>Gloomy gardens then went by: one by one: gloomy houses.</p>
<p>Mr Power pointed.</p>
<p>—That is where Childs was murdered, he said. The last house.</p>
<p>—So it is, Mr Dedalus said. A gruesome case. Seymour Bushe got him off.
Murdered his brother. Or so they said.</p>
<p>—The crown had no evidence, Mr Power said.</p>
<p>—Only circumstantial, Martin Cunningham added. That’s the maxim of the
law. Better for ninetynine guilty to escape than for one innocent person to be
wrongfully condemned.</p>
<p>They looked. Murderer’s ground. It passed darkly. Shuttered, tenantless,
unweeded garden. Whole place gone to hell. Wrongfully condemned. Murder. The
murderer’s image in the eye of the murdered. They love reading about it. Man’s
head found in a garden. Her clothing consisted of. How she met her death.
Recent outrage. The weapon used. Murderer is still at large. Clues. A shoelace.
The body to be exhumed. Murder will out.</p>
<p>Cramped in this carriage. She mightn’t like me to come that way without letting
her know. Must be careful about women. Catch them once with their pants down.
Never forgive you after. Fifteen.</p>
<p>The high railings of Prospect rippled past their gaze. Dark poplars, rare white
forms. Forms more frequent, white shapes thronged amid the trees, white forms
and fragments streaming by mutely, sustaining vain gestures on the air.</p>
<p>The felly harshed against the curbstone: stopped. Martin Cunningham put out his
arm and, wrenching back the handle, shoved the door open with his knee. He
stepped out. Mr Power and Mr Dedalus followed.</p>
<p>Change that soap now. Mr Bloom’s hand unbuttoned his hip pocket swiftly and
transferred the paperstuck soap to his inner handkerchief pocket. He stepped
out of the carriage, replacing the newspaper his other hand still held.</p>
<p>Paltry funeral: coach and three carriages. It’s all the same. Pallbearers, gold
reins, requiem mass, firing a volley. Pomp of death. Beyond the hind carriage a
hawker stood by his barrow of cakes and fruit. Simnel cakes those are, stuck
together: cakes for the dead. Dogbiscuits. Who ate them? Mourners coming out.</p>
<p>He followed his companions. Mr Kernan and Ned Lambert followed, Hynes walking
after them. Corny Kelleher stood by the opened hearse and took out the two
wreaths. He handed one to the boy.</p>
<p>Where is that child’s funeral disappeared to?</p>
<p>A team of horses passed from Finglas with toiling plodding tread, dragging
through the funereal silence a creaking waggon on which lay a granite block.
The waggoner marching at their head saluted.</p>
<p>Coffin now. Got here before us, dead as he is. Horse looking round at it with
his plume skeowways. Dull eye: collar tight on his neck, pressing on a
bloodvessel or something. Do they know what they cart out here every day? Must
be twenty or thirty funerals every day. Then Mount Jerome for the protestants.
Funerals all over the world everywhere every minute. Shovelling them under by
the cartload doublequick. Thousands every hour. Too many in the world.</p>
<div style="break-after:column;"></div><br />