<p><SPAN name="6"></SPAN> </p>
<h3>Chapter VI<br/> <br/> <span class="smallcaps">The Warden's Tea Party</span></h3>
<p> </p>
<p>After much painful doubting, on one thing only could
Mr Harding resolve. He determined that at any rate he
would take no offence, and that he would make this question
no cause of quarrel either with Bold or with the bedesmen. In
furtherance of this resolution, he himself wrote a note to Mr
Bold, the same afternoon, inviting him to meet a few friends
and hear some music on an evening named in the next week.
Had not this little party been promised to Eleanor, in his
present state of mind he would probably have avoided such
gaiety; but the promise had been given, the invitations were
to be written, and when Eleanor consulted her father on the
subject, she was not ill pleased to hear him say, "Oh, I was
thinking of Bold, so I took it into my head to write to him
myself, but you must write to his sister."</p>
<p>Mary Bold was older than her brother, and, at the time of
our story, was just over thirty. She was not an unattractive
young woman, though by no means beautiful. Her great
merit was the kindliness of her disposition. She was not very
clever, nor very animated, nor had she apparently the energy
of her brother; but she was guided by a high principle of right
and wrong; her temper was sweet, and her faults were fewer
in number than her virtues. Those who casually met Mary
Bold thought little of her; but those who knew her well loved
her well, and the longer they knew her the more they loved
her. Among those who were fondest of her was Eleanor
Harding; and though Eleanor had never openly talked to her
of her brother, each understood the other's feelings about him.
The brother and sister were sitting together when the two
notes were brought in.</p>
<p>"How odd," said Mary, "that they should send two notes.
Well, if Mr Harding becomes fashionable, the world is going
to change."</p>
<p>Her brother understood immediately the nature and intention
of the peace-offering; but it was not so easy for him to
behave well in the matter, as it was for Mr Harding. It is
much less difficult for the sufferer to be generous than for the
oppressor. John Bold felt that he could not go to the warden's
party: he never loved Eleanor better than he did now; he
had never so strongly felt how anxious he was to make her his
wife as now, when so many obstacles to his doing so appeared
in view. Yet here was her father himself, as it were, clearing
away those very obstacles, and still he felt that he could not go
to the house any more as an open friend.</p>
<p>As he sat thinking of these things with the note in his hand,
his sister was waiting for his decision.</p>
<p>"Well," said she, "I suppose we must write separate answers,
and both say we shall be very happy."</p>
<p>"You'll go, of course, Mary," said he; to which she readily
assented. "I cannot," he continued, looking serious and
gloomy. "I wish I could, with all my heart."</p>
<p>"And why not, John?" said she. She had as yet heard
nothing of the new-found abuse which her brother was about
to reform;—at least nothing which connected it with her
brother's name.</p>
<p>He sat thinking for a while till he determined that it would
be best to tell her at once what it was that he was about: it
must be done sooner or later.</p>
<p>"I fear I cannot go to Mr Harding's house any more as a
friend, just at present."</p>
<p>"Oh, John! Why not? Ah, you've quarrelled with Eleanor!"</p>
<p>"No, indeed," said he; "I've no quarrel with her as yet."</p>
<p>"What is it, John?" said she, looking at him with an anxious,
loving face, for she knew well how much of his heart was there
in that house which he said he could no longer enter.</p>
<p>"Why," said he at last, "I've taken up the case of these
twelve old men of Hiram's Hospital, and of course that brings
me into contact with Mr Harding. I may have to oppose
him, interfere with him,—perhaps injure him."</p>
<p>Mary looked at him steadily for some time before she committed
herself to reply, and then merely asked him what he meant to do
for the old men.</p>
<p>"Why, it's a long story, and I don't know that I can make
you understand it. John Hiram made a will, and left his
property in charity for certain poor old men, and the proceeds,
instead of going to the benefit of these men, go chiefly into
the pocket of the warden and the bishop's steward."</p>
<p>"And you mean to take away from Mr Harding his share of it?"</p>
<p>"I don't know what I mean yet. I mean to inquire about it.
I mean to see who is entitled to this property. I mean to see,
if I can, that justice be done to the poor of the city of Barchester
generally, who are, in fact, the legatees under the will. I mean,
in short, to put the matter right, if I can."</p>
<p>"And why are you to do this, John?"</p>
<p>"You might ask the same question of anybody else," said he;
"and according to that the duty of righting these poor men
would belong to nobody. If we are to act on that principle,
the weak are never to be protected, injustice is never to be
opposed, and no one is to struggle for the poor!" And Bold
began to comfort himself in the warmth of his own virtue.</p>
<p>"But is there no one to do this but you, who have known
Mr Harding so long? Surely, John, as a friend, as a young
friend, so much younger than Mr Harding—"</p>
<p>"That's woman's logic, all over, Mary. What has age to
do with it? Another man might plead that he was too old;
and as to his friendship, if the thing itself be right, private
motives should never be allowed to interfere. Because I
esteem Mr Harding, is that a reason that I should neglect a
duty which I owe to these old men? or should I give up a
work which my conscience tells me is a good one, because I
regret the loss of his society?"</p>
<p>"And Eleanor, John?" said the sister, looking timidly into
her brother's face.</p>
<p>"Eleanor, that is, Miss Harding, if she thinks fit,—that
is, if her father—or, rather, if she—or, indeed, he,—if
they find it necessary—but there is no necessity now to
talk about Eleanor Harding; but this I will say, that if
she has the kind of spirit
for which I give her credit, she will not condemn me for doing
what I think to be a duty." And Bold consoled himself with
the consolation of a Roman.</p>
<p>Mary sat silent for a while, till at last her brother reminded
her that the notes must be answered, and she got up, and
placed her desk before her, took out her pen and paper,
wrote on it slowly:</p>
<blockquote><blockquote>
<p class="noindent"> <br/>
<span class="smallcaps">Pakenham Villas</span><br/>
Tuesday morning</p>
<p class="noindent"><span class="smallcaps">My dear Eleanor</span>,</p>
<p class="noindent">I—<br/>
</p>
</blockquote></blockquote>
<p class="noindent">and then stopped, and looked at her brother.</p>
<p>"Well, Mary, why don't you write it?"</p>
<p>"Oh, John," said she, "dear John, pray think better of this."</p>
<p>"Think better of what?" said he.</p>
<p>"Of this about the hospital,—of all this about Mr
Harding,—of what you say about those old men. Nothing can call
upon you,—no duty can require you to set yourself against your
oldest, your best friend. Oh, John, think of Eleanor. You'll
break her heart, and your own."</p>
<p>"Nonsense, Mary; Miss Harding's heart is as safe as yours."</p>
<p>"Pray, pray, for my sake, John, give it up. You know how
dearly you love her." And she came and knelt before him on
the rug. "Pray give it up. You are going to make yourself,
and her, and her father miserable: you are going to make us
all miserable. And for what? For a dream of justice. You
will never make those twelve men happier than they now are."</p>
<p>"You don't understand it, my dear girl," said he, smoothing
her hair with his hand.</p>
<p>"I do understand it, John. I understand that this is a
chimera,—a dream that you have got. I know well that no
duty can require you to do this mad—this suicidal thing. I
know you love Eleanor Harding with all your heart, and I tell
you now that she loves you as well. If there was a plain, a
positive duty before you, I would be the last to bid you neglect
it for any woman's love; but this—; oh, think again, before
you do anything to make it necessary that you and Mr Harding
should be at variance." He did not answer, as she knelt there,
leaning on his knees, but by his face she thought that he was
inclined to yield. "At any rate let me say that you will go to
this party. At any rate do not break with them while your
mind is in doubt." And she got up, hoping to conclude her
note in the way she desired.</p>
<p>"My mind is not in doubt," at last he said, rising. "I could
never respect myself again were I to give way now, because
Eleanor Harding is beautiful. I do love her: I would give a
hand to hear her tell me what you have said, speaking on her
behalf; but I cannot for her sake go back from the task which
I have commenced. I hope she may hereafter acknowledge
and respect my motives, but I cannot now go as a guest to her
father's house." And the Barchester Brutus went out to fortify
his own resolution by meditations on his own virtue.</p>
<p>Poor Mary Bold sat down, and sadly finished her note,
saying that she would herself attend the party, but that her
brother was unavoidably prevented from doing so. I fear that
she did not admire as she should have done the self-devotion
of his singular virtue.</p>
<p>The party went off as such parties do. There were fat old
ladies, in fine silk dresses, and slim young ladies, in gauzy
muslin frocks; old gentlemen stood up with their backs to the
empty fire-place, looking by no means so comfortable as they
would have done in their own arm-chairs at home; and young
gentlemen, rather stiff about the neck, clustered near the door,
not as yet sufficiently in courage to attack the muslin frocks,
who awaited the battle, drawn up in a semicircular array.
The warden endeavoured to induce a charge, but failed signally,
not having the tact of a general; his daughter did what she
could to comfort the forces under her command, who took in
refreshing rations of cake and tea, and patiently looked for
the coming engagement: but she herself, Eleanor, had no
spirit for the work; the only enemy whose lance she cared to
encounter was not there, and she and others were somewhat dull.</p>
<p>Loud above all voices was heard the clear sonorous tones of
the archdeacon as he dilated to brother parsons of the danger
of the church, of the fearful rumours of mad reforms even at
Oxford, and of the damnable heresies of Dr Whiston.</p>
<p>Soon, however, sweeter sounds began timidly to make themselves
audible. Little movements were made in a quarter notable for
round stools and music stands. Wax candles were arranged in
sconces, big books were brought from hidden recesses, and the
work of the evening commenced.</p>
<p>How often were those pegs twisted and re-twisted before
our friend found that he had twisted them enough; how many
discordant scrapes gave promise of the coming harmony.
How much the muslin fluttered and crumpled before Eleanor
and another nymph were duly seated at the piano; how
closely did that tall Apollo pack himself against the wall, with
his flute, long as himself, extending high over the heads of his
pretty neighbours; into how small a corner crept that round
and florid little minor canon, and there with skill amazing
found room to tune his accustomed fiddle!</p>
<p>And now the crash begins: away they go in full flow of
harmony together,—up hill and down dale,—now louder and
louder, then lower and lower; now loud, as though stirring
the battle; then low, as though mourning the slain. In all,
through all, and above all, is heard the violoncello. Ah, not
for nothing were those pegs so twisted and re-twisted;—listen,
listen! Now alone that saddest of instruments tells its touching
tale. Silent, and in awe, stand fiddle, flute, and piano, to hear
the sorrows of their wailing brother. 'Tis but for a moment:
before the melancholy of those low notes has been fully realised,
again comes the full force of all the band;—down go the
pedals, away rush twenty fingers scouring over the bass notes
with all the impetus of passion. Apollo blows till his stiff
neckcloth is no better than a rope, and the minor canon works
with both arms till he falls in a syncope of exhaustion against
the wall.</p>
<p>How comes it that now, when all should be silent, when
courtesy, if not taste, should make men listen,—how is it at
this moment the black-coated corps leave their retreat and begin
skirmishing? One by one they creep forth, and fire off little
guns timidly, and without precision. Ah, my men, efforts such
as these will take no cities, even though the enemy should be
never so open to assault. At length a more deadly artillery is
brought to bear; slowly, but with effect, the advance is made;
the muslin ranks are broken, and fall into confusion; the
formidable array of chairs gives way; the battle is no longer
between opposing regiments, but hand to hand, and foot to
foot with single combatants, as in the glorious days of old,
when fighting was really noble. In corners, and under the
shadow of curtains, behind sofas and half hidden by doors, in
retiring windows, and sheltered by hanging tapestry, are blows
given and returned, fatal, incurable, dealing death.</p>
<p>Apart from this another combat arises, more sober and more
serious. The archdeacon is engaged against two prebendaries,
a pursy full-blown rector assisting him, in all the perils and all
the enjoyments of short whist. With solemn energy do they
watch the shuffled pack, and, all-expectant, eye the coming
trump. With what anxious nicety do they arrange their cards,
jealous of each other's eyes! Why is that lean doctor so
slow,—cadaverous man with hollow jaw and sunken eye, ill beseeming
the richness of his mother church! Ah, why so slow, thou
meagre doctor? See how the archdeacon, speechless in his
agony, deposits on the board his cards, and looks to heaven or
to the ceiling for support. Hark, how he sighs, as with thumbs
in his waistcoat pocket he seems to signify that the end of such
torment is not yet even nigh at hand! Vain is the hope, if
hope there be, to disturb that meagre doctor. With care
precise he places every card, weighs well the value of each
mighty ace, each guarded king, and comfort-giving queen;
speculates on knave and ten, counts all his suits, and sets his
price upon the whole. At length a card is led, and quick three
others fall upon the board. The little doctor leads again, while
with lustrous eye his partner absorbs the trick. Now thrice has
this been done,—thrice has constant fortune favoured the brace
of prebendaries, ere the archdeacon rouses himself to the
battle; but at the fourth assault he pins to the earth a prostrate
king, laying low his crown and sceptre, bushy beard, and
lowering brow, with a poor deuce.</p>
<p>"As David did Goliath," says the archdeacon, pushing over
the four cards to his partner. And then a trump is led, then
another trump; then a king,—and then an ace,—and then a
long ten, which brings down from the meagre doctor his only
remaining tower of strength—his cherished queen of trumps.</p>
<p>"What, no second club?" says the archdeacon to his partner.</p>
<p>"Only one club," mutters from his inmost stomach the pursy
rector, who sits there red-faced, silent, impervious, careful, a
safe but not a brilliant ally.</p>
<p>But the archdeacon cares not for many clubs, or for none.
He dashes out his remaining cards with a speed most annoying
to his antagonists, pushes over to them some four cards as their
allotted portion, shoves the remainder across the table to the
red-faced rector; calls out "two by cards and two by honours,
and the odd trick last time," marks a treble under the
candle-stick, and has dealt round the second pack before the
meagre doctor has calculated his losses.</p>
<p>And so went off the warden's party, and men and women
arranging shawls and shoes declared how pleasant it had been;
and Mrs Goodenough, the red-faced rector's wife, pressing the
warden's hand, declared she had never enjoyed herself better;
which showed how little pleasure she allowed herself in this
world, as she had sat the whole evening through in the same
chair without occupation, not speaking, and unspoken to.
And Matilda Johnson, when she allowed young Dickson of the
bank to fasten her cloak round her neck, thought that two
hundred pounds a year and a little cottage would really do for
happiness; besides, he was sure to be manager some day.
And Apollo, folding his flute into his pocket, felt that he had
acquitted himself with honour; and the archdeacon pleasantly
jingled his gains; but the meagre doctor went off without
much audible speech, muttering ever and anon as he went,
"three and thirty points!" "three and thirty points!"</p>
<p>And so they all were gone, and Mr Harding was left alone
with his daughter.</p>
<p>What had passed between Eleanor Harding and Mary Bold
need not be told. It is indeed a matter of thankfulness that
neither the historian nor the novelist hears all that is said by
their heroes or heroines, or how would three volumes or
twenty suffice! In the present case so little of this sort have
I overheard, that I live in hopes of finishing my work within
300 pages, and of completing that pleasant task—a novel in
one volume; but something had passed between them, and as
the warden blew out the wax candles, and put his instrument
into its case, his daughter stood sad and thoughtful by the
empty fire-place, determined to speak to her father, but
irresolute as to what she would say.</p>
<p>"Well, Eleanor," said he, "are you for bed?"</p>
<p>"Yes," said she, moving, "I suppose so; but papa—Mr Bold
was not here tonight; do you know why not?"</p>
<p>"He was asked; I wrote to him myself," said the warden.</p>
<p>"But do you know why he did not come, papa?"</p>
<p>"Well, Eleanor, I could guess; but it's no use guessing at
such things, my dear. What makes you look so earnest
about it?"</p>
<p>"Oh, papa, do tell me," she exclaimed, throwing her arms
round him, and looking into his face; "what is it he is going
to do? What is it all about? Is there any—any—any—" she
didn't well know what word to use—"any danger?"</p>
<p>"Danger, my dear, what sort of danger?"</p>
<p>"Danger to you, danger of trouble, and of loss, and
of—Oh, papa, why haven't you told me of all this before?"</p>
<p>Mr Harding was not the man to judge harshly of anyone,
much less of the daughter whom he now loved better than any
living creature; but still he did judge her wrongly at this
moment. He knew that she loved John Bold; he fully sympathised
in her affection; day after day he thought more of the matter,
and, with the tender care of a loving father, tried to arrange in
his own mind how matters might be so managed that his daughter's
heart should not be made the sacrifice to the dispute which was
likely to exist between him and Bold. Now, when she spoke to him
for the first time on the subject, it was natural that he should
think more of her than of himself, and that he should imagine
that her own cares, and not his, were troubling her.</p>
<p>He stood silent before her awhile, as she gazed up into his
face, and then kissing her forehead he placed her on the sofa.</p>
<p>"Tell me, Nelly," he said (he only called her Nelly in his
kindest, softest, sweetest moods, and yet all his moods were
kind and sweet), "tell me, Nelly, do you like Mr Bold—much?"</p>
<p>She was quite taken aback by the question. I will not say
that she had forgotten herself, and her own love in thinking
about John Bold, and while conversing with Mary: she certainly
had not done so. She had been sick at heart to think that a man
of whom she could not but own to herself that she loved him, of
whose regard she had been so proud, that such a man should turn
against her father to ruin him. She had felt her vanity hurt,
that his affection for her had not kept him from such a course;
had he really cared for her, he would not have risked her love
by such an outrage. But her main fear had been for her father,
and when she spoke of danger, it was of danger to him and not
to herself.</p>
<p>She was taken aback by the question altogether: "Do I like
him, papa?"</p>
<p>"Yes, Nelly, do you like him? Why shouldn't you like him?
but that's a poor word;—do you love him?" She sat still in his
arms without answering him. She certainly had not prepared
herself for an avowal of affection, intending, as she had done,
to abuse John Bold herself, and to hear her father do so also.
"Come, my love," said he, "let us make a clean breast of it: do
you tell me what concerns yourself, and I will tell you what
concerns me and the hospital."</p>
<p>And then, without waiting for an answer, he described to
her, as he best could, the accusation that was made about
Hiram's will; the claims which the old men put forward;
what he considered the strength and what the weakness of his
own position; the course which Bold had taken, and that
which he presumed he was about to take; and then by
degrees, without further question, he presumed on the fact of
Eleanor's love, and spoke of that love as a feeling which he
could in no way disapprove: he apologised for Bold, excused
what he was doing; nay, praised him for his energy and
intentions; made much of his good qualities, and harped on
none of his foibles; then, reminding his daughter how late it
was, and comforting her with much assurance which he hardly
felt himself, he sent her to her room, with flowing eyes and a
full heart.</p>
<p>When Mr Harding met his daughter at breakfast the next
morning, there was no further discussion on the matter, nor
was the subject mentioned between them for some days. Soon
after the party Mary Bold called at the hospital, but there were
various persons in the drawing-room at the time, and she
therefore said nothing about her brother. On the day following,
John Bold met Miss Harding in one of the quiet, sombre,
shaded walks of the close. He was most anxious to see her, but
unwilling to call at the warden's house, and had in truth
waylaid her in her private haunts.</p>
<p>"My sister tells me," said he, abruptly hurrying on with his
premeditated speech, "my sister tells me that you had a delightful
party the other evening. I was so sorry I could not be there."</p>
<p>"We were all sorry," said Eleanor, with dignified composure.</p>
<p>"I believe, Miss Harding, you understand why, at this
moment—" And Bold hesitated, muttered, stopped, commenced his
explanation again, and again broke down.</p>
<p>Eleanor would not help him in the least.</p>
<p>"I think my sister explained to you, Miss Harding?"</p>
<p>"Pray don't apologise, Mr Bold; my father will, I am sure,
always be glad to see you, if you like to come to the house now
as formerly; nothing has occurred to alter his feelings: of
your own views you are, of course, the best judge."</p>
<p>"Your father is all that is kind and generous; he always was
so; but you, Miss Harding, yourself—I hope you will not
judge me harshly, because—"</p>
<p>"Mr Bold," said she, "you may be sure of one thing; I shall
always judge my father to be right, and those who oppose him
I shall judge to be wrong. If those who do not know him
oppose him, I shall have charity enough to believe that they
are wrong, through error of judgment; but should I see him
attacked by those who ought to know him, and to love him,
and revere him, of such I shall be constrained to form a
different opinion." And then curtseying low she sailed on,
leaving her lover in anything but a happy state of mind.</p>
<p> </p>
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