<p><SPAN name="c34" id="c34"></SPAN> </p>
<p> </p>
<h4>CHAPTER XXXIV</h4>
<h3>A Turn of the Screw<br/> </h3>
<p>"Now, what," says Mr. George, "may this be? Is it blank cartridge or
ball? A flash in the pan or a shot?"</p>
<p>An open letter is the subject of the trooper's speculations, and it
seems to perplex him mightily. He looks at it at arm's length, brings
it close to him, holds it in his right hand, holds it in his left
hand, reads it with his head on this side, with his head on that
side, contracts his eyebrows, elevates them, still cannot satisfy
himself. He smooths it out upon the table with his heavy palm, and
thoughtfully walking up and down the gallery, makes a halt before it
every now and then to come upon it with a fresh eye. Even that won't
do. "Is it," Mr. George still muses, "blank cartridge or ball?"</p>
<p>Phil Squod, with the aid of a brush and paint-pot, is employed in the
distance whitening the targets, softly whistling in quick-march time
and in drum-and-fife manner that he must and will go back again to
the girl he left behind him.</p>
<p>"Phil!" The trooper beckons as he calls him.</p>
<p>Phil approaches in his usual way, sidling off at first as if he were
going anywhere else and then bearing down upon his commander like a
bayonet-charge. Certain splashes of white show in high relief upon
his dirty face, and he scrapes his one eyebrow with the handle of the
brush.</p>
<p>"Attention, Phil! Listen to this."</p>
<p>"Steady, commander, steady."</p>
<p>"'Sir. Allow me to remind you (though there is no legal necessity for
my doing so, as you are aware) that the bill at two months' date
drawn on yourself by Mr. Matthew Bagnet, and by you accepted, for the
sum of ninety-seven pounds four shillings and ninepence, will become
due to-morrow, when you will please be prepared to take up the same
on presentation. Yours, Joshua Smallweed.' What do you make of that,
Phil?"</p>
<p>"Mischief, guv'ner."</p>
<p>"Why?"</p>
<p>"I think," replies Phil after pensively tracing out a cross-wrinkle
in his forehead with the brush-handle, "that mischeevious
consequences is always meant when money's asked for."</p>
<p>"Lookye, Phil," says the trooper, sitting on the table. "First and
last, I have paid, I may say, half as much again as this principal in
interest and one thing and another."</p>
<p>Phil intimates by sidling back a pace or two, with a very
unaccountable wrench of his wry face, that he does not regard the
transaction as being made more promising by this incident.</p>
<p>"And lookye further, Phil," says the trooper, staying his premature
conclusions with a wave of his hand. "There has always been an
understanding that this bill was to be what they call renewed. And it
has been renewed no end of times. What do you say now?"</p>
<p>"I say that I think the times is come to a end at last."</p>
<p>"You do? Humph! I am much of the same mind myself."</p>
<p>"Joshua Smallweed is him that was brought here in a chair?"</p>
<p>"The same."</p>
<p>"Guv'ner," says Phil with exceeding gravity, "he's a leech in his
dispositions, he's a screw and a wice in his actions, a snake in his
twistings, and a lobster in his claws."</p>
<p>Having thus expressively uttered his sentiments, Mr. Squod, after
waiting a little to ascertain if any further remark be expected of
him, gets back by his usual series of movements to the target he has
in hand and vigorously signifies through his former musical medium
that he must and he will return to that ideal young lady. George,
having folded the letter, walks in that direction.</p>
<p>"There IS a way, commander," says Phil, looking cunningly at him, "of
settling this."</p>
<p>"Paying the money, I suppose? I wish I could."</p>
<p>Phil shakes his head. "No, guv'ner, no; not so bad as that. There IS
a way," says Phil with a highly artistic turn of his brush; "what I'm
a-doing at present."</p>
<p>"Whitewashing."</p>
<p>Phil nods.</p>
<p>"A pretty way that would be! Do you know what would become of the
Bagnets in that case? Do you know they would be ruined to pay off my
old scores? YOU'RE a moral character," says the trooper, eyeing him
in his large way with no small indignation; "upon my life you are,
Phil!"</p>
<p>Phil, on one knee at the target, is in course of protesting
earnestly, though not without many allegorical scoops of his brush
and smoothings of the white surface round the rim with his thumb,
that he had forgotten the Bagnet responsibility and would not so much
as injure a hair of the head of any member of that worthy family when
steps are audible in the long passage without, and a cheerful voice
is heard to wonder whether George is at home. Phil, with a look at
his master, hobbles up, saying, "Here's the guv'ner, Mrs. Bagnet!
Here he is!" and the old girl herself, accompanied by Mr. Bagnet,
appears.</p>
<p>The old girl never appears in walking trim, in any season of the
year, without a grey cloth cloak, coarse and much worn but very
clean, which is, undoubtedly, the identical garment rendered so
interesting to Mr. Bagnet by having made its way home to Europe from
another quarter of the globe in company with Mrs. Bagnet and an
umbrella. The latter faithful appendage is also invariably a part of
the old girl's presence out of doors. It is of no colour known in
this life and has a corrugated wooden crook for a handle, with a
metallic object let into its prow, or beak, resembling a little model
of a fanlight over a street door or one of the oval glasses out of a
pair of spectacles, which ornamental object has not that tenacious
capacity of sticking to its post that might be desired in an article
long associated with the British army. The old girl's umbrella is of
a flabby habit of waist and seems to be in need of stays—an
appearance that is possibly referable to its having served through a
series of years at home as a cupboard and on journeys as a carpet
bag. She never puts it up, having the greatest reliance on her
well-proved cloak with its capacious hood, but generally uses the
instrument as a wand with which to point out joints of meat or
bunches of greens in marketing or to arrest the attention of
tradesmen by a friendly poke. Without her market-basket, which is a
sort of wicker well with two flapping lids, she never stirs abroad.
Attended by these her trusty companions, therefore, her honest
sunburnt face looking cheerily out of a rough straw bonnet, Mrs.
Bagnet now arrives, fresh-coloured and bright, in George's Shooting
Gallery.</p>
<p>"Well, George, old fellow," says she, "and how do YOU do, this
sunshiny morning?"</p>
<p>Giving him a friendly shake of the hand, Mrs. Bagnet draws a long
breath after her walk and sits down to enjoy a rest. Having a
faculty, matured on the tops of baggage-waggons and in other such
positions, of resting easily anywhere, she perches on a rough bench,
unties her bonnet-strings, pushes back her bonnet, crosses her arms,
and looks perfectly comfortable.</p>
<p>Mr. Bagnet in the meantime has shaken hands with his old comrade and
with Phil, on whom Mrs. Bagnet likewise bestows a good-humoured nod
and smile.</p>
<p>"Now, George," said Mrs. Bagnet briskly, "here we are, Lignum and
myself"—she often speaks of her husband by this appellation, on
account, as it is supposed, of Lignum Vitae having been his old
regimental nickname when they first became acquainted, in compliment
to the extreme hardness and toughness of his physiognomy—"just
looked in, we have, to make it all correct as usual about that
security. Give him the new bill to sign, George, and he'll sign it
like a man."</p>
<p>"I was coming to you this morning," observes the trooper reluctantly.</p>
<p>"Yes, we thought you'd come to us this morning, but we turned out
early and left Woolwich, the best of boys, to mind his sisters and
came to you instead—as you see! For Lignum, he's tied so close now,
and gets so little exercise, that a walk does him good. But what's
the matter, George?" asks Mrs. Bagnet, stopping in her cheerful talk.
"You don't look yourself."</p>
<p>"I am not quite myself," returns the trooper; "I have been a little
put out, Mrs. Bagnet."</p>
<p>Her bright quick eye catches the truth directly. "George!" holding up
her forefinger. "Don't tell me there's anything wrong about that
security of Lignum's! Don't do it, George, on account of the
children!"</p>
<p>The trooper looks at her with a troubled visage.</p>
<p>"George," says Mrs. Bagnet, using both her arms for emphasis and
occasionally bringing down her open hands upon her knees. "If you
have allowed anything wrong to come to that security of Lignum's, and
if you have let him in for it, and if you have put us in danger of
being sold up—and I see sold up in your face, George, as plain as
print—you have done a shameful action and have deceived us cruelly.
I tell you, cruelly, George. There!"</p>
<p>Mr. Bagnet, otherwise as immovable as a pump or a lamp-post, puts his
large right hand on the top of his bald head as if to defend it from
a shower-bath and looks with great uneasiness at Mrs. Bagnet.</p>
<p>"George," says that old girl, "I wonder at you! George, I am ashamed
of you! George, I couldn't have believed you would have done it! I
always knew you to be a rolling stone that gathered no moss, but I
never thought you would have taken away what little moss there was
for Bagnet and the children to lie upon. You know what a
hard-working, steady-going chap he is. You know what Quebec and Malta
and Woolwich are, and I never did think you would, or could, have had
the heart to serve us so. Oh, George!" Mrs. Bagnet gathers up her
cloak to wipe her eyes on in a very genuine manner, "How could you do
it?"</p>
<p>Mrs. Bagnet ceasing, Mr. Bagnet removes his hand from his head as if
the shower-bath were over and looks disconsolately at Mr. George, who
has turned quite white and looks distressfully at the grey cloak and
straw bonnet.</p>
<p>"Mat," says the trooper in a subdued voice, addressing him but still
looking at his wife, "I am sorry you take it so much to heart,
because I do hope it's not so bad as that comes to. I certainly have,
this morning, received this letter"—which he reads aloud—"but I
hope it may be set right yet. As to a rolling stone, why, what you
say is true. I AM a rolling stone, and I never rolled in anybody's
way, I fully believe, that I rolled the least good to. But it's
impossible for an old vagabond comrade to like your wife and family
better than I like 'em, Mat, and I trust you'll look upon me as
forgivingly as you can. Don't think I've kept anything from you. I
haven't had the letter more than a quarter of an hour."</p>
<p>"Old girl," murmurs Mr. Bagnet after a short silence, "will you tell
him my opinion?"</p>
<p>"Oh! Why didn't he marry," Mrs. Bagnet answers, half laughing and
half crying, "Joe Pouch's widder in North America? Then he wouldn't
have got himself into these troubles."</p>
<p>"The old girl," says Mr. Bagnet, "puts it correct—why didn't you?"</p>
<p>"Well, she has a better husband by this time, I hope," returns the
trooper. "Anyhow, here I stand, this present day, NOT married to Joe
Pouch's widder. What shall I do? You see all I have got about me.
It's not mine; it's yours. Give the word, and I'll sell off every
morsel. If I could have hoped it would have brought in nearly the sum
wanted, I'd have sold all long ago. Don't believe that I'll leave you
or yours in the lurch, Mat. I'd sell myself first. I only wish," says
the trooper, giving himself a disparaging blow in the chest, "that I
knew of any one who'd buy such a second-hand piece of old stores."</p>
<p>"Old girl," murmurs Mr. Bagnet, "give him another bit of my mind."</p>
<p>"George," says the old girl, "you are not so much to be blamed, on
full consideration, except for ever taking this business without the
means."</p>
<p>"And that was like me!" observes the penitent trooper, shaking his
head. "Like me, I know."</p>
<p>"Silence! The old girl," says Mr. Bagnet, "is correct—in her way of
giving my opinions—hear me out!"</p>
<p>"That was when you never ought to have asked for the security,
George, and when you never ought to have got it, all things
considered. But what's done can't be undone. You are always an
honourable and straightforward fellow, as far as lays in your power,
though a little flighty. On the other hand, you can't admit but what
it's natural in us to be anxious with such a thing hanging over our
heads. So forget and forgive all round, George. Come! Forget and
forgive all round!"</p>
<p>Mrs. Bagnet, giving him one of her honest hands and giving her
husband the other, Mr. George gives each of them one of his and holds
them while he speaks.</p>
<p>"I do assure you both, there's nothing I wouldn't do to discharge
this obligation. But whatever I have been able to scrape together has
gone every two months in keeping it up. We have lived plainly enough
here, Phil and I. But the gallery don't quite do what was expected of
it, and it's not—in short, it's not the mint. It was wrong in me to
take it? Well, so it was. But I was in a manner drawn into that step,
and I thought it might steady me, and set me up, and you'll try to
overlook my having such expectations, and upon my soul, I am very
much obliged to you, and very much ashamed of myself." With these
concluding words, Mr. George gives a shake to each of the hands he
holds, and relinquishing them, backs a pace or two in a
broad-chested, upright attitude, as if he had made a final confession
and were immediately going to be shot with all military honours.</p>
<p>"George, hear me out!" says Mr. Bagnet, glancing at his wife. "Old
girl, go on!"</p>
<p>Mr. Bagnet, being in this singular manner heard out, has merely to
observe that the letter must be attended to without any delay, that
it is advisable that George and he should immediately wait on Mr.
Smallweed in person, and that the primary object is to save and hold
harmless Mr. Bagnet, who had none of the money. Mr. George, entirely
assenting, puts on his hat and prepares to march with Mr. Bagnet to
the enemy's camp.</p>
<p>"Don't you mind a woman's hasty word, George," says Mrs. Bagnet,
patting him on the shoulder. "I trust my old Lignum to you, and I am
sure you'll bring him through it."</p>
<p>The trooper returns that this is kindly said and that he WILL bring
Lignum through it somehow. Upon which Mrs. Bagnet, with her cloak,
basket, and umbrella, goes home, bright-eyed again, to the rest of
her family, and the comrades sally forth on the hopeful errand of
mollifying Mr. Smallweed.</p>
<p>Whether there are two people in England less likely to come
satisfactorily out of any negotiation with Mr. Smallweed than Mr.
George and Mr. Matthew Bagnet may be very reasonably questioned.
Also, notwithstanding their martial appearance, broad square
shoulders, and heavy tread, whether there are within the same limits
two more simple and unaccustomed children in all the Smallweedy
affairs of life. As they proceed with great gravity through the
streets towards the region of Mount Pleasant, Mr. Bagnet, observing
his companion to be thoughtful, considers it a friendly part to refer
to Mrs. Bagnet's late sally.</p>
<p>"George, you know the old girl—she's as sweet and as mild as milk.
But touch her on the children—or myself—and she's off like
gunpowder."</p>
<p>"It does her credit, Mat!"</p>
<p>"George," says Mr. Bagnet, looking straight before him, "the old
girl—can't do anything—that don't do her credit. More or less. I
never say so. Discipline must be maintained."</p>
<p>"She's worth her weight in gold," says the trooper.</p>
<p>"In gold?" says Mr. Bagnet. "I'll tell you what. The old girl's
weight—is twelve stone six. Would I take that weight—in any
metal—for the old girl? No. Why not? Because the old girl's metal is
far more precious—than the preciousest metal. And she's ALL metal!"</p>
<p>"You are right, Mat!"</p>
<p>"When she took me—and accepted of the ring—she 'listed under me and
the children—heart and head, for life. She's that earnest," says Mr.
Bagnet, "and true to her colours—that, touch us with a finger—and
she turns out—and stands to her arms. If the old girl fires
wide—once in a way—at the call of duty—look over it, George. For
she's loyal!"</p>
<p>"Why, bless her, Mat," returns the trooper, "I think the higher of
her for it!"</p>
<p>"You are right!" says Mr. Bagnet with the warmest enthusiasm, though
without relaxing the rigidity of a single muscle. "Think as high of
the old girl—as the rock of Gibraltar—and still you'll be thinking
low—of such merits. But I never own to it before her. Discipline
must be maintained."</p>
<p>These encomiums bring them to Mount Pleasant and to Grandfather
Smallweed's house. The door is opened by the perennial Judy, who,
having surveyed them from top to toe with no particular favour, but
indeed with a malignant sneer, leaves them standing there while she
consults the oracle as to their admission. The oracle may be inferred
to give consent from the circumstance of her returning with the words
on her honey lips that they can come in if they want to it. Thus
privileged, they come in and find Mr. Smallweed with his feet in the
drawer of his chair as if it were a paper foot-bath and Mrs.
Smallweed obscured with the cushion like a bird that is not to sing.</p>
<p>"My dear friend," says Grandfather Smallweed with those two lean
affectionate arms of his stretched forth. "How de do? How de do? Who
is our friend, my dear friend?"</p>
<p>"Why this," returns George, not able to be very conciliatory at
first, "is Matthew Bagnet, who has obliged me in that matter of ours,
you know."</p>
<p>"Oh! Mr. Bagnet? Surely!" The old man looks at him under his hand.</p>
<p>"Hope you're well, Mr. Bagnet? Fine man, Mr. George! Military air,
sir!"</p>
<p>No chairs being offered, Mr. George brings one forward for Bagnet and
one for himself. They sit down, Mr. Bagnet as if he had no power of
bending himself, except at the hips, for that purpose.</p>
<p>"Judy," says Mr. Smallweed, "bring the pipe."</p>
<p>"Why, I don't know," Mr. George interposes, "that the young woman
need give herself that trouble, for to tell you the truth, I am not
inclined to smoke it to-day."</p>
<p>"Ain't you?" returns the old man. "Judy, bring the pipe."</p>
<p>"The fact is, Mr. Smallweed," proceeds George, "that I find myself in
rather an unpleasant state of mind. It appears to me, sir, that your
friend in the city has been playing tricks."</p>
<p>"Oh, dear no!" says Grandfather Smallweed. "He never does that!"</p>
<p>"Don't he? Well, I am glad to hear it, because I thought it might be
HIS doing. This, you know, I am speaking of. This letter."</p>
<p>Grandfather Smallweed smiles in a very ugly way in recognition of the
letter.</p>
<p>"What does it mean?" asks Mr. George.</p>
<p>"Judy," says the old man. "Have you got the pipe? Give it to me. Did
you say what does it mean, my good friend?"</p>
<p>"Aye! Now, come, come, you know, Mr. Smallweed," urges the trooper,
constraining himself to speak as smoothly and confidentially as he
can, holding the open letter in one hand and resting the broad
knuckles of the other on his thigh, "a good lot of money has passed
between us, and we are face to face at the present moment, and are
both well aware of the understanding there has always been. I am
prepared to do the usual thing which I have done regularly and to
keep this matter going. I never got a letter like this from you
before, and I have been a little put about by it this morning,
because here's my friend Matthew Bagnet, who, you know, had none of
the <span class="nowrap">money—"</span></p>
<p>"I DON'T know it, you know," says the old man quietly.</p>
<p>"Why, con-found you—it, I mean—I tell you so, don't I?"</p>
<p>"Oh, yes, you tell me so," returns Grandfather Smallweed. "But I
don't know it."</p>
<p>"Well!" says the trooper, swallowing his fire. "I know it."</p>
<p>Mr. Smallweed replies with excellent temper, "Ah! That's quite
another thing!" And adds, "But it don't matter. Mr. Bagnet's
situation is all one, whether or no."</p>
<p>The unfortunate George makes a great effort to arrange the affair
comfortably and to propitiate Mr. Smallweed by taking him upon his
own terms.</p>
<p>"That's just what I mean. As you say, Mr. Smallweed, here's Matthew
Bagnet liable to be fixed whether or no. Now, you see, that makes his
good lady very uneasy in her mind, and me too, for whereas I'm a
harum-scarum sort of a good-for-nought that more kicks than halfpence
come natural to, why he's a steady family man, don't you see? Now,
Mr. Smallweed," says the trooper, gaining confidence as he proceeds
in his soldierly mode of doing business, "although you and I are good
friends enough in a certain sort of a way, I am well aware that I
can't ask you to let my friend Bagnet off entirely."</p>
<p>"Oh, dear, you are too modest. You can ASK me anything, Mr. George."
(There is an ogreish kind of jocularity in Grandfather Smallweed
to-day.)</p>
<p>"And you can refuse, you mean, eh? Or not you so much, perhaps, as
your friend in the city? Ha ha ha!"</p>
<p>"Ha ha ha!" echoes Grandfather Smallweed. In such a very hard manner
and with eyes so particularly green that Mr. Bagnet's natural gravity
is much deepened by the contemplation of that venerable man.</p>
<p>"Come!" says the sanguine George. "I am glad to find we can be
pleasant, because I want to arrange this pleasantly. Here's my friend
Bagnet, and here am I. We'll settle the matter on the spot, if you
please, Mr. Smallweed, in the usual way. And you'll ease my friend
Bagnet's mind, and his family's mind, a good deal if you'll just
mention to him what our understanding is."</p>
<p>Here some shrill spectre cries out in a mocking manner, "Oh, good
gracious! Oh!" Unless, indeed, it be the sportive Judy, who is found
to be silent when the startled visitors look round, but whose chin
has received a recent toss, expressive of derision and contempt. Mr.
Bagnet's gravity becomes yet more profound.</p>
<p>"But I think you asked me, Mr. George"—old Smallweed, who all this
time has had the pipe in his hand, is the speaker now—"I think you
asked me, what did the letter mean?"</p>
<p>"Why, yes, I did," returns the trooper in his off-hand way, "but I
don't care to know particularly, if it's all correct and pleasant."</p>
<p>Mr. Smallweed, purposely balking himself in an aim at the trooper's
head, throws the pipe on the ground and breaks it to pieces.</p>
<p>"That's what it means, my dear friend. I'll smash you. I'll crumble
you. I'll powder you. Go to the devil!"</p>
<p>The two friends rise and look at one another. Mr. Bagnet's gravity
has now attained its profoundest point.</p>
<p>"Go to the devil!" repeats the old man. "I'll have no more of your
pipe-smokings and swaggerings. What? You're an independent dragoon,
too! Go to my lawyer (you remember where; you have been there before)
and show your independence now, will you? Come, my dear friend,
there's a chance for you. Open the street door, Judy; put these
blusterers out! Call in help if they don't go. Put 'em out!"</p>
<p>He vociferates this so loudly that Mr. Bagnet, laying his hands on
the shoulders of his comrade before the latter can recover from his
amazement, gets him on the outside of the street door, which is
instantly slammed by the triumphant Judy. Utterly confounded, Mr.
George awhile stands looking at the knocker. Mr. Bagnet, in a perfect
abyss of gravity, walks up and down before the little parlour window
like a sentry and looks in every time he passes, apparently revolving
something in his mind.</p>
<p>"Come, Mat," says Mr. George when he has recovered himself, "we must
try the lawyer. Now, what do you think of this rascal?"</p>
<p>Mr. Bagnet, stopping to take a farewell look into the parlour,
replies with one shake of his head directed at the interior, "If my
old girl had been here—I'd have told him!" Having so discharged
himself of the subject of his cogitations, he falls into step and
marches off with the trooper, shoulder to shoulder.</p>
<p>When they present themselves in Lincoln's Inn Fields, Mr. Tulkinghorn
is engaged and not to be seen. He is not at all willing to see them,
for when they have waited a full hour, and the clerk, on his bell
being rung, takes the opportunity of mentioning as much, he brings
forth no more encouraging message than that Mr. Tulkinghorn has
nothing to say to them and they had better not wait. They do wait,
however, with the perseverance of military tactics, and at last the
bell rings again and the client in possession comes out of Mr.
Tulkinghorn's room.</p>
<p>The client is a handsome old lady, no other than Mrs. Rouncewell,
housekeeper at Chesney Wold. She comes out of the sanctuary with a
fair old-fashioned curtsy and softly shuts the door. She is treated
with some distinction there, for the clerk steps out of his pew to
show her through the outer office and to let her out. The old lady is
thanking him for his attention when she observes the comrades in
waiting.</p>
<p>"I beg your pardon, sir, but I think those gentlemen are military?"</p>
<p>The clerk referring the question to them with his eye, and Mr. George
not turning round from the almanac over the fire-place. Mr. Bagnet
takes upon himself to reply, "Yes, ma'am. Formerly."</p>
<p>"I thought so. I was sure of it. My heart warms, gentlemen, at the
sight of you. It always does at the sight of such. God bless you,
gentlemen! You'll excuse an old woman, but I had a son once who went
for a soldier. A fine handsome youth he was, and good in his bold
way, though some people did disparage him to his poor mother. I ask
your pardon for troubling you, sir. God bless you, gentlemen!"</p>
<p>"Same to you, ma'am!" returns Mr. Bagnet with right good will.</p>
<p>There is something very touching in the earnestness of the old lady's
voice and in the tremble that goes through her quaint old figure. But
Mr. George is so occupied with the almanac over the fire-place
(calculating the coming months by it perhaps) that he does not look
round until she has gone away and the door is closed upon her.</p>
<p>"George," Mr. Bagnet gruffly whispers when he does turn from the
almanac at last. "Don't be cast down! 'Why, soldiers, why—should we
be melancholy, boys?' Cheer up, my hearty!"</p>
<p>The clerk having now again gone in to say that they are still there
and Mr. Tulkinghorn being heard to return with some irascibility,
"Let 'em come in then!" they pass into the great room with the
painted ceiling and find him standing before the fire.</p>
<p>"Now, you men, what do you want? Sergeant, I told you the last time I
saw you that I don't desire your company here."</p>
<p>Sergeant replies—dashed within the last few minutes as to his usual
manner of speech, and even as to his usual carriage—that he has
received this letter, has been to Mr. Smallweed about it, and has
been referred there.</p>
<p>"I have nothing to say to you," rejoins Mr. Tulkinghorn. "If you get
into debt, you must pay your debts or take the consequences. You have
no occasion to come here to learn that, I suppose?"</p>
<p>Sergeant is sorry to say that he is not prepared with the money.</p>
<p>"Very well! Then the other man—this man, if this is he—must pay it
for you."</p>
<p>Sergeant is sorry to add that the other man is not prepared with the
money either.</p>
<p>"Very well! Then you must pay it between you or you must both be sued
for it and both suffer. You have had the money and must refund it.
You are not to pocket other people's pounds, shillings, and pence and
escape scot-free."</p>
<p>The lawyer sits down in his easy-chair and stirs the fire. Mr. George
hopes he will have the goodness to—"I tell you, sergeant, I have
nothing to say to you. I don't like your associates and don't want
you here. This matter is not at all in my course of practice and is
not in my office. Mr. Smallweed is good enough to offer these affairs
to me, but they are not in my way. You must go to Melchisedech's in
Clifford's Inn."</p>
<p>"I must make an apology to you, sir," says Mr. George, "for pressing
myself upon you with so little encouragement—which is almost as
unpleasant to me as it can be to you—but would you let me say a
private word to you?"</p>
<p>Mr. Tulkinghorn rises with his hands in his pockets and walks into
one of the window recesses. "Now! I have no time to waste." In the
midst of his perfect assumption of indifference, he directs a sharp
look at the trooper, taking care to stand with his own back to the
light and to have the other with his face towards it.</p>
<p>"Well, sir," says Mr. George, "this man with me is the other party
implicated in this unfortunate affair—nominally, only nominally—and
my sole object is to prevent his getting into trouble on my account.
He is a most respectable man with a wife and family, formerly in the
Royal <span class="nowrap">Artillery—"</span></p>
<p>"My friend, I don't care a pinch of snuff for the whole Royal
Artillery establishment—officers, men, tumbrils, waggons, horses,
guns, and ammunition."</p>
<p>"'Tis likely, sir. But I care a good deal for Bagnet and his wife and
family being injured on my account. And if I could bring them through
this matter, I should have no help for it but to give up without any
other consideration what you wanted of me the other day."</p>
<p>"Have you got it here?"</p>
<p>"I have got it here, sir."</p>
<p>"Sergeant," the lawyer proceeds in his dry passionless manner, far
more hopeless in the dealing with than any amount of vehemence, "make
up your mind while I speak to you, for this is final. After I have
finished speaking I have closed the subject, and I won't re-open it.
Understand that. You can leave here, for a few days, what you say you
have brought here if you choose; you can take it away at once if you
choose. In case you choose to leave it here, I can do this for you—I
can replace this matter on its old footing, and I can go so far
besides as to give you a written undertaking that this man Bagnet
shall never be troubled in any way until you have been proceeded
against to the utmost, that your means shall be exhausted before the
creditor looks to his. This is in fact all but freeing him. Have you
decided?"</p>
<p>The trooper puts his hand into his breast and answers with a long
breath, "I must do it, sir."</p>
<p>So Mr. Tulkinghorn, putting on his spectacles, sits down and writes
the undertaking, which he slowly reads and explains to Bagnet, who
has all this time been staring at the ceiling and who puts his hand
on his bald head again, under this new verbal shower-bath, and seems
exceedingly in need of the old girl through whom to express his
sentiments. The trooper then takes from his breast-pocket a folded
paper, which he lays with an unwilling hand at the lawyer's elbow.
"'Tis only a letter of instructions, sir. The last I ever had from
him."</p>
<p>Look at a millstone, Mr. George, for some change in its expression,
and you will find it quite as soon as in the face of Mr. Tulkinghorn
when he opens and reads the letter! He refolds it and lays it in his
desk with a countenance as unperturbable as death.</p>
<p>Nor has he anything more to say or do but to nod once in the same
frigid and discourteous manner and to say briefly, "You can go. Show
these men out, there!" Being shown out, they repair to Mr. Bagnet's
residence to dine.</p>
<p>Boiled beef and greens constitute the day's variety on the former
repast of boiled pork and greens, and Mrs. Bagnet serves out the meal
in the same way and seasons it with the best of temper, being that
rare sort of old girl that she receives Good to her arms without a
hint that it might be Better and catches light from any little spot
of darkness near her. The spot on this occasion is the darkened brow
of Mr. George; he is unusually thoughtful and depressed. At first
Mrs. Bagnet trusts to the combined endearments of Quebec and Malta to
restore him, but finding those young ladies sensible that their
existing Bluffy is not the Bluffy of their usual frolicsome
acquaintance, she winks off the light infantry and leaves him to
deploy at leisure on the open ground of the domestic hearth.</p>
<p>But he does not. He remains in close order, clouded and depressed.
During the lengthy cleaning up and pattening process, when he and Mr.
Bagnet are supplied with their pipes, he is no better than he was at
dinner. He forgets to smoke, looks at the fire and ponders, lets his
pipe out, fills the breast of Mr. Bagnet with perturbation and dismay
by showing that he has no enjoyment of tobacco.</p>
<p>Therefore when Mrs. Bagnet at last appears, rosy from the
invigorating pail, and sits down to her work, Mr. Bagnet growls, "Old
girl!" and winks monitions to her to find out what's the matter.</p>
<p>"Why, George!" says Mrs. Bagnet, quietly threading her needle. "How
low you are!"</p>
<p>"Am I? Not good company? Well, I am afraid I am not."</p>
<p>"He ain't at all like Bluffy, mother!" cries little Malta.</p>
<p>"Because he ain't well, I think, mother," adds Quebec.</p>
<p>"Sure that's a bad sign not to be like Bluffy, too!" returns the
trooper, kissing the young damsels. "But it's true," with a sigh,
"true, I am afraid. These little ones are always right!"</p>
<p>"George," says Mrs. Bagnet, working busily, "if I thought you cross
enough to think of anything that a shrill old soldier's wife—who
could have bitten her tongue off afterwards and ought to have done it
almost—said this morning, I don't know what I shouldn't say to you
now."</p>
<p>"My kind soul of a darling," returns the trooper. "Not a morsel of
it."</p>
<p>"Because really and truly, George, what I said and meant to say was
that I trusted Lignum to you and was sure you'd bring him through it.
And you HAVE brought him through it, noble!"</p>
<p>"Thankee, my dear!" says George. "I am glad of your good opinion."</p>
<p>In giving Mrs. Bagnet's hand, with her work in it, a friendly
shake—for she took her seat beside him—the trooper's attention is
attracted to her face. After looking at it for a little while as she
plies her needle, he looks to young Woolwich, sitting on his stool in
the corner, and beckons that fifer to him.</p>
<p>"See there, my boy," says George, very gently smoothing the mother's
hair with his hand, "there's a good loving forehead for you! All
bright with love of you, my boy. A little touched by the sun and the
weather through following your father about and taking care of you,
but as fresh and wholesome as a ripe apple on a tree."</p>
<p>Mr. Bagnet's face expresses, so far as in its wooden material lies,
the highest approbation and acquiescence.</p>
<p>"The time will come, my boy," pursues the trooper, "when this hair of
your mother's will be grey, and this forehead all crossed and
re-crossed with wrinkles, and a fine old lady she'll be then. Take
care, while you are young, that you can think in those days, 'I never
whitened a hair of her dear head—I never marked a sorrowful line in
her face!' For of all the many things that you can think of when you
are a man, you had better have THAT by you, Woolwich!"</p>
<p>Mr. George concludes by rising from his chair, seating the boy beside
his mother in it, and saying, with something of a hurry about him,
that he'll smoke his pipe in the street a bit.</p>
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