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<h2> 3. V. ON THE VERGE OF POSSESSION </h2>
<p>In anticipation of his marriage Pierston had taken a new red house of the
approved Kensington pattern, with a new studio at the back as large as a
mediaeval barn. Hither, in collusion with the elder Avice—whose
health had mended somewhat—he invited mother and daughter to spend a
week or two with him, thinking thereby to exercise on the latter's
imagination an influence which was not practicable while he was a guest at
their house; and by interesting his betrothed in the fitting and
furnishing of this residence to create in her an ambition to be its
mistress.</p>
<p>It was a pleasant, reposeful time to be in town. There was nobody to
interrupt them in their proceedings, and, it being out of the season, the
largest tradesmen were as attentive to their wants as if those firms had
never before been honoured with a single customer whom they really liked.
Pierston and his guests, almost equally inexperienced—for the
sculptor had nearly forgotten what knowledge of householding he had
acquired earlier in life—could consider and practise thoroughly a
species of skeleton-drill in receiving visitors when the pair should
announce themselves as married and at home in the coming winter season.</p>
<p>Avice was charming, even if a little cold. He congratulated himself yet
again that time should have reserved for him this final chance for one of
the line. She was somewhat like her mother, whom he had loved in the
flesh, but she had the soul of her grandmother, whom he had loved in the
spirit—and, for that matter, loved now. Only one criticism had he to
pass upon his choice: though in outward semblance her grandam idealized,
she had not the first Avice's candour, but rather her mother's closeness.
He never knew exactly what she was thinking and feeling. Yet he seemed to
have such prescriptive rights in women of her blood that her occasional
want of confidence did not deeply trouble him.</p>
<p>It was one of those ripe and mellow afternoons that sometimes colour
London with their golden light at this time of the year, and produce those
marvellous sunset effects which, if they were not known to be made up of
kitchen coal-smoke and animal exhalations, would be rapturously applauded.
Behind the perpendicular, oblique, zigzagged, and curved zinc 'tall-boys,'
that formed a grey pattern not unlike early Gothic numerals against the
sky, the men and women on the tops of the omnibuses saw an irradiation of
topaz hues, darkened here and there into richest russet.</p>
<p>There had been a sharp shower during the afternoon, and Pierston—who
had to take care of himself—had worn a pair of goloshes on his short
walk in the street. He noiselessly entered the studio, inside which some
gleams of the same mellow light had managed to creep, and where he guessed
he should find his prospective wife and mother-in-law awaiting him with
tea. But only Avice was there, seated beside the teapot of brown delf,
which, as artists, they affected, her back being toward him. She was
holding her handkerchief to her eyes, and he saw that she was weeping
silently.</p>
<p>In another moment he perceived that she was weeping over a book. By this
time she had heard him, and came forward. He made it appear that he had
not noticed her distress, and they discussed some arrangements of
furniture. When he had taken a cup of tea she went away, leaving the book
behind her.</p>
<p>Pierston took it up. The volume was an old school-book; Stievenard's
'Lectures Francaises,' with her name in it as a pupil at Sandbourne High
School, and date-markings denoting lessons taken at a comparatively recent
time, for Avice had been but a novice as governess when he discovered her.</p>
<p>For a school-girl—which she virtually was—to weep over a
school-book was strange. Could she have been affected by some subject in
the readings? Impossible. Pierston fell to thinking, and zest died for the
process of furnishing, which he had undertaken so gaily. Somehow, the
bloom was again disappearing from his approaching marriage. Yet he loved
Avice more and more tenderly; he feared sometimes that in the
solicitousness of his affection he was spoiling her by indulging her every
whim.</p>
<p>He looked round the large and ambitious apartment, now becoming clouded
with shades, out of which the white and cadaverous countenances of his
studies, casts, and other lumber peered meditatively at him, as if they
were saying, 'What are you going to do now, old boy?' They had never
looked like that while standing in his past homely workshop, where all the
real labours of his life had been carried out. What should a man of his
age, who had not for years done anything to speak of—certainly not
to add to his reputation as an artist—want with a new place like
this? It was all because of the elect lady, and she apparently did not
want him.</p>
<p>Pierston did not observe anything further in Avice to cause him misgiving
till one dinner-time, a week later, towards the end of the visit. Then, as
he sat himself between her and her mother at their limited table, he was
struck with her nervousness, and was tempted to say, 'Why are you
troubled, my little dearest?' in tones which disclosed that he was as
troubled as she.</p>
<p>'Am I troubled?' she said with a start, turning her gentle hazel eyes upon
him. 'Yes, I suppose I am. It is because I have received a letter—from
an old friend.'</p>
<p>'You didn't show it to me,' said her mother.</p>
<p>'No—I tore it up.'</p>
<p>'Why?'</p>
<p>'It was not necessary to keep it, so I destroyed it.'</p>
<p>Mrs. Pierston did not press her further on the subject, and Avice showed
no disposition to continue it. They retired rather early, as they always
did, but Pierston remained pacing about his studio a long while, musing on
many things, not the least being the perception that to wed a woman may be
by no means the same thing as to be united with her. The 'old friend' of
Avice's remark had sounded very much like 'lover.' Otherwise why should
the letter have so greatly disturbed her?</p>
<p>There seemed to be something uncanny, after all, about London, in its
relation to his contemplated marriage. When she had first come up she was
easier with him than now. And yet his bringing her there had helped his
cause; the house had decidedly impressed her—almost overawed her,
and though he owned that by no law of nature or reason had her mother or
himself any right to urge on Avice partnership with him against her
inclination, he resolved to make the most of having her under his
influence by getting the wedding details settled before she and her mother
left.</p>
<p>The next morning he proceeded to do this. When he encountered Avice there
was a trace of apprehension on her face; but he set that down to a fear
that she had offended him the night before by her taciturnity. Directly he
requested her mother, in Avice's presence, to get her to fix the day quite
early, Mrs. Pierston became brighter and brisker. She, too, plainly had
doubts about the wisdom of delay, and turning to her daughter said, 'Now,
my dear, do you hear?'</p>
<p>It was ultimately agreed that the widow and her daughter should go back in
a day or two, to await Pierston's arrival on the wedding-eve, immediately
after their return.</p>
<p>* * *<br/></p>
<p>In pursuance of the arrangement Pierston found himself on the south shore
of England in the gloom of the aforesaid evening, the isle, as he looked
across at it with his approach, being just discernible as a moping
countenance, a creature sullen with a sense that he was about to withdraw
from its keeping the rarest object it had ever owned. He had come alone,
not to embarrass them, and had intended to halt a couple of hours in the
neighbouring seaport to give some orders relating to the wedding, but the
little railway train being in waiting to take him on, he proceeded with a
natural impatience, resolving to do his business here by messenger from
the isle.</p>
<p>He passed the ruins of the Tudor castle and the long featureless rib of
grinding pebbles that screened off the outer sea, which could be heard
lifting and dipping rhythmically in the wide vagueness of the Bay. At the
under-hill island townlet of the Wells there were no flys, and leaving his
things to be brought on, as he often did, he climbed the eminence on foot.</p>
<p>Half-way up the steepest part of the pass he saw in the dusk a figure
pausing—the single person on the incline. Though it was too dark to
identify faces, Pierston gathered from the way in which the halting
stranger was supporting himself by the handrail, which here bordered the
road to assist climbers, that the person was exhausted.</p>
<p>'Anything the matter?' he said.</p>
<p>'O no—not much,' was returned by the other. 'But it is steep just
here.'</p>
<p>The accent was not quite that of an Englishman, and struck him as hailing
from one of the Channel Islands. 'Can't I help you up to the top?' he
said, for the voice, though that of a young man, seemed faint and shaken.</p>
<p>'No, thank you. I have been ill; but I thought I was all right again; and
as the night was fine I walked into the island by the road. It turned out
to be rather too much for me, as there is some weakness left still; and
this stiff incline brought it out.'</p>
<p>'Naturally. You'd better take hold of my arm—at any rate to the brow
here.'</p>
<p>Thus pressed the stranger did so, and they went on towards the ridge,
till, reaching the lime-kiln standing there the stranger abandoned his
hold, saying: 'Thank you for your assistance, sir. Good-night.'</p>
<p>'I don't think I recognize your voice as a native's?'</p>
<p>'No, it is not. I am a Jersey man. Goodnight, sir.'</p>
<p>'Good-night, if you are sure you can get on. Here, take this stick—it
is no use to me.' Saying which, Pierston put his walking-stick into the
young man's hand.</p>
<p>'Thank you again. I shall be quite recovered when I have rested a minute
or two. Don't let me detain you, please.'</p>
<p>The stranger as he spoke turned his face towards the south, where the Beal
light had just come into view, and stood regarding it with an obstinate
fixity. As he evidently wished to be left to himself Jocelyn went on, and
troubled no more about him, though the desire of the young man to be rid
of his company, after accepting his walking-stick and his arm, had come
with a suddenness that was almost emotional; and impressionable as Jocelyn
was, no less now than in youth, he was saddened for a minute by the sense
that there were people in the world who did not like even his sympathy.</p>
<p>However, a pleasure which obliterated all this arose when Pierston drew
near to the house that was likely to be his dear home on all future visits
to the isle, perhaps even his permanent home as he grew older and the
associations of his youth re-asserted themselves. It had been, too, his
father's house, the house in which he was born, and he amused his fancy
with plans for its enlargement under the supervision of Avice and himself.
It was a still greater pleasure to behold a tall and shapely figure
standing against the light of the open door and presumably awaiting him.</p>
<p>Avice, who it was, gave a little jump when she recognized him, but
dutifully allowed him to kiss her when he reached her side; though her
nervousness was only too apparent, and was like a child's towards a parent
who may prove stern.</p>
<p>'How dear of you to guess that I might come on at once instead of later!'
said Jocelyn. 'Well, if I had stayed in the town to go to the shops and so
on, I could not have got here till the last train. How is mother?—our
mother, as I shall call her soon.'</p>
<p>Avice said that her mother had not been so well—she feared not
nearly so well since her return from London, so that she was obliged to
keep her room. The visit had perhaps been too much for her. 'But she will
not acknowledge that she is much weaker, because she will not disturb my
happiness.'</p>
<p>Jocelyn was in a mood to let trifles of manner pass, and he took no notice
of the effort which had accompanied the last word. They went upstairs to
Mrs. Pierston, whose obvious relief and thankfulness at sight of him was
grateful to her visitor.</p>
<p>'I am so, O so glad you are come!' she said huskily, as she held out her
thin hand and stifled a sob. 'I have been so—'</p>
<p>She could get no further for a moment, and Avice turned away weeping, and
abruptly left the room.</p>
<p>'I have so set my heart on this,' Mrs. Pierston went on, 'that I have not
been able to sleep of late, for I have feared I might drop off suddenly
before she is yours, and lose the comfort of seeing you actually united.
Your being so kind to me in old times has made me so sure that she will
find a good husband in you, that I am over anxious, I know. Indeed, I have
not liked to let her know quite how anxious I am.'</p>
<p>Thus they talked till Jocelyn bade her goodnight, it being noticeable that
Mrs. Pierston, chastened by her illnesses, maintained no longer any
reserve on her gladness to acquire him as her son-in-law; and her feelings
destroyed any remaining scruples he might have had from perceiving that
Avice's consent was rather an obedience than a desire. As he went
downstairs, and found Avice awaiting his descent, he wondered if anything
had occurred here during his absence to give Mrs. Pierston new uneasiness
about the marriage, but it was an inquiry he could not address to a girl
whose actions could alone be the cause of such uneasiness.</p>
<p>He looked round for her as he supped, but though she had come into the
room with him she was not there now. He remembered her telling him that
she had had supper with her mother, and Jocelyn sat on quietly musing and
sipping his wine for something near half-an-hour. Wondering then for the
first time what had become of her, he rose and went to the door. Avice was
quite near him after all—only standing at the front door as she had
been doing when he came, looking into the light of the full moon, which
had risen since his arrival. His sudden opening of the dining-room door
seemed to agitate her.</p>
<p>'What is it, dear?' he asked.</p>
<p>'As mother is much better and doesn't want me, I ought to go and see
somebody I promised to take a parcel to—I feel I ought. And yet, as
you have just come to see me—I suppose you don't approve of my going
out while you are here?'</p>
<p>'Who is the person?'</p>
<p>'Somebody down that way,' she said indefinitely. 'It is not very far off.
I am not afraid—I go out often by myself at night hereabout.'</p>
<p>He reassured her good-humouredly. 'If you really wish to go, my dear, of
course I don't object. I have no authority to do that till tomorrow, and
you know that if I had it I shouldn't use it.'</p>
<p>'O but you have! Mother being an invalid, you are in her place, apart from—to-morrow.'</p>
<p>'Nonsense, darling. Run across to your friend's house by all means if you
want to.'</p>
<p>'And you'll be here when I come in?'</p>
<p>'No, I am going down to the inn to see if my things are brought up.'</p>
<p>'But hasn't mother asked you to stay here? The spare room was got ready
for you.... Dear me, I am afraid I ought to have told you.'</p>
<p>'She did ask me. But I have some things coming, directed to the inn, and I
had better be there. So I'll wish you good-night, though it is not late. I
will come in quite early to-morrow, to inquire how your mother is going
on, and to wish you good-morning. You will be back again quickly this
evening?'</p>
<p>'O yes.'</p>
<p>'And I needn't go with you for company?'</p>
<p>'O no, thank you. It is no distance.'</p>
<p>Pierston then departed, thinking how entirely her manner was that of one
to whom a question of doing anything was a question of permission and not
of judgment. He had no sooner gone than Avice took a parcel from a
cupboard, put on her hat and cloak, and following by the way he had taken
till she reached the entrance to Sylvania Castle, there stood still. She
could hear Pierston's footsteps passing down East Quarriers to the inn;
but she went no further in that direction. Turning into the lane on the
right, of which mention has so often been made, she went quickly past the
last cottage, and having entered the gorge beyond she clambered into the
ruin of the Red King's or Bow-and-Arrow Castle, standing as a square black
mass against the moonlit, indefinite sea.</p>
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