<h2 id="id01330" style="margin-top: 4em">CHAPTER XXI.</h2>
<h5 id="id01331">VERY FAR GONE.</h5>
<p id="id01332" style="margin-top: 2em">It was a little after six when they came to the gateway of the Court, at
which point Mr. Tillott made his adieux. Mr. Granger would have been very
glad to ask him to dinner, had he not promised Mr. Lovel that they would
be quite alone; so he made up for any apparent inhospitality towards the
curate by a hearty invitation for the following Sunday.</p>
<p id="id01333">There was nearly an hour and a half before dinner; but Sophia carried off
her guest to her own rooms at once, for the revision of her toilet, and
detained her in those upper regions until just before the ringing of the
second bell, very much to the aggravation of Mr. Granger, who paced the
long drawing-room in dismal solitude, waiting for Mr. Lovel's arrival.</p>
<p id="id01334">In her own rooms Miss Granger became a shade more gracious to Clarissa. The
exhibition of her <i>sanctum sanctorum</i> was always pleasing to her. It was
the primmest of apartments, half study, half office; and Sophia, one of
whose proudest boasts was of her methodical habits, here displayed herself
in full force. It seemed as if she had inherited all the commercial
faculties of her father, and having no other outlet for this mercantile
genius, was fain to expend her gifts upon the petty details of a woman's
life. Never had Clarissa seen such a writing-table, with so many
pigeon-holes for the classification of documents, and such ranges of
drawers with Brahma locks. Miss Granger might have carried on a small
banking business with less paraphernalia than she employed in the conduct
of her housekeeping and philanthropy.</p>
<p id="id01335">"I am my own housekeeper," she told Clarissa triumphantly, "and know the
consumption of this large establishment to an ounce. There is no stint of
anything, of course. The diet in the servant's hall is on the most liberal
scale, but there is no waste. Every cinder produced in the house is sifted;
every candle we burn has been in stock a twelvemonth. I could not pretend
to teach my cottagers economy if I did not practise it myself. I rule
everything by the doctrine of averages—so much consumed in one month, so
much necessarily required in another; and I reduce everything to figures.
Figures cannot deceive, as I tell Mrs. Plumptree, my cook, when she shows
me a result that I cannot understand or accept. And there are my books."</p>
<p id="id01336">Miss Granger waved her hand towards a row of most uncompromising-looking
volumes of the ledger or day-book species. The delight which she displayed
in these things was something curious to behold. Every small charity
Miss Granger performed, every shortcoming of the recipients thereof, was
recorded in those inexorable volumes. She had a book for the record of the
church-going, a book for the plain needlework, and was wont to freeze the
young blood of her school-children by telling them at the end of the year
how many inches of cambric frilling they had hemmed, and how many times
they had missed afternoon service. To them she appeared a supernatural
creature—a kind of prophetess, sent upon earth for their correction and
abasement.</p>
<p id="id01337">On a solid ecclesiastical-looking oak table in one of the windows Miss
Granger had a row of brass-bound money-boxes, inscribed, "For the Home
Mission," "For the Extra Curate Society," and so on—boxes into which Miss
Granger's friends and visitors were expected to drop their mite. Clarissa
felt that if she had been laden down with shillings, she could not for her
very life have approached those formidable boxes to drop one in under Miss
Granger's ken; but, of course, this was a morbid fancy. On another table
there were little piles of material for plain work; so prim, so square,
so geometrically precise, that Clarissa thought the flannel itself looked
cold—a hard, fibrous, cruel fabric, that could never be of use to mortal
flesh except as an irritant.</p>
<p id="id01338">Miss Granger's bedroom and dressing-room were like Miss Granger's
morning-room. No frivolous mediaevalism here, no dainty upholsterer's work
in many-coloured woods, but solid mahogany, relieved by solemn draperies
of drab damask, in a style which the wise Sophia called unpretentious. The
chief feature in one room was a sewing-machine that looked like a small
church organ, and in the other a monster medicine-chest, from the contents
of which Miss Granger dealt out doses of her own concoction to her
parishioners. Both of these objects she showed to Clarissa with pride, but
the medicine-chest was evidently the favourite.</p>
<p id="id01339">Having improved the time after this manner till twenty minutes past seven,
with a very brief interval devoted to the duties of the toilet, the two
young ladies went down to the drawing-room, where the lamps were lighted,
and Mr. Lovel just arrived.</p>
<p id="id01340">That gentleman had the honour of taking Miss Granger in to dinner, and did
his utmost to render himself agreeable to her in a quiet undemonstrative
way, and to take the gauge of her mental powers. She received his
attentions graciously enough—indeed it would not have been easy for any
one to be ungracious to Marmaduke Lovel when he cared to please—but he
could see very clearly that she suspected the state of affairs, and
would be, to the last degree, antagonistic to his own and his daughter's
interests. He saw how close a watch she kept upon her father all through
the dinner, and how her attention was distracted every now and then when he
was talking to Clarissa.</p>
<p id="id01341">"It is only natural that she should set her face against the business,"
he said to himself; "no woman in her position could be expected to act
otherwise; but it strikes me that Granger is not a man likely to be
influenced by domestic opposition. He is the kind of man to take his own
way, I fancy, in defiance of an opposing universe—a very difficult man
to govern. He seems over head and ears in love, however, and it will be
Clarissa's own fault if she doesn't do what she likes with him. Heaven
grant she may prove reasonable! Most women would be enchanted with such
an opportunity, but with a raw school-girl there is no knowing. And
that fellow Fairfax's influence may work against us, in spite of her
protestations last night."</p>
<p id="id01342">This was the gist of Mr. Lovel's disjointed musings during the progress of
the dinner; but he took care not to neglect Miss Granger even for a moment,
and he gave her very little time to listen to her father's conversation
with Clarissa.</p>
<p id="id01343">The dinner ceremonial was performed in a manner which seemed perfection,
even to the fastidious taste of Marmaduke Lovel. There was not the faintest
indication of ostentation. Daniel Granger's father had been rich before
him; he had been born in the commercial purple, as it were, and none of
these things were new to him. Before the Arden Court days he had occupied
a handsome modern country house southward, near Doncaster. He had only
expanded his style of living after the purchase of the Court, that was all.
He had good taste too, and a keen sense of the incongruous. He did not
affect the orchids and frivolous floral decorations, the fragile fairy-like
glass, with which Lady Laura Armstrong brightened her dinner-table; but, on
the other hand, his plate, of which he exhibited no vulgar profusion, was
in the highest art, the old Indian china dinner-service scarcely less
costly than solid silver, and the heavy diamond-cut glass, with gold
emblazonment of crest and monogram, worthy to be exhibited behind the
glazed doors of a cabinet. There was no such abomination as gas in the
state chambers of Arden Court. Innumerable candles, in antique silver
candelabra, gave a subdued brightness to the dining-room. More candles,
in sconces against the walls, and two pairs of noble moderator-lamps, on
bronze and ormolu pedestals six feet high, lighted the drawing-room. In
the halls and corridors there was the same soft glow of lamplight. Only in
kitchens and out-offices and stables was the gas permitted to blaze merrily
for the illumination of cooks and scullions, grooms and helpers.</p>
<p id="id01344">Miss Granger only lingered long enough to trifle with a cluster of purple
grapes before giving the signal for withdrawal. Her father started up to
open the dining-room door, with a little sudden sigh. He had had Clarissa
all to himself throughout the dinner, and had been very happy, talking
about things that were commonplace enough in themselves, but finding a
perfect contentment in the fact that he was talking to her, that
she listened to him and smiled upon him graciously, with a sweet
self-possession which put him quite at his ease. She had recovered from
that awkward scene of the morning, and had settled in her own mind that the
business was rather absurd than serious. She had only to take care that Mr.
Granger never had any second opportunity for indulging in such folly.</p>
<p id="id01345">He held the door open as Clarissa and his daughter went out of the
room—held it till that slim girlish figure had vanished at the end of the
corridor, and then came back to his seat with another sigh.</p>
<p id="id01346">"Very far gone," Mr. Lovel thought, smiling ever so little, as he bent over
his claret-glass, pretending to admire the colour of the wine.</p>
<p id="id01347">It was really wonderful. That vague dream which had grown out of Lady
Laura's womanly hints, that pleasant phantom which she had conjured up in
Mr. Lovel's mental vision a month or two ago, in the midsummer afternoon,
had made itself into a reality so quickly as to astound a man too Horatian
in his philosophy to be easily surprised. The fish was such a big one to
be caught so easily—without any exercise of those subtle manoeuvres and
Machiavellian artifices in which the skilful angler delights—nay, to
pounce open-eyed upon the hook, and swallow it bodily!</p>
<p id="id01348">Mr. Granger filled his glass with such a nervous hand, that half the claret
he poured out ran upon the shining oak table. He wiped up the spilt wine
clumsily enough, with a muttered denunciation of his own folly, and then
made a feeble effort to talk about indifferent things.</p>
<p id="id01349">It was of no use; with every appearance of courtesy and interest Mr. Lovel
contrived <i>not</i> to help him. One subject after another fell flat: the state
of the Conservative party, the probability of a war—there is always a
probability of war somewhere, according to after-dinner politicians—the
aspect of the country politically and agriculturally, and so on. No, it was
no use; Daniel Granger broke down altogether at last, and thought it best
to unbosom himself.</p>
<p id="id01350">"There is something that I think you have a right to know, Mr. Lovel," he
said, in an awkward hesitating way; "something which I should scarcely like
you to learn from your daughter's lips, should she think it worth her while
to mention it, before you have heard it from mine. The fact is, in plain
English"—he was playing with his dessert-knife as he spoke, and seemed to
be debating within himself whereabouts upon the dinning-table he should
begin to carve his name—"the fact is, I made an abject fool of myself this
morning. I love your daughter—and told her so."</p>
<p id="id01351">Mr. Lovel gave a little start, the faintest perceptible movement,
expressive of a gentle astonishment.</p>
<p id="id01352">"I need hardly tell you that you have taken me entirely by surprise," he
said in his quietest tone.</p>
<p id="id01353">"Of course not. People always are surprised when a man of my age presumes
to fall in love with a beautiful girl of eighteen or twenty. If I were to
marry some worn-out woman of fashion, some battered widow, steeped to the
lips in worldly wisdom, every one would call the match the most suitable
thing possible. But if a man of fifty ventures to dream a brighter dream,
he is condemned at once for a fool."</p>
<p id="id01354">"Pardon me, my dear Granger; I have no idea of looking at things in that
light. I only remark that you surprise me, as you no doubt surprised my
daughter by any avowal you may have made this morning."</p>
<p id="id01355">"Yes; and, I fear, disgusted her still more. I daresay I did my cause all
the harm that it was possible to do it."</p>
<p id="id01356">"I must own that you were precipitate," Mr. Lovel answered, with his quiet
smile. He felt as if he had been talking to a schoolboy. In his own words
the man was so "very far gone."</p>
<p id="id01357">"I shall know how to be more careful in future, if not wiser; but I
suffered myself to be carried away by impulse this morning. It was
altogether unworthy of—of my time of life." This was said rather bitterly.
"Frankly, now, Mr. Lovel: if in the future I were able to gain some hold
upon your daughter's affection—without that I would do nothing, no, so
help me heaven, however passionately I might love her; if I could—if, in
spite of the difference of our ages, I could win her heart—would you be in
any way antagonistic to such a marriage?"</p>
<p id="id01358">"On the contrary, my dear Granger." Mr. Lovel had already something of the
tone of a father-in-law. "Slight as our actual acquaintance has been, I
think I know the estimable qualities of your character well enough from
other sources to be able to say that such a marriage would be eminently
pleasing to me. Nor is this all. I mean to be perfectly candid with you,
Granger. My daughter and myself have both an almost romantic attachment to
this place, and I freely own that it would be very delightful to me to see
her mistress of her old home. But, at the same time, I give you my honour
that nothing would induce me to govern her choice by the smallest exercise
of parental influence. If you can win her, win her, and my best wishes
shall go with your wooing; but I will utter no word to persuade her to be
your wife."</p>
<p id="id01359">"I respect you for that resolution; I think I should have asked you to be
neutral, if you hadn't said as much. I couldn't stand the idea of a wife
driven into my arms by fatherly coercion. I suppose such things are done in
modern society. No, I must win my treasure myself, or not at all. I have
everything against me, no doubt, except a rival. There is no fear of
<i>that</i>, is there, Lovel?"</p>
<p id="id01360">"Not the slightest. Clarissa is the merest school-girl. Her visit to Lady
Laura Armstrong was her first glimpse of the world. No, Granger, you have
the field all before you. And you strike me as a man not likely to be
vanquished by small difficulties."</p>
<p id="id01361">"I never yet set myself to do a thing which I didn't accomplish in the long
run," answered Mr. Granger; "but then I never set myself to win a woman's
heart. My wife and I came together easily enough—in the way of business,
as I may say—and liked each other well enough, and I regretted her
honestly when she was gone, poor soul! but that was all. I was never 'in
love' till I knew your daughter; never understood the meaning of the
phrase. Of all the accidents that might have happened to me, this is the
most surprising to myself. I can never cease to wonder at my own folly."</p>
<p id="id01362">"I do not know why you should call it a folly. You are only in the very
middle of a man's life; you have a fortune that exempts you from all care
and labour, and of course at the same time leaves you more or less without
occupation. Your daughter will marry and leave you in a year or two, no
doubt. Without some new tie your future existence must needs be very
empty."</p>
<p id="id01363">"I have felt that; but only since I have loved your daughter."</p>
<p id="id01364">This was all. The men came in with coffee, and put an end to all
confidential converse; after which Mr. Granger seemed very glad to go back
to the drawing-room, where Clarissa was playing a mazurka; while Sophia
sat before a great frame, upon which some splendid achievement in Berlin
woolwork, that was to be the glory of an approaching charity bazaar, was
rapidly advancing towards completion. The design was a group of dogs,
after Landseer, and Miss Granger was putting in the pert black nose of a
Skye-terrier as the gentlemen entered. The two ladies were as far apart as
they well could be in the spacious room, and had altogether an inharmonious
air, Mr. Granger thought; but then he was nervously anxious that these two
should become friends.</p>
<p id="id01365">He went straight to the piano, and seated himself near Clarissa, almost
with the air of having a right to take that place.</p>
<p id="id01366">"Pray go on playing," he said; "that seems very pretty music. I am no
judge, and I don't pretend to care for that classical music which every one
talks about nowadays, but I know what pleases me."</p>
<p id="id01367">The evening was not an especially gay one; but it seemed pleasant enough
to Mr. Granger, and he found himself wondering at its brevity. He showed
Clarissa some of his favourite pictures. His collection of modern art was a
fine one—not large, but very perfect in its way, and he was delighted to
see her appreciation of his treasures. Here at least was a point upon
which they might sympathise. He had been a good deal worried by Sophia's
obtuseness upon all artistic matters.</p>
<p id="id01368">Mr. Lovel was not very sorry when the fly from the Arden Inn was announced,
and it was time to go home. The pictures were fine, no doubt, and the old
house was beautiful in its restored splendour; but the whole business
jarred upon Marmaduke Lovel's sensitive nerves just a little, in spite of
the sudden realization of that vague dream of his. This place might be his
daughter's home, and he return to it: but not as its master. The day of
his glory was gone. He was doubtful if he should even care to inhabit that
house as his daughter's guest. He had to remind himself of the desperate
condition of his own circumstances before he could feel duly grateful to
Providence for his daughter's subjugation of Daniel Granger.</p>
<p id="id01369">He was careful to utter no word about her conquest on the way home, or
during the quarter of an hour Clarissa spent with him before going to her
room.</p>
<p id="id01370">"You look pale and tired, my child," he said, with a sympathetic air,
turning over the leaves of a book as he spoke.</p>
<p id="id01371">"The day was rather fatiguing, papa," his daughter answered listlessly,
"and Miss Granger is a tiring person. She is so strong-minded, that she
makes one feel weak and helpless by the mere force of contrast."</p>
<p id="id01372">"Yes, she is a tiring person, certainly; but I think I had the worst of her
at dinner and in the evening."</p>
<p id="id01373">"But there was all the time before dinner, papa. She showed us her
cottages—O, how I pitied the poor people! though I daresay she is kind to
them, in her way; but imagine any one coming in here and opening all our
cupboards, and spying out cobwebs, and giving a little shriek at the
discovery of a new loaf in our larder. She found out that one of her model
cottagers had been eating new bread. She said it gave her quite a revulsion
of feeling. And then when we went home she showed me her account-books and
her medicine-chest. It was very tiring."</p>
<p id="id01374">"Poor child! and this young woman will have Arden Court some day—unless
her father should marry again."</p>
<p id="id01375">Clarissa's pale face flamed with sudden crimson.</p>
<p id="id01376">"Which he is pretty sure to do, sooner or later," continued Mr. Lovel, with
an absent meditative air, as of a man who discusses the most indifferent
subject possible. "I hope he may. It would be a pity for such a place to
fall into such hands. She would make it a phalanstery, a nest for Dorcas
societies and callow curates."</p>
<p id="id01377">"But if she does good with her money, papa, what more could one wish?"</p>
<p id="id01378">"I don't believe that she would do much good. There is a pinched hard
look about the lower part of her face which makes me fancy she is mean. I
believe she would hoard her money, and make a great talk and fuss about
nothing. Yes, I hope Granger will marry again. The house is very fine,
isn't it, since its renovation?"</p>
<p id="id01379">"It is superb, papa. Dearly as I love the place, I did not think it could
be made so beautiful."</p>
<p id="id01380">"Yes, and everything has been done in good taste, too," Mr. Lovel went on,
in rather a querulous tone. "I did not expect to see that. But of course a
man of that kind has only to put himself into the hands of a first-class
architect, and if he is lucky enough to select an architect with an
artistic mind, the thing is done. All the rest is merely a question of
money. Good heavens, what a shabby sordid hole this room looks, after the
place we have come from!"</p>
<p id="id01381">The room was not so bad as to merit that look of angry disgust with which
Mr. Lovel surveyed it. Curtains and carpet were something the worse for
wear, the old-fashioned furniture was a little sombre; but the rich
binding of the books and a rare old bronze here and there redeemed it from
commonness—poor jetsam and flotsam from the wreck of the great house, but
enough to give some touch of elegance to meaner things.</p>
<p id="id01382">"O, papa," Clarissa cried reproachfully, "the room is very nice, and we
have been peaceful and happy in it. I don't suppose all the splendour of
Arden would have made us much happier. Those external things make so little
difference."</p>
<p id="id01383">She thought of those evenings at Hale Castle, when George Fairfax had
abandoned her to pay duty to his betrothed, and of the desolation of spirit
that had come upon her in the midst of those brilliant surroundings.</p>
<p id="id01384">Her father paced the little room as if it had been a den, and answered her
philosophic remonstrance with an exclamation of contempt.</p>
<p id="id01385">"That's rank nonsense, Clarissa—copybook morality, which nobody in his
heart ever believes. External things make all the difference—except when
a man is writhing in physical pain perhaps. External things make the
difference between a king and a beggar. Do you suppose that man Granger is
no happier for the possession of Arden Court—of those pictures of his?
Why, every time he looks at a Frith or Millais he feels a little thrill of
triumph, as he says to himself, 'And that is mine.' There is a sensuous
delight in beautiful surroundings which will remain to a man whose heart is
dead to every other form of pleasure. I suppose that is why the Popes were
such patrons of art in days gone by. It was the one legitimate delight left
to them. Do you imagine it is no pleasure to dine every night as that man
dines? no happiness to feel the sense of security about the future which he
feels every morning? Great God, when I think of his position and of mine!"</p>
<p id="id01386">Never before had he spoken so freely to his daughter; never had he so
completely revealed the weakness of his mind.</p>
<p id="id01387">She was sorry for him, and forbore to utter any of those pious commonplaces
by which she might have attempted to bring him to a better frame of mind.
She had tact enough to divine that he was best left to himself—left to
struggle out of this grovelling state by some effort of his own, rather
than to be dragged from the slough of despond by moral violence of hers.</p>
<p id="id01388">He dismissed her presently with a brief good-night; but lying awake nearly
two hours afterwards, she heard him pass her door on the way to his room.
He too was wakeful, therefore, and full of care.</p>
<p id="id01389"> * * * * *</p>
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