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<h2> CHAPTER XI — THE WOMAN AT THE WINDOW </h2>
<p>Count Victor heard the woman's lamentation die away in the pit of the
stair before he ceased to wonder at the sound and had fully realised the
unpleasantness of his own incarceration. It was the cries of the outer
assault that roused him from mere amazement to a comprehension of the
dangers involved in his being thus penned in a cell and his enemies kept
at bay by some wooden bars and a wooden-head. He felt with questioning
fingers along the walls, finding no crevice to suggest outer air till he
reached the window, and, alas! an escape from a window at that height
seemed out of the question without some machinery at hand.</p>
<p>"I suspected the little clown's laughter," said he to himself. "The key of
the mystery lies between him and this absurd Baron, and I begin to guess
at something of complicity on the part of M. Bethune. A malediction on the
whole tribe of mountaineers! The thing's like a play; I've seen far more
improbable circumstances in a book. I am shot at in a country reputed to
be well-governed even to monotony; a sombre host puzzles, a far too frank
domestic perplexes; magic flutes and midnight voices haunt this infernal
hold; the conventional lady of the drama is kept in the background with
great care, and just when I am on the point of meeting her, the perplexing
servitor becomes my jailer. But yes, it is a play; surely it is a play; or
else I am in bed in Cammercy suffering from one of old Jeanne's heavy late
suppers. It is then that I must waken myself into the little room with the
pink hangings."</p>
<p>He raised the point of the sword to prick his finger, more in a humorous
mood than with any real belief that it was all a dream, and dropped it
fast as he felt a gummy liquor clotting on the blade.</p>
<p>"<i>Grand Dieu!</i>" said he softly, "I have perhaps pricked some one else
to-night into his eternal nightmare, and I cannot prick myself out of
one."</p>
<p>The noise of the men outside rose louder; a gleam of light waved upon the
wall of the chamber, something wan and elusive, bewildering for a moment
as if it were a ghost; from the clamour he could distinguish sentences in
a guttural tongue. He turned to the window—the counterpart of the
one in his own bedroom, but without a pane of glass in its narrow space.
Again the wan flag waved across the wall, more plainly the cries of the
robbers came up to him. They had set a torch flaring on the scene. It
revealed the gloomy gable-end of Doom with a wild, a menacing
illumination, deepening the blackness of the night beyond its influence,
giving life to shadows that danced upon rock and grass. The light, held
high by the man Count Victor had wounded, now wrapped to his eyes in a
plaid, rose and fell, touched sometimes on the mainland showing the
bracken and the tree, sometimes upon the sea to show the wave, frothy from
its quarrel with the fissured rock, making it plain that Doom was a ship
indeed, cast upon troubled waters, cut off from the gentle world.</p>
<p>But little for the sea or for the shore had Count Victor any interest; his
eyes were all for the wild band who clamoured about the flambeau. They
wore such a costume as he had quarrelled with on his arrival; they cried
"Loch Sloy!" with something of theatrical effect, and "Out with the
gentleman! out with Black Andy's murderer!" they demanded in English.</p>
<p>He craned his head out at the Window and watched the scene. The tall man
who had personally assailed him seemed to lead the band in all except
their clamour, working eagerly, directing in undertones. They had brought
a ladder from the shore, apparently provided for such an emergency, and
placed it against the wall, with a view to an escalade. A stream of
steaming water shot down upon the first who ventured upon the rounds, and
he fell back with ludicrous whimperings. Compelled by the leader, another
ventured on the ladder, and the better to watch his performance Count
Victor leaned farther out at his window, secure from observation in the
darkness. As he did so, he saw for the first time that on his right there
was a lighted window he could almost touch with his hand as he leaned
over. It flashed upon him that here was the woman's room, and that on the
deep moulding running underneath the windows he could at some little risk
gain it, probably to find its door open, and thus gain the freedom Mungo
had so unexpectedly taken from him. He crept out upon the ledge, only then
to realise the hazards of such a narrow footing. It seemed as he stood
with his hands yet grasping the sides of the window he sought to escape
by, that he could never retain his balance sufficiently to reach the other
in safety. The greatest of his physical fears—greater even than that
of drowning which sometimes whelmed him in dreams and on ships—was
the dread of empty space; a touch of vertigo seized him; the enemy
gathered round the torch beneath suddenly seemed elves, puny impossible
things far off, and he almost slipped into their midst. But he dragged
back his senses. "We must all die," he gasped, "but we need not be
precipitate about the business," and shut his eyes as he stood up, and
with feet upon the moulding stretched to gain grip of the other window.
Something fell away below his right foot and almost plunged him into
space. With a terrific effort he saved himself from that fate, and his
senses, grown of a sudden to miraculous acuteness, heard the crumbled
masonry he had released thud upon the patch of grass at the foot of the
tower, apprising the enemy of his attempt. A wild commingling of commands
and threats came up to him; the night seemed something vast beyond all
former estimates, a swinging and giddy horror; the single star that peered
through the cloud took to airy dancing, a phantom of the evening heavens;
again he might have fallen, but the material, more deadly, world he was
accustomed to manifested itself for his relief and his salvation. Through
the night rang a pistol shot, and the ball struck against the wall but an
inch or two from his head.</p>
<p>"Merci beaucoup!" he said aloud. "There is nothing like a pill," and his
grasp upon the sides of the illuminated window was quite strong and
confident as he drew himself towards it. He threw himself in upon the
floor just in time to escape death from half a dozen bullets that rattled
behind him.</p>
<p>Safe within, he looked around in wonder. What he had come upon was not
what he had expected,—was, indeed, so incongruous with the cell next
door and the general poverty of the castle as a whole that it seemed
unreal; for here was a trim and tasteful boudoir lit by a silver lamp,
warmed by a charcoal fire, and giving some suggestion of dainty womanhood
by a palpable though delicate odour of rose-leaves conserved in
pot-pourri. Tapestry covered more than three-fourths of the wall, swinging
gently in the draught from the open window, a harpischord stood in a
corner, a couch that had apparently been occupied stood between the
fireplace and the door, and a score of evidences indicated gentility and
taste.</p>
<p>"Annapla becomes more interesting," he reflected, but he spent no time in
her boudoir; he made to try the door. It was locked; nor did he wonder at
it, though in a cooler moment he might have done so. Hurriedly he glanced
about the room for something to aid him to open the door, but there was
nothing to suit his purpose. In his search his eye fell upon a miniature
upon the mantelshelf—the work, as he could tell by its technique and
its frame, of a French artist. It was the presentment of a gentleman in
the Highland dress, adorned, as was the manner of some years back before
the costume itself had become discredited, with fripperies of the mode
elsewhere—a long scalloped waistcoat, a deep ruffled collar, the
shoes buckled, and the hair <i>en queue</i>,—the portrait of a man
of dark complexion, distinguished and someways pleasant.</p>
<p>"The essential lover of the story," said Count Victor, putting it down.
"Now I know my Annapla is young and lovely. We shall see—we shall
see!"</p>
<p>He turned to the door to try its fastenings with his sword, found the task
of no great difficulty, for the woodwork round the lock shared the common
decay of Doom, and with the silver lamp to light his steps, he made his
way along the corridor and down the stair. It was a strange and romantic
spectacle he made moving thus through the darkness, the lamp swaying his
shadow on the stairway as he descended, and he could have asked for no
more astonishment in the face of his jailer than he found in Mungo's when
that domestic met him at the stair-foot.</p>
<p>Mungo was carrying hot water in a huge kettle. He put down the vessel with
a startled jolt that betrayed his fright.</p>
<p>"God be aboot us! Coont, ye near gied me a stroke there."</p>
<p>"Oh, I demand pardon!" said Count Victor ironically. "I forgot that a man
of your age should not be taken by surprise."</p>
<p>"My age!" repeated Mungo, with a tone of annoyance. "No' sae awfu' auld
either. At my age my grandfaither was a sergeant i' the airmy, and married
for the fourth time."</p>
<p>"Only half his valour seems to run in the blood," said Count Victor. Then,
more sternly, "What did you mean by locking me up there?"</p>
<p>Mungo took up the kettle and placed it to the front of him, with some
intuition that a shield must be extemporised against the sword that the
Frenchman had menacing in his hand. The action was so droll and futile
that, in spite of his indignation, Count Victor had to smile; and this
assured the little domestic, though he felt chagrin at the ridicule
implied.</p>
<p>"Jist a bit plan o' my ain, Coont, to keep ye oot o' trouble, and I'm
shair ye'll excuse the leeberty. A bonny-like thing it wad be if the
maister cam' hame and foun' the Macfarlanes wer oot on the ran-dan and had
picked ye oot o' Doom like a wulk oot o' its shell. It wisna like as if ye
were ane o' the ordinar garrison, ye ken; ye were jist a kin' o' veesitor—"</p>
<p>"And it was I they were after," said Count Victor, "which surely gave me
some natural interest in the defence."</p>
<p>"Ye were safer to bide whaur ye were; and hoo ye got oot o't 's mair than
I can jalouse. We hae scalded aff the rogues wi' het water, and if they're
to be keepit aff, I'll hae to be unco gleg wi' the kettle."</p>
<p>As he said these words he saw, apparently for the first time, with a full
understanding of its significance, the lamp in Count Victor's hands. His
jaw fell; he put down the kettle again helplessly, and, in trembling
tones, "Whaur did ye get the lamp?" said he.</p>
<p>"<i>Ah, mon vieux!</i>" cried Count Victor, enjoying his bewilderment.
"You should have locked the lady's door as well as mine. 'Art a poor
warder not to think of the possibilities in two cells so close to each
other."</p>
<p>"Cells!" cried Mungo, very much disturbed. "Cells! quo' he," looking
chapfallen up the stairway, as if for something there behind his escaped
prisoner.</p>
<p>"And now you will give me the opportunity of paying my respects to your no
doubt adorable lady."</p>
<p>"Eh!" cried Mungo, incredulous. A glow came to his face. He showed the
ghost of a mischievous smile. "Is't that way the lan' lies? Man, ye're a
dour birkie!" said he; "but a wilf u' man maun hae his way, and, if
naething less'll dae ye, jist gang up to yer ain chaumer, and ye'll find
her giein' the Macfarlanes het punch wi' nae sugar till't."</p>
<p>The statement was largely an enigma to Count Victor, but he understood
enough to send him up the stairs with an alacrity that drove Mungo, in his
rear, into silent laughter. Yet the nearer he came to his door the slower
grew his ascent. At first he had thought but of the charming lady, the
vocalist, and the recluse. The Baron's share in the dangerous mystery of
Doom made him less scrupulous than he might otherwise have been as to the
punctilio of a domestic's introduction to one apparently kept out of his
way for reasons best known to his host; and he advanced to the encounter
in the mood of the adventurer, Mungo in his rear beholding it in his
jaunty step, in the fingers that pulled and peaked the moustachio, and
drew forth a somewhat pleasing curl that looked well across a temple. But
a more sober mood overcame him before he had got to the top of the stair.
The shouts of the besieging party outside had declined and finally died
away; the immediate excitement of the adventure, which with Mungo and the
unknown lady he was prepared to share, was gone. He began to realise that
there was something ludicrous in the incident that had kept him from
making her acquaintance half an hour ago, and reflected that she might
well have some doubt of his courage and his chivalry. Even more perturbing
was the sudden recollection of the amused laughter that had greeted his
barefooted approach to Doom through two or three inches of water, and at
the open door he hung back dubious.</p>
<p>"Step in; it's your ain room," cried Mungo, struggling with his kettle;
"and for the Lord's sake mind your mainners and gie her a guid
impression."</p>
<p>It was the very counsel to make a Montaiglon bold.</p>
<p>He entered; a woman was busy at the open window; he stared in amazement
and chagrin.</p>
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