<p class="break"></p> <h2><SPAN name="CHAPTER_XVI" id="CHAPTER_XVI"></SPAN>CHAPTER XVI</h2>
<h3>IN THE WHITE MOUNTAINS</h3>
<p>One afternoon in August, Falk was again sitting in
the garden on Moses Height; but he was alone,
and he had been alone during the whole summer.
He was turning over in his mind all that had happened
to him during the three months which had passed
since his last visit, when his heart was brimful of
hope, courage, and strength. He felt old, tired,
indifferent; he had seen the houses at his feet from
the inside, and on every occasion his expectations
had been disappointed. He had seen humanity under
many aspects, aspects which are only revealed to
the eye of the poor man's doctor or the journalist,
with the only difference that the journalist generally
sees men as they wish to appear, and the doctor as
they are. He had every opportunity of studying
man as a social animal in all possible guises; he
had been present at Parliamentary meetings, church
councils, general meetings of shareholders, philanthropic
meetings, police court proceedings, festivals,
funerals, public meetings of working men; everywhere
he had heard big words and many words,
words never used in daily intercourse, a particular
species of words which mean nothing, at least not
what they ought to mean. This had given him a
one-sided conception of humanity; he could see in
man nothing but the deceitful social animal, a
creature he is bound to be because civilization forbids
open war. His aloofness blinded him to the existence
of another animal, an animal which "between glass
and wall" is exceedingly amiable, as long as it is<span class="pagenum">[183]</span>
not exasperated, and which is ready to come out
with all its failings and weaknesses when there are
no witnesses. He was blind to it and that was the
reason why he had become embittered.</p>
<p>But the worst of it all was he had lost his self-respect.
And that had happened without his having
committed a single action of which he need have been
ashamed. He had been robbed of it by his fellow-creatures,
and it had not been a very difficult thing
to do. He had been slighted everywhere, and how
could he, whose self-confidence had been destroyed
in his early youth, respect a person whom everybody
despised? With many a bitter pang he saw
that all Conservative journalists, that was to say
men who defended and upheld everything that was
wrong—or if they could not defend it, at least left
it untouched—were treated with the utmost courtesy.
He was despised, not so much as a pressman as in
his character of advocate of all those who were down-trodden
and hardly dealt with.</p>
<p>He had lived through times of cruel doubt. For
instance: in reporting the General Meeting of
Shareholders of the Marine Insurance Society
"Triton," he had used the word swindle. In replying
to his report, the <i>Grey Bonnet</i> had published a long
article proving so clearly that the society was a
national, patriotic, philanthropic institution that
he had almost felt convinced of having been wrong,
and the thought of having recklessly played with the
reputation of his fellow citizens was a nightmare
to him for many days to come.</p>
<p>He was now in a state of mind which alternated
between fanaticism and callousness; his next impulse
would decide the direction his development was
to take.</p>
<p>His life had been so dreary during the summer that
he welcomed with malicious pleasure every rainy day,
and it was a comparatively pleasant sensation to
watch leaves rustling along the garden paths.</p>
<p>He sat absorbed in grimly humorous meditations<span class="pagenum">[184]</span>
on life and its purposes, when one lean, bony hand
was laid on his shoulder, and another clutched his
arm; he felt as if death had come to take him at his
word. He looked up and started: before him stood
Ygberg, pale as a corpse, emaciated and looking at
him with those peculiarly washed out eyes which
only starvation produces.</p>
<p>"Good morning, Falk," he whispered, almost
inaudibly, and his whole body seemed to rattle.</p>
<p>"Good morning, Ygberg," replied Falk, suddenly
brightening up. "Sit down and have a cup of
coffee! How are you? You look as if you had
been lying under the ice."</p>
<p>"Oh! I've been so ill, so ill!"</p>
<p>"You seem to have had as jolly a summer as I
had!"</p>
<p>"Have you had a hard time, too?" asked Ygberg,
a faint hope that it had been the case brightening his
yellow face.</p>
<p>"I can only say: Thank God that the cursed
summer is over! It might be winter all the year
round for all I care! Not only that one is suffering
all the time, but one also has to watch others enjoying
themselves! I never put a foot out of town; did
you?"</p>
<p>"I haven't seen a pine tree since Lundell left Lill-Jans
in June! And why should one want to see
pine trees? It isn't absolutely essential; nor is a
pine tree anything extraordinary! But that one can't
have the pleasure, that's where the sting comes in."</p>
<p>"Oh, well! Never mind! It's clouding over
in the east, therefore it will rain to-morrow; and
when the sun shines again, it will be autumn. Your
health!"</p>
<p>Ygberg looked at the punch as if it were poison,
but he drank it nevertheless.</p>
<p>"But you wrote that beautiful story of the guardian
angel, or the Marine Insurance Society 'Triton,'
for Smith," remarked Falk. "Didn't it go against
your convictions?" <span class="pagenum">[185]</span></p>
<p>"Convictions? I have no convictions."</p>
<p>"Haven't you?"</p>
<p>"No, only fools have convictions."</p>
<p>"Have you no morals, Ygberg?"</p>
<p>"No! Whenever a fool has an idea—it comes
to the same thing whether it is original or not—he
calls it his conviction, clings to it and boasts of it,
not because it is <i>a</i> conviction, but because it is <i>his</i>
conviction. So far as the Marine Insurance Society
is concerned, I believe it's a swindle! I'm sure it
injures many men, the shareholders at all events, but
it's a splendid thing for others, the directors and
employ�s, for instance; so it does a fair amount
of good, after all."</p>
<p>"Have you lost all sense of honour, old friend?"</p>
<p>"One must sacrifice everything on the altar of
duty."</p>
<p>"I admit that."</p>
<p>"The first and foremost duty of man is to live—to
live at any price! Divine as well as human law
demands it."</p>
<p>"One must never sacrifice honour."</p>
<p>"Both laws, as I said, demand the sacrifice of
everything—they compel a poor man to sacrifice
his so-called honour. It's cruel, but you can't blame
the poor man for it."</p>
<p>"Your theory of life is anything but cheerful."</p>
<p>"How could it be otherwise?"</p>
<p>"That's true!"</p>
<p>"But to talk of something else: I've had a letter
from Rehnhjelm. I'll read it to you, if you like."</p>
<p>"I heard he had gone on the stage."</p>
<p>"Yes, and he doesn't seem to be having a good time
of it."</p>
<p>Ygberg took a letter from his breast-pocket, put
a piece of sugar into his mouth and began to read.</p>
<p>"If there is a hell in a life after this, which is very
doubtful...."</p>
<p>"The lad's become a free-thinker!"</p>
<p>"It cannot be a worse place than this. I've been<span class="pagenum">[186]</span>
engaged for two months, but it seems to me like two
years. A devil, formerly a wheelwright, now
theatrical manager, holds my fate in his hand, and
treats me in such a way that three times a day I feel
tempted to run away. But he has so carefully
drafted the penal clauses in the agreement, that my
flight would dishonour my parents' name.</p>
<p>"I have <i>walked on</i> every single night, but I've
never been allowed to open my lips yet. For twenty
consecutive evenings I have had to smear my face
with umber and wear a gipsy's costume, not a single
piece of which fits me; the tights are too long, the
shoes too large, the jacket is too short. An under-devil,
called the prompter, takes good care that I
don't exchange my costume for one more suitable;
and whenever I try to hide myself behind the crowd,
which is made up of the director-manufacturer's
factory hands, it opens and pushes me forward to the
footlights. If I look into the wings, my eyes fall on
the under-devil, standing there, grinning, and if I
look at the house, I see Satan himself sitting in a
box, laughing.</p>
<p>"I seem to have been engaged for his amusement,
not for the purpose of playing any parts. On one
occasion I ventured to draw his attention to the fact
that I ought to have practice in speaking parts if
I was ever going to be an actor. He lost his temper
and said that one must learn to crawl before one can
learn to walk. I replied that I could walk. He said
it was a lie and asked me whether I imagined that
the art of acting, the most beautiful and difficult
of all arts, required no training. When I said
that that was exactly what I did imagine, and
that I was impatiently waiting for the beginning of
my training, he told me I was an ignorant puppy,
and he would kick me out. When I remonstrated,
he asked me whether I looked upon the stage as a
refuge for impecunious youths. My reply was a
frank, unconditional glad Yes. He roared that he
would kill me.<span class="pagenum">[187]</span></p>
<p>"This is the present state of my affairs.</p>
<p>"I feel that my soul is flickering out like a tallow
candle in a draught, and I shall soon believe that
'Evil will be victorious, even though it be concealed
in clouds,' as the Catechism has it.</p>
<p>"But the worst of all is that I have lost all respect
for this art, which was the dream and the love of my
boyhood. Can I help it when I see that men and
women without education or culture, spurred on
by vanity and recklessness, completely lacking in
enthusiasm and intelligence are able to play in a few
months' time character parts, historical parts, fairly
well, without having a glimmer of knowledge of the
time in which they move, or the important part which
the person they represent played in history?</p>
<p>"It is slow murder, and the association with this
mob which keeps me down—some of the members
of the company have come into collision with various
paragraphs of the penal code—is making of me
what I've never been, an aristocrat. The pressure
of the cultured can never weigh as heavily on the
uncultured.</p>
<p>"There is but one ray of light in this darkness: I
am in love. She is purest gold among all this dross.
Of course she, too, is persecuted and slowly murdered,
just as I am, since she refused the stage-manager's
infamous proposals. She is the only woman with a
living spirit among all these beasts, wallowing in
filth, and she loves me with all her soul. We are
secretly engaged. I am only waiting for the day
when I shall have won success, to make her my wife.
But when will that be? We have often thought of
dying together, but hope, treacherous hope, has
always beguiled us into continuing this misery. To
see my innocent love burning with shame when she is
forced to wear improper costumes, is more than I
can bear. But I will drop this unpleasant subject.</p>
<p>"Olle and Lundell wish to be remembered. Olle
is very much changed. He has drifted into a new
kind of philosophy, which tears down everything<span class="pagenum">[188]</span>
and turns all things upside down. It sounds very jolly
and sometimes seems true, but it must be a dangerous
doctrine if carried out.</p>
<p>"I believe he owes these ideas to one of the actors
here, an intelligent and well-informed man, who lives
a very immoral life; I like and hate him at the same
time. He is a queer chap, fundamentally good,
noble and generous; a man who will sacrifice himself
for his friends. I cannot fix on any special vice,
but he is immoral, and a man without morality is a
blackguard—don't you think so?</p>
<p>"I must stop, my angel, my good spirit is coming.
There is a happy hour in store for me; all evil spirits
will flee, and I shall be a better man.</p>
<p>"Remember me to Falk and tell him to think of
me when life is hard on him.</p>
<div style="text-align: right">
"Your friend R."<br/></div>
<p>"Well, what do you think of that?"</p>
<p>"It's the old story of the struggle of the wild
beasts. I'll tell you what, Ygberg, I believe one
has to be very unscrupulous if one wants to get on
in the world."</p>
<p>"Try it! You may not find it so easy!"</p>
<p>"Are you still doing business with Smith?"</p>
<p>"No, unfortunately not! And you?"</p>
<p>"I've seen him on the subject of my poems. He
has bought them, ten crowns the folio, and he can
now murder me in the same way as the wheelwright
is murdering Rehnhjelm. And I'm afraid something
of the sort is going to happen, for I haven't
heard a word about them. He was so exceedingly
friendly that I expect the worst. If only I knew
what's going on! But what's the matter with you?
You're as white as a sheet."</p>
<p>"The truth is," replied Ygberg, clutching the
railings, "all I've had to eat these last two days has
been five lumps of sugar. I'm afraid I'm going to faint."</p>
<p>"If food will set you right, I can help you; fortunately
I have some money." <span class="pagenum"><SPAN name="Page_189" id="Page_189"></SPAN></span></p>
<p>"Of course it will set me right," whispered Ygberg
faintly.</p>
<p>But it was not so. When they were sitting in the
dining-room and food was served to them, Ygberg
grew worse, and Falk had to take him to his room,
which fortunately was not very far off.<br/><br/></p>
<p>The house was an old, one-story house built of
wood; it had climbed on to a rock and looked as if
it suffered from hip-disease. It was spotted like
a leper; a long time ago it was going to be painted,
but when the old paint had been burned off, nothing
more was done to it; it looked in every respect
miserable, and it was hard to believe the legend of
the sign of the Fire Insurance Office, rusting on the
wall, namely, that a phœnix should rise from the
ashes.</p>
<p>At the base of the house grew dandelions, nettles,
and roadweed, the faithful companions of poverty;
sparrows were bathing in the scorching sand and
scattering it about; pale-faced children with big
stomachs, looking as if they were being brought up
on 90 per cent. of water, were making dandelion
chains and trying to embitter their sad lives by
annoying and insulting each other.</p>
<p>Falk and Ygberg climbed a rotten, creaking staircase
and came to a large room. It was divided into
three parts by chalk lines. The first and second
divisions served a joiner and a cobbler as workshops;
the third was exclusively devoted to the more intimate
pursuits of family life.</p>
<p>Whenever the children screamed, which happened
once in every quarter of an hour, the joiner flew into
a rage and burst out scolding and swearing; the
cobbler remonstrated with quotations from the
Bible. The joiner's nerves were so shattered by these
constant screams, the unceasing punishments and
scoldings, that five minutes after partaking of the
snuff of reconciliation offered by the cobbler, he flew
into a fresh temper in spite of his firm resolve to be<span class="pagenum">[190]</span>
patient. Consequently he was nearly all day long
in a red-hot fury. But the worst passages were
when he asked the woman, "why these infernal
females need bring so many children into the world;"
then the woman in question came on the tapis and his
antagonist gave him as good as he brought.</p>
<p>Falk and Ygberg had to pass this room to gain
the latter's garret, and although both of them went
on tiptoe, they wakened two of the children; immediately
the mother began humming a lullaby, thereby
interrupting a discussion between cobbler and joiner;
naturally the latter nearly had a fit.</p>
<p>"Hold your tongue, woman!"</p>
<p>"Hold your tongue yourself! Can't you let the
children sleep?"</p>
<p>"To hell with the children! Are they my children?
Am I to suffer for other people's immorality? Am
I an immoral man? What? Have I any children?
Hold your tongue, I say, or I'll throw my plane at
your head."</p>
<p>"I say, master, master!" began the cobbler;
"you shouldn't talk like that of the children; God
sends the little ones into the world."</p>
<p>"That's a lie, cobbler! The devil sends them!
The devil! And then the dissolute parents blame
God! You ought to be ashamed of yourselves!"</p>
<p>"Master, master! You shouldn't use such language!
Scripture tells us that the kingdom of heaven
belongs to the children."</p>
<p>"Oh, indeed! They have them in the kingdom
of heaven, have they?"</p>
<p>"How dare you talk like that!" shrilled the
furious mother. "If you ever have any children
of your own, I shall pray that they may be lame
and diseased; I shall pray that they shall be blind
and deaf and dumb; I shall pray that they shall be
sent to the reformatory and end on the gallows; see
if I won't."</p>
<p>"Do so for all I care, you good-for-nothing hussy!
I'm not going to bring children into the world to<span class="pagenum">[191]</span>
see them living a dog's life. You ought to be sent
to the House of Correction, for bringing the poor
things into all this misery. You are married, you
say? Well! Need you be immoral because you are
married?"</p>
<p>"Master, master! God sends the children."</p>
<p>"It's a lie, cobbler! I read in a paper the other
day that the damned potato is to blame for the
large families of the poor; don't you see, the potato
consists of two substances, called oxygen and nitrogen;
whenever these substances occur in a certain quantity
and proportion, women become prolific."</p>
<p>"But what is one to do?" asked the angry
mother, whom this interesting explanation had
calmed down a little.</p>
<p>"One shouldn't eat potatoes; can't you see
that?"</p>
<p>"But what is one to eat if not potatoes?"</p>
<p>"Beef-steak, woman! Steak and onions! What!
Isn't that good? Or steak � la Ch�teaubriand!
Do you know what that is? What? I saw in
the 'Fatherland' the other day that a woman who
had taken womb-grain very nearly died as well as
the baby."</p>
<p>"What's that?" asked the mother, pricking up
her ears.</p>
<p>"You'd like to know, would you?"</p>
<p>"Is it true what you just said about womb-grain?"
asked the cobbler, blinking his eyes.</p>
<p>"Hoho! That brings up your lungs and liver,
but there's a heavy penalty on it, and that's as it
should be."</p>
<p>"Is it as it should be?" asked the cobbler dully.</p>
<p>"Of course it is! Immorality must be punished;
and it's immoral to murder one's children."</p>
<p>"Children! Surely, there's a difference," replied
the angry mother, resignedly; "but where does the
stuff you just spoke about come from, master?"</p>
<p>"Haha! You want more children, you hussy,
although you are a widow with five! Beware of that<span class="pagenum">[192]</span>
devil of a cobbler! He's hard on women, in spite of
his piety. A pinch of snuff, cobbler?"</p>
<p>"There is really a herb then...."</p>
<p>"Who said it was a herb? Did I say so? No;
it's an organic substance. Let me tell you, all
substances—nature contains about sixty—are divided
into organic and inorganic substances. This one's
Latin name is cornuticus secalias; it comes from
abroad, for instance from the Calabrian Peninsula."</p>
<p>"Is it very expensive, master?" asked the
cobbler.</p>
<p>"Expensive!" ejaculated the joiner, manipulating
his plane as if it were a carbine. "It's awfully
expensive!"</p>
<p>Falk had listened to the conversation with great
interest. Now he started; he had heard a carriage
stopping underneath the window, and the sound of
two women's voices which seemed familiar to him.</p>
<p>"This house looks all right."</p>
<p>"Does it?" said an older voice. "I think it looks
dreadful."</p>
<p>"I meant it looks all right for our purpose. Do
you know, driver, whether any poor people are
living in this house?"</p>
<p>"I don't know," replied the driver, "but I'd
stake my oath on it."</p>
<p>"Swearing is a sin, so you had better not. Wait
for us here, while we go upstairs to do our duty."</p>
<p>"I say, Eugenia, hadn't we better first talk a
little to the children down here?" said Mrs. Homan
to Mrs. Falk, lagging behind.</p>
<p>"Perhaps it would be just as well. Come here,
little boy! What's your name?"</p>
<p>"Albert," answered a pale-faced little lad of six.</p>
<p>"Do you know Jesus, my laddie?"</p>
<p>"No," answered the child with a laugh, and put
a finger into his mouth.</p>
<p>"Terrible!" said Mrs. Falk, taking out her note-book.
"I'd better say: Parish of St. Catherine's.
White Mountains. Profound spiritual darkness in<span class="pagenum">[193]</span>
the minds of the young. I suppose darkness is the
right word?" She turned to the little fellow:
"And don't you want to know him?"</p>
<p>"No!"</p>
<p>"Would you like a penny?"</p>
<p>"Yes!"</p>
<p>"You should say please! Indescribably neglected,
but I succeeded, by gentleness, in awakening their
better feelings."</p>
<p>"What a horrible smell! Let's go, Eugenia,"
implored Mrs. Homan.</p>
<p>They went upstairs and entered the large room
without knocking.</p>
<p>The joiner seized his plane and began planing
a knotty board, so that the ladies had to shout to
make themselves heard.</p>
<p>"Is anybody here thirsting for salvation?"
shouted Mrs. Homan, while Mrs. Falk worked her
scent-spray so vigorously that the children began to
cry with the smarting of their eyes.</p>
<p>"Are you offering us salvation, lady?" asked the
joiner, interrupting his work. "Where did you get
it from? Perhaps there's charity to be had, too,
and humiliation and pride?"</p>
<p>"You are a ruffian; you will be damned," answered
Mrs. Homan.</p>
<p>Mrs. Falk made notes in her note-book. "He's
all right," she remarked.</p>
<p>"Is there anything else you'd like to say?"
asked Mrs. Homan.</p>
<p>"We know the sort you are! Perhaps you'd like
to talk to me about religion, ladies? I can talk
on any subject. Have you ever heard anything
about the councils held at Nic�a, or the Smalcaldic
Articles?"</p>
<p>"We know nothing about that, my good man."</p>
<p>"Why do you call me good? Scripture says
nobody is good but God alone. So you know nothing
about the Nicene Council, ladies? How can you dare
to teach others, when you know nothing yourselves?<span class="pagenum">[194]</span>
And if you want to dispense charity, do it while
I turn my back to you, for true charity is given
secretly. Practise on the children, if you like, they
can't defend themselves; but leave us in peace.
Give us work and pay us a just wage and then you
needn't run about like this. A pinch of snuff,
cobbler!"</p>
<p>"Shall I write: Great unbelief, quite hardened,
Evelyn?" asked Mrs. Falk.</p>
<p>"I should put <i>impenitent</i>, dear."</p>
<p>"What are you writing down, ladies? Our sins?
Surely your book's too small for that!"</p>
<p>"The outcome of the so-called working men's
unions...."</p>
<p>"Very good," said Mrs. Homan.</p>
<p>"Beware of the working men's unions," said the
joiner. "For hundreds of years war has been
made upon the kings, but now we've discovered that
the kings are not to blame. The next campaign
will be against all idlers who live on the work of
others; then we shall see something."</p>
<p>"That's enough!" said the cobbler.</p>
<p>The angry mother, whose eyes had been riveted
on Mrs. Falk during the whole scene, took the opportunity
of putting in a word.</p>
<p>"Excuse me, but aren't you Mrs. Falk?" she
asked.</p>
<p>"No," answered that lady with an assurance which
took even Mrs. Homan's breath away.</p>
<p>"But you're as like her as its possible to be! I
knew her father, Ronock, who's now on the flagship."</p>
<p>"That's all very nice, but it doesn't concern
us.... Are there any other people in this house
who need salvation?"</p>
<p>"No," said the joiner, "they don't need salvation,
they need food and clothes, or, better still, work;
much work and well-paid work. But the ladies had
better not go and see them, for one of them is down
with small-pox...."</p>
<p>"Small-pox!" screamed Mrs. Homan, "and<span class="pagenum">[195]</span>
nobody said a word about it! Come along Eugenia,
let's at once inform the police! What a disgusting
set of people they are!"</p>
<p>"But the children? Whose children are these?
Answer!" said Mrs. Falk, holding up her pencil,
threateningly.</p>
<p>"They're mine, lady," answered the mother.</p>
<p>"But your husband? Where's your husband?"</p>
<p>"Disappeared!" said the joiner.</p>
<p>"We'll set the police on his track! He shall
be sent to the Penitentiary. Things must be changed
here! I said it was a good house, Evelyn."</p>
<p>"Won't the ladies sit down?" asked the joiner.
"It's so much easier to keep up a conversation sitting
down. We've no chairs, but that doesn't matter;
we've no beds either; they went for taxes, for the
lighting of the street, so that you need not go home
from the theatre in the dark. We've no gas, as you
can see for yourselves. They went in payment of
the water-rate—so that your servants should be
saved running up and down stairs; the water's
not laid on here. They went towards the keeping
up of the hospitals, so that your sons will not be laid
up at home when...."</p>
<p>"Come away, Eugenia, for God's sake! This is
unbearable!"</p>
<p>"I agree with you, ladies, it is unbearable," said
the joiner. "And the day will come when things
will be worse; on that day we shall come down from
the White Mountains with a great noise, like a waterfall,
and ask for the return of our beds. Ask? We
shall take them! And you shall lie on wooden benches,
as I've had to do, and eat potatoes until your stomachs
are as tight as a drum and you feel as if you had
undergone the torture by water, as we...."</p>
<p>But the ladies had fled, leaving behind them a pile
of pamphlets.</p>
<p>"Ugh! What a beastly smell of eau-de-Cologne!
It smells of prostitutes!" said the joiner. "A pinch
of snuff, cobbler!" <span class="pagenum">[196]</span></p>
<p>He wiped his forehead with his blue apron and
took up his plane while the others reflected silently.</p>
<p>Ygberg, who had been asleep during the whole of
the scene, now awoke and made ready to go out
again with Falk. Once more Mrs. Homan's voice
floated through the open window:</p>
<p>"What did she mean when she said your father
was on the flagship? Your father is a captain, isn't
he?"</p>
<p>"That's what he's called. It's the same thing.
Weren't they an insolent crowd? I'll never go there
again. But it will make a fine report. To the
restaurant Hasselbacken, driver!" <span class="pagenum">[197]</span></p>
<div style="break-after:column;"></div><br />