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<h2>CHAPTER XXII.</h2>
<p>THEY swarmed up towards Sherburn's house, a-whooping and raging like
Injuns, and everything had to clear the way or get run over and tromped to
mush, and it was awful to see. Children was heeling it ahead of the
mob, screaming and trying to get out of the way; and every window along
the road was full of women's heads, and there was nigger boys in every
tree, and bucks and wenches looking over every fence; and as soon as the
mob would get nearly to them they would break and skaddle back out of
reach. Lots of the women and girls was crying and taking on, scared
most to death.</p>
<p>They swarmed up in front of Sherburn's palings as thick as they could jam
together, and you couldn't hear yourself think for the noise. It was
a little twenty-foot yard. Some sung out "Tear down the fence! tear
down the fence!" Then there was a racket of ripping and tearing and
smashing, and down she goes, and the front wall of the crowd begins to
roll in like a wave.</p>
<p>Just then Sherburn steps out on to the roof of his little front porch,
with a double-barrel gun in his hand, and takes his stand, perfectly ca'm
and deliberate, not saying a word. The racket stopped, and the wave
sucked back.</p>
<p>Sherburn never said a word—just stood there, looking down. The
stillness was awful creepy and uncomfortable. Sherburn run his eye
slow along the crowd; and wherever it struck the people tried a little to
out-gaze him, but they couldn't; they dropped their eyes and looked
sneaky. Then pretty soon Sherburn sort of laughed; not the pleasant kind,
but the kind that makes you feel like when you are eating bread that's got
sand in it.</p>
<p>Then he says, slow and scornful:</p>
<p>"The idea of <i>you</i> lynching anybody! It's amusing. The idea of
you thinking you had pluck enough to lynch a <i>man</i>! Because you're
brave enough to tar and feather poor friendless cast-out women that come
along here, did that make you think you had grit enough to lay your hands
on a <i>man</i>? Why, a <i>man's</i> safe in the hands of ten thousand of your
kind—as long as it's daytime and you're not behind him.</p>
<p>"Do I know you? I know you clear through was born and raised in the
South, and I've lived in the North; so I know the average all around. The
average man's a coward. In the North he lets anybody walk over him
that wants to, and goes home and prays for a humble spirit to bear it. In
the South one man all by himself, has stopped a stage full of men in the
daytime, and robbed the lot. Your newspapers call you a brave people
so much that you think you are braver than any other people—whereas
you're just <i>as</i> brave, and no braver. Why don't your juries hang
murderers? Because they're afraid the man's friends will shoot them
in the back, in the dark—and it's just what they <i>would</i> do.</p>
<p>"So they always acquit; and then a <i>man</i> goes in the night, with a hundred
masked cowards at his back and lynches the rascal. Your mistake is,
that you didn't bring a man with you; that's one mistake, and the other is
that you didn't come in the dark and fetch your masks. You brought
<i>part</i> of a man—Buck Harkness, there—and if you hadn't had him
to start you, you'd a taken it out in blowing.</p>
<p>"You didn't want to come. The average man don't like trouble and
danger. <i>You</i> don't like trouble and danger. But if only <i>half</i> a man—like
Buck Harkness, there—shouts 'Lynch him! lynch him!' you're afraid to
back down—afraid you'll be found out to be what you are—<i>cowards</i>—and
so you raise a yell, and hang yourselves on to that half-a-man's
coat-tail, and come raging up here, swearing what big things you're going
to do. The pitifulest thing out is a mob; that's what an army is—a
mob; they don't fight with courage that's born in them, but with courage
that's borrowed from their mass, and from their officers. But a mob
without any <i>man</i> at the head of it is <i>beneath</i> pitifulness. Now the
thing for <i>you</i> to do is to droop your tails and go home and crawl in a
hole. If any real lynching's going to be done it will be done in the
dark, Southern fashion; and when they come they'll bring their masks, and
fetch a <i>man</i> along. Now <i>leave</i>—and take your half-a-man with
you"—tossing his gun up across his left arm and cocking it when he
says this.</p>
<p>The crowd washed back sudden, and then broke all apart, and went tearing
off every which way, and Buck Harkness he heeled it after them, looking
tolerable cheap. I could a stayed if I wanted to, but I didn't want
to.</p>
<p>I went to the circus and loafed around the back side till the watchman
went by, and then dived in under the tent. I had my twenty-dollar
gold piece and some other money, but I reckoned I better save it, because
there ain't no telling how soon you are going to need it, away from home
and amongst strangers that way. You can't be too careful. I
ain't opposed to spending money on circuses when there ain't no other way,
but there ain't no use in <i>wasting</i> it on them.</p>
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<p>It was a real bully circus. It was the splendidest sight that ever
was when they all come riding in, two and two, a gentleman and lady, side
by side, the men just in their drawers and undershirts, and no shoes nor
stirrups, and resting their hands on their thighs easy and comfortable—there
must a been twenty of them—and every lady with a lovely complexion,
and perfectly beautiful, and looking just like a gang of real sure-enough
queens, and dressed in clothes that cost millions of dollars, and just
littered with diamonds. It was a powerful fine sight; I never see
anything so lovely. And then one by one they got up and stood, and
went a-weaving around the ring so gentle and wavy and graceful, the men
looking ever so tall and airy and straight, with their heads bobbing and
skimming along, away up there under the tent-roof, and every lady's
rose-leafy dress flapping soft and silky around her hips, and she looking
like the most loveliest parasol.</p>
<p>And then faster and faster they went, all of them dancing, first one foot
out in the air and then the other, the horses leaning more and more, and
the ringmaster going round and round the center-pole, cracking his whip
and shouting "Hi!—hi!" and the clown cracking jokes behind him; and
by and by all hands dropped the reins, and every lady put her knuckles on
her hips and every gentleman folded his arms, and then how the horses did
lean over and hump themselves! And so one after the other they all
skipped off into the ring, and made the sweetest bow I ever see, and then
scampered out, and everybody clapped their hands and went just about wild.</p>
<p>Well, all through the circus they done the most astonishing things; and
all the time that clown carried on so it most killed the people. The
ringmaster couldn't ever say a word to him but he was back at him quick as
a wink with the funniest things a body ever said; and how he ever <i>could</i>
think of so many of them, and so sudden and so pat, was what I couldn't
noway understand. Why, I couldn't a thought of them in a year. And by and
by a drunk man tried to get into the ring—said he wanted to ride;
said he could ride as well as anybody that ever was. They argued and
tried to keep him out, but he wouldn't listen, and the whole show come to
a standstill. Then the people begun to holler at him and make fun of
him, and that made him mad, and he begun to rip and tear; so that stirred
up the people, and a lot of men begun to pile down off of the benches and
swarm towards the ring, saying, "Knock him down! throw him out!" and one
or two women begun to scream. So, then, the ringmaster he made a
little speech, and said he hoped there wouldn't be no disturbance, and if
the man would promise he wouldn't make no more trouble he would let him
ride if he thought he could stay on the horse. So everybody laughed
and said all right, and the man got on. The minute he was on, the horse
begun to rip and tear and jump and cavort around, with two circus men
hanging on to his bridle trying to hold him, and the drunk man hanging on
to his neck, and his heels flying in the air every jump, and the whole
crowd of people standing up shouting and laughing till tears rolled down.
And at last, sure enough, all the circus men could do, the horse
broke loose, and away he went like the very nation, round and round the
ring, with that sot laying down on him and hanging to his neck, with first
one leg hanging most to the ground on one side, and then t'other one on
t'other side, and the people just crazy. It warn't funny to me,
though; I was all of a tremble to see his danger. But pretty soon he
struggled up astraddle and grabbed the bridle, a-reeling this way and
that; and the next minute he sprung up and dropped the bridle and stood!
and the horse a-going like a house afire too. He just stood up
there, a-sailing around as easy and comfortable as if he warn't ever drunk
in his life—and then he begun to pull off his clothes and sling
them. He shed them so thick they kind of clogged up the air, and
altogether he shed seventeen suits. And, then, there he was, slim and
handsome, and dressed the gaudiest and prettiest you ever saw, and he lit
into that horse with his whip and made him fairly hum—and finally
skipped off, and made his bow and danced off to the dressing-room, and
everybody just a-howling with pleasure and astonishment.</p>
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<p>Then the ringmaster he see how he had been fooled, and he <i>was</i> the sickest
ringmaster you ever see, I reckon. Why, it was one of his own men!
He had got up that joke all out of his own head, and never let on to
nobody. Well, I felt sheepish enough to be took in so, but I wouldn't a
been in that ringmaster's place, not for a thousand dollars. I don't
know; there may be bullier circuses than what that one was, but I never
struck them yet. Anyways, it was plenty good enough for <i>me</i>; and wherever I
run across it, it can have all of <i>my</i> custom every time.</p>
<p>Well, that night we had <i>our</i> show; but there warn't only about twelve
people there—just enough to pay expenses. And they laughed all
the time, and that made the duke mad; and everybody left, anyway, before
the show was over, but one boy which was asleep. So the duke said
these Arkansaw lunkheads couldn't come up to Shakespeare; what they wanted
was low comedy—and maybe something ruther worse than low comedy, he
reckoned. He said he could size their style. So next morning
he got some big sheets of wrapping paper and some black paint, and drawed
off some handbills, and stuck them up all over the village. The
bills said:</p>
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