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<h1> G </h1>
<p>GALLOWS, n. A stage for the performance of miracle plays, in which the
leading actor is translated to heaven. In this country the gallows is
chiefly remarkable for the number of persons who escape it.</p>
<p>Whether on the gallows high<br/>
Or where blood flows the reddest,<br/>
The noblest place for man to die—<br/>
Is where he died the deadest.<br/></p>
<p>(Old play)</p>
<p>GARGOYLE, n. A rain-spout projecting from the eaves of mediaeval
buildings, commonly fashioned into a grotesque caricature of some personal
enemy of the architect or owner of the building. This was especially the
case in churches and ecclesiastical structures generally, in which the
gargoyles presented a perfect rogues' gallery of local heretics and
controversialists. Sometimes when a new dean and chapter were installed
the old gargoyles were removed and others substituted having a closer
relation to the private animosities of the new incumbents.</p>
<p>GARTHER, n. An elastic band intended to keep a woman from coming out of
her stockings and desolating the country.</p>
<p>GENEROUS, adj. Originally this word meant noble by birth and was rightly
applied to a great multitude of persons. It now means noble by nature and
is taking a bit of a rest.</p>
<p>GENEALOGY, n. An account of one's descent from an ancestor who did not
particularly care to trace his own.</p>
<p>GENTEEL, adj. Refined, after the fashion of a gent.</p>
<p>Observe with care, my son, the distinction I reveal:<br/>
A gentleman is gentle and a gent genteel.<br/>
Heed not the definitions your "Unabridged" presents,<br/>
For dictionary makers are generally gents.<br/></p>
<p>G.J.</p>
<p>GEOGRAPHER, n. A chap who can tell you offhand the difference between the
outside of the world and the inside.</p>
<p>Habeam, geographer of wide reknown,<br/>
Native of Abu-Keber's ancient town,<br/>
In passing thence along the river Zam<br/>
To the adjacent village of Xelam,<br/>
Bewildered by the multitude of roads,<br/>
Got lost, lived long on migratory toads,<br/>
Then from exposure miserably died,<br/>
And grateful travelers bewailed their guide.<br/></p>
<p>Henry Haukhorn</p>
<p>GEOLOGY, n. The science of the earth's crust—to which, doubtless,
will be added that of its interior whenever a man shall come up garrulous
out of a well. The geological formations of the globe already noted are
catalogued thus: The Primary, or lower one, consists of rocks, bones or
mired mules, gas-pipes, miners' tools, antique statues minus the nose,
Spanish doubloons and ancestors. The Secondary is largely made up of red
worms and moles. The Tertiary comprises railway tracks, patent pavements,
grass, snakes, mouldy boots, beer bottles, tomato cans, intoxicated
citizens, garbage, anarchists, snap-dogs and fools.</p>
<p>GHOST, n. The outward and visible sign of an inward fear.</p>
<p>He saw a ghost.<br/>
It occupied—that dismal thing!—<br/>
The path that he was following.<br/>
Before he'd time to stop and fly,<br/>
An earthquake trifled with the eye<br/>
That saw a ghost.<br/>
He fell as fall the early good;<br/>
Unmoved that awful vision stood.<br/>
The stars that danced before his ken<br/>
He wildly brushed away, and then<br/>
He saw a post.<br/></p>
<p>Jared Macphester</p>
<p>Accounting for the uncommon behavior of ghosts, Heine mentions somebody's
ingenious theory to the effect that they are as much afraid of us as we of
them. Not quite, if I may judge from such tables of comparative speed as I
am able to compile from memories of my own experience.</p>
<p>There is one insuperable obstacle to a belief in ghosts. A ghost never
comes naked: he appears either in a winding-sheet or "in his habit as he
lived." To believe in him, then, is to believe that not only have the dead
the power to make themselves visible after there is nothing left of them,
but that the same power inheres in textile fabrics. Supposing the products
of the loom to have this ability, what object would they have in
exercising it? And why does not the apparition of a suit of clothes
sometimes walk abroad without a ghost in it? These be riddles of
significance. They reach away down and get a convulsive grip on the very
tap-root of this flourishing faith.</p>
<p>GHOUL, n. A demon addicted to the reprehensible habit of devouring the
dead. The existence of ghouls has been disputed by that class of
controversialists who are more concerned to deprive the world of
comforting beliefs than to give it anything good in their place. In 1640
Father Secchi saw one in a cemetery near Florence and frightened it away
with the sign of the cross. He describes it as gifted with many heads an
an uncommon allowance of limbs, and he saw it in more than one place at a
time. The good man was coming away from dinner at the time and explains
that if he had not been "heavy with eating" he would have seized the demon
at all hazards. Atholston relates that a ghoul was caught by some sturdy
peasants in a churchyard at Sudbury and ducked in a horsepond. (He appears
to think that so distinguished a criminal should have been ducked in a
tank of rosewater.) The water turned at once to blood "and so contynues
unto ys daye." The pond has since been bled with a ditch. As late as the
beginning of the fourteenth century a ghoul was cornered in the crypt of
the cathedral at Amiens and the whole population surrounded the place.
Twenty armed men with a priest at their head, bearing a crucifix, entered
and captured the ghoul, which, thinking to escape by the stratagem, had
transformed itself to the semblance of a well known citizen, but was
nevertheless hanged, drawn and quartered in the midst of hideous popular
orgies. The citizen whose shape the demon had assumed was so affected by
the sinister occurrence that he never again showed himself in Amiens and
his fate remains a mystery.</p>
<p>GLUTTON, n. A person who escapes the evils of moderation by committing
dyspepsia.</p>
<p>GNOME, n. In North-European mythology, a dwarfish imp inhabiting the
interior parts of the earth and having special custody of mineral
treasures. Bjorsen, who died in 1765, says gnomes were common enough in
the southern parts of Sweden in his boyhood, and he frequently saw them
scampering on the hills in the evening twilight. Ludwig Binkerhoof saw
three as recently as 1792, in the Black Forest, and Sneddeker avers that
in 1803 they drove a party of miners out of a Silesian mine. Basing our
computations upon data supplied by these statements, we find that the
gnomes were probably extinct as early as 1764.</p>
<p>GNOSTICS, n. A sect of philosophers who tried to engineer a fusion between
the early Christians and the Platonists. The former would not go into the
caucus and the combination failed, greatly to the chagrin of the fusion
managers.</p>
<p>GNU, n. An animal of South Africa, which in its domesticated state
resembles a horse, a buffalo and a stag. In its wild condition it is
something like a thunderbolt, an earthquake and a cyclone.</p>
<p>A hunter from Kew caught a distant view<br/>
Of a peacefully meditative gnu,<br/>
And he said: "I'll pursue, and my hands imbrue<br/>
In its blood at a closer interview."<br/>
But that beast did ensue and the hunter it threw<br/>
O'er the top of a palm that adjacent grew;<br/>
And he said as he flew: "It is well I withdrew<br/>
Ere, losing my temper, I wickedly slew<br/>
That really meritorious gnu."<br/></p>
<p>Jarn Leffer</p>
<p>GOOD, adj. Sensible, madam, to the worth of this present writer. Alive,
sir, to the advantages of letting him alone.</p>
<p>GOOSE, n. A bird that supplies quills for writing. These, by some occult
process of nature, are penetrated and suffused with various degrees of the
bird's intellectual energies and emotional character, so that when inked
and drawn mechanically across paper by a person called an "author," there
results a very fair and accurate transcript of the fowl's thought and
feeling. The difference in geese, as discovered by this ingenious method,
is considerable: many are found to have only trivial and insignificant
powers, but some are seen to be very great geese indeed.</p>
<p>GORGON, n.</p>
<p>The Gorgon was a maiden bold<br/>
Who turned to stone the Greeks of old<br/>
That looked upon her awful brow.<br/>
We dig them out of ruins now,<br/>
And swear that workmanship so bad<br/>
Proves all the ancient sculptors mad.<br/></p>
<p>GOUT, n. A physician's name for the rheumatism of a rich patient.</p>
<p>GRACES, n. Three beautiful goddesses, Aglaia, Thalia and Euphrosyne, who
attended upon Venus, serving without salary. They were at no expense for
board and clothing, for they ate nothing to speak of and dressed according
to the weather, wearing whatever breeze happened to be blowing.</p>
<p>GRAMMAR, n. A system of pitfalls thoughtfully prepared for the feet for
the self-made man, along the path by which he advances to distinction.</p>
<p>GRAPE, n.</p>
<p>Hail noble fruit!—by Homer sung,<br/>
Anacreon and Khayyam;<br/>
Thy praise is ever on the tongue<br/>
Of better men than I am.<br/>
<br/>
The lyre in my hand has never swept,<br/>
The song I cannot offer:<br/>
My humbler service pray accept—<br/>
I'll help to kill the scoffer.<br/>
The water-drinkers and the cranks<br/>
Who load their skins with liquor—<br/>
I'll gladly bear their belly-tanks<br/>
And tap them with my sticker.<br/>
<br/>
Fill up, fill up, for wisdom cools<br/>
When e'er we let the wine rest.<br/>
Here's death to Prohibition's fools,<br/>
And every kind of vine-pest!<br/></p>
<p>Jamrach Holobom</p>
<p>GRAPESHOT, n. An argument which the future is preparing in answer to the
demands of American Socialism.</p>
<p>GRAVE, n. A place in which the dead are laid to await the coming of the
medical student.</p>
<p>Beside a lonely grave I stood—<br/>
With brambles 'twas encumbered;<br/>
The winds were moaning in the wood,<br/>
Unheard by him who slumbered,<br/>
<br/>
A rustic standing near, I said:<br/>
"He cannot hear it blowing!"<br/>
"'Course not," said he: "the feller's dead—<br/>
He can't hear nowt [sic] that's going."<br/>
<br/>
"Too true," I said; "alas, too true—<br/>
No sound his sense can quicken!"<br/>
"Well, mister, wot is that to you?—<br/>
The deadster ain't a-kickin'."<br/>
<br/>
I knelt and prayed: "O Father, smile<br/>
On him, and mercy show him!"<br/>
That countryman looked on the while,<br/>
And said: "Ye didn't know him."<br/></p>
<p>Pobeter Dunko</p>
<p>GRAVITATION, n. The tendency of all bodies to approach one another with a
strength proportion to the quantity of matter they contain— the
quantity of matter they contain being ascertained by the strength of their
tendency to approach one another. This is a lovely and edifying
illustration of how science, having made A the proof of B, makes B the
proof of A.</p>
<p>GREAT, adj.</p>
<p>"I'm great," the Lion said—"I reign<br/>
The monarch of the wood and plain!"<br/>
<br/>
The Elephant replied: "I'm great—<br/>
No quadruped can match my weight!"<br/>
<br/>
"I'm great—no animal has half<br/>
So long a neck!" said the Giraffe.<br/>
<br/>
"I'm great," the Kangaroo said—"see<br/>
My femoral muscularity!"<br/>
<br/>
The 'Possum said: "I'm great—behold,<br/>
My tail is lithe and bald and cold!"<br/>
<br/>
An Oyster fried was understood<br/>
To say: "I'm great because I'm good!"<br/>
<br/>
Each reckons greatness to consist<br/>
In that in which he heads the list,<br/>
<br/>
And Vierick thinks he tops his class<br/>
Because he is the greatest ass.<br/></p>
<p>Arion Spurl Doke</p>
<p>GUILLOTINE, n. A machine which makes a Frenchman shrug his shoulders with
good reason.</p>
<p>In his great work on <i>Divergent Lines of Racial Evolution</i>, the
learned Professor Brayfugle argues from the prevalence of this gesture
—the shrug—among Frenchmen, that they are descended from
turtles and it is simply a survival of the habit of retracing the head
inside the shell. It is with reluctance that I differ with so eminent an
authority, but in my judgment (as more elaborately set forth and enforced
in my work entitled <i>Hereditary Emotions</i>—lib. II, c. XI) the
shrug is a poor foundation upon which to build so important a theory, for
previously to the Revolution the gesture was unknown. I have not a doubt
that it is directly referable to the terror inspired by the guillotine
during the period of that instrument's activity.</p>
<p>GUNPOWDER, n. An agency employed by civilized nations for the settlement
of disputes which might become troublesome if left unadjusted. By most
writers the invention of gunpowder is ascribed to the Chinese, but not
upon very convincing evidence. Milton says it was invented by the devil to
dispel angels with, and this opinion seems to derive some support from the
scarcity of angels. Moreover, it has the hearty concurrence of the Hon.
James Wilson, Secretary of Agriculture.</p>
<p>Secretary Wilson became interested in gunpowder through an event that
occurred on the Government experimental farm in the District of Columbia.
One day, several years ago, a rogue imperfectly reverent of the
Secretary's profound attainments and personal character presented him with
a sack of gunpowder, representing it as the sed of the <i>Flashawful
flabbergastor</i>, a Patagonian cereal of great commercial value,
admirably adapted to this climate. The good Secretary was instructed to
spill it along in a furrow and afterward inhume it with soil. This he at
once proceeded to do, and had made a continuous line of it all the way
across a ten-acre field, when he was made to look backward by a shout from
the generous donor, who at once dropped a lighted match into the furrow at
the starting-point. Contact with the earth had somewhat dampened the
powder, but the startled functionary saw himself pursued by a tall moving
pillar of fire and smoke and fierce evolution. He stood for a moment
paralyzed and speechless, then he recollected an engagement and, dropping
all, absented himself thence with such surprising celerity that to the
eyes of spectators along the route selected he appeared like a long, dim
streak prolonging itself with inconceivable rapidity through seven
villages, and audibly refusing to be comforted. "Great Scott! what is
that?" cried a surveyor's chainman, shading his eyes and gazing at the
fading line of agriculturist which bisected his visible horizon. "That,"
said the surveyor, carelessly glancing at the phenomenon and again
centering his attention upon his instrument, "is the Meridian of
Washington."</p>
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