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<h2> Chapter II. A Lover and His Mistress. </h2>
<p>Whilst the wax-lights were burning in the castle of Blois, around the
inanimate body of Gaston of Orleans, that last representative of the past;
whilst the <i>bourgeois</i> of the city were thinking out his epitaph,
which was far from being a panegyric; whilst madame the dowager, no longer
remembering that in her young days she had loved that senseless corpse to
such a degree as to fly the paternal palace for his sake, was making,
within twenty paces of the funeral apartment, her little calculations of
interest and her little sacrifices of pride; other interests and other
prides were in agitation in all the parts of the castle into which a
living soul could penetrate. Neither the lugubrious sounds of the bells,
nor the voices of the chanters, nor the splendor of the wax-lights through
the windows, nor the preparations for the funeral, had power to divert the
attention of two persons, placed at a window of the interior court—a
window that we are acquainted with, and which lighted a chamber forming
part of what were called the little apartments. For the rest, a joyous
beam of the sun, for the sun appeared to care little for the loss France
had just suffered; a sunbeam, we say, descended upon them, drawing
perfumes from the neighboring flowers, and animating the walls themselves.
These two persons, so occupied, not by the death of the duke, but by the
conversation which was the consequence of that death, were a young woman
and a young man. The latter personage, a man of from twenty-five to
twenty-six years of age, with a mien sometimes lively and sometimes dull,
making good use of two large eyes, shaded with long eye-lashes, was short
of stature and swart of skin; he smiled with an enormous, but
well-furnished mouth, and his pointed chin, which appeared to enjoy a
mobility nature does not ordinarily grant to that portion of the
countenance, leant from time to time very lovingly towards his
interlocutrix, who, we must say, did not always draw back so rapidly as
strict propriety had a right to require. The young girl—we know her,
for we have already seen her, at that very same window, by the light of
that same sun—the young girl presented a singular mixture of shyness
and reflection; she was charming when she laughed, beautiful when she
became serious; but, let us hasten to say, she was more frequently
charming than beautiful. These two appeared to have attained the
culminating point of a discussion—half-bantering, half-serious.</p>
<p>"Now, Monsieur Malicorne," said the young girl, "does it, at length,
please you that we should talk reasonably?"</p>
<p>"You believe that that is very easy, Mademoiselle Aure," replied the young
man. "To do what we like, when we can only do what we are able—"</p>
<p>"Good! there he is bewildered in his phrases."</p>
<p>"Who, I?"</p>
<p>"Yes, you; quit that lawyer's logic, my dear."</p>
<p>"Another impossibility. Clerk I am, Mademoiselle de Montalais."</p>
<p>"Demoiselle I am, Monsieur Malicorne."</p>
<p>"Alas, I know it well, and you overwhelm me by your rank; so I will say no
more to you."</p>
<p>"Well, no, I don't overwhelm you; say what you have to tell me—say
it, I insist upon it."</p>
<p>"Well, I obey you."</p>
<p>"That is truly fortunate."</p>
<p>"Monsieur is dead."</p>
<p>"Ah, <i>peste!</i> that's news! And where do you come from, to be able to
tell us that?"</p>
<p>"I come from Orleans, mademoiselle."</p>
<p>"And is that all the news you bring?"</p>
<p>"Ah, no; I am come to tell you that Madame Henrietta of England is coming
to marry the king's brother."</p>
<p>"Indeed, Malicorne, you are insupportable with your news of the last
century. Now, mind, if you persist in this bad habit of laughing at
people, I will have you turned out."</p>
<p>"Oh!"</p>
<p>"Yes, for really you exasperate me."</p>
<p>"There, there. Patience, mademoiselle."</p>
<p>"You want to make yourself of consequence; I know well enough why. Go!"</p>
<p>"Tell me, and I will answer you frankly, yes, if the thing be true."</p>
<p>"You know that I am anxious to have that commission of lady of honor,
which I have been foolish enough to ask of you, and you do not use your
credit."</p>
<p>"Who, I?" Malicorne cast down his eyes, joined his hands, and assumed his
sullen air. "And what credit can the poor clerk of a procurer have, pray?"</p>
<p>"Your father has not twenty thousand livres a year for nothing, M.
Malicorne."</p>
<p>"A provincial fortune, Mademoiselle de Montalais."</p>
<p>"Your father is not in the secrets of monsieur le prince for nothing."</p>
<p>"An advantage which is confined to lending monseigneur money."</p>
<p>"In a word, you are not the most cunning young fellow in the province for
nothing."</p>
<p>"You flatter me!"</p>
<p>"Who, I?"</p>
<p>"Yes, you."</p>
<p>"How so?"</p>
<p>"Since I maintain that I have no credit, and you maintain I have."</p>
<p>"Well, then,—my commission?"</p>
<p>"Well,—your commission?"</p>
<p>"Shall I have it, or shall I not?"</p>
<p>"You shall have it."</p>
<p>"Ay, but when?"</p>
<p>"When you like."</p>
<p>"Where is it, then?"</p>
<p>"In my pocket."</p>
<p>"How—in your pocket?"</p>
<p>"Yes."</p>
<p>And, with a smile, Malicorne drew from his pocket a letter, upon which
mademoiselle seized as a prey, and which she read eagerly. As she read,
her face brightened.</p>
<p>"Malicorne," cried she after having read it, "In truth, you are a good
lad."</p>
<p>"What for, mademoiselle?"</p>
<p>"Because you might have been paid for this commission, and you have not."
And she burst into a loud laugh, thinking to put the clerk out of
countenance; but Malicorne sustained the attack bravely.</p>
<p>"I do not understand you," said he. It was now Montalais who was
disconcerted in her turn. "I have declared my sentiments to you,"
continued Malicorne. "You have told me three times, laughing all the
while, that you did not love me; you have embraced me once without
laughing, and that is all I want."</p>
<p>"All?" said the proud and coquettish Montalais, in a tone through which
the wounded pride was visible.</p>
<p>"Absolutely all, mademoiselle," replied Malicorne.</p>
<p>"Ah!"—And this monosyllable indicated as much anger as the young man
might have expected gratitude. He shook his head quietly.</p>
<p>"Listen, Montalais," said he, without heeding whether that familiarity
pleased his mistress or not; "let us not dispute about it."</p>
<p>"And why not?"</p>
<p>"Because during the year which I have known you, you might have had me
turned out of doors twenty times if I did not please you."</p>
<p>"Indeed; and on what account should I have had you turned out?"</p>
<p>"Because I have been sufficiently impertinent for that."</p>
<p>"Oh, that,—yes, that's true."</p>
<p>"You see plainly that you are forced to avow it," said Malicorne.</p>
<p>"Monsieur Malicorne!"</p>
<p>"Don't let us be angry; if you have retained me, then it has not been
without cause."</p>
<p>"It is not, at least, because I love you," cried Montalais.</p>
<p>"Granted. I will even say, at this moment, I am certain that you hate me."</p>
<p>"Oh, you have never spoken so truly."</p>
<p>"Well, on my part, I detest you."</p>
<p>"Ah! I take the act."</p>
<p>"Take it. You find me brutal and foolish; on my part I find you have a
harsh voice, and your face is too often distorted with anger. At this
moment you would allow yourself to be thrown out of that window rather
than allow me to kiss the tip of your finger; I would precipitate myself
from the top of the balcony rather than touch the hem of your robe. But,
in five minutes, you will love me, and I shall adore you. Oh, it is just
so."</p>
<p>"I doubt it."</p>
<p>"And I swear it."</p>
<p>"Coxcomb!"</p>
<p>"And then, that is not the true reason. You stand in need of me, Aure, and
I of you. When it pleases you to be gay, I make you laugh; when it suits
me to be loving, I look at you. I have given you a commission of lady of
honor which you wished for; you will give me, presently, something I wish
for."</p>
<p>"I will?"</p>
<p>"Yes, you will; but, at this moment, my dear Aure, I declare to you that I
wish for absolutely nothing, so be at ease."</p>
<p>"You are a frightful man, Malicorne; I was going to rejoice at getting
this commission, and thus you quench my joy."</p>
<p>"Good; there is no time lost,—you will rejoice when I am gone."</p>
<p>"Go, then; and after—"</p>
<p>"So be it; but in the first place, a piece of advice."</p>
<p>"What is it?"</p>
<p>"Resume your good-humor,—you are ugly when you pout."</p>
<p>"Coarse!"</p>
<p>"Come, let us tell the truth to each other, while we are about it."</p>
<p>"Oh, Malicorne! Bad-hearted man!"</p>
<p>"Oh, Montalais! Ungrateful girl!"</p>
<p>The young man leant with his elbow upon the window-frame; Montalais took a
book and opened it. Malicorne stood up, brushed his hat with his sleeve,
smoothed down his black doublet;—Montalais, though pretending to
read, looked at him out of the corner of her eye.</p>
<p>"Good!" cried she, furious; "he has assumed his respectful air—and
he will pout for a week."</p>
<p>"A fortnight, mademoiselle," said Malicorne, bowing.</p>
<p>Montalais lifted up her little doubled fist. "Monster!" said she; "oh!
that I were a man!"</p>
<p>"What would you do to me?"</p>
<p>"I would strangle you."</p>
<p>"Ah! very well, then," said Malicorne; "I believe I begin to desire
something."</p>
<p>"And what do you desire, Monsieur Demon? That I should lose my soul from
anger?"</p>
<p>Malicorne was rolling his hat respectfully between his fingers; but, all
at once, he let fall his hat, seized the young girl by the shoulders,
pulled her towards him, and sealed her mouth with two lips that were very
warm, for a man pretending to so much indifference. Aure would have cried
out, but the cry was stifled in his kiss. Nervous and, apparently, angry,
the young girl pushed Malicorne against the wall.</p>
<p>"Good!" said Malicorne, philosophically, "that's enough for six weeks.
Adieu, mademoiselle, accept my very humble salutation." And he made three
steps towards the door.</p>
<p>"Well! no,—you shall not go!" cried Montalais, stamping with her
little foot. "Stay where you are! I order you!"</p>
<p>"You order me?"</p>
<p>"Yes; am I not mistress?"</p>
<p>"Of my heart and soul, without doubt."</p>
<p>"A pretty property! <i>ma foi!</i> The soul is silly and the heart dry."</p>
<p>"Beware, Montalais, I know you," said Malicorne; "you are going to fall in
love with your humble servant."</p>
<p>"Well, yes!" said she, hanging round his neck with childish indolence,
rather than with loving abandonment. "Well, yes! for I must thank you at
least."</p>
<p>"And for what?"</p>
<p>"For the commission; is it not my whole future?"</p>
<p>"And mine."</p>
<p>Montalais looked at him.</p>
<p>"It is frightful," said she, "that one can never guess whether you are
speaking seriously or not."</p>
<p>"I cannot speak more seriously. I was going to Paris,—you are going
there,—we are going there."</p>
<p>"And so it was for that motive only you have served me; selfish fellow!"</p>
<p>"What would you have me say, Aure? I cannot live without you."</p>
<p>"Well! in truth, it is just so with me; you are, nevertheless, it must be
confessed, a very bad-hearted young man."</p>
<p>"Aure, my dear Aure, take care! if you take to calling me names again, you
know the effect they produce upon me, and I shall adore you." And so
saying, Malicorne drew the young girl a second time towards him. But at
that instant a step resounded on the staircase. The young people were so
close, that they would have been surprised in the arms of each other, if
Montalais had not violently pushed Malicorne, with his back against the
door, just then opening. A loud cry, followed by angry reproaches,
immediately resounded. It was Madame de Saint-Remy who uttered the cry and
the angry words. The unlucky Malicorne almost crushed her between the wall
and the door she was coming in at.</p>
<p>"It is again that good-for-nothing!" cried the old lady. "Always here!"</p>
<p>"Ah, madame!" replied Malicorne, in a respectful tone; "it is eight long
days since I was here."</p>
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