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Messengers of Evil

<h2>XXVI</h2> <h3>IN THE TRAP</h3> The servant had retired, leaving the three men to their fruit and wine. His hosts turned to Fandor in mute interrogation.... But Fandor continued to peel a superb peach with the utmost coolness: he did not seem disposed to talk. Barbey broke the silence. "Tell me, now that your first day on guard is ended, and you have not left us for a moment—have you noticed anything at all suspicious?" Fandor shook his head. "Nothing whatever." This was not strictly true; for he had noticed an individual in the bank, occupied in repairing the telephone. He had made discreet inquiries, and had been told that he was a workman sent by the State, at the request of the bankers, to see that the lines were in good working order. This explanation had at first set his mind at rest regarding the comings and goings of this individual. But, just when he was going in to dinner at seven o'clock, Fandor had come across the man in the vestibule of the bank making preparations to depart. It had been a painful surprise for Fandor. He recognised the man, but could not remember exactly who he was, or where he had seen him.... Was this workman one of the mysterious band of criminals who, he was more and more convinced, meant to strike a blow at Monsieur Barbey, and his partner, Nanteuil? If Fandor had had anything to go upon, he would have had the man shadowed. But he had no sure ground for his suspicions; besides, sent by the State, the man was most probably what he seemed. As he was working for the Government, he could easily be traced should such a step be found necessary. But to make certain that all was as it should be, Fandor had examined the work done by this individual during the day. There was nothing wrong with it: beyond a doubt, the man was an expert. Therefore, Fandor had felt justified in saying that he had noticed nothing suspicious during the day. "So much the worse," remarked Monsieur Barbey, with a shrug.... "Probably the individuals who are threatening us, have been warned of your presence here, and are on their guard. I rejoice as far as we are concerned; but, as regards the general interest, I almost regret it: that your trap should prove effective, is what we must wish." "Have no fear, dear Monsieur Barbey, it will not be laid in vain! Knowing the cunning, the cleverness of my adversaries, I have not the least doubt they know I am here; but I also know that the audacity of these criminals is such, that my presence here would not deter them from making their attempt. They believe themselves the stronger, but I hope to undeceive them." "What is your plan of campaign to-night?" asked Monsieur Nanteuil. "Before replying to that, will you show me all the means of access to the house?" "With the greatest pleasure." The three men left the dining-room: then went into the vestibule. "Our courtyard gate is at the far end of the house, on the right," said Nanteuil. "On the left, there are the Bank offices: they occupy this ground floor. The only entrance to them is through this vestibule. This door closed, it is impossible to get in." "Not by the windows looking on to the street?" asked Fandor. "No, those windows have heavy iron bars before them. To remove them would be difficult—very ... As to the windows looking on to the garden, they are closed every evening—you can see for yourself—by strong wooden shutters fastened on the inside." "So the Bank offices are perfectly protected?" said Fandor. "We believe so. Now, come upstairs to the floor above!... Here is a large corridor, and that door, on the right, opens into a library. The two rooms which come next, are my own room and a dressing-room. The other rooms are unoccupied." "Does your room face the street or the garden?" asked Fandor. "The garden." "And the windows?" "The windows?" "Yes. Would it be difficult, or impossible to climb up to them?" "It would be difficult, but not impossible. No one ever enters the garden. If absolutely necessary, a ladder could be placed against them, a square of glass could be cut out, and the fastening could be undone ... but come and see the room, you can then judge for yourself." Fandor inspected the room most carefully. The banker was right. It would be comparatively easy to get into the room by the window; but the other entrances to the room could be easily watched; they resolved themselves into one door, which opened on to the corridor. Monsieur Nanteuil's room was lightly furnished: he evidently favoured the modern method: it was a bare apartment, but it was hygienic. "Ah," said Fandor, "the bed has its back to the door, and faces the window. Very right. You have electric light, I see, near the fireplace, and above your bed. Then it is possible to switch on a bright light at any time.... Valuable, that!" Having finished a minute inspection of the room, and, to the amusement of the bankers, having looked under the bed to make sure that no one had hidden himself beneath it, Fandor declared: "I am decidedly pleased with this room, and if you see no objection, I wish to stay here and await the visitors of to-night." "You think of sleeping here alone?" "Alone! Decidedly, I do! It is pretty certain that these men know every inch of your flat; and if they are the sort I take them to be, they will make certain that everything here is as usual before attempting to attack the Bank. I do not wish them to be frightened off by finding a companion at my side, and I particularly wish them to mistake me for you...." "But that is frightfully dangerous, surely?" objected Nanteuil. "Reassure yourself, monsieur, I do not run any great risk. They won't know I am watching them; but I shall have this advantage over them—I am on the lookout for the rascally assassins and robbers, and I do not fear them in the slightest." Fandor was not going to own that he knew there was danger; but he was keenly set on running this particular risk, for, by so doing, might he not discover the truth? When the bankers left him for the night, Fandor again examined every corner of the room, and all it contained. He tested the electric light switch; he took a mental photograph of the situation of the pieces of furniture. He got into bed, half dressed, and lay quietly, grasping his revolver, fully loaded. He switched off the light, and in that large room, veiled in darkness, he awaited the events of the night. Noises from the street reached him indistinctly. The silence about him was menacing: something was going to happen here, something sudden, unforeseen, perhaps irremediable. Minute by minute, time went by, interminable, monotonous, casting a soft veil of sleep over the eyes of Fandor. But thoughts were rising within him: more and more keenly he was realising the horrible danger he was exposing himself to. Beneath closed eyes his brain was active, his imagination afire. "Elizabeth Dollon must be avenged," was his persistent thought. "Consequently, I must run some risks to achieve that!" A definite fear tormented him. He thought of the curious sleep Elizabeth had fallen victim to in the boarding-house. "Provided I have not taken some narcotic without knowing it!... Suppose the villains are going to inject into the room some gas which would suffocate me, and I should not know I was breathing it in? Suppose I lose consciousness and slip into death?" But Fandor drew himself together; he stiffened his will. Do they know I am in this room waiting to entrap them? Do they think they will find Nanteuil here defenceless? Who was that workman?... I ought to be able to put a name to that familiar face? How slow, how deadly slow, the tic-tac, tic-tac, of the timepiece? Centuries passed between the striking of the hours!... Would it be to-night?... To-morrow night?... Or ... On the corridor carpet outside the room, a slight rustling sound, continuous, barely perceptible, caught Fandor's listening ear.... Who was it?... Was it anyone at all?... Was it imagination? He listened intently ... not a sound now.... But, yes ... the same rustling sound ... it was nearer—moving along the wall. Fandor closed his eyes an instant, so vividly did he feel that someone was looking at him through the wall! Seconds beat by—seconds that might culminate in a moment of horror—seconds passing steadily by in regular succession, sinking into nothingness.... Had someone moved? Were there steps by the door?... Fandor thought he heard strange sounds all around him, in the room itself! His nerves were tensely strung: he was overwrought. Someone was certainly walking in the corridor!... He had felt a movement along the wall against which his bed stood! Impossible to hesitate longer! The door knob, which he could not see in the darkness, must have moved.... Fandor sensed this movement as surely as though he himself had placed his hand on the knob.... Yes, the door was going to open!... It was ajar ... it was turning on its hinges—it was open.... Someone was coming in.... Who?... Fandor lay still—he dared not move an eyelid; but in his mind he said: "Come in, then! Take the trouble to come in!" Thus Fandor, who believed Death was entering the room, dared to welcome the grim visitor—with a smile! <hr style='width: 45%;' /> Nothing was happening.... Fandor's feverish excitement sank down to depression.... He must have deceived himself—no one was entering the room—nothing untoward was happening! He had simply imagined the noises outside in the corridor, for nothing happened—nothing ... and once more he was following the eternal tic-tac, tic-tac of the timepiece! The head of Fandor's bed was near the door. He could not, in the dense darkness, fix the point where he supposed the enemy would find him, and he had the agonising conviction that they were very much at their ease—that they knew exactly where he was, and were quietly preparing their attack. But had these unknown assassins entered the room?... Yes, it was certain—there were men behind him—bending over him with outstretched hands to strangle him!... He could hear the sound their fingers made in passing through the air to grip his throat, to squeeze his life out!... Though he lived a hundred years, never could Fandor forget the agonising thrill when he sensed that hidden danger! He held his revolver ready to fire. He thought: "In whatever way I am attacked, I must not let slip this unique chance to learn the truth! I must seize the attacker at all costs, and leap to the electric switch, turn on the light—and I shall be saved! Saved!..." Without a cry, without a warning sound, without a moment's time to cope with the violence of the attack, Fandor felt a cloth over his face, strong hands on his throat, a heavy weight crushing his chest. "I am lost!" flashed through his mind. "I mean to find out the truth!" his will declared. With all the force of resistant muscle and will he disengaged himself from the power crushing him to death; seized an arm by chance, hung on to it, gripped it, threw off the man, ran to the switch, shouting: "Help!" Again, Fandor thought he was done for: the switch acted, but no light flashed forth! They had cut the wire! Men were holding on to him: their grip was tightening! A voice gave a strangled cry. "Help!" A strange voice! Whose? Fandor was weakening. His right hand seemed to be caught in a vise which would break and crush it: it was growing tighter and tighter: it was wrenching his arm, was dragging him backwards: it would fracture his shoulder blade! Who?... Who?... By a miraculous effort he freed himself. He leaped away; sprang to the mantelpiece; seized a pocket electric torch he had placed there—clac—a light flashed out!... Fandor saw, recognised his attacker!... Ah! The form he had seen before—a slim figure, clothed in black!... Ah, this murderer, whose face was concealed by a hooded mask! Fandor shouted at him. "Fantômas! It's you and I, Fantômas!" But, already, this mysterious bandit, unmasked by the unexpected light, had rushed on our journalist. The electric torch was extinguished. The struggle recommenced, fierce, formidable, desperate! Fandor was seized by the throat in a strangling grip: he was choking! His right arm, so twisted, so bruised, was powerless—and in that hand, now so deadened and helpless that it seemed detached from his body, was his revolver. He must shoot, though almost powerless in the formidable grip of the bandit. He must shoot if he was to be saved. He managed to pull the trigger. There was a loud report. Fandor felt himself flung towards the wall. The vise loosed its grip. There was a terrific din. The window panes were shattered, a heavy piece of furniture was pushed aside, oscillated, fell with a crash; then a sudden silence; but a silence broken by gaspings, loud breathings, hoarse sounds, an agonising death rattle. The dead pause seemed interminable.... Fandor was about to shoot again, when a voice close to him cried: "He is escaping!..." Jérôme Fandor recognised that voice!... Another voice said: "We must have a light!" A wax match flamed and flared. By its wavering light Fandor could distinguish three men in the room.... Their clothes were torn: there was blood on their faces, they were panting: they stared at one another. Fandor recognised them instantly. Leaning against the bed, a gash in his cheek, was Monsieur Barbey. Lying on the floor, apparently half dead, was Monsieur Nanteuil. Calmly lighting a candle was the telephone workman. He alone seemed unmoved. Fandor threw down his revolver and, coolly marching to the door, locked it. Monsieur Barbey followed the journalist with a look. He made a gesture of discouragement and pointed to the window: its panes were smashed to pieces. "We are tricked—done!" he said. "The assassin has got away!" But Fandor, with a shrug, marched up to the window, returned, and said in a matter-of-fact tone: "It is impossible that Fantômas could have made his escape that way!" The workman nodded gravely. "Monsieur Fandor," said he, "I am entirely of your opinion." <hr style="width: 65%;" /> <div style="break-after:column;"></div>

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