<SPAN name="CH20"><!-- CH20 --></SPAN>
<h2> Chapter XX </h2>
<center>
A HIGH-CAULD-CAP
</center>
<p>I was now upon the road, within two or three hundred yards of
the Dragon Volant. I had undertaken an adventure with a
vengeance! And by way of prelude, there not improbably
awaited me, at my inn, another encounter, perhaps, this time,
not so lucky, with the grotesque sabreur.</p>
<p>I was glad I had my pistols. I certainly was bound by no law
to allow a ruffian to cut me down, unresisting.</p>
<p>Stooping boughs from the old park, gigantic poplars on the
other side, and the moonlight over all, made the narrow road
to the inn-door picturesque.</p>
<p>I could not think very clearly just now; events were
succeeding one another so rapidly, and I, involved in the
action of a drama so extravagant and guilty, hardly knew
myself or believed my own story, as I slowly paced towards
the still open door of the Flying Dragon. No sign of the
Colonel, visible or audible, was there. In the hall I
inquired. No gentleman had arrived at the inn for the last
half hour. I looked into the public room. It was deserted.
The clock struck twelve, and I heard the servant barring the
great door. I took my candle. The lights in this rural
hostelry were by this time out, and the house had the air of
one that had settled to slumber for many hours. The cold
moonlight streamed in at the window on the landing as I
ascended the broad staircase; and I paused for a moment to
look over the wooded grounds to the turreted château,
to me, so full of interest. I bethought me, however, that
prying eyes might read a meaning in this midnight gazing, and
possibly the Count himself might, in his jealous mood,
surmise a signal in this unwonted light in the stair-window
of the Dragon Volant.</p>
<p>On opening my room door, with a little start, I met an
extremely old woman with the longest face I ever saw; she had
what used to be termed a high-cauld-cap on, the white border
of which contrasted with her brown and yellow skin, and made
her wrinkled face more ugly. She raised her curved shoulders,
and looked up in my face, with eyes unnaturally black and
bright.</p>
<p>"I have lighted a little wood, Monsieur, because the night is
chill."</p>
<p>I thanked her, but she did not go. She stood with her candle
in her tremulous fingers.</p>
<p>"Excuse an old woman, Monsieur," she said; "but what on earth
can a young English <i>milord</i>, with all Paris at his
feet, find to amuse him in the Dragon Volant?"</p>
<p>Had I been at the age of fairy tales, and in daily
intercourse with the delightful Countess d'Aulnois, I should
have seen in this withered apparition, the <i>genius
loci</i>, the malignant fairy, at the stamp of whose foot the
ill-fated tenants of this very room had, from time to time,
vanished. I was past that, however; but the old woman's dark
eyes were fixed on mine with a steady meaning that plainly
told me that my secret was known. I was embarrassed and
alarmed; I never thought of asking her what business that was
of hers.</p>
<p>"These old eyes saw you in the park of the château
tonight."</p>
<p>"<i>I</i>!" I began, with all the scornful surprise I could
affect.</p>
<p>"It avails nothing, Monsieur; I know why you stay here; and I
tell you to begone. Leave this house tomorrow morning, and
never come again."</p>
<p>She lifted her disengaged hand, as she looked at me with
intense horror in her eyes.</p>
<p>"There is nothing on earth—I don't know what you mean,"
I answered, "and why should you care about me?"</p>
<p>"I don't care about you, Monsieur—I care about the
honor of an ancient family, whom I served in their happier
days, when to be noble was to be honored. But my words are
thrown away, Monsieur; you are insolent. I will keep my
secret, and you, yours; that is all. You will soon find it
hard enough to divulge it."</p>
<p>The old woman went slowly from the room and shut the door,
before I had made up my mind to say anything. I was standing
where she had left me, nearly five minutes later. The
jealousy of Monsieur the Count, I assumed, appears to this
old creature about the most terrible thing in creation.
Whatever contempt I might entertain for the dangers which
this old lady so darkly intimated, it was by no means
pleasant, you may suppose, that a secret so dangerous should
be so much as suspected by a stranger, and that stranger a
partisan of the Count de St. Alyre.</p>
<p>Ought I not, at all risks, to apprise the Countess, who had
trusted me so generously, or, as she said herself, so madly,
of the fact that our secret was, at least, suspected by
another? But was there not greater danger in attempting to
communicate? What did the beldame mean by saying, "Keep your
secret, and I'll keep mine?"</p>
<p>I had a thousand distracting questions before me. My progress
seemed like a journey through the Spessart, where at every
step some new goblin or monster starts from the ground or
steps from behind a tree.</p>
<p>Peremptorily I dismissed these harassing and frightful
doubts. I secured my door, sat myself down at my table and,
with a candle at each side, placed before me the piece of
vellum which contained the drawings and notes on which I was
to rely for full instructions as to how to use the key.</p>
<p>When I had studied this for awhile I made my investigation.
The angle of the room at the right side of the window was cut
off by an oblique turn in the wainscot. I examined this
carefully, and, on pressure, a small bit of the frame of the
woodwork slid aside, and disclosed a key-hole. On removing my
finger, it shot back to its place again, with a spring. So
far I had interpreted my instructions successfully. A similar
search, next the door, and directly under this, was rewarded
by a like discovery. The small end of the key fitted this, as
it had the upper key-hole; and now, with two or three hard
jerks at the key, a door in the panel opened, showing a strip
of the bare wall and a narrow, arched doorway, piercing the
thickness of the wall; and within which I saw a screw
staircase of stone.</p>
<p>Candle in hand I stepped in. I do not know whether the
quality of air, long undisturbed, is peculiar; to me it has
always seemed so, and the damp smell of the old masonry hung
in this atmosphere. My candle faintly lighted the bare stone
wall that enclosed the stair, the foot of which I could not
see. Down I went, and a few turns brought me to the stone
floor. Here was another door, of the simple, old, oak kind,
deep sunk in the thickness of the wall. The large end of the
key fitted this. The lock was stiff; I set the candle down
upon the stair, and applied both hands; it turned with
difficulty and, as it revolved, uttered a shriek that alarmed
me for my secret.</p>
<p>For some minutes I did not move. In a little time, however, I
took courage, and opened the door. The night-air floating in
puffed out the candle. There was a thicket of holly and
underwood, as dense as a jungle, close about the door. I
should have been in pitch-darkness, were it not that through
the topmost leaves there twinkled, here and there, a glimmer
of moonshine.</p>
<p>Softly, lest anyone should have opened his window at the
sound of the rusty bolt, I struggled through this till I
gained a view of the open grounds. Here I found that the
brushwood spread a good way up the park, uniting with the
wood that approached the little temple I have described.</p>
<p>A general could not have chosen a more effectually-covered
approach from the Dragon Volant to the trysting-place where
hitherto I had conferred with the idol of my lawless
adoration.</p>
<p>Looking back upon the old inn I discovered that the stair I
descended was enclosed in one of those slender turrets that
decorate such buildings. It was placed at that angle which
corresponded with the part of the paneling of my room
indicated in the plan I had been studying.</p>
<p>Thoroughly satisfied with my experiment I made my way back to
the door with some little difficulty, remounted to my room,
locked my secret door again; kissed the mysterious key that
her hand had pressed that night, and placed it under my
pillow, upon which, very soon after, my giddy head was laid,
not, for some time, to sleep soundly.</p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<div style="break-after:column;"></div><br />