<SPAN name="startofbook"></SPAN>
<h1>ONE OF MY SONS</h1>
<h3>BY</h3>
<h2>ANNA KATHARINE GREEN</h2>
<h3>(MRS. CHARLES ROHLFS)</h3>
<hr style="width: 65%;" />
<h2>CONTENTS</h2>
<h2>BOOK I</h2>
<h3>THE SHADOW</h3>
<table summary="Contents">
<tr><td></td>
<td></td>
<td></td><td class="tocpg f1">PAGE</td></tr>
<tr><td class="tocch">I.</td>
<td> </td>
<td><SPAN href="#BOOK_I">—<span class="smcap">The Child, and what she Led me into</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_1">1</SPAN></td>
</tr>
<tr><td class="tocch">II.</td>
<td> </td>
<td><SPAN href="#II">—<span class="smcap">The Young Doctor and the Old</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_6">6</SPAN></td></tr>
<tr><td class="tocch">III.</td>
<td> </td>
<td><SPAN href="#III">—<span class="smcap">What a Door Hid</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_21">21</SPAN></td></tr>
<tr><td class="tocch">IV.</td>
<td> </td>
<td><SPAN href="#IV">—"<span class="smcap">He Drank it alone</span>"</SPAN></td>
<td class="tocpg"><SPAN href="#Page_32">32</SPAN></td></tr>
<tr><td class="tocch">V.</td>
<td> </td>
<td><SPAN href="#V">—<span class="smcap">Hope</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_38">38</SPAN></td></tr>
<tr><td class="tocch">VI.</td>
<td> </td>
<td><SPAN href="#VI">—<span class="smcap">A Happy Inspiration</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_50">50</SPAN></td></tr>
<tr><td class="tocch">VII.</td>
<td> </td>
<td><SPAN href="#VII">—<span class="smcap">The Elderly Gentleman by the Newel-Post</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_54">54</SPAN></td></tr>
<tr><td class="tocch">VIII.</td>
<td> </td>
<td><SPAN href="#VIII">—<span class="smcap">The Man behind the Screen</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_71">71</SPAN></td></tr>
<tr><td class="tocch">IX.</td>
<td> </td>
<td><SPAN href="#IX">—<span class="smcap">The Clock that had Run down</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_88">88</SPAN></td></tr>
<tr><td class="tocch">X.</td>
<td> </td>
<td><SPAN href="#X">—<span class="smcap">The Pencil</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_96">96</SPAN></td></tr>
<tr><td class="tocch">XI.</td>
<td> </td>
<td><SPAN href="#XI">—<span class="smcap">Something to Think about</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_101">101</SPAN></td></tr>
<tr><td class="tocch">XII.</td>
<td> </td>
<td><SPAN href="#XII">—<span class="smcap">Gossip</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_104">104</SPAN></td></tr>
<tr><td class="tocch">XIII.</td>
<td> </td>
<td><SPAN href="#XIII">—<span class="smcap">Indications</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_110">110</SPAN></td></tr>
<tr><td class="tocch">XIV.</td>
<td> </td>
<td><SPAN href="#XIV">—<span class="smcap">A Sudden Turn</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_127">127</SPAN></td></tr>
<tr><td class="tocch">XV.</td>
<td> </td>
<td><SPAN href="#XV">—<span class="smcap">The Missing Pocket</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_139">139</SPAN></td></tr>
<tr><td class="tocch">XVI.</td>
<td> </td>
<td><SPAN href="#XVI">—<span class="smcap">In the Parlour at Mrs. Penrhyn's</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_147">147</SPAN></td></tr>
</table>
<h2>BOOK II</h2>
<h3>THE MAN</h3>
<table summary="Contents">
<tr><td></td>
<td></td>
<td></td><td class="tocpg f1">PAGE</td></tr>
<tr><td class="tocch">XVII.</td>
<td> </td>
<td><SPAN href="#BOOK_II">—<span class="smcap">The Monogram</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_157">157</SPAN></td></tr>
<tr><td class="tocch">XVIII.</td>
<td> </td>
<td><SPAN href="#XVIII">—<span class="smcap">The Phial</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_176">176</SPAN></td></tr>
<tr><td class="tocch">XIX.</td>
<td> </td>
<td><SPAN href="#XIX">—<span class="smcap">I Make my First Move</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_187">187</SPAN></td></tr>
<tr><td class="tocch">XX.</td>
<td> </td>
<td><SPAN href="#XX">—<span class="smcap">The Little House in New Jersey</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_192">192</SPAN></td></tr>
<tr><td class="tocch">XXI.</td>
<td> </td>
<td><SPAN href="#XXI">—<span class="smcap">Mille-Fleurs</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_201">201</SPAN></td></tr>
<tr><td class="tocch">XXII.</td>
<td> </td>
<td><SPAN href="#XXII">—<span class="smcap">A Disagreeable Hour with a Disagreeable Man</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_212">212</SPAN></td></tr>
<tr><td class="tocch">XXIII.</td>
<td> </td>
<td><SPAN href="#XXIII">—<span class="smcap">In my Office</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_224">224</SPAN></td></tr>
<tr><td class="tocch">XXIV.</td>
<td> </td>
<td><SPAN href="#XXIV">—<span class="smcap">An Old Catastrophe is Recalled</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_239">239</SPAN></td></tr>
<tr><td class="tocch">XXV.</td>
<td> </td>
<td><SPAN href="#XXV">—<span class="smcap">A Summons</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_255">255</SPAN></td></tr>
<tr><td class="tocch">XXVI.</td>
<td> </td>
<td><SPAN href="#XXVI">—<span class="smcap">Ferry Lights</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_262">262</SPAN></td></tr>
<tr><td class="tocch">XXVII.</td>
<td> </td>
<td><SPAN href="#XXVII">—<span class="smcap">Rain</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_272">272</SPAN></td></tr>
<tr><td class="tocch">XXVIII.</td>
<td> </td>
<td><SPAN href="#XXVIII">—<span class="smcap">By the Light of a Guttering Candle</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_282">282</SPAN></td></tr>
<tr><td class="tocch">XXIX.</td>
<td> </td>
<td><SPAN href="#XXIX">—<span class="smcap">The Quiet Hour</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_313">313</SPAN></td></tr>
<tr><td class="tocch">XXX.</td>
<td> </td>
<td><SPAN href="#XXX">—<span class="smcap">An Unexpected Ally</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_320">320</SPAN></td></tr>
<tr><td class="tocch">XXXI.</td>
<td> </td>
<td><SPAN href="#XXXI">—<span class="smcap">Sweetwater Has an Idea</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_327">327</SPAN></td></tr>
<tr><td class="tocch">XXXII.</td>
<td> </td>
<td><SPAN href="#XXXII">—<span class="smcap">With the Shade Down</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_336">336</SPAN></td></tr>
<tr><td class="tocch">XXXIII.</td>
<td> </td>
<td><SPAN href="#XXXIII">—<span class="smcap">In which we can Pardon Mr. Gryce his Unfortunate Illness</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_344">344</SPAN></td></tr>
<tr><td class="tocch">XXXIV.</td>
<td> </td>
<td><SPAN href="#XXXIV">—"<span class="smcap">It was the Shock</span>!"</SPAN></td>
<td class="tocpg"><SPAN href="#Page_352">352</SPAN></td></tr>
<tr><td class="tocch">XXXV.</td>
<td> </td>
<td><SPAN href="#XXXV">—<span class="smcap">Roses</span></SPAN></td>
<td class="tocpg"><SPAN href="#Page_363">363</SPAN></td></tr>
</table>
<h2>ILLUSTRATIONS</h2>
<table summary="Illustrations">
<tr><td></td><td class="tocpg f1">PAGE</td>
</tr>
<tr><td><SPAN href="#pic_1">"<i>That of a hand holding a bottle</i>"</SPAN></td>
<td class="tocpg"><SPAN href="#pic_1">Frontispiece</SPAN></td>
</tr>
<tr><td><SPAN href="#pic_2">"<i>One hand was pressed against his heart</i>"</SPAN></td>
<td class="tocpg"><SPAN href="#Page_4">4</SPAN></td></tr>
<tr><td><SPAN href="#pic_3">"<i>Crouched against the farther wall, with wide-extended eyes fixed full upon us</i>"</SPAN></td>
<td class="tocpg"><SPAN href="#Page_30">30</SPAN></td></tr>
<tr><td><SPAN href="#pic_4">"<i>I saw her wild figure jump out and plunge away in the direction of the river</i>"</SPAN></td>
<td class="tocpg"><SPAN href="#Page_186">186</SPAN></td></tr>
<tr><td><SPAN href="#pic_5">"<i>In two minutes I was under that open window</i>"</SPAN></td>
<td class="tocpg"><SPAN href="#Page_276">276</SPAN></td></tr>
<tr><td><SPAN href="#pic_6">"<i>She glided into our presence in one rapturous whirl</i>"</SPAN></td>
<td class="tocpg"><SPAN href="#Page_296">296</SPAN></td></tr>
</table>
<hr style="width: 65%;" />
<h2>ONE OF MY SONS</h2>
<hr style="width: 65%;" />
<p><span class="pagenum"><SPAN name="Page_1" id="Page_1">[1]</SPAN></span></p>
<h2><SPAN name="BOOK_I" id="BOOK_I"></SPAN>BOOK I</h2>
<h2>THE SHADOW</h2>
<h2>I</h2>
<h2>THE CHILD, AND WHAT SHE LED ME INTO</h2>
<div class="figleft"><ANTIMG src="images/image_i.jpg" alt="I" width-obs="14" height-obs="50" /></div>
<p> was walking at a rapid pace up the avenue one raw, fall evening,
when somewhere near the corner of Fifty——Street I was brought to a
sudden stand-still by the sound of a child's voice accosting me from
the stoop of one of the handsome houses I was then passing.</p>
<p>"O sir!" it cried, "please come in. Please come to grandpa. He's sick
and wants you."</p>
<p>Surprised, for I knew no one on the block, I glanced up and saw
bending from the open doorway the trembling figure of a little girl,
with a wealth of curly hair blowing about her sweet, excited face.</p>
<p>"You have made a mistake," I called up to her. "I am not the person
you suppose. I am a stranger. Tell me whom you know about here and I
will see that someone comes to your grandpa."<span class="pagenum"><SPAN name="Page_2" id="Page_2">[2]</SPAN></span></p>
<p>But this did not satisfy her. Running down the stoop, she seized me by
the arm with childish impetuosity, crying: "No, no. There isn't time.
Grandpa told me to bring in the first man I saw going by. You are the
first man. Come!"</p>
<p>There was urgency in her tones, and unconsciously I began to yield to
her insistence, and allow myself to be drawn towards the stoop.</p>
<p>"Who is your grandpa?" I asked, satisfied from the imposing look of
the house that he must be a man of some prominence. "If he is sick
there are the servants"—But here her little foot came down in
infantile impatience.</p>
<p>"Grandpa never waits!" she cried, dragging me with her small hands up
the stoop and into the open door. "If you don't hurry he'll think I
didn't do as he told me."</p>
<p>What man would not have yielded? The hall, as seen from the entrance,
was wide and unusually rich. Indeed, an air of the highest
respectability, as well as of unbounded wealth, characterised the
whole establishment; and however odd the adventure appeared, it
certainly offered nothing calculated to awaken distrust. Entering with
her, I shut the door behind me. In an instant she was half-way down
the hall.</p>
<p>"Here! here!" she cried, pausing before a door near its end.</p>
<p>The confidence with which she summoned me (I sometimes wonder if my
countenance conveys more than the ordinary amount of good nature) and
the pretty picture she made, standing in the flood of light which
poured from the unseen apartment toward<span class="pagenum"><SPAN name="Page_3" id="Page_3">[3]</SPAN></span> which she beckoned me, lured
me on till I reached her side, and stood in full view of a scene which
certainly justified her fear if not the demand she made upon a passing
stranger.</p>
<p>In the midst of a small room, plain as any office, I saw an elderly
gentleman standing who, even to my unaccustomed eyes, seemed to be not
simply ill, but in the throes of actual dissolution.</p>
<p>Greatly disturbed, for I had anticipated nothing so serious, I turned
to fly for assistance, when the little child, rushing by me, caught
her grandfather by the knees and gave me such a look, I had not the
heart to leave her.</p>
<p>Indeed it would have been cruel to do so. The appearance and attitude
of the sick man were startling even to me. Though in a state bordering
on death, he was, as I have said, standing, not lying, and his tall
figure swaying against the large table to which he clung, formed a
picture of mental and physical suffering such as I had never before
seen, and can never in all my life to come, forget. One hand was
pressed against his heart, but the other, outspread in a desperate
attempt to support his weight, had fallen on some half-dozen sheets or
so of typewritten paper, which, slipping under the pressure put upon
them, kept him tottering, though he did not fall. He was looking my
way, and as I advanced into the room, his collapsing frame shook with
sudden feeling, and the hand which he held clenched over his heart
opened slightly, revealing a scrap of paper crushed between his
fingers.</p>
<p>Struck with compassion, for the contrast was pitiful<span class="pagenum"><SPAN name="Page_4" id="Page_4">[4]</SPAN></span> between his
naturally imposing appearance and his present helplessness, I murmured
some words of sympathy and encouragement, and then supposing him to be
alone in the house with his grandchild, inquired what I could do to
serve him.</p>
<div class="figcenter"><SPAN name="pic_2" id="pic_2"></SPAN> <ANTIMG src="images/image_002.jpg" width-obs="500" height-obs="792" alt=""ONE HAND WAS PRESSED AGAINST HIS HEART"" title="" /> <span class="caption">"ONE HAND WAS PRESSED AGAINST HIS HEART"</span></div>
<p>He cast a meaning glance down at his hand, then seeing that I did not
understand him, made a super-human effort and held that member out,
uttering some inarticulate words which I was able to construe into a
prayer to take from him the paper which his stiffening clutch made it
difficult for him to release.</p>
<p>Touched by his extremity, and anxious to afford him all the solace his
desperate case demanded, I drew the paper from between his fingers. As
I did so I noted, first, that it was a portion of one of the sheets I
saw scattered about on every side, and, secondly, that it was folded
together as if intended for someone's private perusal.</p>
<p>"What shall I do with this?" I asked, consulting his eye over which a
glaze was fast forming.</p>
<p>He let his own glance wander eagerly till it fell upon some envelopes,
then it became fixed, and I understood.</p>
<p>Drawing out one, I placed the slip in it, and fastening the envelope,
consulted his face with a smile.</p>
<p>He answered with a look so full of thanks, appreciation, and
confidence that I felt abashed. Something of more than ordinary
significance was conveyed by that look, and I was about to ask what
name I should write on the envelope, when the faint sounds with which
he had been trying to express his secret wishes became articulate, and
I heard these words:</p>
<p><span class="pagenum"><SPAN name="Page_5" id="Page_5">[5]</SPAN></span></p>
<p>"To no one—no one else! To—to——"</p>
<p>Alas! at this critical moment and just as the name was faltering on
his lips, his utterance failed. He strove for expression, but no words
would come.</p>
<p>In a desperation, which was but the faint reflection of his own, I
tried to help him.</p>
<p>"Is it for your lawyer?" I suggested; then, as he made no sign, I
hastily added: "For your doctor? For your wife? For anyone in the
house?"</p>
<p>He gave me one supreme look, raised his eyes, and for an instant stood
in an attitude so expressive of joy and indefinable expectancy that I
was astonished beyond words and forgot that I was in the presence of
death. But only for a moment. While I was still marvelling at this
sudden change in him, the child who was clinging to him uttered a
terrified scream and unloosed her arms. Then I saw him sink, gasp, and
fall forward, and, springing, caught him in my arms before his head
could touch the floor. Alas! it was the last service I could render
him. By the time I had laid him down he had expired, and I found
myself, in no other company than that of a trembling child, bending
above the dead body of a man who with his last breath had charged me
with a commission of whose purport I understood nothing, save that
under no circumstances and upon no pretext was I to deliver the letter
he had entrusted to me, to anyone but the person for whom it was
intended.</p>
<p>But who was this person? Ah, that was the question! Certainly my
position in this house of strangers was a most extraordinary one.</p>
<hr style="width: 65%;" />
<p><span class="pagenum"><SPAN name="Page_6" id="Page_6">[6]</SPAN></span></p>
<div style="break-after:column;"></div><br />