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<h1>THE WAY OF THE WIND</h1> <h3>BY</h3> <h2>ZOE ANDERSON NORRIS</h2> <h4>DRAWINGS BY OBERHARDT</h4> <h5>NEW YORK PUBLISHED BY THE AUTHOR 1911</h5> <hr /> <h4>Copyright, 1911, by ZOE ANDERSON NORRIS</h4> <h4>Printed in the United States of America</h4> <h5>Published in October, 1911. By Zoe Anderson Norris. Office of the East Side Magazine, 338 East 15th St., New York</h5> <hr /> <h2>Contents</h2> PROLOGUE CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII. CHAPTER VIII. CHAPTER IX. CHAPTER X. CHAPTER XI. CHAPTER XII. CHAPTER XIII. CHAPTER XIV. CHAPTER XV. CHAPTER XVI. CHAPTER XVII. CHAPTER XVIII. CHAPTER XIX. CHAPTER XX. CHAPTER XXI. CHAPTER XXII. CHAPTER XXIII. CHAPTER XXIV. CHAPTER XXV. CHAPTER XXVI. CHAPTER XXVII CHAPTER XXVIII. CHAPTER XXIX. CHAPTER XXX. <hr /> <h3>PROLOGUEToC</h3> <div class="imgl"> <ANTIMG border="0" src="images/image01.png" width-obs="100%" alt="Chapter 1" /></div> And as the sturdy Pilgrim Fathers cut their perilous way through the dense and dangerous depths of the Forest Primeval for the setting up of their hearthstones, so the courageous pioneers of the desolate and treeless West were forced to fight the fury of the winds. The graves of them lie mounded here and there in the uncultivated corners of the fields, though more often one wanders across the level country, looking for them in the places where they should be and are not, because of the tall and waving corn that covers the length and breadth of the land. And yet the dead are not without memorial. Each steady stalk is a plumed standard of pioneer conquest, and through its palmy leaves the chastened wind remorsefully sighs requiems, chanting, whispering, moaning and sighing from balmy springtime on through the heat of the long summer days, until in the frost the farmers cutting the stalks and stacking them evenly about in the semblance of long departed tepees, leave no dangling blades to sigh through, nor tassels to flout. THE AUTHOR. <hr /> <h2>The Way of the Wind</h2> <h3>CHAPTER I.ToC</h3> <div class="imgl"> <ANTIMG border="0" src="images/image02.png" width-obs="100%" alt="CHAPTER I." /></div> Looking back upon it, the little Kentucky town seemed to blossom for Celia like the rose, one broad expanse of sloping lawns bordered with flower beds and shaded by quiet trees, elms and maples, brightly green with young leaflets and dark with cedars and pines, as it was on the day when she stood on the vine-covered veranda of her mother's home, surrounded by friends come to say good-by. Jane Whitcomb kissed her cheek as she tied the strings of her big poke bonnet under her chin. "I hope you will be happy out theah, Celia," she said; "but if it was me and I had to go, I wouldn't. You couldn't get me to take such risks. Wild horses couldn't. All them whut wants to go West to grow up with the country can go, but the South is plenty good enough fo' me." "Fo' me, too," sighed Celia, homesickness full upon her with the parting hour. "It's Seth makes me go. Accordin' to him, the West is the futuah country. He has found a place wheah they ah goin' to build a Magic City, he says. He's goin' to maik a fortune fo' me out theah, he says, in the West." "Growin' up with the country," interrupted Sarah Simpson, tying a bouquet of flowers she had brought for Celia with a narrow ribbon of delicate blue. "Yes," admitted Celia, "growing up with the country." Sarah handed her the flowers. "It's my opinion," concluded she, "that it's the fools, beggin' youah pahdon, whut's goin' out theah to grow up with the country, and the wise peepul whut's stayin' at home and advisin' of 'em to go." Celia shuddered. "I'm ha'f afraid to go," she said. "They say the wind blows all the time out theah. They say it nevah quits blowin'." "'Taint laik as if you wus goin' to be alone out theah," comforted Mansy Storm, who was busy putting away a little cake she had made with her own hands for Celia's lunch basket. "Youah husband will be out theah." She closed the lid down and raised her head brightly. "Whut diffunce does it maik?" she asked, "how ha'd the wind blows if you've got youah husband?" Lucy Brown flipped a speck of dust from the hem of Celia's travelling dress. "Yes," said she, "and such a husband!" Celia looked wistfully out over the calm and quiet street, basking in the sunlight, peacefully minus a ripple of breeze to break the beauty of it, her large eyes sad. "I'm afraid of the wind," she complained. "Sto'ms scah me." And she reiterated: "I'm afraid of the wind!" Sarah suddenly ran down the walk on either side of which blossomed old fashioned flowers, Marsh Marigolds, Johnny-Jump-Ups and Brown-Eyed Susans. She stood at the front gate, which swung on its hinges, leaning over it, looking down the road. "I thoat I heahd the stage," she called back. "Yes. Suah enuf. Heah it is, comin'." At that Celia's mother, hurrying fearfully out the door, threw her arms around her. Celia fell to sobbing. "It's so fah away," she stammered brokenly, between her sobs. "I'm afraid ... to ... go.... It's so fah ... away!" "Theah! theah!" comforted her mother, lifting up her face and kissing it. "It's not so fah but you can come back again. The same road comes that goes, deah one. Theah! Theah!" "Miss Celia," cried a reproachful voice from the door. "Is you gwine away, chile, widout tellin' youah black Mammy good-by?" Celia unclasped her mother's arms, fell upon the bosom of her black Mammy and wept anew. "De Lawd be wid you, chile," cooed the voice of the negress, musical with tenderness, "an' bring you back home safe an' soun' in His own time." The stage rolled up with clash and clatter and flap of curtain. It stopped at the gate. There ensued the rush of departure, the driver, after hoisting the baggage of his one passenger thereto, looking stolidly down on the heartbreak from the height of his perch, his long whip poised in midair. Celia's friends swarmed about her. They kissed her. They essayed to comfort her. They thrust upon her gifts of fruit and flowers and dainties for her lunch. They bore her wraps out to the cumbersome vehicle which was to convey her to Lexington, the nearest town which at that time boasted of a railroad. They placed her comfortably, turning again and again to give her another kiss and to bid her good-by and God-speed. It was as if her heartstrings wrenched asunder at the jerk of the wheels that started the huge stage onward. "Good-by, good-by!" she cried out, her pale face at the window. "Good-by," they answered, and Mansy Storm, running alongside, said to her: "You give my love to Seth, Celia. Don't you fo'get." Then breathlessly as the stage moved faster: "If evah the Good Lawd made a man a mighty little lowah than the angels," she added, "that man's Seth." The old stage rumbled along the broad white Lexington pike, past houses of other friends, who stood at gates to wave her farewell. It rumbled past little front yards abloom with flowers, back of which white cottages blinked sleepily, one eye of a shuttered window open, one shut, past big stone gates which gave upon mansions of more grandeur, past smaller farms, until at length it drew up at the tollgate. Here a girl with hair of sunshine, coming out, untied the pole and raised it slowly. "You goin' away, Miss Celia?" she asked in her soft Southern brogue, tuneful as the ripple of water. "I heah sumbody say you was goin' away." Celia smothered a sob. "Yes," she answered, "I am goin' away." "It's a long, long way out theah to the West," commented the girl wistfully as she counted out the change for the driver, "a long, long way!" As if the way had not seemed long enough! Celia sobbed outright. "Yes," she assented, "it is a long, long way!" "I am sawy you ah goin', Miss Celia," said the girl. "Good-by. Good luck to you!" And the stage moved on, Celia staring back at her with wide sad eyes. The girl leaned forward, let the pole carefully down and fastened it. As she did so a ray of sunshine made a halo of her hair. Celia flung herself back into the dimness of the corner and wept out her heart. It seemed to her that, with the letting down of that pole, she had been shut out of heaven. <div style="break-after:column;"></div>

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