<p><SPAN name="link2HCH0002" id="link2HCH0002"></SPAN></p>
<h2> CHAPTER II. THE NEW FACES. </h2>
<p>IMMEDIATELY on my arrival, I was presented to Mr. Meadowcroft, the father.</p>
<p>The old man had become a confirmed invalid, confined by chronic rheumatism
to his chair. He received me kindly, and a little wearily as well. His
only unmarried daughter (he had long since been left a widower) was in the
room, in attendance on her father. She was a melancholy, middle-aged
woman, without visible attractions of any sort—one of those persons
who appear to accept the obligation of living under protest, as a burden
which they would never have consented to bear if they had only been
consulted first. We three had a dreary little interview in a parlor of
bare walls; and then I was permitted to go upstairs, and unpack my
portmanteau in my own room.</p>
<p>"Supper will be at nine o'clock, sir," said Miss Meadowcroft.</p>
<p>She pronounced those words as if "supper" was a form of domestic offense,
habitually committed by the men, and endured by the women. I followed the
groom up to my room, not over-well pleased with my first experience of the
farm.</p>
<p>No Naomi and no romance, thus far!</p>
<p>My room was clean—oppressively clean. I quite longed to see a little
dust somewhere. My library was limited to the Bible and the Prayer-Book.
My view from the window showed me a dead flat in a partial state of
cultivation, fading sadly from view in the waning light. Above the head of
my spruce white bed hung a scroll, bearing a damnatory quotation from
Scripture in emblazoned letters of red and black. The dismal presence of
Miss Meadowcroft had passed over my bedroom, and had blighted it. My
spirits sank as I looked round me. Supper-time was still an event in the
future. I lighted the candles and took from my portmanteau what I firmly
believe to have been the first French novel ever produced at Morwick Farm.
It was one of the masterly and charming stories of Dumas the elder. In
five minutes I was in a new world, and my melancholy room was full of the
liveliest French company. The sound of an imperative and uncompromising
bell recalled me in due time to the regions of reality. I looked at my
watch. Nine o'clock.</p>
<p>Ambrose met me at the bottom of the stairs, and showed me the way to the
supper-room.</p>
<p>Mr. Meadowcroft's invalid chair had been wheeled to the head of the table.
On his right-hand side sat his sad and silent daughter. She signed to me,
with a ghostly solemnity, to take the vacant place on the left of her
father. Silas Meadowcroft came in at the same moment, and was presented to
me by his brother. There was a strong family likeness between them,
Ambrose being the taller and the handsomer man of the two. But there was
no marked character in either face. I set them down as men with
undeveloped qualities, waiting (the good and evil qualities alike) for
time and circumstances to bring them to their full growth.</p>
<p>The door opened again while I was still studying the two brothers,
without, I honestly confess, being very favorably impressed by either of
them. A new member of the family circle, who instantly attracted my
attention, entered the room.</p>
<p>He was short, spare, and wiry; singularly pale for a person whose life was
passed in the country. The face was in other respects, besides this, a
striking face to see. As to the lower part, it was covered with a thick
black beard and mustache, at a time when shaving was the rule, and beards
the rare exception, in America. As to the upper part of the face, it was
irradiated by a pair of wild, glittering brown eyes, the expression of
which suggested to me that there was something not quite right with the
man's mental balance. A perfectly sane person in all his sayings and
doings, so far as I could see, there was still something in those wild
brown eyes which suggested to me that, under exceptionally trying
circumstances, he might surprise his oldest friends by acting in some
exceptionally violent or foolish way. "A little cracked"—that in the
popular phrase was my impression of the stranger who now made his
appearance in the supper-room.</p>
<p>Mr. Meadowcroft the elder, having not spoken one word thus far, himself
introduced the newcomer to me, with a side-glance at his sons, which had
something like defiance in it—a glance which, as I was sorry to
notice, was returned with the defiance on their side by the two young men.</p>
<p>"Philip Lefrank, this is my overlooker, Mr. Jago," said the old man,
formally presenting us. "John Jago, this is my young relative by marriage,
Mr. Lefrank. He is not well; he has come over the ocean for rest, and
change of scene. Mr. Jago is an American, Philip. I hope you have no
prejudice against Americans. Make acquaintance with Mr. Jago. Sit
together." He cast another dark look at his sons; and the sons again
returned it. They pointedly drew back from John Jago as he approached the
empty chair next to me and moved round to the opposite side of the table.
It was plain that the man with the beard stood high in the father's favor,
and that he was cordially disliked for that or for some other reason by
the sons.</p>
<p>The door opened once more. A young lady quietly joined the party at the
supper-table.</p>
<p>Was the young lady Naomi Colebrook? I looked at Ambrose, and saw the
answer in his face. Naomi Colebrook at last!</p>
<p>A pretty girl, and, so far as I could judge by appearances, a good girl
too. Describing her generally, I may say that she had a small head, well
carried, and well set on her shoulders; bright gray eyes, that looked at
you honestly, and meant what they looked; a trim, slight little figure—too
slight for our English notions of beauty; a strong American accent; and (a
rare thing in America) a pleasantly toned voice, which made the accent
agreeable to English ears. Our first impressions of people are, in nine
cases out of ten, the right impressions. I liked Naomi Colebrook at first
sight; liked her pleasant smile; liked her hearty shake of the hand when
we were presented to each other. "If I get on well with nobody else in
this house," I thought to myself, "I shall certainly get on well with <i>you</i>."</p>
<p>For once in a way, I proved a true prophet. In the atmosphere of
smoldering enmities at Morwick Farm, the pretty American girl and I
remained firm and true friends from first to last. Ambrose made room for
Naomi to sit between his brother and himself. She changed color for a
moment, and looked at him, with a pretty, reluctant tenderness, as she
took her chair. I strongly suspected the young farmer of squeezing her
hand privately, under cover of the tablecloth.</p>
<p>The supper was not a merry one. The only cheerful conversation was the
conversation across the table between Naomi and me.</p>
<p>For some incomprehensible reason, John Jago seemed to be ill at ease in
the presence of his young countrywoman. He looked up at Naomi doubtingly
from his plate, and looked down again slowly with a frown. When I
addressed him, he answered constrainedly. Even when he spoke to Mr.
Meadowcroft, he was still on his guard—on his guard against the two
young men, as I fancied by the direction which his eyes took on these
occasions. When we began our meal, I had noticed for the first time that
Silas Meadowcroft's left hand was strapped up with surgical plaster; and I
now further observed that John Jago's wandering brown eyes, furtively
looking at everybody round the table in turn, looked with a curious,
cynical scrutiny at the young man's injured hand.</p>
<p>By way of making my first evening at the farm all the more embarrassing to
me as a stranger, I discovered before long that the father and sons were
talking indirectly <i>at</i> each other, through Mr. Jago and through me.
When old Mr. Meadowcroft spoke disparagingly to his overlooker of some
past mistake made in the cultivation of the arable land of the farm, old
Mr. Meadowcroft's eyes pointed the application of his hostile criticism
straight in the direction of his two sons. When the two sons seized a
stray remark of mine about animals in general, and applied it satirically
to the mismanagement of sheep and oxen in particular, they looked at John
Jago, while they talked to me. On occasions of this sort—and they
happened frequently—Naomi struck in resolutely at the right moment,
and turned the talk to some harmless topic. Every time she took a
prominent part in this way in keeping the peace, melancholy Miss
Meadowcroft looked slowly round at her in stern and silent disparagement
of her interference. A more dreary and more disunited family party I never
sat at the table with. Envy, hatred, malice and uncharitableness are never
so essentially detestable to my mind as when they are animated by a sense
of propriety, and work under the surface. But for my interest in Naomi,
and my other interest in the little love-looks which I now and then
surprised passing between her and Ambrose, I should never have sat through
that supper. I should certainly have taken refuge in my French novel and
my own room.</p>
<p>At last the unendurably long meal, served with ostentatious profusion, was
at an end. Miss Meadowcroft rose with her ghostly solemnity, and granted
me my dismissal in these words:</p>
<p>"We are early people at the farm, Mr. Lefrank. I wish you good-night."</p>
<p>She laid her bony hands on the back of Mr. Meadowcroft's invalid-chair,
cut him short in his farewell salutation to me, and wheeled him out to his
bed as if she were wheeling him out to his grave.</p>
<p>"Do you go to your room immediately, sir? If not, may I offer you a cigar—provided
the young gentlemen will permit it?"</p>
<p>So, picking his words with painful deliberation, and pointing his
reference to "the young gentlemen" with one sardonic side-look at them,
Mr. John Jago performed the duties of hospitality on his side. I excused
myself from accepting the cigar. With studied politeness, the man of the
glittering brown eyes wished me a good night's rest, and left the room.</p>
<p>Ambrose and Silas both approached me hospitably, with their open
cigar-cases in their hands.</p>
<p>"You were quite right to say 'No,'" Ambrose began. "Never smoke with John
Jago. His cigars will poison you."</p>
<p>"And never believe a word John Jago says to you," added Silas. "He is the
greatest liar in America, let the other be whom he may."</p>
<p>Naomi shook her forefinger reproachfully at them, as if the two sturdy
young farmers had been two children.</p>
<p>"What will Mr. Lefrank think," she said, "if you talk in that way of a
person whom your father respects and trusts? Go and smoke. I am ashamed of
both of you."</p>
<p>Silas slunk away without a word of protest. Ambrose stood his ground,
evidently bent on making his peace with Naomi before he left her.</p>
<p>Seeing that I was in the way, I walked aside toward a glass door at the
lower end of the room. The door opened on the trim little farm-garden,
bathed at that moment in lovely moonlight. I stepped out to enjoy the
scene, and found my way to a seat under an elm-tree. The grand repose of
nature had never looked so unutterably solemn and beautiful as it now
appeared, after what I had seen and heard inside the house. I understood,
or thought I understood, the sad despair of humanity which led men into
monasteries in the old times. The misanthropical side of my nature (where
is the sick man who is not conscious of that side of him?) was fast
getting the upper hand of me when I felt a light touch laid on my
shoulder, and found myself reconciled to my species once more by Naomi
Colebrook.</p>
<div style="break-after:column;"></div><br />