<h2>PREFACE</h2>
<p>In the Introduction to the story of the Forty-seven
Rônins, I have said almost as much as is needful by way
of preface to my stories.</p>
<p>Those of my readers who are most capable of pointing out the
many shortcomings and faults of my work, will also be the most
indulgent towards me; for any one who has been in Japan, and
studied Japanese, knows the great difficulties by which the
learner is beset.</p>
<p>For the illustrations, at least, I feel that I need make no
apology. Drawn, in the first instance, by one
Ôdaké, an artist in my employ, they were cut on
wood by a famous wood-engraver at Yedo, and are therefore
genuine specimens of Japanese art. Messrs. Dalziel, on
examining the wood blocks, pointed out to me, as an interesting
fact, that the lines are cut with the grain of the wood, after
the manner of Albert Dürer and some of the old German
masters,—a process which has been abandoned by modern
European wood-engravers.</p>
<p>It will be noticed that very little allusion is made in
these Tales to the Emperor and his Court. Although I searched
diligently, I was able to find no story in which they played a
conspicuous part.</p>
<p>Another class to which no allusion is made is that of the
Gôshi. The Gôshi are a kind of yeomen, or
bonnet-lairds, as they would be called over the border, living
on their own land, and owning no allegiance to any feudal lord.
Their rank is inferior to that of the Samurai, or men of the
military class, between whom and the peasantry they hold a
middle place. Like the Samurai, they wear two swords, and are
in many cases prosperous and wealthy men claiming a descent
more ancient than that of many of the feudal Princes. A large
number of them are enrolled among the Emperor's body-guard; and
these have played a conspicuous part in the recent political
changes in Japan, as the most conservative and anti-foreign
element in the nation.</p>
<p>With these exceptions, I think that all classes are fairly
represented in my stories.</p>
<p>The feudal system has passed away like a dissolving view
before the eyes of those who have lived in Japan during the
last few years. But when they arrived there it was in full
force, and there is not an incident narrated in the following
pages, however strange it may appear to Europeans, for the
possibility and probability of which those most competent to
judge will not vouch. Nor, as many a recent event can prove,
have heroism, chivalry, and devotion gone out of the land
altogether. We may deplore and inveigh against the Yamato
Damashi, or Spirit of Old Japan, which still breathes in the
soul of the Samurai, but we cannot withhold our admiration from
the self-sacrifices which men will still make for the love of
their country.</p>
<p>The first two of the Tales have already appeared in the
<i>Fortnightly Review,</i> and two of the Sermons, with a
portion of the Appendix on the subject of the Hara-Kiri, in the
pages of the <i>Cornhill Magazine</i>. I have to thank the
editors of those periodicals for permission to reprint them
here.</p>
<p style="text-indent:2em">LONDON, <i>January 7, 1871.</i></p>
<hr class="full" />
<h2>CONTENTS</h2>
<div>
<p>LIST OF ILLUSTRATIONS<SPAN href="#illustrations">1</SPAN></p>
<p>THE FORTY-SEVEN RÔNINS <SPAN href="#page1">1</SPAN></p>
<p>THE LOVES OF GOMPACHI AND KOMURASAKI
<SPAN href="#page20">20</SPAN></p>
<p>KAZUMA'S REVENGE <SPAN href="#page38">38</SPAN></p>
<p>A STORY OF THE OTOKODATÉ OF YEDO
<SPAN href="#page54">54</SPAN></p>
<p>THE WONDERFUL ADVENTURES OF FUNAKOSHI JIUYÉMON
<SPAN href="#page91">91</SPAN></p>
<p>THE ETA MAIDEN AND THE HATAMOTO
<SPAN href="#page115">115</SPAN></p>
<p>FAIRY TALES <SPAN href="#page133">133</SPAN></p>
<p class="i2">THE TONGUE-CUT SPARROW
<SPAN href="#page135">135</SPAN></p>
<p class="i2">THE ACCOMPLISHED AND LUCKY TEA-KETTLE
<SPAN href="#page138">138</SPAN></p>
<p class="i2">THE CRACKLING MOUNTAIN
<SPAN href="#page141">141</SPAN></p>
<p class="i2">THE STORY OF THE OLD MAN WHO MADE WITHERED
TREES TO BLOSSOM <SPAN href="#page145">145</SPAN></p>
<p class="i2">THE BATTLE OF THE APE AND THE CRAB
<SPAN href="#page149">149</SPAN></p>
<p class="i2">THE ADVENTURES OF LITTLE PEACHLING
<SPAN href="#page152">152</SPAN></p>
<p class="i2">THE FOXES' WEDDING
<SPAN href="#page155">155</SPAN></p>
<p class="i2">THE HISTORY OF SAKATA KINTOKI
<SPAN href="#page158">158</SPAN></p>
<p class="i2">THE ELVES AND THE ENVIOUS NEIGHBOUR
<SPAN href="#page160">160</SPAN></p>
<p>THE GHOST OF SAKURA <SPAN href="#page161">161</SPAN></p>
<p>HOW TAJIMA SHUMÉ WAS TORMENTED BY A DEVIL OF HIS
OWN CREATION <SPAN href="#page192">192</SPAN></p>
<p>CONCERNING CERTAIN SUPERSTITIONS
<SPAN href="#page197">197</SPAN></p>
<p class="i2">THE VAMPIRE CAT OF NABÉSHIMA
<SPAN href="#page200">200</SPAN></p>
<p class="i2">THE STORY OF THE FAITHFUL CAT
<SPAN href="#page207">207</SPAN></p>
<p class="i2">HOW A MAN WAS BEWITCHED AND HAD HIS HEAD
SHAVED BY THE FOXES <SPAN href="#page209">209</SPAN></p>
<p class="i2">THE GRATEFUL FOXES
<SPAN href="#page213">213</SPAN></p>
<p class="i2">THE BADGER'S MONEY
<SPAN href="#page220">220</SPAN></p>
<p class="i2">THE PRINCE AND THE BADGER
<SPAN href="#page224">224</SPAN></p>
<p>JAPANESE SERMONS <SPAN href="#page227">227</SPAN></p>
<p class="i2">THE SERMONS OF KIU-Ô, VOL. I. SERMON I.
<SPAN href="#page235">235</SPAN></p>
<p class="i2">THE SERMONS OF KIU-Ô, VOL. I. SERMON
II. <SPAN href="#page244">244</SPAN></p>
<p class="i2">THE SERMONS OF KIU-Ô, VOL. I. SERMON
III. <SPAN href="#page253">253</SPAN></p>
<p>APPENDICES:—</p>
<p class="i2">AN ACCOUNT OF THE HARA-KIRI
<SPAN href="#page263">263</SPAN></p>
<p class="i2">THE MARRIAGE CEREMONY
<SPAN href="#page288">288</SPAN></p>
<p class="i2">ON THE BIRTH AND REARING OF CHILDREN
<SPAN href="#page296">296</SPAN></p>
<p class="i2">FUNERAL RITES <SPAN href="#page301">301</SPAN></p>
</div>
<hr />
<br/>
<SPAN name="illustrations" id="illustrations"></SPAN>
<h2>LIST OF ILLUSTRATIONS</h2>
<p class="illustrations"><SPAN href="#frontis">THE RÔNINS
INVITE RÔTSUKÉ NO SUKÉ TO PERFORM
HARA-KIRI</SPAN></p>
<p class="illustrations"><SPAN href="#image004">THE WELL IN WHICH
THE HEAD WAS WASHED</SPAN></p>
<p class="illustrations"><SPAN href="#image008">THE SATSUMA MAN
INSULTS OISHI KURANOSUKÉ</SPAN></p>
<p class="illustrations"><SPAN href="#image015">THE TOMBS OF THE
RÔNINS</SPAN></p>
<p class="illustrations"><SPAN href="#image025">THE TOMB OF THE
SHIYOKU</SPAN></p>
<p class="illustrations"><SPAN href="#image028">GOMPACHI AWAKENED
BY THE MAIDEN IN THE ROBBERS' DEN</SPAN></p>
<p class="illustrations"><SPAN href="#image039">FORGING THE
SWORD</SPAN></p>
<p class="illustrations"><SPAN href="#image043">MATAGORÔ
KILLS YUKIYÉ</SPAN></p>
<p class="illustrations"><SPAN href="#image045">THE DEATH OF
DANYÉMON</SPAN></p>
<p class="illustrations"><SPAN href="#image070">TRICKS OF
SWORDSMANSHIP AT ASAKUSA</SPAN></p>
<p class="illustrations"><SPAN href="#image076">THE DEATH OF
CHÔBEI OF BANDZUIN</SPAN></p>
<p class="illustrations"><SPAN href="#image094">FUNAKOSHI
JIUYÉMON ON BOARD THE PIRATE SHIP</SPAN></p>
<p class="illustrations"><SPAN href="#image101">JIUYÉMON
PUNISHES HIS WIFE AND THE WRESTLER</SPAN></p>
<p class="illustrations"><SPAN href="#image103">FUNAKOSHI
JIUYÉMON AND THE GOBLINS</SPAN></p>
<p class="illustrations"><SPAN href="#image109">"GOKUMON"</SPAN></p>
<p class="illustrations"><SPAN href="#image111">CHAMPION
WRESTLER</SPAN></p>
<p class="illustrations"><SPAN href="#image113">A WRESTLING
MATCH</SPAN></p>
<p class="illustrations"><SPAN href="#image117">GENZABURÔ'S
MEETING WITH THE ETA MAIDEN</SPAN></p>
<p class="illustrations"><SPAN href="#image136">THE TONGUE-CUT
SPARROW</SPAN></p>
<p class="illustrations"><SPAN href="#image137">THE TONGUE-CUT
SPARROW (2)</SPAN></p>
<p class="illustrations"><SPAN href="#image139">THE ACCOMPLISHED
AND LUCKY TEA-KETTLE</SPAN></p>
<p class="illustrations"><SPAN href="#image140">THE ACCOMPLISHED
AND LUCKY TEA-KETTLE (2)</SPAN></p>
<p class="illustrations"><SPAN href="#image142">THE HARE AND THE
BADGER</SPAN></p>
<p class="illustrations"><SPAN href="#image143">THE HARE AND THE
BADGER (2)</SPAN></p>
<p class="illustrations"><SPAN href="#image146">THE OLD MAN WHO
CAUSED WITHERED TREES TO FLOWER</SPAN></p>
<p class="illustrations"><SPAN href="#image147">THE OLD MAN WHO
CAUSED WITHERED TREES TO FLOWER (2)</SPAN></p>
<p class="illustrations"><SPAN href="#image150">THE APE AND THE
CRAB</SPAN></p>
<p class="illustrations"><SPAN href="#image151">THE APE AND THE
CRAB (2)</SPAN></p>
<p class="illustrations"><SPAN href="#image153">LITTLE
PEACHLING</SPAN></p>
<p class="illustrations"><SPAN href="#image154">LITTLE PEACHLING
(2)</SPAN></p>
<p class="illustrations"><SPAN href="#image156">THE FOXES'
WEDDING</SPAN></p>
<p class="illustrations"><SPAN href="#image157">THE FOXES' WEDDING
(2)</SPAN></p>
<p class="illustrations"><SPAN href="#image162">THE DEPUTATION OF
PEASANTS AT THEIR LORD'S GATE</SPAN></p>
<p class="illustrations"><SPAN href="#image165">THE GHOST OF
SAKURA</SPAN></p>
<p class="illustrations"><SPAN href="#image170">SÔGORÔ
THRUSTING THE PETITION INTO THE SHOGUN'S LITTER</SPAN></p>
<p class="illustrations"><SPAN href="#image201">THE CAT OF
NABÉSHIMA</SPAN></p>
<p class="illustrations"><SPAN href="#image217">THE FEAST OF INARI
SAMA</SPAN></p>
<p class="illustrations"><SPAN href="#image228">A JAPANESE
SERMON</SPAN></p>
<br/>
<hr class="full" />
<div style="break-after:column;"></div><br />