Coxon Fund

<h2><SPAN name="page30"></SPAN><span class="pagenum"></span>IV</h2> <p><span class="smcap">Mrs. Saltram</span> made a great affair of her right to be informed where her husband had been the second evening he failed to meet his audience.&nbsp; She came to me to ascertain, but I couldn&rsquo;t satisfy her, for in spite of my ingenuity I remained in ignorance.&nbsp; It wasn&rsquo;t till much later that I found this had not been the case with Kent Mulville, whose hope for the best never twirled the thumbs of him more placidly than when he happened to know the worst.&nbsp; He had known it on the occasion I speak of&mdash;that is immediately after.&nbsp; He was impenetrable then, but ultimately confessed.&nbsp; What he confessed was more than I shall now venture to make public.&nbsp; It was of course familiar to me that Saltram was incapable of keeping the engagements which, after their separation, he had entered into with regard to his wife, a deeply wronged, justly resentful, quite irreproachable and insufferable person.&nbsp; She often appeared at my chambers to talk over his lapses; for if, as she declared, she had washed her hands of him, she had carefully preserved the water of this ablution, which she handed about for analysis.&nbsp; She had arts of her own of exciting one&rsquo;s impatience, the most infallible of which was perhaps her assumption that we were kind to her because we liked her.&nbsp; In reality her personal fall had been a sort of social rise&mdash;since I had seen the moment when, in our little conscientious circle, her desolation almost made her the fashion.&nbsp; Her voice was grating and her children ugly; moreover she hated the good Mulvilles, whom I more and more loved.&nbsp; They were the people who by doing most for her husband had in the long run done most for herself; and the warm confidence with which he had laid his length upon them was a pressure gentle compared with her stiffer persuadability.&nbsp; I&rsquo;m bound to say he didn&rsquo;t criticise his benefactors, though practically he got tired of them; she, however, had the highest standards about eleemosynary forms.&nbsp; She offered the odd spectacle of a spirit puffed up by dependence, and indeed it had introduced her to some excellent society.&nbsp; She pitied me for not knowing certain people who aided her and whom she doubtless patronised in turn for their luck in not knowing me.&nbsp; I dare say I should have got on with her better if she had had a ray of imagination&mdash;if it had occasionally seemed to occur to her to regard Saltram&rsquo;s expressions of his nature in any other manner than as separate subjects of woe.&nbsp; They were all flowers of his character, pearls strung on an endless thread; but she had a stubborn little way of challenging them one after the other, as if she never suspected that he had a character, such as it was, or that deficiencies might be organic; the irritating effect of a mind incapable of a generalisation.&nbsp; One might doubtless have overdone the idea that there was a general licence for such a man; but if this had happened it would have been through one&rsquo;s feeling that there could be none for such a woman.</p> <p>I recognised her superiority when I asked her about the aunt of the disappointed young lady: it sounded like a sentence from an English-French or other phrase-book.&nbsp; She triumphed in what she told me and she may have triumphed still more in what she withheld.&nbsp; My friend of the other evening, Miss Anvoy, had but lately come to England; Lady Coxon, the aunt, had been established here for years in consequence of her marriage with the late Sir Gregory of that name.&nbsp; She had a house in the Regent&rsquo;s Park, a Bath-chair and a fernery; and above all she had sympathy.&nbsp; Mrs. Saltram had made her acquaintance through mutual friends.&nbsp; This vagueness caused me to feel how much I was out of it and how large an independent circle Mrs. Saltram had at her command.&nbsp; I should have been glad to know more about the disappointed young lady, but I felt I should know most by not depriving her of her advantage, as she might have mysterious means of depriving me of my knowledge.&nbsp; For the present, moreover, this experience was stayed, Lady Coxon having in fact gone abroad accompanied by her niece.&nbsp; The niece, besides being immensely clever, was an heiress, Mrs. Saltram said; the only daughter and the light of the eyes of some great American merchant, a man, over there, of endless indulgences and dollars.&nbsp; She had pretty clothes and pretty manners, and she had, what was prettier still, the great thing of all.&nbsp; The great thing of all for Mrs. Saltram was always sympathy, and she spoke as if during the absence of these ladies she mightn&rsquo;t know where to turn for it.&nbsp; A few months later indeed, when they had come back, her tone perceptibly changed: she alluded to them, on my leading her up to it, rather as to persons in her debt for favours received.&nbsp; What had happened I didn&rsquo;t know, but I saw it would take only a little more or a little less to make her speak of them as thankless subjects of social countenance&mdash;people for whom she had vainly tried to do something.&nbsp; I confess I saw how it wouldn&rsquo;t be in a mere week or two that I should rid myself of the image of Ruth Anvoy, in whose very name, when I learnt it, I found something secretly to like.&nbsp; I should probably neither see her nor hear of her again: the knight&rsquo;s widow (he had been mayor of Clockborough) would pass away and the heiress would return to her inheritance.&nbsp; I gathered with surprise that she had not communicated to his wife the story of her attempt to hear Mr..Saltram, and I founded this reticence on the easy supposition that Mrs. Saltram had fatigued by overpressure the spring of the sympathy of which she boasted.&nbsp; The girl at any rate would forget the small adventure, be distracted, take a husband; besides which she would lack occasion to repeat her experiment.</p> <p>We clung to the idea of the brilliant course, delivered without an accident, that, as a lecturer, would still make the paying public aware of our great man, but the fact remained that in the case of an inspiration so unequal there was treachery, there was fallacy at least, in the very conception of a series.&nbsp; In our scrutiny of ways and means we were inevitably subject to the old convention of the synopsis, the syllabus, partly of course not to lose the advantage of his grand free hand in drawing up such things; but for myself I laughed at our playbills even while I stickled for them.&nbsp; It was indeed amusing work to be scrupulous for Frank Saltram, who also at moments laughed about it, so far as the comfort of a sigh so unstudied as to be cheerful might pass for such a sound.&nbsp; He admitted with a candour all his own that he was in truth only to be depended on in the Mulvilles&rsquo; drawing-room.&nbsp; &ldquo;Yes,&rdquo; he suggestively allowed, &ldquo;it&rsquo;s there, I think, that I&rsquo;m at my best; quite late, when it gets toward eleven&mdash;and if I&rsquo;ve not been too much worried.&rdquo;&nbsp; We all knew what too much worry meant; it meant too enslaved for the hour to the superstition of sobriety.&nbsp; On the Saturdays I used to bring my portmanteau, so as not to have to think of eleven o&rsquo;clock trains.&nbsp; I had a bold theory that as regards this temple of talk and its altars of cushioned chintz, its pictures and its flowers, its large fireside and clear lamplight, we might really arrive at something if the Mulvilles would but charge for admission.&nbsp; Here it was, however, that they shamelessly broke down; as there&rsquo;s a flaw in every perfection this was the inexpugnable refuge of their egotism.&nbsp; They declined to make their saloon a market, so that Saltram&rsquo;s golden words continued the sole coin that rang there.&nbsp; It can have happened to no man, however, to be paid a greater price than such an enchanted hush as surrounded him on his greatest nights.&nbsp; The most profane, on these occasions, felt a presence; all minor eloquence grew dumb.&nbsp; Adelaide Mulville, for the pride of her hospitality, anxiously watched the door or stealthily poked the fire.&nbsp; I used to call it the music-room, for we had anticipated Bayreuth.&nbsp; The very gates of the kingdom of light seemed to open and the horizon of thought to flash with the beauty of a sunrise at sea.</p> <p>In the consideration of ways and means, the sittings of our little board, we were always conscious of the creak of Mrs. Saltram&rsquo;s shoes.&nbsp; She hovered, she interrupted, she almost presided, the state of affairs being mostly such as to supply her with every incentive for enquiring what was to be done next.&nbsp; It was the pressing pursuit of this knowledge that, in concatenations of omnibuses and usually in very wet weather, led her so often to my door.&nbsp; She thought us spiritless creatures with editors and publishers; but she carried matters to no great effect when she personally pushed into back-shops.&nbsp; She wanted all moneys to be paid to herself: they were otherwise liable to such strange adventures.&nbsp; They trickled away into the desert&mdash;they were mainly at best, alas, a slender stream.&nbsp; The editors and the publishers were the last people to take this remarkable thinker at the valuation that has now pretty well come to be established.&nbsp; The former were half-distraught between the desire to &ldquo;cut&rdquo; him and the difficulty of finding a crevice for their shears; and when a volume on this or that portentous subject was proposed to the latter they suggested alternative titles which, as reported to our friend, brought into his face the noble blank melancholy that sometimes made it handsome.&nbsp; The title of an unwritten book didn&rsquo;t after all much matter, but some masterpiece of Saltram&rsquo;s may have died in his bosom of the shudder with which it was then convulsed.&nbsp; The ideal solution, failing the fee at Kent Mulville&rsquo;s door, would have been some system of subscription to projected treatises with their non-appearance provided for&mdash;provided for, I mean, by the indulgence of subscribers.&nbsp; The author&rsquo;s real misfortune was that subscribers were so wretchedly literal.&nbsp; When they tastelessly enquired why publication hadn&rsquo;t ensued I was tempted to ask who in the world had ever been so published.&nbsp; Nature herself had brought him out in voluminous form, and the money was simply a deposit on borrowing the work.</p> <div style="break-after:column;"></div><br />