<h3><SPAN name="ch_3" id="ch_3"></SPAN>CHAPTER III.</h3>
<h4>"ROSEBUDS."</h4>
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<table class="sm" style="margin: 0 auto" border="0" cellpadding="0" cellspacing="0" summary="quote">
<tr><td align="left">"To one who has been long in city pent,</td></tr>
<tr><td align="left"> 'Tis very sweet to look into the fair</td></tr>
<tr><td align="left"> And open face of heaven."</td></tr>
<tr><td align="right"><span class="smallcaps">Keats'</span> <i>Sonnets</i>.</td></tr>
<tr><td> </td></tr>
</table></div>
<p>I suppose it is
true, as older people
say, that things
very seldom turn
out as one expects.
Sometimes they are
not so bad as one
feels sure they will
be—and very often, or
almost always, they are
not so nice as one has thought they would
be, if one has been fancying and picturing
a great deal about them. And any way,
they are never quite <i>what</i> one expects. I
am beginning to find this out for myself
now—looking back, I can recollect very
few nice things in my life that have turned
out as nice as I had imagined them. But
of these few, Rosebuds was one, and that
has made me always remember with particular
distinctness all about our first acquaintance
with the dear little place. I
think I could tell <i>everything</i> about our
arrival there, exactly how each room looked,
and what we had for tea—oh, how hungry
we were that first evening! and I seem to
feel again the feeling of the snowy white
sheets and the sort of faint hay-ey—Tib
said it was lavender—scent in our beds
when we got into them that first night—very
tired, but very happy.</p>
<ANTIMG class="figright" src="images/img061b.jpg" height-obs="300" alt="THE POULTRY-YARD" />
<p>What plans we made for the next day—how
we settled to get up with the sun, to
ramble about and see everything—and how,
after all, we slept, of course, much later
than usual! Still, it was a delicious waking.
Do you know how beautiful a first waking
in the real country is when you have been
a long time in London? There is a sort of
clear stillness in the air that you can <i>feel</i>,
and then a cock crows—with quite a different
crow from the poor London cocks, I
always think, and hens cluck a little, just
under your window perhaps; or, best of all,
a turkey gobble-wobbles and some ducks
quack—perhaps there is a rush of all together
if your window happens to be not
far from the poultry-yard, and the girl is
coming out with the creatures' breakfast—and
further off you hear a moo from some
cows, and nearer, and yet more distant, the
clear sweet notes of the ever busy little
birds as they pass by on their way up to
who knows where? Oh, it is too delicious—and
when you
hear all those
sounds, as you are
lying there still dreamy
and sleepy, there is a
sort of strangeness and
<i>fairy-ness</i>—I must
make up that word—that
makes you think
of Red
Riding-hood
setting
off
in the
early
morning to her grandmother's cottage, or
of the little princess who went to live with
the dwarfs to keep house for them.</p>
<p>But I must come back to the evening
before—the evening, that is to say, of our
arrival at Rosebuds. It had been a pouring
wet day when we left London (it went on
pouring till we were only about half-an-hour
from our journey's end); and just at the
last moment grandpapa had got a telegram
which stopped his coming with us. He
grumbled a little, but I don't think he had
been looking forward with <i>much</i> pleasure to
the journey in our company, and though we
thought it our duty to look grave, and Tib
said gently, "What a pity!" I don't think
<i>we</i> minded much either. Indeed, to tell
the real truth—and it isn't any harm telling
it in here, as grandpapa will never see
this story—I think it was his not being
with us, and our feeling so lovelily free and
unafraid, that made that first evening at
Rosebuds so delightful.</p>
<p><i>And</i> Mrs. Munt!—oh, yes, it had to do
with Mrs. Munt. There never was anybody
so nice as Mrs. Munt—there never could be!</p>
<p>But I <i>must</i> go straight on, and not keep
slipping a little bit backwards, and hurrying
on too far forwards, this sort of way.
Well then, as I was saying, it rained and
rained all through the three hours' journey,
or at least two hours and a half of it, so
that we all felt rather doleful and shivery,
and Liddy began hoping there'd be no
mistake about the carriage from the inn
meeting us at the station, as grandpapa had
told her it should. Poor Liddy was rather
inclined to get nervous when she was
thrown on her own resources.</p>
<p>"Never mind, nursey," we said, all three,
to comfort her; "we can easily walk if it
isn't there. You know grandpapa said it
was only about half a mile, and we've got
our big cloaks on—the rain wouldn't
hurt us."</p>
<p>But Liddy still looked rather unhappy,
till suddenly from her side of the railway
carriage Tib called out, "It's clearing up—it's
clearing up splendidly; and oh, Gussie!
do look—there's such a lovely rainbow!"</p>
<p>So there was. I never before or since
saw such a rainbow—it seemed a very nice
welcome for us, and after all, Liddy's fears
were quite without reason. For the queer
old "one-horse fly" was waiting for us, and
we all bundled into it and drove off without
any mishaps, except that nurse was sure
the packet of umbrellas had been left in the
railway carriage, and stood shouting to the
guard to stop after the train was already
moving out of the station, which made us
all laugh so, that we hadn't breath to tell
her that it was all safe in the fly.</p>
<p>Though Rosebuds is almost <i>in</i> the
village—at least, a very tiny bit out of
it—it is some little way from the station,
because for some reason that I've never
found out, the station stands away by itself
in the fields, as if it and the village had
quarrelled and wouldn't have anything to
say to each other. I dare say it's not a bad
thing that it is so: the nice country-ness
of it all would have been a little spoilt by
the trains whistling in and out, and as it is,
we scarcely hear it, as the railroad is low
down and is hardly noticed. And the road
from the station to the village <i>is</i> so pretty.
I never, even now, go along it without
remembering that first evening when we
drove to Rosebuds in the clear brightness
that comes after rain, the fields and the
hedges glistening with the water diamonds,
the little clouds hurrying away as if they
were afraid of being caught, and over all
the sort of hush that seems to me to follow
a regular rainy day—as if the world were a
naughty child that had cried itself to sleep
with the tears still on its cheeks.</p>
<p>It is a hilly bit of road—first it goes
down, and then it goes up, and when it
comes into the village it does so quite
suddenly. You see a high, ivy-covered
wall, which is the wall of the church-yard,
and then comes a row of sweet little alms-houses,
and then the inn, and one by one
all the village houses and shops in the most
irregular way possible. Some one said once
that it was more like an old German village
than an English one, but I have never been
in Germany, so I can't tell, only it certainly
is very unlike everywhere else. We were so
pleased to see it so queer and funny, that
we kept tugging each other to look out,
first at one side, and then at the other, and
sometimes at both at once. Then we began
wondering which of the houses, as we came
to them, could be Rosebuds, and I think
we would have been quite pleased whichever
it was—they <i>all</i> looked so tempting
and snug.</p>
<p>But we were all wrong in our guesses,
for, as I said, Rosebuds was quite at the
end, and, like the village itself, we came
upon it quite suddenly, turning sharply
down a sort of lane so shaded with trees
that you could scarcely see where you were
going; then with some tugging at the old
horse, and some swaying of the clumsy old
fly, in we drove at an open gate, and
pulled up in front of a low white house,
nestling, so to speak, in thickly-growing,
bushy trees.</p>
<p>Never was a house so like its name!
The trees were not really planted so very
close as they looked, but it seemed at first
sight as if it was almost buried in them:
it stood out so white against their green.
It looks at first sight smaller than it really
is, for it extends a good deal out at the
back. But large or small, to us it was just
perfection, and so was the very rosy old
woman who stood smiling and bobbing in
the porch. She was so comical-looking
that we could hardly help laughing. I
think she must find the world a very good-humoured
place, for nobody <i>could</i> be cross
when they look at her!</p>
<p>"Mrs. Munt, ma'am, I suppose?" said
nurse as she got down.</p>
<p>And, "Certainly, ma'am," replied Mrs.
Munt, and then the two old bodies shook
hands very ceremoniously. It was so funny
to see their politeness to each other. But
Mrs. Munt was too eager to see us to waste
much time on Liddy.</p>
<p>"And is these the dear young ladies and
gentleman?" she said, hastening forward
as we emerged from the fly. "Dear,
dear! to think you should be so big
already, and me never to have seen you
before!"</p>
<p>The tears were in her eyes, and we felt
rather at a loss what to say or do. She
seemed to know all about us so well that
we felt really ashamed to think—though it
certainly was not our fault—that we had
never heard of her till about two days ago.
I felt too shy to speak, but Tib held out
her hand.</p>
<p>"I am very glad to see you, Mrs. Munt,"
she said. "I am the eldest, you know. I
am Miss Ansdell."</p>
<p>A slight shadow of pain crossed the old
woman's face.</p>
<p>"Miss Ansdell," she repeated, with a
strange sadness in her tone: "yes, my
dear—to be sure—you <i>are</i> Miss Ansdell—Master
Gerald's eldest."</p>
<p>"<i>I'm</i> Gerald, too," said Gerald himself.
"I'm called after grandpapa and papa. Did
you know papa when he was as little as me?"</p>
<p>Mrs. Munt smiled.</p>
<p>"I should think so, indeed—and your
grandpapa too," she said. "And this is
Miss Gustava—you're not like the others,
my dear. Perhaps you take after your
mamma's family—the Ansdells have all
blue eyes and dark hair. I remember
Master Gerald writing about his lady's
beautiful light hair."</p>
<p>"Yes, indeed," said nurse, rather primly,
very anxious to put in a word for her side
of the house, "Miss Gussie's hair is very
nice, but it's nothing to what her dear
mamma's was."</p>
<p>But we didn't want to stand at the door
all the evening while the old bodies discussed
our looks in this way. Gerald, who
somehow seemed less shy with Mrs. Munt
than Tib and I, put a stop to it in his own
way.</p>
<p>"Mrs. Munt," he said, "I'm dreadfully
hungry. I'm only seven years old, you
know, though I look more; and nurse says
seven's a hungry age."</p>
<p>"And we're hungry too—Tib and I,
though I'm ten and Tib's eleven," said I.
"And we do <i>so</i> want to see all the rooms
and everything. Oh, I do think Rosebuds
is far the nicest place in the world."</p>
<p>My words quite gained Mrs. Munt's
heart.</p>
<p>"Indeed, miss, I don't think you're far
wrong," she said. And then, just for a
moment before going in, we stood and
looked round. In front of the house there
was a beautiful lawn, right down to the low
wall which separated it from the high road.
And away on the other side of that, the
ground sloped down gradually, so that we
seemed to have nothing to interfere with
the view, which was really a very lovely
one—right over the old Forest of Evold, to
where the river Rother flows quietly along
at the foot of the Rothering Hills. But
children don't care much for views—it's
since I've got big that I've learnt to like
the view—we were much more interested
to follow Mrs. Munt into the house, across
the low square hall into a short wide
passage, with a window along one side, and
a flight of steps at one end. A door stood
open close to the foot of the stairs, and
Mrs. Munt led the way through it into a
bright, plainly-furnished room, where tea
was already set out for us.</p>
<p>"I might have got it ready in the dining-room
this first evening," she said, "but I
thought master would be coming, and that
there'd be his dinner to see to. This is the
old play-room—the school-room as used to
be is now a bed-room—and I thought this
would be the best for you to have quite as
your own."</p>
<p>"It will be very nice, I'm sure," said Tib,
whom Mrs. Munt looked at as the eldest.
"And there's a door right out into the
garden—oh, that will be nice! won't it,
Gussie?"</p>
<p>"So that we can come out and in whenever
we like. Yes, I'm glad of that," I said.
"Is the garden big, Mrs. Munt? I hope it
is, because—because we've no chance of
being allowed to play in any other," I was
going to say, but I stopped, and I felt
myself grow a little red. I wondered if
Mrs. Munt knew why grandpapa was so
strict about our not making any friends;
and I fancied she looked at me curiously as
she replied—</p>
<p>"Yes, Miss Gustava; it's a good big
garden, and it's nice to play in, for there's a
deal of rather wild shrubbery—down at the
back. Our young ladies and gentlemen
long ago used to say there was nowhere like
Rosebuds for hide-and-seek."</p>
<p>"Who were your young ladies and gentlemen?"
I asked quietly. "Papa had no
brothers and sisters, I know."</p>
<p>"Ah! but I was here long before your
dear papa's time, Miss Gustava," said Mrs.
Munt. "I was here when your grandpapa
was a boy. I'm five years older nor master."</p>
<p>"And had <i>grandpapa</i> brothers and sisters,
then?" I asked again.</p>
<p>Mrs. Munt grew a little uneasy.</p>
<p>"You must have heard of your uncle, the
Colonel, who was killed in India," she said.
"And there was Miss Mary, who died
when she was only fifteen. You must have
seen her grave at Ansdell Friars."</p>
<p>I shook my head.</p>
<p>"No, I don't think so. But I do
remember the tablet in the church to Colonel
Baldwin Ansdell. I often wondered who
he was. You remember it, Tib? But
hadn't grandpapa any other sisters? You
said young <i>ladies</i>, Mrs. Munt."</p>
<p>I had forgotten all my shyness now in
curiosity. But it was not fated to be
satisfied just then. Nurse suddenly interrupted.</p>
<p>"Miss Gussie, dear, you must wait a
while to hear all these things from Mrs.
Munt. The tea's all ready, and I'm sure
you're all hungry. Just run up stairs with
Miss Tib to take off your hats, there's a
dear. Will you show us the rooms, Mrs.
Munt, please?"</p>
<p>So we were all trotted off again—up stairs
this time, though it scarcely seemed like
going up stairs at all, so broad and shallow
were the steps compared with the high-up
flights in our London house. And Tib and
I were so pleased with the room which Mrs.
Munt told us was to be ours, that we should
have forgotten all about the talk down stairs
if she hadn't made another remark, which
put my unanswered question into my head
again.</p>
<p>"Yes, it is a nice room," she said, looking
round with pleasure at the light-painted
furniture and the two white beds side by
side, the old-fashioned cupboards in the
wall, two of them with glass doors, letting
us see a few queer old china cups and teapots
inside; "<i>and</i> so little changed, even
to its name. We've always called it the
young ladies' room."</p>
<p>There it was again—the young <i>ladies</i>;
but nurse was listening and evidently fussing
to get us down to tea. I must trust
to cross-questioning Mrs. Munt some other
time.</p>
<p>And the tea was really enough to take
up all our attention. There was everything
of country things—fresh eggs, and butter
and milk of the best, and bread, and tea-cakes,
and strawberry jam, and potted fish—all
"home-made," of course. I think
Mrs. Munt and nurse were really a little
frightened to see how much we ate.</p>
<p>After tea we wanted, of course, to go out,
but Liddy decided that it was too damp,
and Mrs. Munt consoled us by giving us
leave to go all over the house, for it was
barely six o'clock and quite light. She took
us into the front hall and showed us the
dining-room, out of which opened the study,
and beyond that again, what had been the
school-room, and was now grandpapa's bed-room.
There was nothing <i>very</i> interesting
in these rooms, though they were all quaint
and old-fashioned; and through all the
house there was the sort of clean, fresh,
and yet <i>not new</i> feeling—a mixture of faint
old scents that cannot be got away, and
wood-fires long ago burnt out, and yet the
sweet, pure country air preventing their
being musty or stale—that you never notice
except in an old country house that has
been carefully kept, and yet not really lived
in for many years.</p>
<p>And then Mrs. Munt, taking us through
the hall again, showed us the door of the
drawing-room, and told us we might look
at it by ourselves, which we were pleased at.</p>
<p>It was <i>much</i> more interesting, for, though
a small room, it was filled with pictures and
curiosities. The pictures were mostly
miniatures—such queer things some of them
were; gentlemen in uniform and the funniest
fancy dresses, some with wigs down to their
waists, some of them with helmets to make
them like Roman soldiers. And ladies to
match—some looking dreadfully proud,
with towers of hair on the top of their heads,
and some simpering in a silly way. One of
these last was really rather like Tib when
she smiles in what I call her "company"
manner—though it's hardly fair to say that
now, as she has really left it off—and she
was very angry at my saying so, and told
me that the most stuck-up-looking one of
all was very like <i>me</i>; "and it's better to
look silly than to be so horribly proud," she
added. We were really rather near quarrelling,
which would have been a bad
beginning for our life at Rosebuds, when
we caught sight of an old cabinet in one
corner, of which the top half stood open,
showing rows and rows of little drawers,
and here and there queer shaped doors
opening into inside places, where there were
more drawers and shelves. It was a Japanese
cabinet, of course—a very old and valuable
one. I have never seen one so large and
curious, and it quite absorbed our attention
till nurse came tapping at the door—I don't
know why she tapped; I suppose she had
an idea that, as we were in the drawing-room,
she must—to tell us it was time, and
more than time, to go to bed.</p>
<p>And though I wanted to talk to Tib in
bed about the queerness of there having
been young <i>ladies</i> long ago in this very
room, and that Mrs. Munt evidently didn't
want to tell us about them, I was so sleepy,
and so was Tib, that our conversation got
no further than, "Tib, don't you think<span class="nowrap">——</span>"
and a very indistinct murmur of "Yes,
Gussie, of course I do," before we were both
fast asleep and<span class="nowrap">——</span></p>
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