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Pagan Madonna, The

<div class='ce'> Books by Harold MacGrath </div> <hr class='minor' /> <table summary='poetry' style='margin:0 auto; font-size:0.8em;'><tr><td> ADVENTURES OF KATHLYN ARMS AND THE WOMAN BEST MAN CARPET FROM BAGDAD DEUCES WILD ENCHANTED HAT GOOSE GIRL HALF A ROGUE HEARTS AND MASKS LUCK OF THE IRISH: A ROMANCE LURE OF THE MASK MILLION DOLLAR MYSTERY PARROT & CO. PIDGIN ISLAND PLACE OF HONEYMOONS PRINCESS ELOPES PUPPET CROWN SPLENDID HAZARD THE DRUMS OF JEOPARDY THE GIRL IN HIS HOUSE THE GREY CLOAK THE MAN ON THE BOX THE MAN WITH THREE NAMES THE PAGAN MADONNA THE PRIVATE WIRE TO WASHINGTON THE YELLOW TYPHOON VOICE OF THE FOG </td></tr></table> <hr class='ppg-pb' /> <div class='figcenter'> <ANTIMG src='images/illus-fpc.jpg' alt='' title='' style='width: 365px; height: 549px;' /> “‘Thank you for coming up,’ said Cunningham. ‘It makes me feel that you trust me.’” </div> <hr class='ppg-pb' /> <div class='ce'> THE PAGAN MADONNA BY HAROLD MacGRATH </div> <div class='figcenter'> <ANTIMG src='images/illus-tpg.png' alt='' title='' /> </div> <div class='ce'> FRONTISPIECE BY W. H. D. KOERNER GARDEN CITY, N. Y., AND TORONTO DOUBLEDAY, PAGE & COMPANY 1921 </div> <hr class='ppg-pb' /> <div class='ce' style=' font-size:0.8em;'> COPYRIGHT, 1921, BY DOUBLEDAY, PAGE & COMPANY ALL RIGHTS RESERVED, INCLUDING THAT OF TRANSLATION INTO FOREIGN LANGUAGES, INCLUDING THE SCANDINAVIAN COPYRIGHT, 1920, BY THE CURTIS PUBLISHING COMPANY </div> <hr class='ppg-pb' /> <div>3</div> <div class='ce'> The Pagan Madonna </div> <div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'> <h2>CHAPTER I</h2></div> Humdrum isn’t where you live; it’s what you are. Perhaps you are one of those whose lives are bound by neighbourly interests. Imaginatively, you never seek what lies under a gorgeous sunset; you are never stirred by any longing to investigate the ends of rainbows. You are more concerned by what your neighbour does every day than by what he might do if he were suddenly spun, whirled, jolted out of his poky orbit. The blank door of an empty house never intrigues you; you enter blind alleys without thrilling in the least; you hear a cry in the night and impute it to some marauding tom. Lord, what a life! And yet every move you make is governed by Chance—the Blind Madonna of the Pagan, as that great adventurer, Stevenson, called it. You never stop to consider that it is only by chance that you leave home and arrive at the office alive—millions and millions of you—poor old stick-in-the-muds! 4 Because this or that hasn’t happened to you, you can’t be made to believe that it might have happened to someone else. What’s a wood fire to you but a shin warmer? And how you hate to walk alone! So sheer off—this is not for you. But to you, fenced in by circumstance, walls of breathless brick and stone, suffocating with longing, you whose thought springs ever toward the gorgeous sunset and the ends of rainbows; who fly in dreams across the golden south seas to the far countries, you whose imagination transforms every ratty old square-rigger that pokes down the bay into a Spanish galleon—come with me. <table summary='poetry' style='margin:0 auto; font-style:italic;'><tr><td> For to admire an’ for to see, For to be’old this world so wide. </td></tr></table> First off, Ling Foo, of Woosung Road, perhaps the most bewildered Chinaman in all Shanghai last April. The Blind Madonna flung him into a great game and immediately cast him out of it, giving him never an inkling of what the game was about and leaving him buffeted by the four winds of wonder. A drama—he was sure of that—had rolled up, touched him icily if slightly, and receded, like a wave on the beach, without his knowing in the least what had energized it in his direction. 5 During lulls, for years to come, Ling Foo’s consciousness would strive to press behind the wall for a key to the riddle; for years to come he would be searching the International Bund, Nanking Road, Broadway and Bubbling Well roads for the young woman with the wonderful ruddy hair and the man who walked with the sluing lurch. Ah, but that man—the face of him, beautiful as that of a foreign boy’s, now young, now old, as though a cobweb shifted to and fro across it! The fire in those dark eyes and the silk on that tongue! Always that face would haunt him, because it should not have been a man’s but a woman’s. Ling Foo could not go to his gods for comparisons, for a million variations of Buddha offered no such countenance; so his recollection would always be tinged with a restless sense of dissatisfaction. There were other faces in the picture, but with the exception of the woman’s and the man’s he could not reassemble the features of any. A wild and bitter night. The nor’easter, packed with a cold, penetrating rain, beat down from the Yellow Sea, its insensate fury clearing the highways of all save belated labourers and ’ricksha boys. Along the Chinese Bund the sampans huddled even more closely together, and rocked and creaked and complained. The inscrutable countenance of the average Chinaman is the result 6 of five thousand years of misery. It was a night for hand warmers—little jigsawed brass receptacles filled with smoldering punk or charcoal, which you carried in your sleeves and hugged if you happened to be a Chinaman, as Ling Foo was. He was a merchant. He sold furs, curios, table linen, embroideries. His shop was out on the Woosung Road. He did not sit on his stool or in his alcove and wait for customers. He made packs of his merchandise and canvassed the hotels in the morning, from floor to floor, from room to room. His curios, however, he left in the shop. That was his lure to bring his hotel customers round in the afternoon, when there were generally additional profits and no commissions. This, of course, had been the modus operandi in the happy days before 1914, when white men began the slaughter of white men. Nowadays Ling Foo was off to the Astor House the moment he had news of a ship dropping anchor off the bar twelve miles down the Whangpoo River. The hour no longer mattered; the point was to beat his competitors to the market—and often there was no market. He did not call the white people foreign devils; he called them customers. That they worshipped a bearded Buddha was no concern of his. Born in the modern town, having spent twelve years in San Francisco, he was not heavily barnacled with 7 tradition. He was shrewd, a suave bargainer, and as honest as the day is long. His English was fluent. To-night he was angry with the fates. The ship was hours late. Moreover, it was a British transport, dropping down from Vladivostok. He would be wasting his time to wait for such passengers as came ashore. They would be tired and hungry and uncomfortable. So at seven o’clock he lit a piece of punk, dropped it into his hand warmer, threw his pack over his shoulders, and left the cheery lobby of the hotel where he had been waiting since five in the afternoon. He would be cold and wet and hungry when he reached his shop. Outside he called to a disconsolate ’ricksha boy, and a moment later rattled across the bridge that spans the Soochow Creek. Even the Sikh policeman had taken to cover. When he finally arrived home he was drenched from his cap button to the wooden soles of his shoes. He unlocked the shop door, entered, flung the pack on the floor, and turned on the electric light. Twenty minutes later he was in dry clothes; hot rice, bean curd, and tea were warming him; and he sat cross-legged in a little alcove behind his till, smoking his metal pipe. Two or three puffs, then he would empty the ash in a brass bowl. He repeated this action half a dozen times. He was emptying the ash for the 8 last time when the door opened violently and a man lurched in, hatless and apparently drunk—a white man. But instantly Ling Foo saw that the man was not drunk. Blood was streaming down his face, which was gray with terror and agony. The man made a desperate effort to save himself from falling, and dragged a pile of embroidered jackets to the floor as he went down. Ling Foo did not stir. It was not possible for him to move. The suddenness of the spectacle had disconnected thought from action. He saw all this, memorized it, even speculated upon it; but he could not move. The door was still open. The rain slanted across the black oblong space. He saw it strike the windows, pause, then trickle down. He could not see what had become of the man; the counter intervened. A tingle ran through Ling Foo’s body, and he knew that his brain had gained control of his body again. But before this brain could telegraph to his legs three men rushed into the shop. A bubble of sound came into Ling Foo’s throat—one of those calls for help that fear smothers. The three men disappeared instantly below the counter rim. Silence, except for the voices of the rain and the wind. Ling Foo, tensely, even 9 painfully alive now, waited. He was afraid, and it was perfectly logical fear. Perhaps they had not noticed him in the alcove. So he waited for this fantastic drama to end. The three men rose in unison. Ling Foo saw that they were carrying the fourth between them. The <ins class="trnote" title="“men” in original">man</ins> who carried the head and shoulders of the victim—for Ling Foo was now certain that murder was abroad—limped oddly, with a heave and a sluing twist. Ling Foo slid off his cushion and stepped round the counter in time to see the night absorb the back of the man who limped. He tried to recall the face of the man, but could not. His initial terror had drawn for him three white patches where faces should have been. For several minutes Ling Foo stared at the oblong blackness; then with a hysterical gurgle he ran to the door, slammed and bolted it, and leaned against the jamb, sick and faint, yet oddly relieved. He would not now have to account to the police for the body of an unknown white man. A queer business. Nothing exciting ever happened along this part of Woosung Road. What he had witnessed—it still wasn’t quite believable—belonged to the water front. Things happened there, for these white sailors were a wild lot. When the vertigo went out of his legs, Ling Foo cat-stepped over to the scattered embroidered 10 jackets and began mechanically to replace them on the counter—all but two, for these were speckled with blood. He contemplated them for a space, and at last picked them up daintily and tossed them into a far corner. When the blood dried he would wash them out himself. But there was that darkening stain on the floor. That would have to be washed out at once or it would be crying up to him eternally and recasting the tragic picture. So he entered the rear of the shop and summoned his wife. Meekly she obeyed his order and scrubbed the stain. Her beady little black eyes were so tightly lodged in her head that it was not possible for her to elevate her brows in surprise. But she knew that this stain was blood. Ling Foo solemnly waved her aside when the task was done, and she slip-slapped into the household dungeon out of which she had emerged. Her lord and master returned to his alcove. Ah, but the pipe was good! He rocked slightly as he smoked. Three pipefuls were reduced to ashes; then he wriggled off the cushion, picked up his cash counter and began slithering the buttons back and forth; not because there were any profits or losses that day, but because it gave a welcome turn to his thoughts. The storm raged outside. Occasionally he felt the floor shudder. The windows ran thickly with 11 rain. The door rattled. It was as if all objects inanimate were demanding freedom from bolts and nails. With the tip of his long, slender finger Ling Foo moved the buttons. He counted what his profits would be in Manchurian sables; in the two Ming vases that had come in mysteriously from Kiao-chau—German loot from Peking; counted his former profits in snuff bottles, and so on. The door rattled furiously. Ling Foo could consider himself as tolerably wealthy. Some day, when this great turmoil among the whites subsided, he would move to South China and grow little red oranges and melons, and there would be a nook in the gardens where he could sit with the perfume of jasmine swimming over and about his head and the goodly Book of Confucius on his knees. A thudding sound—that wasn’t the wind. Ling Foo looked over his buttons. He saw a human face outside the door; a beautiful boy’s face—white. That was the first impression. But as he stared he saw a man’s fury destroy the boyish stamp—gestures that demanded admission. But Ling Foo shook his head with equal emphasis. He would not go near that door again this night. The man outside shook his fists threateningly, wheeled, and strode off. Three strides took him 12 out of sight; but Ling Foo, with a damp little chill on his spine, remarked that the visitor limped. So! This would be the man who had carried the bloody head and shoulders of the unknown. Oriental curiosity blazed up and over Ling Foo’s distaste. What was it all about? Why had the limping man returned and demanded entrance? What had they done with the body? Pearls! The thought struck him as a blow. He began to understand something of the episode. Pearls! The beaten man had heard that sometimes Ling Foo of Woosung Road dealt in pearls without being overcurious. A falling out among thieves, and one had tried to betray his confederates, paying grimly for it. Pearls! He trotted down to the door and peered into the night, but he could see nothing. He wished now that he had purchased those window curtains such as the white merchants used over on the Bund. Every move he made could be seen from across the way, and the man who limped might be lurking there, watching. The man had come to him with pearls, but he had not been quick enough. What had he done with them? The man with the slue-foot would not have returned had he found the pearls on his moribund partner. That was sound reasoning. Ling Foo’s heart contracted, then expanded and 13 began to beat like a bird’s wing. In here somewhere—on the floor! He turned away from the door without haste. His Oriental mind worked quickly and smoothly. He would tramp back and forth the length of the shop as if musing, but neither nook nor crevice should escape his eye. He was heir to these pearls. Slue-Foot—for so Ling Foo named his visitor—would not dare molest him, since he, Ling Foo, could go to the authorities and state that murder had been done. Those tiger eyes in a boy’s face! His spine grew cold. Nevertheless, he set about his game. With his hands in his sleeves, his chin down, he paced the passage between the two counters. As he turned for the fifth journey a red-and-blue flash struck his eye. The flash came from the far corner of the shop, from the foot of the gunpowder-blue temple vase. Diamonds—not pearls but diamonds! Russian loot! Ling Foo pressed down his excitement and slowly approached the vase. A necklace! He gave the object a slight kick, which sent it rattling toward the door to the rear. He resumed his pacing. Each time he reached the necklace he gave it another kick. At length the necklace was at the threshold. Ling Foo approached the light and shut it off. Next he opened the door and 14 kicked the necklace across the threshold. Diamonds—thirty or forty of them on a string. The room in the rear was divided into workshop and storeroom. The living rooms were above. His wife was squatted on the floor in an unlittered corner mending a ceremonial robe of his. She was always in this room at night when Ling Foo was in the shop. He ignored her and carried his prize to a lapidary’s bench. He perched himself on a stool and reached for his magnifying glass. A queer little hiss broke through his lips. Cut-glass beads, patently Occidental, and here in Shanghai practically worthless! In his passion of disappointment he executed a gesture as if to hurl the beads to the floor, but let his arm sink slowly. He had made a mistake. These beads had not brought tragedy in and out of his shop. Somehow he had missed the object; some nook or corner had escaped him. In the morning he would examine every inch of the floor. White men did not kill each other for a string of glass beads. He stirred the beads about on his palm, and presently swung them under the droplight. Beautifully cut, small and large beads alternating, and on the smaller a graven letter he could not decipher. He observed some dark specks, and 15 scrutinized them under the magnifying glass. Blood! His Oriental mind groped hopelessly. Blood! He could make nothing of it. A murderous quarrel over such as these! For a long time Ling Foo sat on his stool, the image of Buddha contemplating the way. Outside the storm carried on vigorously, sending rattles into casements and shudders into doors. The wifely needle, a thread of silver fire, shuttled back and forth in the heavy brocade silk. Glass beads! Trumpery! Ling Foo slid off the stool and shuffled back into the shop for his metal pipe. Having pushed Ling Foo into this blind alley, out of which he was shortly to emerge, none the wiser, the Pagan Madonna swooped down upon the young woman with the ruddy hair and touched her with the impelling finger. <hr class='major' /> <div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'> 16 <div style="break-after:column;"></div>

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