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Lucy Maud Montgomery Short Stories, 1907-1908

<hr /> <h2>The Girl Who Drove the CowsToC</h2> "I wonder who that pleasant-looking girl who drives cows down the beech lane every morning and evening is," said Pauline Palmer, at the tea table of the country farmhouse where she and her aunt were spending the summer. Mrs. Wallace had wanted to go to some fashionable watering place, but her husband had bluntly told her he couldn't afford it. Stay in the city when all her set were out she would not, and the aforesaid farmhouse had been the compromise. "I shouldn't suppose it could make any difference to you who she is," said Mrs. Wallace impatiently. "I do wish, Pauline, that you were more careful in your choice of associates. You hobnob with everyone, even that old man who comes around buying eggs. It is very bad form." Pauline hid a rather undutiful smile behind her napkin. Aunt Olivia's snobbish opinions always amused her. "You've no idea what an interesting old man he is," she said. "He can talk more entertainingly than any other man I know. What is the use of being so exclusive, Aunt Olivia? You miss so much fun. You wouldn't be so horribly bored as you are if you fraternized a little with the 'natives,' as you call them." "No, thank you," said Mrs. Wallace disdainfully. "Well, I am going to try to get acquainted with that girl," said Pauline resolutely. "She looks nice and jolly." "I don't know where you get your low tastes from," groaned Mrs. Wallace. "I'm sure it wasn't from your poor mother. What do you suppose the Morgan Knowles would think if they saw you taking up with some tomboy girl on a farm?" "I don't see why it should make a great deal of difference what they would think, since they don't seem to be aware of my existence, or even of yours, Aunty," said Pauline, with twinkling eyes. She knew it was her aunt's dearest desire to get in with the Morgan Knowles' "set"—a desire that seemed as far from being realized as ever. Mrs. Wallace could never understand why the Morgan Knowles shut her from their charmed circle. They certainly associated with people much poorer and of more doubtful worldly station than hers—the Markhams, for instance, who lived on an unfashionable street and wore quite shabby clothes. Just before she had left Colchester, Mrs. Wallace had seen Mrs. Knowles and Mrs. Markham together in the former's automobile. James Wallace and Morgan Knowles were associated in business dealings; but in spite of Mrs. Wallace's schemings and aspirations and heart burnings, the association remained a purely business one and never advanced an inch in the direction of friendship. As for Pauline, she was hopelessly devoid of social ambitions and she did not in the least mind the Morgan Knowles' remote attitude. "Besides," continued Pauline, "she isn't a tomboy at all. She looks like a very womanly, well-bred sort of girl. Why should you think her a tomboy because she drives cows? Cows are placid, useful animals—witness this delicious cream which I am pouring over my blueberries. And they have to be driven. It's an honest occupation." "I daresay she is someone's servant," said Mrs. Wallace contemptuously. "But I suppose even that wouldn't matter to you, Pauline?" "Not a mite," said Pauline cheerfully. "One of the very nicest girls I ever knew was a maid Mother had the last year of her dear life. I loved that girl, Aunt Olivia, and I correspond with her. She writes letters that are ten times more clever and entertaining than those stupid epistles Clarisse Gray sends me—and Clarisse Gray is a rich man's daughter and is being educated in Paris." "You are incorrigible, Pauline," said Mrs. Wallace hopelessly. "Mrs. Boyd," said Pauline to their landlady, who now made her appearance, "who is that girl who drives the cows along the beech lane mornings and evenings?" "Ada Cameron, I guess," was Mrs. Boyd's response. "She lives with the Embrees down on the old Embree place just below here. They're pasturing their cows on the upper farm this summer. Mrs. Embree is her father's half-sister." "Is she as nice as she looks?" "Yes, Ada's a real nice sensible girl," said Mrs. Boyd. "There is no nonsense about her." "That doesn't sound very encouraging," murmured Pauline, as Mrs. Boyd went out. "I like people with a little nonsense about them. But I hope better things of Ada, Mrs. Boyd to the contrary notwithstanding. She has a pair of grey eyes that can't possibly always look sensible. I think they must mellow occasionally into fun and jollity and wholesome nonsense. Well, I'm off to the shore. I want to get that photograph of the Cove this evening, if possible. I've set my heart on taking first prize at the Amateur Photographers' Exhibition this fall, and if I can only get that Cove with all its beautiful lights and shadows, it will be the gem of my collection." Pauline, on her return from the shore, reached the beech lane just as the Embree cows were swinging down it. Behind them came a tall, brown-haired, brown-faced girl in a neat print dress. Her hat was hung over her arm, and the low evening sunlight shone redly over her smooth glossy head. She carried herself with a pretty dignity, but when her eyes met Pauline's, she looked as if she would smile on the slightest provocation. Pauline promptly gave her the provocation. "Good evening, Miss Cameron," she called blithely. "Won't you please stop a few moments and look me over? I want to see if you think me a likely person for a summer chum." Ada Cameron did more than smile. She laughed outright and went over to the fence where Pauline was sitting on a stump. She looked down into the merry black eyes of the town girl she had been half envying for a week and said humorously: "Yes, I think you very likely, indeed. But it takes two to make a friendship—like a bargain. If I'm one, you'll have to be the other." "I'm the other. Shake," said Pauline, holding out her hand. That was the beginning of a friendship that made poor Mrs. Wallace groan outwardly as well as inwardly. Pauline and Ada found that they liked each other even more than they had expected to. They walked, rowed, berried and picnicked together. Ada did not go to Mrs. Boyd's a great deal, for some instinct told her that Mrs. Wallace did not look favourably on her, but Pauline spent half her time at the little, brown, orchard-embowered house at the end of the beech lane where the Embrees lived. She had never met any girl she thought so nice as Ada. "She is nice every way," she told the unconvinced Aunt Olivia. "She's clever and well read. She is sensible and frank. She has a sense of humour and a great deal of insight into character—witness her liking for your niece! She can talk interestingly and she can also be silent when silence is becoming. And she has the finest profile I ever saw. Aunt Olivia, may I ask her to visit me next winter?" "No, indeed," said Mrs. Wallace, with crushing emphasis. "You surely don't expect to continue this absurd intimacy past the summer, Pauline?" "I expect to be Ada's friend all my life," said Pauline laughingly, but with a little ring of purpose in her voice. "Oh, Aunty, dear, can't you see that Ada is just the same girl in cotton print that she would be in silk attire? She is really far more distinguished looking than any girl in the Knowles' set." "Pauline!" said Aunt Olivia, looking as shocked as if Pauline had committed blasphemy. Pauline laughed again, but she sighed as she went to her room. Aunt Olivia has the kindest heart in the world, she thought. What a pity she isn't able to see things as they really are! My friendship with Ada can't be perfect if I can't invite her to my home. And she is such a dear girl—the first real friend after my own heart that I've ever had. The summer waned, and August burned itself out. "I suppose you will be going back to town next week? I shall miss you dreadfully," said Ada. The two girls were in the Embree garden, where Pauline was preparing to take a photograph of Ada standing among the asters, with a great sheaf of them in her arms. Pauline wished she could have said: But you must come and visit me in the winter. Since she could not, she had to content herself with saying: "You won't miss me any more than I shall miss you. But we'll correspond, and I hope Aunt Olivia will come to Marwood again next summer." "I don't think I shall be here then," said Ada with a sigh. "You see, it is time I was doing something for myself, Pauline. Aunt Jane and Uncle Robert have always been very kind to me, but they have a large family and are not very well off. So I think I'll try for a situation in one of the Remington stores this fall." "It's such a pity you couldn't have gone to the Academy and studied for a teacher's licence," said Pauline, who knew what Ada's ambitions were. "I should have liked that better, of course," said Ada quietly. "But it is not possible, so I must do my best at the next best thing. Don't let's talk of it. It might make me feel blueish and I want to look especially pleasant if I'm going to have my photo taken." "You couldn't look anything else," laughed Pauline. "Don't smile too broadly—I want you to be looking over the asters with a bit of a dream on your face and in your eyes. If the picture turns out as beautiful as I fondly expect, I mean to put it in my exhibition collection under the title 'A September Dream.' There, that's the very expression. When you look like that, you remind me of somebody I have seen, but I can't remember who it is. All ready now—don't move—there, dearie, it is all over." When Pauline went back to Colchester, she was busy for a month preparing her photographs for the exhibition, while Aunt Olivia renewed her spinning of all the little social webs in which she fondly hoped to entangle the Morgan Knowles and other desirable flies. When the exhibition was opened, Pauline Palmer's collection won first prize, and the prettiest picture in it was one called "A September Dream"—a tall girl with a wistful face, standing in an old-fashioned garden with her arms full of asters. The very day after the exhibition was opened the Morgan Knowles' automobile stopped at the Wallace door. Mrs. Wallace was out, but it was Pauline whom stately Mrs. Morgan Knowles asked for. Pauline was at that moment buried in her darkroom developing photographs, and she ran down just as she was—a fact which would have mortified Mrs. Wallace exceedingly if she had ever known it. But Mrs. Morgan Knowles did not seem to mind at all. She liked Pauline's simplicity of manner. It was more than she had expected from the aunt's rather vulgar affectations. "I have called to ask you who the original of the photograph 'A September Dream' in your exhibit was, Miss Palmer," she said graciously. "The resemblance to a very dear childhood friend of mine is so startling that I am sure it cannot be accidental." "That is a photograph of Ada Cameron, a friend whom I met this summer up in Marwood," said Pauline. "Ada Cameron! She must be Ada Frame's daughter, then," exclaimed Mrs. Knowles in excitement. Then, seeing Pauline's puzzled face, she explained: "Years ago, when I was a child, I always spent my summers on the farm of my uncle, John Frame. My cousin, Ada Frame, was the dearest friend I ever had, but after we grew up we saw nothing of each other, for I went with my parents to Europe for several years, and Ada married a neighbour's son, Alec Cameron, and went out west. Her father, who was my only living relative other than my parents, died, and I never heard anything more of Ada until about eight years ago, when somebody told me she was dead and had left no family. That part of the report cannot have been true if this girl is her daughter." "I believe she is," said Pauline quickly. "Ada was born out west and lived there until she was eight years old, when her parents died and she was sent east to her father's half-sister. And Ada looks like you—she always reminded me of somebody I had seen, but I never could decide who it was before. Oh, I hope it is true, for Ada is such a sweet girl, Mrs. Knowles." "She couldn't be anything else if she is Ada Frame's daughter," said Mrs. Knowles. "My husband will investigate the matter at once, and if this girl is Ada's child we shall hope to find a daughter in her, as we have none of our own." "What will Aunt Olivia say!" said Pauline with wickedly dancing eyes when Mrs. Knowles had gone. Aunt Olivia was too much overcome to say anything. That good lady felt rather foolish when it was proved that the girl she had so despised was Mrs. Morgan Knowles' cousin and was going to be adopted by her. But to hear Aunt Olivia talk now, you would suppose that she and not Pauline had discovered Ada. The latter sought Pauline out as soon as she came to Colchester, and the summer friendship proved a life-long one and was, for the Wallaces, the open sesame to the enchanted ground of the Knowles' "set." "So everybody concerned is happy," said Pauline. "Ada is going to college and so am I, and Aunt Olivia is on the same committee as Mrs. Knowles for the big church bazaar. What about my 'low tastes' now, Aunt Olivia?" "Well, who would ever have supposed that a girl who drove cows to pasture was connected with the Morgan Knowles?" said poor Aunt Olivia piteously. <hr /> <h2>The Growing Up of CorneliaToC</h2> January First. Aunt Jemima gave me this diary for a Christmas present. It's just the sort of gift a person named Jemima would be likely to make. I can't imagine why Aunt Jemima thought I should like a diary. Probably she didn't think about it at all. I suppose it happened to be the first thing she saw when she started out to do her Christmas duty by me, and so she bought it. I'm sure I'm the last girl in the world to keep a diary. I'm not a bit sentimental and I never have time for soul outpourings. It's jollier to be out skating or snowshoeing or just tramping around. And besides, nothing ever happens to me worth writing in a diary. Still, since Aunt Jemima gave it to me, I'm going to get the good out of it. I don't believe in wasting even a diary. Father ... it would be easier to write "Dad," but Dad sounds disrespectful in a diary ... says I have a streak of old Grandmother Marshall's economical nature in me. So I'm going to write in this book whenever I have anything that might, by any stretch of imagination, be supposed worth while. Jen and Alice and Sue would have plenty to write about, I dare say. They certainly seem to have jolly times ... and as for the men ... but there! People say men are interesting. They may be. But I shall never get well enough acquainted with any of them to find out. Mother says it is high time I gave up my tomboy ways and came "out" too, because I am eighteen. I coaxed off this winter. It wasn't very hard, because no mother with three older unmarried girls on her hands would be very anxious to bring out a fourth. The girls took my part and advised Mother to let me be a child as long as possible. Mother yielded for this time, but said I must be brought out next winter or people would talk. Oh, I hate the thought of it! People might talk about my not being brought out, but they will talk far more about the blunders I shall make. The doleful fact is, I'm too wretchedly shy and awkward to live. It fills my soul with terror to think of donning long dresses and putting my hair up and going into society. I can't talk and men frighten me to death. I fall over things as it is, and what will it be with long dresses? As far back as I can remember it has been my one aim and object in life to escape company. Oh, if only one need never grow up! If I could only go back four years and stay there! Mother laments over it muchly. She says she doesn't know what she has done to have such a shy, unpresentable daughter. I know. She married Grandmother Marshall's son, and Grandmother Marshall was as shy as she was economical. Mother triumphed over heredity with Jen and Sue and Alice, but it came off best with me. The other girls are noted for their grace and tact. But I'm the black sheep and always will be. It wouldn't worry me so much if they'd leave me alone and stop nagging me. "Oh, for a lodge in some vast wilderness," where there were no men, no parties, no dinners ... just quantities of dogs and horses and skating ponds and woods! I need never put on long dresses then, but just be a jolly little girl forever. However, I've got one beautiful year before me yet, and I mean to make the most of it. <hr style="width: 15%;" /> January Tenth. It is rather good to have a diary to pour out your woes in when you feel awfully bad and have no one to sympathize with you. I've been used to shutting them all up in my soul and then they sometimes fermented and made trouble. We had a lot of people here to dinner tonight, and that made me miserable to begin with. I had to dress up in a stiff white dress with a sash, and Jen tied two big white fly-away bows on my hair that kept rasping my neck and tickling my ears in a most exasperating way. Then an old lady whom I detest tried to make me talk before everybody, and all I could do was to turn as red as a beet and stammer: "Yes, ma'am," "no, ma'am." It made Mother furious, because it is so old-fashioned to say "ma'am." Our old nurse taught me to say it when I was small, and though it has been pretty well governessed out of me since then, it's sure to pop up when I get confused and nervous. Sue ... may it be accounted unto her for righteousness ... contrived that I should go out to dinner with old Mr. Grant, because she knew he goes to dinners for the sake of eating and never talks or wants anybody else to. But when we were crossing the hall I stepped on Mrs. Burnett's train and something tore. Mrs. Burnett gave me a furious look and glowered all through dinner. The meal was completely spoiled for me and I could find no comfort, even in the Nesselrode pudding, which is my favourite dessert. It was just when the pudding came on that I got the most unkindest cut of all. Mrs. Allardyce remarked that Sidney Elliot was coming home to Stillwater. Everybody exclaimed and questioned and seemed delighted. I saw Mother give one quick, involuntary look at Jen, and then gaze steadfastly at Mr. Grant to atone for it. Jen is twenty-six, and Stillwater is next door to our place! As for me, I was so vexed that I might as well have been eating chips for all the good that Nesselrode pudding was to me. If Sidney Elliot were coming home everything would be spoiled. There would be no more ramblings in the Stillwater woods, no more delightful skating on the Stillwater lake. Stillwater has been the only place in the world where I could find the full joy of solitude, and now this, too, was to be taken from me. We had no woods, no lake. I hated Sidney Elliot. It is ten years since Sidney Elliot closed Stillwater and went abroad. He has stayed abroad ever since and nobody has missed him, I'm sure. I remember him dimly as a tall dark man who used to lounge about alone in his garden and was always reading books. Sometimes he came into our garden and teased us children. He is said to be a cynic and to detest society. If this latter item be a fact I almost feel a grim pity for him. He may detest it, but he will be dragged into it. Rich bachelors are few and far between in Riverton, and the mammas will hunt him down. I feel like crying. If Sidney Elliot comes home I shall be debarred from Stillwater. I have roamed its demesnes for ten beautiful years, and I'm sure I love them a hundredfold better than he does, or can. It is flagrantly unfair. Oh, I hate him! <hr style="width: 15%;" /> January Twentieth. No, I don't. I believe I like him. Yet it's almost unbelievable. I've always thought men so detestable. I'm tingling all over with the surprise and pleasure of a little unexpected adventure. For the first time I have something really worth writing in a diary ... and I'm glad I have a diary to write it in. Blessings on Aunt Jemima! May her shadow never grow less. This evening I started out for a last long lingering ramble in my beloved Stillwater woods. The last, I thought, because I knew Sidney Elliot was expected home next week, and after that I'd have to be cooped up on our lawn. I dressed myself comfortably for climbing fences and skimming over snowy wastes. That is, I put on the shortest old tweed skirt I have and a red jacket with sleeves three years behind the fashion, but jolly pockets to put your hands in, and a still redder tam. Thus accoutred, I sallied forth. It was such a lovely evening that I couldn't help enjoying myself in spite of my sorrows. The sun was low and creamy, and the snow was so white and the shadows so slender and blue. All through the lovely Stillwater woods was a fine frosty stillness. It was splendid to skim down those long wonderful avenues of crusted snow, with the mossy grey boles on either hand, and overhead the lacing, leafless boughs, I just drank in the air and the beauty until my very soul was thrilling, and I went on and on and on until I was most delightfully lost. That is, I didn't know just where I was, but the woods weren't so big but that I'd be sure to come out safely somewhere; and, oh, it was so glorious to be there all alone and never a creature to worry me. At last I turned into a long aisle that seemed to lead right out into the very heart of a deep-red overflowing winter sunset. At its end I found a fence, and I climbed up on that fence and sat there, so comfortably, with my back against a big beech and my feet dangling. Then I saw him! I knew it was Sidney Elliot in a moment. He was just as tall and just as black-eyed; he was still given to lounging evidently, for he was leaning against the fence a panel away from me and looking at me with an amused smile. After my first mad impulse to rush away and bury myself in the wilderness that smile put me at ease. If he had looked grave or polite I would have been as miserably shy as I've always been in a man's presence. But it was the smile of a grandfather for a child, and I just grinned cheerfully back at him. He ploughed along through the thick drift that was soft and spongy by the fence and came close up to me. "You must be little Cornelia," he said with another aged smile. "Or rather, you were little Cornelia. I suppose you are big Cornelia now and want to be treated like a young lady?" "Indeed, I don't," I protested. "I'm not grown up and I don't want to be. You are Mr. Elliot, I suppose. Nobody expected you till next week. What made you come so soon?" "A whim of mine," he said. "I'm full of whims and crotchets. Old bachelors always are. But why did you ask that question in a tone which seemed to imply that you resented my coming so soon, Miss Cornelia?" "Oh, don't tack the Miss on," I implored. "Call me Cornelia ... or better still, Nic, as Dad does. I do resent your coming so soon. I resent your coming at all. And, oh, it is such a satisfaction to tell you so." He smiled with his eyes ... a deep, black, velvety smile. But he shook his head sorrowfully. "I must be getting very old," he said. "It's a sign of age when a person finds himself unwelcome and superfluous." "Your age has nothing to do with it," I retorted. "It is because Stillwater is the only place I have to run wild in ... and running wild is all I'm fit for. It's so lovely and roomy I can lose myself in it. I shall die or go mad if I'm cooped up on our little pocket handkerchief of a lawn." "But why should you be?" he inquired gravely. I reflected ... and was surprised. "After all, I don't know ... now ... why I should be," I admitted. "I thought you wouldn't want me prowling about your domains. Besides, I was afraid I'd meet you ... and I don't like meeting men. I hate to have them around ... I'm so shy and awkward." "Do you find me very dreadful?" he asked. I reflected again ... and was again surprised. "No, I don't. I don't mind you a bit ... any more than if you were Dad." "Then you mustn't consider yourself an exile from Stillwater. The woods are yours to roam in at will, and if you want to roam them alone you may, and if you'd like a companion once in a while command me. Let's be good friends, little lass. Shake hands on it." I slipped down from the fence and shook hands with him. I did like him very much ... he was so nice and unaffected and brotherly ... just as if I'd known him all my life. We walked down the long white avenue, where everything was growing dusky, and I had told him all my troubles before we got to the end of it. He was so sympathetic and agreed with me that it was a pity people had to grow up. He promised to come over tomorrow and look at Don's leg. Don is one of my dogs, and he has got a bad leg. I've been doctoring it myself, but it doesn't get any better. Sidney thinks he can cure it. He says I must call him Sidney if I want him to call me Nic. When we got to the lake, there it lay all gleaming and smooth as glass ... the most tempting thing. "What a glorious possible slide," he said. "Let us have it, little lass." He took my hand and we ran down the slope and went skimming over the ice. It was glorious. The house came in sight as we reached the other side. It was big and dark and silent. "So the old place is still standing," said Sidney, looking up at it. In the dusk I thought his face had a tender, reverent look instead of the rather mocking expression it had worn all along. "Haven't you been there yet?" I asked quickly. "No. I'm stopping at the hotel over in Croyden. The house will need some fixing up before it's fit to live in. I just came down tonight to look at it and took a short cut through the woods. I'm glad I did. It was worth while to see you come tramping down that long white avenue when you thought yourself alone with the silence. I thought I had never seen a child so full of the pure joy of existence. Hold fast to that, little lass, as long as you can. You'll never find anything to take its place after it goes. You jolly little child!" "I'm eighteen," I said suddenly. I don't know what made me say it. He laughed and pulled his coat collar up around his ears. "Never," he mocked. "You're about twelve ... stay twelve, and always wear red caps and jackets, you vivid thing: Good night." He was off across the lake, and I came home. Yes, I do like him, even if he is a man. <hr style="width: 15%;" /> February Twentieth. I've found out what diaries are for ... to work off blue moods in, moods that come on without any reason whatever and therefore can't be confided to any fellow creature. You scribble away for a while ... and then it's all gone ... and your soul feels clear as crystal once more. I always go to Sidney now in a blue mood that has a real cause. He can cheer me up in five minutes. But in such a one as this, which is quite unaccountable, there's nothing for it but a diary. Sidney has been living at Stillwater for a month. It seems as if he must have lived there always. He came to our place the next day after I met him in the woods. Everybody made a fuss over him, but he shook them off with an ease I envied and whisked me out to see Don's leg. He has fixed it up so that it is as good as new now, and the dogs like him almost better than they like me. We have had splendid times since then. We are just the jolliest chums and we tramp about everywhere together and go skating and snowshoeing and riding. We read a lot of books together too, and Sidney always explains everything I don't understand. I'm not a bit shy and I can always find plenty to say to him. He isn't at all like any other man I know. Everybody likes him, but the women seem to be a little afraid of him. They say he is so terribly cynical and satirical. He goes into society a good bit, although he says it bores him. He says he only goes because it would bore him worse to stay home alone. There's only one thing about Sidney that I hardly like. I think he rather overdoes it in the matter of treating me as if I were a little girl. Of course, I don't want him to look upon me as grown up. But there is a medium in all things, and he really needn't talk as if he thought I was a child of ten and had no earthly interest in anything but sports and dogs. These are the best things ... I suppose ... but I understand lots of other things too, only I can't convince Sidney that I do. I know he is laughing at me when I try to show him I'm not so childish as he thinks me. He's indulgent and whimsical, just as he would be with a little girl who was making believe to be grown up. Perhaps next winter, when I put on long dresses and come out, he'll stop regarding me as a child. But next winter is so horribly far off. The day we were fussing with Don's leg I told Sidney that Mother said I'd have to be grown up next winter and how I hated it, and I made him promise that when the time came he would use all his influence to beg me off for another year. He said he would, because it was a shame to worry children about society. But somehow I've concluded not to bother making a fuss. I have to come out some time, and I might as well take the plunge and get it over. Mrs. Burnett was here this evening fixing up some arrangements for a charity bazaar she and Jen are interested in, and she talked most of the time about Sidney ... for Jen's benefit, I suppose, although Jen and Sid don't get on at all. They fight every time they meet, so I don't see why Mrs. Burnett should think things. "I wonder what he'll do when Mrs. Rennie comes to the Glasgows' next month," said Mrs. Burnett. "Why should he do anything?" asked Jen. "Oh, well, you know there was something between them ... an understanding if not an engagement ... before she married Rennie. They met abroad ... my sister told me all about it ... and Mr. Elliot was quite infatuated with her. She was a very handsome and fascinating girl. Then she threw him over and married old Jacob Rennie ... for his millions, of course, for he certainly had nothing else to recommend him. Amy says Mr. Elliot was never the same man again. But Jacob died obligingly two years ago and Mrs. Rennie is free now; so I dare say they'll make it up. No doubt that is why she is coming to Riverton. Well, it would be a very suitable match." I'm so glad I never liked Mrs. Burnett. I wonder if it is true that Sidney did care for that horrid woman ... of course she is horrid! Didn't she marry an old man for his money?... and cares for her still. It is no business of mine, of course, and it doesn't matter to me at all. But I rather hope he doesn't ... because it would spoil everything if he got married. He wouldn't have time to be chums with me then. I don't know why I feel so dull tonight. Writing in this diary doesn't seem to have helped me as much as I thought it would, either. I dare say it's the weather. It must be the weather. It is a wet, windy night and the rain is thudding against the window. I hate rainy nights. I wonder if Mrs. Rennie is really as handsome as Mrs. Burnett says. I wonder how old she is. I wonder if she ever cared for Sidney ... no, she didn't. No woman who cared for Sidney could ever have thrown him over for an old moneybag. I wonder if I shall like her. No, I won't. I'm sure I shan't like her. My head is aching and I'm going to bed. <hr style="width: 15%;" /> March Tenth. Mrs. Rennie was here to dinner tonight. My head was aching again, and Mother said I needn't go down to dinner if I'd rather not; but a dozen headaches could not have kept me back, or a dozen men either, even supposing I'd have to talk to them all. I wanted to see Mrs. Rennie. Nothing has been talked of in Riverton for the last fortnight but Mrs. Rennie. I've heard of her beauty and charm and costumes until I'm sick of the subject. Today I spoke to Sidney about her. Before I thought I said right out, "Mrs. Rennie is to dine with us tonight." "Yes?" he said in a quiet voice. "I'm dying to see her," I went on recklessly. "I've heard so much about her. They say she's so beautiful and fascinating. Is she? You ought to know." Sidney swung the sled around and put it in position for another coast. "Yes, I know her," he admitted tranquilly. "She is a very handsome woman, and I suppose most people would consider her fascinating. Come, Nic, get on the sled. We have just time for one more coast, and then you must go in." "You were once a good friend ... a very good friend ... of Mrs. Rennie's, weren't you, Sid?" I said. A little mocking gleam crept into his eyes, and I instantly realized that he was looking upon me as a rather impertinent child. "You've been listening to gossip, Nic," he said. "It's a bad habit, child. Don't let it grow on you. Come." I went, feeling crushed and furious and ashamed. I knew her at once when I went down to the drawing-room. There were three other strange women there, but I knew she was the only one who could be Mrs. Rennie. I felt such a horrible queer sinking feeling at my heart when I saw her. Oh, she was beautiful ... I had never seen anyone so beautiful. And Sidney was standing beside her, talking to her, with a smile on his face, but none in his eyes ... I noticed that at a glance. She was so tall and slender and willowy. Her dress was wonderful, and her bare throat and shoulders were like pearls. Her hair was pale, pale gold, and her eyes long-lashed and sweet, and her mouth like a scarlet blossom against her creamy face. I thought of how I must look beside her ... an awkward little girl in a short skirt with my hair in a braid and too many hands and feet, and I would have given anything then to be tall and grown-up and graceful. I watched her all the evening and the queer feeling in me somewhere grew worse and worse. I couldn't eat anything. Sidney took Mrs. Rennie in; they sat opposite to me and talked all the time. I was so glad when the dinner was over and everybody gone. The first thing I did when I escaped to my room was to go to the glass and look myself over just as critically and carefully as if I were somebody else. I saw a great rope of dark brown hair ... a brown skin with red cheeks ... a big red mouth ... a pair of grey eyes. That was all. And when I thought of that shimmering witch woman with her white skin and shining hair I wanted to put out the light and cry in the dark. Only I've never cried since I was a child and broke my last doll, and I've got so out of the habit that I don't know how to go about it. <hr style="width: 15%;" /> April Fifth. Aunt Jemima would not think I was getting the good out of my diary. A whole month and not a word! But there was nothing to write, and I've felt too miserable to write if there had been. I don't know what is the matter with me. I'm just cross and horrid to everyone, even to poor Sidney. Mrs. Rennie has been queening it in Riverton society for the past month. People rave over her and I admire her horribly, although I don't like her. Mrs. Burnett says that a match between her and Sidney Elliot is a foregone conclusion. It's plain to be seen that Mrs. Rennie loves Sidney. Even I can see that, and I don't know much about such things. But it puzzles me to know how Sidney regards her. I have never thought he showed any sign of really caring for her. But then, he isn't the kind that would. "Nic, I wonder if you will ever grow up," he said to me today, laughing, when he caught me racing over the lawn with the dogs. "I'm grown up now," I said crossly. "Why, I'm eighteen and a half and I'm two inches taller than any of the other girls." Sidney laughed, as if he were heartily amused at something. "You're a blessed baby," he said, "and the dearest, truest, jolliest little chum ever a fellow had. I don't know what I'd do without you, Nic. You keep me sane and wholesome. I'm a tenfold better man for knowing you, little girl." I was rather pleased. It was nice to think I was some good to Sidney. "Are you going to the Trents' dinner tonight?" I asked. "Yes," he said briefly. "Mrs. Rennie will be there," I said. Sidney nodded. "Do you think her so very handsome, Sidney?" I said. I had never mentioned Mrs. Rennie to him since the day we were coasting, and I didn't mean to now. The question just asked itself. "Yes, very; but not as handsome as you will be ten years from now, Nic," said Sidney lightly. "Do you think I'm handsome, Sidney?" I cried. "You will be when you're grown up," he answered, looking at me critically. "Will you be going to Mrs. Greaves' reception after the dinner?" I asked. "Yes, I suppose so," said Sidney absently. I could see he wasn't thinking of me at all. I wondered if he were thinking of Mrs. Rennie. <hr style="width: 15%;" /> April Sixth. Oh, something so wonderful has happened. I can hardly believe it. There are moments when I quake with the fear that it is all a dream. I wonder if I can really be the same Cornelia Marshall I was yesterday. No, I'm not the same ... and the difference is so blessed. Oh, I'm so happy! My heart bubbles over with happiness and song. It's so wonderful and lovely to be a woman and know it and know that other people know it. You dear diary, you were made for this moment ... I shall write all about it in you and so fulfil your destiny. And then I shall put you away and never write anything more in you, because I shall not need you ... I shall have Sidney. Last night I was all alone in the house ... and I was so lonely and miserable. I put my chin on my hands and I thought ... and thought ... and thought. I imagined Sidney at the Greaves', talking to Mrs. Rennie with that velvety smile in his eyes. I could see her, graceful and white, in her trailing, clinging gown, with diamonds about her smooth neck and in her hair. I suddenly wondered what I would look like in evening dress with my hair up. I wondered if Sidney would like me in it. All at once I got up and rushed to Sue's room. I lighted the gas, rummaged, and went to work. I piled my hair on top of my head, pinned it there, and thrust a long silver dagger through it to hold a couple of pale white roses she had left on her table. Then I put on her last winter's party dress. It was such a pretty pale yellow thing, with touches of black lace, and it didn't matter about its being a little old-fashioned, since it fitted me like a glove. Finally I stepped back and looked at myself. I saw a woman in that glass ... a tall, straight creature with crimson cheeks and glowing eyes ... and the thought in my mind was so insistent that it said itself aloud: "Oh, I wish Sidney could see me now!" At that very moment the maid knocked at the door to tell me that Mr. Elliot was downstairs asking for me. I did not hesitate a second. With my heart beating wildly I trailed downstairs to Sidney. He was standing by the fireplace when I went in, and looked very tired. When he heard me he turned his head and our eyes met. All at once a terrible thing happened ... at least, I thought it a terrible thing then. I knew why I had wanted Sidney to realize that I was no longer a child. It was because I loved him! I knew it the moment I saw that strange, new expression leap into his eyes. "Cornelia," he said in a stunned sort of voice. "Why ... Nic ... why, little girl ... you're a woman! How blind I've been! And now I've lost my little chum." "Oh, no, no," I said wildly. I was so miserable and confused I didn't know what I said. "Never, Sidney. I'd rather be a little girl and have you for a friend ... I'll always be a little girl! It's all this hateful dress. I'll go and take it off ... I'll...." And then I just put my hands up to my burning face and the tears that would never come before came in a flood. All at once I felt Sidney's arms about me and felt my head drawn to his shoulder. "Don't cry, dearest," I heard him say softly. "You can never be a little girl to me again ... my eyes are opened ... but I didn't want you to be. I want you to be my big girl ... mine, all mine, forever." What happened after that isn't to be written in a diary. I won't even write down the things he said about how I looked, because it would seem so terribly vain, but I can't help thinking of them, for I am so happy. <hr /> <h2>The Old Fellow's LetterToC</h2> Ruggles and I were down on the Old Fellow. It doesn't matter why and, since in a story of this kind we must tell the truth no matter what happens—or else where is the use of writing a story at all?—I'll have to confess that we had deserved all we got and that the Old Fellow did no more than his duty by us. Both Ruggles and I see that now, since we have had time to cool off, but at the moment we were in a fearful wax at the Old Fellow and were bound to hatch up something to get even with him. Of course, the Old Fellow had another name, just as Ruggles has another name. He is principal of the Frampton Academy—the Old Fellow, not Ruggles—and his name is George Osborne. We have to call him Mr. Osborne to his face, but he is the Old Fellow everywhere else. He is quite old—thirty-six if he's a day, and whatever possessed Sylvia Grant—but there, I'm getting ahead of my story. Most of the Cads like the Old Fellow. Even Ruggles and I like him on the average. The girls are always a little provoked at him because he is so shy and absent-minded, but when it comes to the point, they like him too. I heard Emma White say once that he was "so handsome"; I nearly whooped. Ruggles was mad because he's gone on Em. For the idea of calling a thin, pale, dark, dreamy-looking chap like the Old Fellow "handsome" was more than I could stand without guffawing. Em probably said it to provoke Ruggles; she couldn't really have thought it. "Micky," the English professor, now—if she had called him handsome there would have been some sense in it. He is splendid: big six-footer with magnificent muscles, red cheeks, and curly yellow hair. I can't see how he can be contented to sit down and teach mushy English literature and poetry and that sort of thing. It would have been more in keeping with the Old Fellow. There was a rumour running at large in the Academy that the Old Fellow wrote poetry, but he ran the mathematics and didn't make such a foozle of it as you might suppose, either. Ruggles and I meant to get square with the Old Fellow, if it took all the term; at least, we said so. But if Providence hadn't sent Sylvia Grant walking down the street past our boarding house that afternoon, we should probably have cooled off before we thought of any working plan of revenge. Sylvia Grant did go down the street, however. Ruggles, hanging halfway out of the window as usual, saw her, and called me to go and look. Of course I went. Sylvia Grant was always worth looking at. There was no girl in Frampton who could hold a candle to her when it came to beauty. As for brains, that is another thing altogether. My private opinion is that Sylvia hadn't any, or she would never have preferred—but there, I'm getting on too fast again. Ruggles should have written this story; he can concentrate better. Sylvia was the Latin professor's daughter; she wasn't a Cad girl, of course. She was over twenty and had graduated from it two years ago, but she was in all the social things that went on in the Academy; and all the unmarried professors, except the Old Fellow, were in love with her. Micky had it the worst, and we had all made up our minds that Sylvia would marry Micky. He was so handsome, we didn't see how she could help it. I tell you, they made a dandy-looking couple when they were together. Well, as I said before, I toddled to the window to have a look at the fair Sylvia. She was all togged out in some new fall duds, and I guess she'd come out to show them off. They were brownish, kind of, and she'd a spanking hat on with feathers and things in it. Her hair was shining under it, all purply-black, and she looked sweet enough to eat. Then she saw Ruggles and me and she waved her hand and laughed, and her big blackish-blue eyes sparkled; but she hadn't been laughing before, or sparkling either. I'd thought she looked kind of glum, and I wondered if she and Micky had had a falling out. I rather suspected it, for at the Senior Prom, three nights before, she had hardly looked at Micky, but had sat in a corner and talked to the Old Fellow. He didn't do much talking; he was too shy, and he looked mighty uncomfortable. I thought it kind of mean of Sylvia to torment him so, when she knew he hated to have to talk to girls, but when I saw Micky scowling at the corner, I knew she was doing it to make him jealous. Girls won't stick at anything when they want to provoke a chap; I know it to my cost, for Jennie Price—but that has nothing to do with this story. Just across the square Sylvia met the Old Fellow and bowed. He lifted his hat and passed on, but after a few steps he turned and looked back; he caught Sylvia doing the same thing, so he wheeled and came on, looking mighty foolish. As he passed beneath our window Ruggles chuckled fiendishly. "I've thought of something, Polly," he said—my name is Paul. "Bet you it will make the Old Fellow squirm. Let's write a letter to Sylvia Grant—a love letter—and sign the Old Fellow's name to it. She'll give him a fearful snubbing, and we'll be revenged." "But who'll write it?" I said doubtfully. "I can't. You'll have to, Ruggles. You've had more practice." Ruggles turned red. I know he writes to Em White in vacations. "I'll do my best," he said, quite meekly. "That is, I'll compose it. But you'll have to copy it. You can imitate the Old Fellow's handwriting so well." "But look here," I said, an uncomfortable idea striking me, "what about Sylvia? Won't she feel kind of flattish when she finds out he didn't write it? For of course he'll tell her. We haven't anything against her, you know." "Oh, Sylvia won't care," said Ruggles serenely. "She's the sort of girl who can take a joke. I've seen her eyes shine over tricks we've played on the professors before now. She'll just laugh. Besides, she doesn't like the Old Fellow a bit. I know from the way she acts with him. She's always so cool and stiff when he's about, not a bit like she is with the other professors." Well, Ruggles wrote the letter. At first he tried to pass it off on me as his own composition. But I know a few little things, and one of them is that Ruggles couldn't have made up that letter any more than he could have written a sonnet. I told him so, and made him own up. He had a copy of an old letter that had been written to his sister by her young man. I suppose Ruggles had stolen it, but there is no use inquiring too closely into these things. Anyhow, that letter just filled the bill. It was beautifully expressed. Ruggles's sister's young man must have possessed lots of ability. He was an English professor, something like Micky, so I suppose he was extra good at it. He started in by telling her how much he loved her, and what an angel of beauty and goodness he had always thought her; how unworthy he felt himself of her and how little hope he had that she could ever care for him; and he wound up by imploring her to tell him if she could possibly love him a little bit and all that sort of thing. I copied the letter out on heliotrope paper in my best imitation of the Old Fellow's handwriting and signed it, "Yours devotedly and imploringly, George Osborne." Then we mailed it that very evening. The next evening the Cad girls gave a big reception in the Assembly Hall to an Academy alumna who was visiting the Greek professor's wife. It was the smartest event of the term and everybody was there—students and faculty and, of course, Sylvia Grant. Sylvia looked stunning. She was all in white, with a string of pearls about her pretty round throat and a couple of little pink roses in her black hair. I never saw her so smiling and bright; but she seemed quieter than usual, and avoided poor Micky so skilfully that it was really a pleasure to watch her. The Old Fellow came in late, with his tie all crooked, as it always was; I saw Sylvia blush and nudged Ruggles to look. "She's thinking of the letter," he said. Ruggles and I never meant to listen, upon my word we didn't. It was pure accident. We were in behind the flags and palms in the Modern Languages Room, fixing up a plan how to get Em and Jennie off for a moonlit stroll in the grounds—these things require diplomacy I can tell you, for there are always so many other fellows hanging about—when in came Sylvia Grant and the Old Fellow arm in arm. The room was quite empty, or they thought it was, and they sat down just on the other side of the flags. They couldn't see us, but we could see them quite plainly. Sylvia still looked smiling and happy, not a bit mad as we had expected, but just kind of shy and radiant. As for the Old Fellow, he looked, as Em White would say, as Sphinx-like as ever. I'd defy any man alive to tell from the Old Fellow's expression what he was thinking about or what he felt like at any time. Then all at once Sylvia said softly, with her eyes cast down, "I received your letter, Mr. Osborne." Any other man in the world would have jumped, or said, "My letter!!!" or shown surprise in some way. But the Old Fellow has a nerve. He looked sideways at Sylvia for a moment and then he said kind of drily, "Ah, did you?" "Yes," said Sylvia, not much above a whisper. "It—it surprised me very much. I never supposed that you—you cared for me in that way." "Can you tell me how I could help caring?" said the Old Fellow in the strangest way. His voice actually trembled. "I—I don't think I would tell you if I knew," said Sylvia, turning her head away. "You see—I don't want you to help caring." "Sylvia!" You never saw such a transformation as came over the Old Fellow. His eyes just blazed, but his face went white. He bent forward and took her hand. "Sylvia, do you mean that you—you actually care a little for me, dearest? Oh, Sylvia, do you mean that?" "Of course I do," said Sylvia right out. "I've always cared—ever since I was a little girl coming here to school and breaking my heart over mathematics, although I hated them, just to be in your class. Why—why—I've treasured up old geometry exercises you wrote out for me just because you wrote them. But I thought I could never make you care for me. I was the happiest girl in the world when your letter came today." "Sylvia," said the Old Fellow, "I've loved you for years. But I never dreamed that you could care for me. I thought it quite useless to tell you of my love—before. Will you—can you be my wife, darling?" At this point Ruggles and I differ as to what came next. He asserts that Sylvia turned square around and kissed the Old Fellow. But I'm sure she just turned her face and gave him a look and then he kissed her. Anyhow, there they both were, going on at the silliest rate about how much they loved each other and how the Old Fellow thought she loved Micky and all that sort of thing. It was awful. I never thought the Old Fellow or Sylvia either could be so spooney. Ruggles and I would have given anything on earth to be out of that. We knew we'd no business to be there and we felt as foolish as flatfish. It was a tremendous relief when the Old Fellow and Sylvia got up at last and trailed away, both of them looking idiotically happy. "Well, did you ever?" said Ruggles. It was a girl's exclamation, but nothing else would have expressed his feelings. "No, I never," I said. "To think that Sylvia Grant should be sweet on the Old Fellow when she could have Micky! It passes comprehension. Did she—did she really promise to marry him, Ruggles?" "She did," said Ruggles gloomily. "But, I say, isn't that Old Fellow game? Tumbled to the trick in a jiff; never let on but what he wrote the letter, never will let on, I bet. Where does the joke come in, Polly, my boy?" "It's on us," I said, "but nobody will know of it if we hold our tongues. We'll have to hold them anyhow, for Sylvia's sake, since she's been goose enough to go and fall in love with the Old Fellow. She'd go wild if she ever found out the letter was a hoax. We have made that match, Ruggles. He'd never have got up enough spunk to tell her he wanted her, and she'd probably have married Micky out of spite." "Well, you know the Old Fellow isn't a bad sort after all," said Ruggles, "and he's really awfully gone on her. So it's all right. Let's go and find the girls." <hr /> <h2>The Parting of The WaysToC</h2> Mrs. Longworth crossed the hotel piazza, descended the steps, and walked out of sight down the shore road with all the grace of motion that lent distinction to her slightest movement. Her eyes were very bright, and an unusual flush stained the pallor of her cheek. Two men who were lounging in one corner of the hotel piazza looked admiringly after her. "She is a beautiful woman," said one. "Wasn't there some talk about Mrs. Longworth and Cunningham last winter?" asked the other. "Yes. They were much together. Still, there may have been nothing wrong. She was old Judge Carmody's daughter, you know. Longworth got Carmody under his thumb in money matters and put the screws on. They say he made Carmody's daughter the price of the old man's redemption. The girl herself was a mere child, I shall never forget her face on her wedding day. But she's been plucky since then, I must say. If she has suffered, she hasn't shown it. I don't suppose Longworth ever ill-treats her. He isn't that sort. He's simply a grovelling cad—that's all. Nobody would sympathise much with the poor devil if his wife did run off with Cunningham." Meanwhile, Beatrice Longworth walked quickly down the shore road, her white skirt brushing over the crisp golden grasses by the way. In a sunny hollow among the sandhills she came upon Stephen Gordon, sprawled out luxuriously in the warm, sea-smelling grasses. The youth sprang to his feet at sight of her, and his big brown eyes kindled to a glow. Mrs. Longworth smiled to him. They had been great friends all summer. He was a lanky, overgrown lad of fifteen or sixteen, odd and shy and dreamy, scarcely possessing a speaking acquaintance with others at the hotel. But he and Mrs. Longworth had been congenial from their first meeting. In many ways, he was far older than his years, but there was a certain inerradicable boyishness about him to which her heart warmed. "You are the very person I was just going in search of. I've news to tell. Sit down." He spoke eagerly, patting the big gray boulder beside him with his slim, brown hand. For a moment Beatrice hesitated. She wanted to be alone just then. But his clever, homely face was so appealing that she yielded and sat down. Stephen flung himself down again contentedly in the grasses at her feet, pillowing his chin in his palms and looking up at her, adoringly. "You are so beautiful, dear lady. I love to look at you. Will you tilt that hat a little more over the left eye-brow? Yes—so—some day I shall paint you." His tone and manner were all simplicity. "When you are a great artist," said Beatrice, indulgently. He nodded. "Yes, I mean to be that. I've told you all my dreams, you know. Now for my news. I'm going away to-morrow. I had a telegram from father to-day." He drew the message from his pocket and flourished it up at her. "I'm to join him in Europe at once. He is in Rome. Think of it—in Rome! I'm to go on with my art studies there. And I leave to-morrow." "I'm glad—and I'm sorry—and you know which is which," said Beatrice, patting the shaggy brown head. "I shall miss you dreadfully, Stephen." "We have been splendid chums, haven't we?" he said, eagerly. Suddenly his face changed. He crept nearer to her, and bowed his head until his lips almost touched the hem of her dress. "I'm glad you came down to-day," he went on in a low, diffident voice. "I want to tell you something, and I can tell it better here. I couldn't go away without thanking you. I'll make a mess of it—I can never explain things. But you've been so much to me—you mean so much to me. You've made me believe in things I never believed in before. You—you—I know now that there is such a thing as a good woman, a woman who could make a man better, just because he breathed the same air with her." He paused for a moment; then went on in a still lower tone: "It's hard when a fellow can't speak of his mother because he can't say anything good of her, isn't it? My mother wasn't a good woman. When I was eight years old she went away with a scoundrel. It broke father's heart. Nobody thought I understood, I was such a little fellow. But I did. I heard them talking. I knew she had brought shame and disgrace on herself and us. And I had loved her so! Then, somehow, as I grew up, it was my misfortune that all the women I had to do with were mean and base. They were hirelings, and I hated and feared them. There was an aunt of mine—she tried to be good to me in her way. But she told me a lie, and I never cared for her after I found it out. And then, father—we loved each other and were good chums. But he didn't believe in much either. He was bitter, you know. He said all women were alike. I grew up with that notion. I didn't care much for anything—nothing seemed worth while. Then I came here and met you." He paused again. Beatrice had listened with a gray look on her face. It would have startled him had he glanced up, but he did not, and after a moment's silence the halting boyish voice went on: "You have changed everything for me. I was nothing but a clod before. You are not the mother of my body, but you are of my soul. It was born of you. I shall always love and reverence you for it. You will always be my ideal. If I ever do anything worth while it will be because of you. In everything I shall ever attempt I shall try to do it as if you were to pass judgment upon it. You will be a lifelong inspiration to me. Oh, I am bungling this! I can't tell you what I feel—you are so pure, so good, so noble! I shall reverence all women for your sake henceforth." "And if," said Beatrice, in a very low voice, "if I were false to your ideal of me—if I were to do anything that would destroy your faith in me—something weak or wicked—" "But you couldn't," he interrupted, flinging up his head and looking at her with his great dog-like eyes, "you couldn't!" "But if I could?" she persisted, gently, "and if I did—what then?" "I should hate you," he said, passionately. "You would be worse than a murderess. You would kill every good impulse and belief in me. I would never trust anything or anybody again—but there," he added, his voice once more growing tender, "you will never fail me, I feel sure of that." "Thank you," said Beatrice, almost in a whisper. "Thank you," she repeated, after a moment. She stood up and held out her hand. "I think I must go now. Good-bye, dear laddie. Write to me from Rome. I shall always be glad to hear from you wherever you are. And—and—I shall always try to live up to your ideal of me, Stephen." He sprang to his feet and took her hand, lifting it to his lips with boyish reverence. "I know that," he said, slowly. "Good-bye, my sweet lady." When Mrs. Longworth found herself in her room again, she unlocked her desk and took out a letter. It was addressed to Mr. Maurice Cunningham. She slowly tore it twice across, laid the fragments on a tray, and touched them with a lighted match. As they blazed up one line came out in writhing redness across the page: "I will go away with you as you ask." Then it crumbled into gray ashes. She drew a long breath and hid her face in her hands. <hr /> <h2>The Promissory NoteToC</h2> Ernest Duncan swung himself off the platform of David White's store and walked whistling up the street. Life seemed good to Ernest just then. Mr. White had given him a rise in salary that day, and had told him that he was satisfied with him. Mr. White was not easy to please in the matter of clerks, and it had been with fear and trembling that Ernest had gone into his store six months before. He had thought himself fortunate to secure such a chance. His father had died the preceding year, leaving nothing in the way of worldly goods except the house he had lived in. For several years before his death he had been unable to do much work, and the finances of the little family had dwindled steadily. After his father's death Ernest, who had been going to school and expecting to go to college, found that he must go to work at once instead to support himself and his mother. If George Duncan had not left much of worldly wealth behind him, he at least bequeathed to his son the interest of a fine, upright character and a reputation for honesty and integrity. None knew this better than David White, and it was on this account that he took Ernest as his clerk, over the heads of several other applicants who seemed to have a stronger "pull." "I don't know anything about you, Ernest," he said bluntly. "You're only sixteen, and you may not have an ounce of real grit or worth in you. But it will be a queer thing if your father's son hasn't. I knew him all his life. A better man never lived nor, before his accident, a smarter one. I'll give his son a chance, anyhow. If you take after your dad you'll get on all right." Ernest had not been in the store very long before Mr. White concluded, with a gratified chuckle, that he did take after his father. He was hard-working, conscientious, and obliging. Customers of all sorts, from the rough fishermen who came up from the harbour to the old Irishwomen from the back country roads, liked him. Mr. White was satisfied. He was beginning to grow old. This lad had the makings of a good partner in him by and by. No hurry; he must serves long apprenticeship first and prove his mettle; no use spoiling him by hinting at future partnerships before need was. That would all come in due time. David White was a shrewd man. Ernest was unconscious of his employer's plans regarding him; but he knew that he stood well with him and, much to his surprise, he found that he liked the work, and was beginning to take a personal interest and pleasure in the store. Hence, he went home to tea on this particular afternoon with buoyant step and smiling eyes. It was a good world, and he was glad to be alive in it, glad to have work to do and a dear little mother to work for. Most of the folks who met him smiled in friendly fashion at the bright-eyed, frank-faced lad. Only old Jacob Patterson scowled grimly as he passed him, emitting merely a surly grunt in response to Ernest's greeting. But then, old Jacob Patterson was noted as much for his surliness as for his miserliness. Nobody had ever heard him speak pleasantly to anyone; therefore his unfriendliness did not at all dash Ernest's high spirits. "I'm sorry for him," the lad thought. "He has no interest in life save accumulating money. He has no other pleasure or affection or ambition. When he dies I don't suppose a single regret will follow him. Father died a poor man, but what love and respect went with him to his grave—aye, and beyond it. Jacob Patterson, I'm sorry for you. You have chosen the poorer part, and you are a poor man in spite of your thousands." Ernest and his mother lived up on the hill, at the end of the straggling village street. The house was a small, old-fashioned one, painted white, set in the middle of a small but beautiful lawn. George Duncan, during the last rather helpless years of his life, had devoted himself to the cultivation of flowers, shrubs, and trees and, as a result, his lawn was the prettiest in Conway. Ernest worked hard in his spare moments to keep it looking as well as in his father's lifetime, for he loved his little home dearly, and was proud of its beauty. He ran gaily into the sitting-room. "Tea ready, lady mother? I'm hungry as a wolf. Good news gives one an appetite. Mr. White has raised my salary a couple of dollars per week. We must celebrate the event somehow this evening. What do you say to a sail on the river and an ice cream at Taylor's afterwards? When a little woman can't outlive her schoolgirl hankering for ice cream—why, Mother, what's the matter? Mother, dear!" Mrs. Duncan had been standing before the window with her back to the room when Ernest entered. When she turned he saw that she had been crying. "Oh, Ernest," she said brokenly, "Jacob Patterson has just been here—and he says—he says—" "What has that old miser been saying to trouble you?" demanded Ernest angrily, taking her hands in his. "He says he holds your father's promissory note for nine hundred dollars, overdue for several years," answered Mrs. Duncan. "Yes—and he showed me the note, Ernest." "Father's promissory note for nine hundred!" exclaimed Ernest in bewilderment. "But Father paid that note to James Patterson five years ago, Mother—just before his accident. Didn't you tell me he did?" "Yes, he did," said Mrs. Duncan, "but—" "Then where is it?" interrupted Ernest. "Father would keep the receipted note, of course. We must look among his papers." "You won't find it there, Ernest. We—we don't know where the note is. It—it was lost." "Lost! That is unfortunate. But you say that Jacob Patterson showed you a promissory note of Father's still in existence? How can that be? It can't possibly be the note he paid. And there couldn't have been another note we knew nothing of?" "I understand how this note came to be in Jacob Patterson's possession," said Mrs. Duncan more firmly, "but he laughed in my face when I told him. I must tell you the whole story, Ernest. But sit down and get your tea first." "I haven't any appetite for tea now, Mother," said Ernest soberly. "Let me hear the whole truth about the matter." "Seven years ago your father gave his note to old James Patterson, Jacob's brother," said Mrs. Duncan. "It was for nine hundred dollars. Two years afterwards the note fell due and he paid James Patterson the full amount with interest. I remember the day well. I have only too good reason to. He went up to the Patterson place in the afternoon with the money. It was a very hot day. James Patterson receipted the note and gave it to your father. Your father always remembered that much; he was also sure that he had the note with him when he left the house. He then went over to see Paul Sinclair. A thunderstorm came up while he was on the road. Then, as you know, Ernest, just as he turned in at Paul Sinclair's gate the lightning flash struck and stunned him. It was weeks before he came to himself at all. He never did come completely to himself again. When, weeks afterwards, I thought of the note and asked him about it, we could not find it; and, search as we did, we never found it. Your father could never remember what he did with it when he left James Patterson's. Neither Mr. Sinclair nor his wife could recollect seeing anything of it at the time of the accident. James Patterson had left for California the very morning after, and he never came back. We did not worry much about the loss of the note then; it did not seem of much moment, and your father was not in a condition to be troubled about the matter." "But, Mother, this note that Jacob Patterson holds—I don't understand about this." "I'm coming to that. I remember distinctly that on the evening when your father came home after signing the note he said that James Patterson drew up a note and he signed it, but just as he did so the old man's pet cat, which was sitting on the table, upset an ink bottle and the ink ran all over the table and stained one end of the note. Old James Patterson was the fussiest man who ever lived, and a stickler for neatness. 'Tut, tut,' he said, 'this won't do. Here, I'll draw up another note and tear this blotted one up.' He did so and your father signed it. He always supposed James Patterson destroyed the first one, and certainly he must have intended to, for there never was an honester man. But he must have neglected to do so for, Ernest, it was that blotted note Jacob Patterson showed me today. He said he found it among his brother's papers. I suppose it has been in the desk up at the Patterson place ever since James went to California. He died last winter and Jacob is his sole heir. Ernest, that note with the compound interest on it for seven years amounts to over eleven hundred dollars. How can we pay it?" "I'm afraid that this is a very serious business, Mother," said Ernest, rising and pacing the floor with agitated strides. "We shall have to pay the note if we cannot find the other—and even if we could, perhaps. Your story of the drawing up of the second note would not be worth anything as evidence in a court of law—and we have nothing to hope from Jacob Patterson's clemency. No doubt he believes that he really holds Father's unpaid note. He is not a dishonest man; in fact, he rather prides himself on having made all his money honestly. He will exact every penny of the debt. The first thing to do is to have another thorough search for the lost note—although I am afraid that it is a forlorn hope." A forlorn hope it proved to be. The note did not turn up. Old Jacob Patterson proved obdurate. He laughed to scorn the tale of the blotted note and, indeed, Ernest sadly admitted to himself that it was not a story anybody would be in a hurry to believe. "There's nothing for it but to sell our house and pay the debt, Mother," he said at last. Ernest had grown old in the days that had followed Jacob Patterson's demand. His boyish face was pale and haggard. "Jacob Patterson will take the case into the law courts if we don't settle at once. Mr. White offered to lend me the money on a mortgage on the place, but I could never pay the interest out of my salary when we have nothing else to live on. I would only get further and further behind. I'm not afraid of hard work, but I dare not borrow money with so little prospect of ever being able to repay it. We must sell the place and rent that little four-roomed cottage of Mr. Percy's down by the river to live in. Oh, Mother, it half kills me to think of your being turned out of your home like this!" It was a bitter thing for Mrs. Duncan also, but for Ernest's sake she concealed her feelings and affected cheerfulness. The house and lot were sold, Mr. White being the purchaser thereof; and Ernest and his mother removed to the little riverside cottage with such of their household belongings as had not also to be sold to make up the required sum. Even then, Ernest had to borrow two hundred dollars from Mr. White, and he foresaw that the repayal of this sum would cost him much self-denial and privation. It would be necessary to cut their modest expenses down severely. For himself Ernest did not mind, but it hurt him keenly that his mother should lack the little luxuries and comforts to which she had been accustomed. He saw too, in spite of her efforts to hide it, that leaving her old home was a terrible blow to her. Altogether, Ernest felt bitter and disheartened; his step lacked spring and his face its smile. He did his work with dogged faithfulness, but he no longer found pleasure in it. He knew that his mother secretly pined after her lost home where she had gone as a bride, and the knowledge rendered him very unhappy. <hr style="width: 15%;" /> Paul Sinclair, his father's friend and cousin, died that winter, leaving two small children. His wife had died the previous year. When his business affairs came to be settled they were found to be sadly involved. There were debts on all sides, and it was soon only too evident that nothing was left for the little boys. They were homeless and penniless. "What will become of them, poor little fellows?" said Mrs. Duncan pityingly. "We are their only relatives, Ernest. We must give them a home at least." "Mother, how can we!" exclaimed Ernest. "We are so poor. It's as much as we can do to get along now, and there is that two hundred to pay Mr. White. I'm sorry for Danny and Frank, but I don't see how we can possibly do anything for them." Mrs. Duncan sighed. "I know it isn't right to ask you to add to your burden," she said wistfully. "It is of you I am thinking, Mother," said Ernest tenderly. "I can't have your burden added to. You deny yourself too much and work too hard now. What would it be if you took the care of those children upon yourself?" "Don't think of me, Ernest," said Mrs. Duncan eagerly. "I wouldn't mind. I'd be glad to do anything I could for them, poor little souls. Their father was your father's best friend, and I feel as if it were our duty to do all we can for them. They're such little fellows. Who knows how they would be treated if they were taken by strangers? And they'd most likely be separated, and that would be a shame. But I leave it for you to decide, Ernest. It is your right, for the heaviest part will fall on you." Ernest did not decide at once. For a week he thought the matter over, weighing pros and cons carefully. To take the two Sinclair boys meant a double portion of toil and self-denial. Had he not enough to bear now? But, on the other side, was it not his duty, nay, his privilege, to help the children if he could? In the end he said to his mother: "We'll take the little fellows, Mother. I'll do the best I can for them. We'll manage a corner and a crust for them." So Danny and Frank Sinclair came to the little cottage. Frank was eight and Danny six, and they were small and lively and mischievous. They worshipped Mrs. Duncan, and thought Ernest the finest fellow in the world. When his birthday came around in March, the two little chaps put their heads together in a grave consultation as to what they could give him. "You know he gave us presents on our birthdays," said Frank. "So we must give him something." "I'll div him my pottet-knife," said Danny, taking the somewhat battered and loose-jointed affair from his pocket, and gazing at it affectionately. "I'll give him one of Papa's books," said Frank. "That pretty one with the red covers and the gold letters." A few of Mr. Sinclair's books had been saved for the boys, and were stored in a little box in their room. The book Frank referred to was an old History of the Turks, and its gay cover was probably the best of it, since its contents were of no particular merit. On Ernest's birthday both boys gave him their offerings after breakfast. "Here's a pottet-knife for you," said Danny graciously. "It's a bully pottet-knife. It'll cut real well if you hold it dust the wight way. I'll show you." "And here's a book for you," said Frank. "It's a real pretty book, and I guess it's pretty interesting reading too. It's all about the Turks." Ernest accepted both gifts gravely, and after the children had gone out he and his mother had a hearty laugh. "The dear, kind-hearted little lads!" said Mrs. Duncan. "It must have been a real sacrifice on Danny's part to give you his beloved 'pottet-knife.' I was afraid you were going to refuse it at first, and that would have hurt his little feelings terribly. I don't think the History of the Turks will keep you up burning the midnight oil. I remember that book of old—I could never forget that gorgeous cover. Mr. Sinclair lent it to your father once, and he said it was absolute trash. Why, Ernest, what's the matter?" Ernest had been turning the book's leaves over carelessly. Suddenly he sprang to his feet with an exclamation, his face turning white as marble. "Mother!" he gasped, holding out a yellowed slip of paper. "Look! It's the lost promissory note." Mother and son looked at each other for a moment. Then Mrs. Duncan began to laugh and cry together. "Your father took that book with him when he went to pay the note," she said. "He intended to return it to Mr. Sinclair. I remember seeing the gleam of the red binding in his hand as he went out of the gate. He must have slipped the note into it and I suppose the book has never been opened since. Oh, Ernest—do you think—will Jacob Patterson—" "I don't know, Mother. I must see Mr. White about this. Don't be too sanguine. This doesn't prove that the note Jacob Patterson found wasn't a genuine note also, you know—that is, I don't think it would serve as proof in law. We'll have to leave it to his sense of justice. If he refuses to refund the money I'm afraid we can't compel him to do so." But Jacob Patterson did not any longer refuse belief to Mrs. Patterson's story of the blotted note. He was a harsh, miserly man, but he prided himself on his strict honesty; he had been fairly well acquainted with his brother's business transactions, and knew that George Duncan had given only one promissory note. "I'll admit, ma'am, since the receipted note has turned up, that your story about the blotted one must be true," he said surlily. "I'll pay your money back. Nobody can ever say Jacob Patterson cheated. I took what I believed to be my due. Since I'm convinced it wasn't I'll hand every penny over. Though, mind you, you couldn't make me do it by law. It's my honesty, ma'am, it's my honesty." Since Jacob Patterson was so well satisfied with the fibre of his honesty, neither Mrs. Duncan nor Ernest was disposed to quarrel with it. Mr. White readily agreed to sell the old Duncan place back to them, and by spring they were settled again in their beloved little home. Danny and Frank were with them, of course. "We can't be too good to them, Mother," said Ernest. "We really owe all our happiness to them." "Yes, but, Ernest, if you had not consented to take the homeless little lads in their time of need this wouldn't have come about." "I've been well rewarded, Mother," said Ernest quietly, "but, even if nothing of the sort had happened, I would be glad that I did the best I could for Frank and Danny. I'm ashamed to think that I was unwilling to do it at first. If it hadn't been for what you said, I wouldn't have. So it is your unselfishness we have to thank for it all, Mother dear." <hr /> <h2>The Revolt of Mary IsabelToC</h2> "For a woman of forty, Mary Isabel, you have the least sense of any person I have ever known," said Louisa Irving. Louisa had said something similar in spirit to Mary Isabel almost every day of her life. Mary Isabel had never resented it, even when it hurt her bitterly. Everybody in Latimer knew that Louisa Irving ruled her meek little sister with a rod of iron and wondered why Mary Isabel never rebelled. It simply never occurred to Mary Isabel to do so; all her life she had given in to Louisa and the thought of refusing obedience to her sister's Mede-and-Persian decrees never crossed her mind. Mary Isabel had only one secret from Louisa and she lived in daily dread that Louisa would discover it. It was a very harmless little secret, but Mary Isabel felt rightly sure that Louisa would not tolerate it for a moment. They were sitting together in the dim living room of their quaint old cottage down by the shore. The window was open and the sea-breeze blew in, stirring the prim white curtains fitfully, and ruffling the little rings of dark hair on Mary Isabel's forehead—rings which always annoyed Louisa. She thought Mary Isabel ought to brush them straight back, and Mary Isabel did so faithfully a dozen times a day; and in ten minutes they crept down again, kinking defiance to Louisa, who might make Mary Isabel submit to her in all things but had no power over naturally curly hair. Louisa had never had any trouble with her own hair; it was straight and sleek and mouse-coloured—what there was of it. Mary Isabel's face was flushed and her wood-brown eyes looked grieved and pleading. Mary Isabel was still pretty, and vanity is the last thing to desert a properly constructed woman. "I can't wear a bonnet yet, Louisa," she protested. "Bonnets have gone out for everybody except really old ladies. I want a hat: one of those pretty, floppy ones with pale blue forget-me-nots." Then it was that Louisa made the remark quoted above. "I wore a bonnet before I was forty," she went on ruthlessly, "and so should every decent woman. It is absurd to be thinking so much of dress at your age, Mary Isabel. I don't know what sort of a way you'd bedizen yourself out if I'd let you, I'm sure. It's fortunate you have somebody to keep you from making a fool of yourself. I'm going to town tomorrow and I'll pick you out a suitable black bonnet. You'd look nice starring round in leghorn and forget-me-nots, now, wouldn't you?" Mary Isabel privately thought she would, but she gave in, of course, although she did hate bitterly that unbought, unescapable bonnet. "Well, do as you think best, Louisa," she said with a sigh. "I suppose it doesn't matter much. Nobody cares how I look anyhow. But can't I go to town with you? I want to pick out my new silk." "I'm as good a judge of black silk as you," said Louisa shortly. "It isn't safe to leave the house alone." "But I don't want a black silk," cried Mary Isabel. "I've worn black so long; both my silk dresses have been black. I want a pretty silver-grey, something like Mrs. Chester Ford's." "Did anyone ever hear such nonsense?" Louisa wanted to know, in genuine amazement. "Silver-grey silk is the most unserviceable thing in the world. There's nothing like black for wear and real elegance. No, no, Mary Isabel, don't be foolish. You must let me choose for you; you know you never had any judgment. Mother told you so often enough. Now, get your sunbonnet and take a walk to the shore. You look tired. I'll get the tea." Louisa's tone was kind though firm. She Was really good to Mary Isabel as long as Mary Isabel gave her her own way peaceably. But if she had known Mary Isabel's secret she would never have permitted those walks to the shore. Mary Isabel sighed again, yielded, and went out. Across a green field from the Irving cottage Dr. Donald Hamilton's big house was hooding itself in the shadows of the thick fir grove that enabled the doctor to have a garden. There was no shelter at the cottage, so the Irving "girls" never tried to have a garden. Soon after Dr. Hamilton had come there to live he had sent a bouquet of early daffodils over by his housekeeper. Louisa had taken them gingerly in her extreme fingertips, carried them across the field to the lawn fence, and cast them over it, under the amused grey eyes of portly Dr. Hamilton, who was looking out of his office window. Then Louisa had come back to the porch door and ostentatiously washed her hands. "I guess that will settle Donald Hamilton," she told the secretly sorry Mary Isabel triumphantly, and it did settle him—at least as far as any farther social advances were concerned. Dr. Hamilton was an excellent physician and an equally excellent man. Louisa Irving could not have picked a flaw in his history or character. Indeed, against Dr. Hamilton himself she had no grudge, but he was the brother of a man she hated and whose relatives were consequently taboo in Louisa's eyes. Not that the brother was a bad man either; he had simply taken the opposite side to the Irvings in a notable church feud of a dozen years ago, and Louisa had never since held any intercourse with him or his fellow sinners. Mary Isabel did not look at the Hamilton house. She kept her head resolutely turned away as she went down the shore lane with its wild sweet loneliness of salt-withered grasses and piping sea-winds. Only when she turned the corner of the fir-wood, which shut her out from view of the houses, did she look timidly over the line-fence. Dr. Hamilton was standing there, where the fence ran out to the sandy shingle, smoking his little black pipe, which he took out and put away when Mary Isabel came around the firs. Men did things like that instinctively in Mary Isabel's company. There was something so delicately virginal about her, in spite of her forty years, that they gave her the reverence they would have paid to a very young, pure girl. Dr. Hamilton smiled at the little troubled face under the big sunbonnet. Mary Isabel had to wear a sunbonnet. She would never have done it from choice. "What is the matter?" asked the doctor, in his big, breezy, old-bachelor voice. He had another voice for sick-beds and rooms of bereavement, but this one suited best with the purring of the waves and winds. "How do you know that anything is the matter?" Mary Isabel parried demurely. "By your face. Come now, tell me what it is." "It is really nothing. I have just been foolish, that is all. I wanted a hat with forget-me-nots and a grey silk, and Louisa says I must have black and a bonnet." The doctor looked indignant but held his peace. He and Mary Isabel had tacitly agreed never to discuss Louisa, because such discussion would not make for harmony. Mary Isabel's conscience would not let the doctor say anything uncomplimentary of Louisa, and the doctor's conscience would not let him say anything complimentary. So they left her out of the question and talked about the sea and the boats and poetry and flowers and similar non-combustible subjects. <hr style="width: 15%;" /> These clandestine meetings had been going on for two months, ever since the day they had just happened to meet below the firs. It never occurred to Mary Isabel that the doctor meant anything but friendship; and if it had occurred to the doctor, he did not think there would be much use in saying so. Mary Isabel was too hopelessly under Louisa's thumb. She might keep tryst below the firs occasionally—so long as Louisa didn't know—but to no farther lengths would she dare go. Besides, the doctor wasn't quite sure that he really wanted anything more. Mary Isabel was a sweet little woman, but Dr. Hamilton had been a bachelor so long that it would be very difficult for him to get out of the habit; so difficult that it was hardly worth while trying when such an obstacle as Louisa Irving's tyranny loomed in the way. So he never tried to make love to Mary Isabel, though he probably would have if he had thought it of any use. This does not sound very romantic, of course, but when a man is fifty, romance, while it may be present in the fruit, is assuredly absent in blossom. "I suppose you won't be going to the induction of my nephew Thursday week?" said the doctor in the course of the conversation. "No. Louisa will not permit it. I had hoped," said Mary Isabel with a sigh, as she braided some silvery shore-grasses nervously together, "that when old Mr. Moody went away she would go back to the church here. And I think she would if—if—" "If Jim hadn't come in Mr. Moody's place," finished the doctor with his jolly laugh. Mary Isabel coloured prettily. "It is not because he is your nephew, doctor. It is because—because—" "Because he is the nephew of my brother who was on the other side in that ancient church fracas? Bless you, I understand. What a good hater your sister is! Such a tenacity in holding bitterness from one generation to another commands admiration of a certain sort. As for Jim, he's a nice little chap, and he is coming to live with me until the manse is repaired." "I am sure you will find that pleasant," said Mary Isabel primly. She wondered if the young minister's advent would make any difference in regard to these shore-meetings; then decided quickly that it would not; then more quickly still that it wouldn't matter if it did. "He will be company," admitted the doctor, who liked company and found the shore road rather lonesome. "I had a letter from him today saying that he'd come home with me from the induction. By the way, they're tearing down the old post office today. And that reminds me—by Jove, I'd all but forgotten. I promised to go up and see Mollie Marr this evening; Mollie's nerves are on the rampage again. I must rush." With a wave of his hand the doctor hurried off. Mary Isabel lingered for some time longer, leaning against the fence, looking dreamily out to sea. The doctor was a very pleasant companion. If only Louisa would allow neighbourliness! Mary Isabel felt a faint, impotent resentment. She had never had anything other girls had: friends, dresses, beaus, and it was all Louisa's fault—Louisa who was going to make her wear a bonnet for the rest of her life. The more Mary Isabel thought of that bonnet the more she hated it. That evening Warren Marr rode down to the shore cottage on horseback and handed Mary Isabel a letter; a strange, scrumpled, soiled, yellow letter. When Mary Isabel saw the handwriting on the envelope she trembled and turned as deadly pale as if she had seen a ghost: "Here's a letter for you," said Warren, grinning. "It's been a long time on the way—nigh fifteen years. Guess the news'll be rather stale. We found it behind the old partition when we tore it down today." "It is my brother Tom's writing," said Mary Isabel faintly. She went into the room trembling, holding the letter tightly in her clasped hands. Louisa had gone up to the village on an errand; Mary Isabel almost wished she were home; she hardly felt equal to the task of opening Tom's letter alone. Tom had been dead for ten years and this letter gave her an uncanny sensation; as of a message from the spirit-land. Fifteen years, ago Thomas Irving had gone to California and five years later he had died there. Mary Isabel, who had idolized her brother, almost grieved herself to death at the time. Finally she opened the letter with ice-cold fingers. It had been written soon after Tom reached California. The first two pages were filled with descriptions of the country and his "job." On the third Tom began abruptly: <div class="block">Look here, Mary Isabel, you are not to let Louisa boss you about as she was doing when I was at home. I was going to speak to you about it before I came away, but I forgot. Lou is a fine girl, but she is too domineering, and the more you give in to her the worse it makes her. You're far too easy-going for your own welfare, Mary Isabel, and for your own sake I Wish you had more spunk. Don't let Louisa live your life for you; just you live it yourself. Never mind if there is some friction at first; Lou will give in when she finds she has to, and you'll both be the better for it, I want you to be real happy, Mary Isabel, but you won't be if you don't assert your independence. Giving in the way you do is bad for both you and Louisa. It will make her a tyrant and you a poor-spirited creature of no account in the world. Just brace up and stand firm. </div> When she had read the letter through Mary Isabel took it to her own room and locked it in her bureau drawer. Then she sat by her window, looking out into a sea-sunset, and thought it over. Coming in the strange way it had, the letter seemed a message from the dead, and Mary Isabel had a superstitious conviction that she must obey it. She had always had a great respect for Tom's opinion. He was right—oh, she felt that he was right. What a pity she had not received the letter long ago, before the shackles of habit had become so firmly riveted. But it was not too late yet. She would rebel at last and—how had Tom phrased it—oh, yes, assert her independence. She owed it to Tom; It had been his wish—and he was dead—and she would do her best to fulfil it. "I shan't get a bonnet," thought Mary Isabel determinedly. "Tom wouldn't have liked me in a bonnet. From this out I'm just going to do exactly as Tom would have liked me to do, no matter how afraid I am of Louisa. And, oh, I am horribly afraid of her." Mary Isabel was every whit as much afraid the next morning after breakfast but she did not look it, by reason of the flush on her cheeks and the glint in her brown eyes. She had put Tom's letter in the bosom of her dress and she pressed her fingertips on it that the crackle might give her courage. "Louisa," she said firmly, "I am going to town with you." "Nonsense," said Louisa shortly. "You may call it nonsense if you like, but I am going," said Mary Isabel unquailingly. "I have made up my mind on that point, Louisa, and nothing you can say will alter it." Louisa looked amazed. Never before had Mary Isabel set her decrees at naught. "Are you crazy, Mary Isabel?" she demanded. "No, I am not crazy. But I am going to town and I am going to get a silver-grey silk for myself and a new hat. I will not wear a bonnet and you need never mention it to me again, Louisa." "If you are going to town I shall stay home," said Louisa in a cold, ominous tone that almost made Mary Isabel quake. If it had not been for that reassuring crackle of Tom's letter I fear Mary Isabel would have given in. "This house can't be left alone. If you go, I'll stay." Louisa honestly thought that would bring the rebel to terms. Mary Isabel had never gone to town alone in her life. Louisa did not believe she would dare to go. But Mary Isabel did not quail. Defiance was not so hard after all, once you had begun. Mary Isabel went to town and she went alone. She spent the whole delightful day in the shops, unhampered by Louisa's scorn and criticism in her examination of all the pretty things displayed. She selected a hat she felt sure Tom would like—a pretty crumpled grey straw with forget-me-nots and ribbons. Then she bought a grey silk of a lovely silvery shade. When she got back home she unwrapped her packages and showed her purchases to Louisa. But Louisa neither looked at them nor spoke to Mary Isabel. Mary Isabel tossed her head and went to her own room. Her draught of freedom had stimulated her, and she did not mind Louisa's attitude half as much as she would have expected. She read Tom's letter over again to fortify herself and then she dressed her hair in a fashion she had seen that day in town and pulled out all the little curls on her forehead. The next day she took the silver-grey silk to the Latimer dressmaker and picked out a fashionable design for it. When the silk dress came home, Louisa, who had thawed out somewhat in the meantime, unbent sufficiently to remark that it fitted very well. "I am going to wear it to the induction tomorrow," Mary Isabel said, boldly to all appearances, quakingly in reality. She knew that she was throwing down the gauntlet for good and all. If she could assert and maintain her independence in this matter Louisa's power would be broken forever. <hr style="width: 15%;" /> Twelve years before this, the previously mentioned schism had broken out in the Latimer church. The minister had sided with the faction which Louisa Irving opposed. She had promptly ceased going to his church and withdrew all financial support. She paid to the Marwood church, fifteen miles away, and occasionally she hired a team and drove over there to service. But she never entered the Latimer church again nor allowed Mary Isabel to do so. For that matter, Mary Isabel did not wish to go. She had resented the minister's attitude almost as bitterly as Louisa. But when Mr. Moody accepted a call elsewhere Mary Isabel hoped that she and Louisa might return to their old church home. Possibly they might have done so had not the congregation called the young, newly fledged James Anderson. Mary Isabel would not have cared for this, but Louisa sternly said that neither she nor any of hers should ever darken the doors of a church where the nephew of Martin Hamilton preached. Mary Isabel had regretfully acquiesced at the time, but now she had made up her mind to go to church and she meant to begin with the induction service. Louisa stared at her sister incredulously. "Have you taken complete leave of your senses, Mary Isabel?" "No. I've just come to them," retorted Mary Isabel recklessly, gripping a chair-back desperately so that Louisa should not see how she was trembling. "It is all foolishness to keep away from church just because of an old grudge. I'm tired of staying home Sundays or driving fifteen miles to Marwood to hear poor old Mr. Grattan. Everybody says Mr. Anderson is a splendid young man and an excellent preacher, and I'm going to attend his services regularly." Louisa had taken Mary Isabel's first defiance in icy disdain. Now she lost her temper and raged. The storm of angry words beat on Mary Isabel like hail, but she fronted it staunchly. She seemed to hear Tom's voice saying, "Live your own life, Mary Isabel; don't let Louisa live it for you," and she meant to obey him. "If you go to that man's induction I'll never forgive you," Louisa concluded. Mary Isabel said nothing. She just primmed up her lips very determinedly, picked up the silk dress, and carried it to her room. The next day was fine and warm. Louisa said no word all the morning. She worked fiercely and slammed things around noisily. After dinner Mary Isabel went to her room and came down presently, fine and dainty in her grey silk, with the forget-me-not hat resting on the soft loose waves of her hair. Louisa was blacking the kitchen stove. She shot one angry glance at Mary Isabel, then gave a short, contemptuous laugh, the laugh of an angry woman who finds herself robbed of all weapons except ridicule. Mary Isabel flushed and walked with an unfaltering step out of the house and up the lane. She resented Louisa's laughter. She was sure there was nothing so very ridiculous about her appearance. Women far older than she, even in Latimer, wore light dresses and fashionable hats. Really, Louisa was very disagreeable. "I have put up with her ways too long," thought Mary Isabel, with a quick, unwonted rush of anger. "But I never shall again—no, never, let her be as vexed and scornful as she pleases." The induction services were interesting, and Mary Isabel enjoyed them. Doctor Hamilton was sitting across from her and once or twice she caught him looking at her admiringly. The doctor noticed the hat and the grey silk and wondered how Mary Isabel had managed to get her own way concerning them. What a pretty woman she was! Really, he had never realized before how very pretty she was. But then, he had never seen her except in a sunbonnet or with her hair combed primly back. But when the service was over Mary Isabel was dismayed to see that the sky had clouded over and looked very much like rain. Everybody hurried home, and Mary Isabel tripped along the shore road filled with anxious thoughts about her dress. That kind of silk always spotted, and her hat would be ruined if it got wet. How foolish she had been not to bring an umbrella! She reached her own doorstep panting just as the first drop of rain fell. "Thank goodness," she breathed. Then she tried to open the door. It would not open. She could see Louisa sitting by the kitchen window, calmly reading. "Louisa, open the door quick," she called impatiently. Louisa never moved a muscle, although Mary Isabel knew she must have heard. "Louisa, do you hear what I say?" she cried, reaching over and tapping on the pane imperiously. "Open the door at once. It is going to rain—it is raining now. Be quick." Louisa might as well have been a graven image for all the response she gave. Then did Mary Isabel realize her position. Louisa had locked her out purposely, knowing the rain was coming. Louisa had no intention of letting her in; she meant to keep her out until the dress and hat of her rebellion were spoiled. This was Louisa's revenge. Mary Isabel turned with a gasp. What should she do? The padlocked doors of hen-house and well-house and wood-house: revealed the thoroughness of Louisa's vindictive design. Where should she go? She would go somewhere. She would not have her lovely new dress and hat spoiled! She caught her ruffled skirts up in her hand and ran across the yard. She climbed the fence into the field and ran across that. Another drop of rain struck her cheek. She never glanced back or she would have seen a horrified face peering from the cottage kitchen window. Louisa had never dreamed that Mary Isabel would seek refuge over at Dr. Hamilton's. Dr. Hamilton, who had driven home from church with the young minister, saw her coming and ran to open the door for her. Mary Isabel dashed up the verandah steps, breathless, crimson-cheeked, trembling with pent-up indignation and sense of outrage. "Louisa locked me out, Dr. Hamilton," she cried almost hysterically. "She locked me out on purpose to spoil my dress. I'll never forgive her, I'll never go back to her, never, never, unless she asks me to. I had to come here. I was not going to have my dress ruined to please Louisa." "Of course not—of course not," said Dr. Hamilton soothingly, drawing her into his big cosy living room. "You did perfectly right to come here, and you are just in time. There is the rain now in good earnest." Mary Isabel sank into a chair and looked at Dr. Hamilton with tears in her eyes. "Wasn't it an unkind, unsisterly thing to do?" she asked piteously. "Oh, I shall never feel the same towards Louisa again. Tom was right—I didn't tell you about Tom's letter but I will by and by. I shall not go back to Louisa after her locking me out. When it stops raining I'll go straight up to my cousin Ella's and stay with her until I arrange my plans. But one thing is certain, I shall not go back to Louisa." "I wouldn't," said the doctor recklessly. "Now, don't cry and don't worry. Take off your hat—you can go to the spare room across the hall, if you like. Jim has gone upstairs to lie down; he has a bad headache and says he doesn't want any tea. So I was going to get up a bachelor's snack for myself. My housekeeper is away. She heard, at church that her mother was ill and went over to Marwood." When Mary Isabel came back from the spare room, a little calmer but with traces of tears on her pink cheeks, the doctor had as good a tea-table spread as any woman could have had. Mary Isabel thought it was fortunate that the little errand boy, Tommy Brewster, was there, or she certainly would have been dreadfully embarrassed, now that the flame of her anger had blown out. But later on, when tea was over and she and the doctor were left alone, she did not feel embarrassed after all. Instead, she felt delightfully happy and at home. Dr. Hamilton put one so at ease. She told him all about Tom's letter and her subsequent revolt. Dr. Hamilton never once made the mistake of smiling. He listened and approved and sympathized. "So I'm determined I won't go back," concluded Mary Isabel, "unless she asks me to—and Louisa will never do that. Ella will be glad enough to have me for a while; she has five children and can't get any help." The doctor shrugged his shoulders. He thought of Mary Isabel as unofficial drudge to Ella Kemble and her family. Then he looked at the little silvery figure by the window. "I think I can suggest a better plan," he said gently and tenderly. "Suppose you stay here—as my wife. I've always wanted to ask you that but I feared it was no use because I knew Louisa would oppose it and I did not think you would consent if she did not. I think," the doctor leaned forward and took Mary Isabel's fluttering hand in his, "I think we can be very happy here, dear." Mary Isabel flushed crimson and her heart beat wildly. She knew now that she loved Dr. Hamilton—and Tom would have liked it—yes, Tom would. She remembered how Tom hated the thought of his sisters being old maids. "I—think—so—too," she faltered shyly. "Then," said the doctor briskly, "what is the matter with our being married right here and now?" "Married!" "Yes, of course. Here we are in a state where no licence is required, a minister in the house, and you all dressed in the most beautiful wedding silk imaginable. You must see, if you just look at it calmly, how much better it will be than going up to Mrs. Kemble's and thereby publishing your difference with Louisa to all the village. I'll give you fifteen minutes to get used to the idea and then I'll call Jim down." Mary Isabel put her hands to her face. "You—you're like a whirlwind," she gasped. "You take away my breath." "Think it over," said the doctor in a businesslike voice. Mary Isabel thought—thought very hard for a few moments. What would Tom have said? Was it probable that Tom would have approved of such marrying in haste? Mary Isabel came to the decision that he would have preferred it to having family jars bruited abroad. Moreover, Mary Isabel had never liked Ella Kemble very much. Going to her was only one degree better than going back to Louisa. At last Mary Isabel took her hands down from her face. "Well?" said the doctor persuasively as she did so. "I will consent on one condition," said Mary Isabel firmly. "And that is, that you will let me send word over to Louisa that I am going to be married and that she may come and see the ceremony if she will. Louisa has behaved very unkindly in this matter, but after all she is my sister—and she has been good to me in some ways—and I am not going to give her a chance to say that I got married in this—this headlong-fashion and never let her know." "Tommy can take the word over," said the doctor. Mary Isabel went to the doctor's desk and wrote a very brief note. <div class="block">Dear Louisa: I am going to be married to Dr. Hamilton right away. I've seen him often at the shore this summer. I would like you to be present at the ceremony if you choose. Mary Isabel. </div> Tommy ran across the field with the note. It had now ceased raining and the clouds were breaking. Mary Isabel thought that a good omen. She and the doctor watched Tommy from the window. They saw Louisa come to the door, take the note, and shut the door in Tommy's face. Ten minutes later she reappeared, habited in her mackintosh, with her second-best bonnet on. "She's—coming," said Mary Isabel, trembling. The doctor put his arm protectingly about the little lady. Mary Isabel tossed her head. "Oh, I'm not—I'm only excited. I shall never be afraid of Louisa again." Louisa came grimly over the field, up the verandah steps, and into the room without knocking. "Mary Isabel," she said, glaring at her sister and ignoring the doctor entirely, "did you mean what you said in that letter?" "Yes, I did," said Mary Isabel firmly. "You are going to be married to that man in this shameless, indecent haste?" "Yes." "And nothing I can say will have the least effect on you?" "Not the slightest." "Then," said Louisa, more grimly than ever, "all I ask of you is to come home and be married from under your father's roof. Do have that much respect for your parents' memory, at least." "Of course I will," cried Mary Isabel impulsively, softening at once. "Of course we will—won't we?" she asked, turning prettily to the doctor. "Just as you say," he answered gallantly. Louisa snorted. "I'll go home and air the parlour," she said. "It's lucky I baked that fruitcake Monday. You can come when you're ready." She stalked home across the field. In a few minutes the doctor and Mary Isabel followed, and behind them came the young minister, carrying his blue book under his arm, and trying hard and not altogether successfully to look grave. <hr /> <h2>The Twins and a WeddingToC</h2> Sometimes Johnny and I wonder what would really have happened if we had never started for Cousin Pamelia's wedding. I think that Ted would have come back some time; but Johnny says he doesn't believe he ever would, and Johnny ought to know, because Johnny's a boy. Anyhow, he couldn't have come back for four years. However, we did start for the wedding and so things came out all right, and Ted said we were a pair of twin special Providences. Johnny and I fully expected to go to Cousin Pamelia's wedding because we had always been such chums with her. And she did write to Mother to be sure and bring us, but Father and Mother didn't want to be bothered with us. That is the plain truth of the matter. They are good parents, as parents go in this world; I don't think we could have picked out much better, all things considered; but Johnny and I have always known that they never want to take us with them anywhere if they can get out of it. Uncle Fred says that it is no wonder, since we are a pair of holy terrors for getting into mischief and keeping everybody in hot water. But I think we are pretty good, considering all the temptations we have to be otherwise. And, of course, twins have just twice as many as ordinary children. Anyway, Father and Mother said we would have to stay home with Hannah Jane. This decision came upon us, as Johnny says, like a bolt from the blue. At first we couldn't believe they were not joking. Why, we felt that we simply had to go to Pamelia's wedding. We had never been to a wedding in our lives and we were just aching to see what it would be like. Besides, we had written a marriage ode to Pamelia and we wanted to present it to her. Johnny was to recite it, and he had been practising it out behind the carriage house for a week. I wrote the most of it. I can write poetry as slick as anything. Johnny helped me hunt out the rhymes. That is the hardest thing about writing poetry, it is so difficult to find rhymes. Johnny would find me a rhyme and then I would write a line to suit it, and we got on swimmingly. When we realized that Father and Mother meant what they said we were just too miserable to live. When I went to bed that night I simply pulled the clothes over my face and howled quietly. I couldn't help it when I thought of Pamelia's white silk dress and tulle veil and flower girls and all the rest. Johnny said it was the wedding dinner he thought about. Boys are like that, you know. Father and Mother went away on the early morning train, telling us to be good twins and not bother Hannah Jane. It would have been more to the point if they had told Hannah Jane not to bother us. She worries more about our bringing up than Mother does. I was sitting on the front doorstep after they had gone when Johnny came around the corner, looking so mysterious and determined that I knew he had thought of something splendid. "Sue," said Johnny impressively, "if you have any real sporting blood in you now is the time to show it. If you've enough grit we'll get to Pamelia's wedding after all." "How?" I said as soon as I was able to say anything. "We'll just go. We'll take the ten o'clock train. It will get to Marsden by eleven-thirty and that'll be in plenty of time. The wedding isn't until twelve." "But we've never been on the train alone, and we've never been to Marsden at all!" I gasped. "Oh, of course, if you're going to hatch up all sorts of difficulties!" said Johnny scornfully. "I thought you had more spunk!" "Oh, I have, Johnny," I said eagerly. "I'm all spunk. And I'll do anything you'll do. But won't Father and Mother be perfectly savage?" "Of course. But we'll be there and they can't send us home again, so we'll see the wedding. We'll be punished afterwards all right, but we'll have had the fun, don't you see?" I saw. I went right upstairs to dress, trusting everything blindly to Johnny. I put on my best pale blue shirred silk hat and my blue organdie dress and my high-heeled slippers. Johnny whistled when he saw me, but he never said a word; there are times when Johnny is a duck. We slipped away when Hannah Jane was feeding the hens. "I'll buy the tickets," explained Johnny. "I've got enough money left out of my last month's allowance because I didn't waste it all on candy as you did. You'll have to pay me back when you get your next month's jink, remember. I'll ask the conductor to tell us when we get to Marsden. Uncle Fred's house isn't far from the station, and we'll be sure to know it by all the cherry trees round it." It sounded easy, and it was easy. We had a jolly ride, and finally the conductor came along and said, "Here's your jumping-off place, kiddies." Johnny didn't like being called a kiddy, but I saw the conductor's eye resting admiringly on my blue silk hat and I forgave him. Marsden was a pretty little village, and away up the road we saw Uncle Fred's place, for it was fairly smothered in cherry trees all white with lovely bloom. We started for it as fast as we could go, for we knew we had no time to lose. It is perfectly dreadful trying to hurry when you have on high-heeled shoes, but I said nothing and just tore along, for I knew Johnny would have no sympathy for me. We finally reached the house and turned in at the open gate of the lawn. I thought everything looked very peaceful and quiet for a wedding to be under way and I had a sickening idea that it was too late and it was all over. "Nonsense!" said Johnny, cross as a bear, because he was really afraid of it too. "I suppose everybody is inside the house. No, there are two people over there by that bench. Let us go and ask them if this is the right place, because if it isn't we have no time to lose." We ran across the lawn to the two people. One of them was a young lady, the very prettiest young lady I had ever seen. She was tall and stately, just like the heroine in a book, and she had lovely curly brown hair and big blue eyes and the most dazzling complexion. But she looked very cross and disdainful and I knew the minute I saw her that she had been quarrelling with the young man. He was standing in front of her and he was as handsome as a prince. But he looked angry too. Altogether, you never saw a crosser-looking couple. Just as we came up we heard the young lady say, "What you ask is ridiculous and impossible, Ted. I can't get married at two days' notice and I don't mean to be." And he said, "Very well, Una, I am sorry you think so. You would not think so if you really cared anything for me. It is just as well I have found out you don't. I am going away in two days' time and I shall not return in a hurry, Una." "I do not care if you never return," she said. That was a fib and well I knew it. But the young man didn't—men are so stupid at times. He swung around on one foot without replying and he would have gone in another second if he had not nearly fallen over Johnny and me. "Please, sir," said Johnny respectfully, but hurriedly. "We're looking for Mr. Frederick Murray's place. Is this it?" "No," said the young man a little gruffly. "This is Mrs. Franklin's place. Frederick Murray lives at Marsden, ten miles away." My heart gave a jump and then stopped beating. I know it did, although Johnny says it is impossible. "Isn't this Marsden?" cried Johnny chokily. "No, this is Harrowsdeane," said the young man, a little more mildly. I couldn't help it. I was tired and warm and so disappointed. I sat right down on the rustic seat behind me and burst into tears, as the story-books say. "Oh, don't cry, dearie," said the young lady in a very different voice from the one she had used before. She sat down beside me and put her arms around me. "We'll take you over to Marsden if you've got off at the wrong station." "But it will be too late," I sobbed wildly. "The wedding is to be at twelve—and it's nearly that now—and oh, Johnny, I do think you might try to comfort me!" For Johnny had stuck his hands in his pockets and turned his back squarely on me. I thought it so unkind of him. I didn't know then that it was because he was afraid he was going to cry right there before everybody, and I felt deserted by all the world. "Tell me all about it," said the young lady. So I told her as well as I could all about the wedding and how wild we were to see it and why we were running away to it. "And now it's all no use," I wailed. "And we'll be punished when they find out just the same. I wouldn't mind being punished if we hadn't missed the wedding. We've never seen a wedding—and Pamelia was to wear a white silk dress—and have flower girls—and oh, my heart is just broken. I shall never get over this—never—if I live to be as old as Methuselah." "What can we do for them?" said the young lady, looking up at the young man and smiling a little. She seemed to have forgotten that they had just quarrelled. "I can't bear to see children disappointed. I remember my own childhood too well." "I really don't know what we can do," said the young man, smiling back, "unless we get married right here and now for their sakes. If it is a wedding they want to see and nothing else will do them, that is the only idea I can suggest." "Nonsense!" said the young lady. But she said it as if she would rather like to be persuaded it wasn't nonsense. I looked up at her. "Oh, if you have any notion of being married I wish you would right off," I said eagerly. "Any wedding would do just as well as Pamelia's. Please do." The young lady laughed. "One might just as well be married at two hours' notice as two days'," she said. "Una," said the young man, bending towards her, "will you marry me here and now? Don't send me away alone to the other side of the world, Una." "What on earth would Auntie say?" said Una helplessly. "Mrs. Franklin wouldn't object if you told her you were going to be married in a balloon." "I don't see how we could arrange—oh, Ted, it's absurd." "'Tisn't. It's highly sensible. I'll go straight to town on my wheel for the licence and ring and I'll be back in an hour. You can be ready by that time." For a moment Una hesitated. Then she said suddenly to me, "What is your name, dearie?" "Sue Murray," I said, "and this is my brother, Johnny. We're twins. We've been twins for ten years." "Well, Sue, I'm going to let you decide for me. This gentleman here, whose name is Theodore Prentice, has to start for Japan in two days and will have to remain there for four years. He received his orders only yesterday. He wants me to marry him and go with him. Now, I shall leave it to you to consent or refuse for me. Shall I marry him or shall I not?" "Marry him, of course," said I promptly. Johnny says she knew I would say that when she left it to me. "Very well," said Una calmly. "Ted, you may go for the necessaries. Sue, you must be my bridesmaid and Johnny shall be best man. Come, we'll go into the house and break the news to Auntie." I never felt so interested and excited in my life. It seemed too good to be true. Una and I went into the house and there we found the sweetest, pinkest, plumpest old lady asleep in an easy-chair. Una wakened her and said, "Auntie, I'm going to be married to Mr. Prentice in an hour's time." That was a most wonderful old lady! All she said was, "Dear me!" You'd have thought Una had simply told her she was going out for a walk. "Ted has gone for licence and ring and minister," Una went on. "We shall be married out under the cherry trees and I'll wear my new white organdie. We shall leave for Japan in two days. These children are Sue and Johnny Murray who have come out to see a wedding—any wedding. Ted and I are getting married just to please them." "Dear me!" said the old lady again. "This is rather sudden. Still—if you must. Well, I'll go and see what there is in the house to eat." She toddled away, smiling, and Una turned to me. She was laughing, but there were tears in her eyes. "You blessed accidents!" she said, with a little tremble in her voice. "If you hadn't happened just then Ted would have gone away in a rage and I might never have seen him again. Come now, Sue, and help me dress." Johnny stayed in the hall and I went upstairs with Una. We had such an exciting time getting her dressed. She had the sweetest white organdie you ever saw, all frills and laces. I'm sure Pamelia's silk couldn't have been half so pretty. But she had no veil, and I felt rather disappointed about that. Then there was a knock at the door and Mrs. Franklin came in, with her arms full of something all fine and misty like a lacy cobweb. "I've brought you my wedding veil, dearie," she said. "I wore it forty years ago. And God bless you, dearie. I can't stop a minute. The boy is killing the chickens and Bridget is getting ready to broil them. Mrs. Jenner's son across the road has just gone down to the bakery for a wedding cake." With that she toddled off again. She was certainly a wonderful old lady. I just thought of Mother in her place. Well, Mother would simply have gone wild entirely. When Una was dressed she looked as beautiful as a dream. The boy had finished killing the chickens, and Mrs. Franklin had sent him up with a basket of roses for us, and we had each the loveliest bouquet. Before long Ted came back with the minister, and the next thing we knew we were all standing out on the lawn under the cherry trees and Una and Ted were being married. I was too happy to speak. I had never thought of being a bridesmaid in my wildest dreams and here I was one. How thankful I was that I had put on my blue organdie and my shirred hat! I wasn't a bit nervous and I don't believe Una was either. Mrs. Franklin stood at one side with a smudge of flour on her nose, and she had forgotten to take off her apron. Bridget and the boy watched us from the kitchen garden. It was all like a beautiful, bewildering dream. But the ceremony was horribly solemn. I am sure I shall never have the courage to go through with anything of the sort, but Johnny says I will change my mind when I grow up. When it was all over I nudged Johnny and said "Ode" in a fierce whisper. Johnny immediately stepped out before Una and recited it. Pamelia's name was mentioned three times and of course he should have put Una in place of it, but he forgot. You can't remember everything. "You dear funny darlings!" said Una, kissing us both. Johnny didn't like that, but he said he didn't mind it in a bride. Then we had dinner, and I thought Mrs. Franklin more wonderful than ever. I couldn't have believed any woman could have got up such a spread at two hours' notice. Of course, some credit must be given to Bridget and the boy. Johnny and I were hungry enough by this time and we enjoyed that repast to the full. We went home on the evening train. Ted and Una came to the station with us, and Una said she would write me when she got to Japan, and Ted said he would be obliged to us forever and ever. When we got home we found Hannah Jane and Father and Mother—who had arrived there an hour before us—simply distracted. They were so glad to see us safe and sound that they didn't even scold us, and when Father heard our story he laughed until the tears came into his eyes. "Some are born to luck, some achieve luck, and some have luck thrust upon them," he said. <div style="break-after:column;"></div>

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