<p><SPAN name="link2HCH0007" id="link2HCH0007"></SPAN></p>
<h2> CHAPTER VII. THE MATERIALS IN THE DEFENSE. </h2>
<p>ON our way to the chairs allotted to us in the magistrate's court, we
passed the platform on which the prisoners were standing together.</p>
<p>Silas took no notice of us. Ambrose made a friendly sign of recognition,
and then rested his hand on the "bar" in front of him. As she passed
beneath him, Naomi was just tall enough to reach his hand on tiptoe. She
took it. "I know you are innocent," she whispered, and gave him one look
of loving encouragement as she followed me to her place. Ambrose never
lost his self-control. I may have been wrong; but I thought this a bad
sign.</p>
<p>The case, as stated for the prosecution, told strongly against the
suspected men.</p>
<p>Ambrose and Silas Meadowcroft were charged with the murder of John Jago
(by means of the stick or by use of some other weapon), and with the
deliberate destruction of the body by throwing it into the quicklime. In
proof of this latter assertion, the knife which the deceased habitually
carried about him, and the metal buttons which were known to belong to his
coat, were produced. It was argued that these indestructible substances,
and some fragments of the larger bones had alone escaped the action of the
burning lime. Having produced medical witnesses to support this theory by
declaring the bones to be human, and having thus circumstantially asserted
the discovery of the remains in the kiln, the prosecution next proceeded
to prove that the missing man had been murdered by the two brothers, and
had been by them thrown into the quicklime as a means of concealing their
guilt.</p>
<p>Witness after witness deposed to the inveterate enmity against the
deceased displayed by Ambrose and Silas. The threatening language they
habitually used toward him; their violent quarrels with him, which had
become a public scandal throughout the neighborhood, and which had ended
(on one occasion at least) in a blow; the disgraceful scene which had
taken place under my window; and the restoration to Ambrose, on the
morning of the fatal quarrel, of the very stick which had been found among
the remains of the dead man—these facts and events, and a host of
minor circumstances besides, sworn to by witnesses whose credit was
unimpeachable, pointed with terrible directness to the conclusion at which
the prosecution had arrived.</p>
<p>I looked at the brothers as the weight of the evidence pressed more and
more heavily against them. To outward view at least, Ambrose still
maintained his self-possession. It was far otherwise with Silas. Abject
terror showed itself in his ghastly face; in his great knotty hands,
clinging convulsively to the bar at which he stood; in his staring eyes,
fixed in vacant horror on each witness who appeared. Public feeling judged
him on the spot. There he stood, self-betrayed already, in the popular
opinion, as a guilty man!</p>
<p>The one point gained in cross-examination by the defense related to the
charred bones.</p>
<p>Pressed on this point, a majority of the medical witnesses admitted that
their examination had been a hurried one; and that it was just possible
that the bones might yet prove to be the remains of an animal, and not of
a man. The presiding magistrate decided upon this that a second
examination should be made, and that the member of the medical experts
should be increased.</p>
<p>Here the preliminary proceedings ended. The prisoners were remanded for
three days.</p>
<p>The prostration of Silas, at the close of the inquiry, was so complete,
that it was found necessary to have two men to support him on his leaving
the court. Ambrose leaned over the bar to speak to Naomi before he
followed the jailer out. "Wait," he whispered, confidently, "till they
hear what I have to say!" Naomi kissed her hand to him affectionately, and
turned to me with the bright tears in her eyes.</p>
<p>"Why don't they hear what he has to say at once?" she asked. "Anybody can
see that Ambrose is innocent. It's a crying shame, sir, to send him back
to prison. Don't you think so yourself?"</p>
<p>If I had confessed what I really thought, I should have said that Ambrose
had proved nothing to my mind, except that he possessed rare powers of
self-control. It was impossible to acknowledge this to my little friend. I
diverted her mind from the question of her lover's innocence by proposing
that we should get the necessary order, and visit him in his prison on the
next day. Naomi dried her tears, and gave me a little grateful squeeze of
the hand.</p>
<p>"Oh my! what a good fellow you are!" cried the outspoken American girl.
"When your time comes to be married, sir, I guess the woman won't repent
saying yes to <i>you!</i>"</p>
<p>Mr. Meadowcroft preserved unbroken silence as we walked back to the farm
on either side of his invalid-chair. His last reserves of resolution
seemed to have given way under the overwhelming strain laid on them by the
proceedings in court. His daughter, in stern indulgence to Naomi,
mercifully permitted her opinion to glimmer on us only through the medium
of quotation from Scripture texts. If the texts meant anything, they meant
that she had foreseen all that had happened; and that the one sad aspect
of the case, to her mind, was the death of John Jago, unprepared to meet
his end.</p>
<p>I obtained the order of admission to the prison the next morning.</p>
<p>We found Ambrose still confident of the favorable result, for his brother
and for himself, of the inquiry before the magistrate. He seemed to be
almost as eager to tell, as Naomi was to hear, the true story of what had
happened at the lime-kiln. The authorities of the prison—present, of
course, at the interview—warned him to remember that what he said
might be taken down in writing, and produced against him in court.</p>
<p>"Take it down, gentlemen, and welcome," Ambrose replied. "I have nothing
to fear; I am only telling the truth."</p>
<p>With that he turned to Naomi, and began his narrative, as nearly as I can
remember, in these words:</p>
<p>"I may as well make a clean breast of it at starting, my girl. After Mr.
Lefrank left us that morning, I asked Silas how he came by my stick. In
telling me how, Silas also told me of the words that had passed between
him and John Jago under Mr. Lefrank's window. I was angry and jealous; and
I own it freely, Naomi, I thought the worst that could be thought about
you and John."</p>
<p>Here Naomi stopped him without ceremony.</p>
<p>"Was that what made you speak to me as you spoke when we found you at the
wood?" she asked.</p>
<p>"Yes."</p>
<p>"And was that what made you leave me, when you went away to Narrabee,
without giving me a kiss at parting?"</p>
<p>"It was."</p>
<p>"Beg my pardon for it before you say a word more."</p>
<p>"I beg your pardon."</p>
<p>"Say you are ashamed of yourself."</p>
<p>"I am ashamed of myself," Ambrose answered penitently.</p>
<p>"Now you may go on," said Naomi. "Now I'm satisfied."</p>
<p>Ambrose went on.</p>
<p>"We were on our way to the clearing at the other side of the wood while
Silas was talking to me; and, as ill luck would have it, we took the path
that led by the lime-kiln. Turning the corner, we met John Jago on his way
to Narrabee. I was too angry, I tell you, to let him pass quietly. I gave
him a bit of my mind. His blood was up too, I suppose; and he spoke out,
on his side, as freely as I did. I own I threatened him with the stick;
but I'll swear to it I meant him no harm. You know—after dressing
Silas's hand—that John Jago is ready with his knife. He comes from
out West, where they are always ready with one weapon or another handy in
their pockets. It's likely enough he didn't mean to harm me, either; but
how could I be sure of that? When he stepped up to me, and showed his
weapon, I dropped the stick, and closed with him. With one hand I wrenched
the knife away from him; and with the other I caught him by the collar of
his rotten old coat, and gave him a shaking that made his bones rattle in
his skin. A big piece of the cloth came away in my hand. I shied it into
the quicklime close by us, and I pitched the knife after the cloth; and,
if Silas hadn't stopped me, I think it's likely I might have shied John
Jago himself into the lime next. As it was, Silas kept hold of me. Silas
shouted out to him, 'Be off with you! and don't come back again, if you
don't want to be burned in the kiln!' He stood looking at us for a minute,
fetching his breath, and holding his torn coat round him. Then he spoke
with a deadly-quiet voice and a deadly-quiet look: 'Many a true word, Mr.
Silas,' he says, 'is spoken in jest. <i>I shall not come back again</i>.'
He turned about, and left us. We stood staring at each other like a couple
of fools. 'You don't think he means it?' I says. 'Bosh!' says Silas. 'He's
too sweet on Naomi not to come back.' What's the matter now, Naomi?"</p>
<p>I had noticed it too. She started and turned pale, when Ambrose repeated
to her what Silas had said to him.</p>
<p>"Nothing is the matter," Naomi answered. "Your brother has no right to
take liberties with my name. Go on. Did Silas say any more while he was
about it?"</p>
<p>"Yes; he looked into the kiln; and he says, 'What made you throw away the
knife, Ambrose?'—'How does a man know why he does anything,' I says,
'when he does it in a passion?'—'It's a ripping good knife,' says
Silas; 'in your place, I should have kept it.' I picked up the stick off
the ground. 'Who says I've lost it yet?' I answered him; and with that I
got up on the side of the kiln, and began sounding for the knife, to bring
it, you know, by means of the stick, within easy reach of a shovel, or
some such thing. 'Give us your hand,' I says to Silas. 'Let me stretch out
a bit and I'll have it in no time.' Instead of finding the knife, I came
nigh to falling myself into the burning lime. The vapor overpowered me, I
suppose. All I know is, I turned giddy, and dropped the stick in the kiln.
I should have followed the stick to a dead certainty, but for Silas
pulling me back by the hand. 'Let it be,' says Silas. 'If I hadn't had
hold of you, John Jago's knife would have been the death of you, after
all!' He led me away by the arm, and we went on together on the road to
the wood. We stopped where you found us, and sat down on the felled tree.
We had a little more talk about John Jago. It ended in our agreeing to
wait and see what happened, and to keep our own counsel in the meantime.
You and Mr. Lefrank came upon us, Naomi, while we were still talking; and
you guessed right when you guessed that we had a secret from you. You know
the secret now."</p>
<p>There he stopped. I put a question to him—the first that I had asked
yet.</p>
<p>"Had you or your brother any fear at that time of the charge which has
since been brought against you?" I said.</p>
<p>"No such thought entered our heads, sir," Ambrose answered. "How could <i>we</i>
foresee that the neighbors would search the kiln, and say what they have
said of us? All we feared was, that the old man might hear of the quarrel,
and be bitterer against us than ever. I was the more anxious of the two to
keep things secret, because I had Naomi to consider as well as the old
man. Put yourself in my place, and you will own, sir, that the prospect at
home was not a pleasant one for <i>me</i>, if John Jago really kept away
from the farm, and if it came out that it was all my doing."</p>
<p>(This was certainly an explanation of his conduct; but it was not
satisfactory to my mind.)</p>
<p>"As <i>you</i> believe, then," I went on, "John Jago has carried out his
threat of not returning to the farm? According to you, he is now alive,
and in hiding somewhere?"</p>
<p>"Certainly!" said Ambrose.</p>
<p>"Certainly!" repeated Naomi.</p>
<p>"Do you believe the report that he was seen traveling on the railway to
New York?"</p>
<p>"I believe it firmly, sir; and, what is more, I believe I was on his
track. I was only too anxious to find him; and I say I could have found
him if they would have let me stay in New York."</p>
<p>I looked at Naomi.</p>
<p>"I believe it too," she said. "John Jago is keeping away."</p>
<p>"Do you suppose he is afraid of Ambrose and Silas?"</p>
<p>She hesitated.</p>
<p>"He <i>may</i> be afraid of them," she replied, with a strong emphasis on
the word "may."</p>
<p>"But you don't think it likely?"</p>
<p>She hesitated again. I pressed her again.</p>
<p>"Do you think there is any other motive for his absence?"</p>
<p>Her eyes dropped to the floor. She answered obstinately, almost doggedly,</p>
<p>"I can't say."</p>
<p>I addressed myself to Ambrose.</p>
<p>"Have you anything more to tell us?" I asked.</p>
<p>"No," he said. "I have told you all I know about it."</p>
<p>I rose to speak to the lawyer whose services I had retained. He had helped
us to get the order of admission, and he had accompanied us to the prison.
Seated apart he had kept silence throughout, attentively watching the
effect of Ambrose Meadowcroft's narrative on the officers of the prison
and on me.</p>
<p>"Is this the defense?" I inquired, in a whisper.</p>
<p>"This is the defense, Mr. Lefrank. What do you think, between ourselves?"</p>
<p>"Between ourselves, I think the magistrate will commit them for trial."</p>
<p>"On the charge of murder?"</p>
<p>"Yes, on the charge of murder."</p>
<div style="break-after:column;"></div><br />