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Right of Way, The

<h2> CHAPTER XII. THE COMING OF ROSALIE </h2> Charley Steele saw himself as he had been through the eyes of another. He saw the work that he had done in the carpentering shed, and had no memory of it. The real Charley Steele had been enveloped in oblivion for seven months. During that time a mild phantom of himself had wandered, as it were in a somnambulistic dream, through the purlieus of life. Open-eyed, but with the soul asleep, all idiosyncrasy laid aside, all acquired impressions and influences vanished, he had been walking in the world with no more complexity of mind than a new-born child, nothing intervening between the sight of the eyes and the original sense. Now, when the real Charley Steele emerged again, the folds of mind and soul unrolling to the million-voiced creation and touched by the antenna of a various civilisation, the phantom Charley was gone once more into obscurity. The real Charley could remember naught of the other, could feel naught, save, as in the stirring industrious day, one remembers that he has dreamed a strange dream the night before, and cannot recall it, though the overpowering sense of it remains. He saw the work of his hands, the things he had made with adze and plane, with chisel and hammer, but nothing seemed familiar save the smell of the glue pot, which brought back in a cloudy impression curious unfamiliar feelings. Sights, sounds, motions, passed in a confused way through his mind as the smell of the glue crept through his nostrils; and he struggled hard to remember. But no—seven months of his life were gone for ever. Yet he knew and felt that a vast change had gone over him, had passed through him. While the soul had lain fallow, while the body had been growing back to childlike health again, and Nature had been pouring into his sick senses her healing balm; while the medicaments of peace and sleep and quiet labour had been having their way with him, he had been reorganised, renewed, flushed of the turgid silt of dissipation. For his sins and weaknesses there had been no gall and vinegar to drink. As Charley stood looking round the workshop, Jo entered, shaking the snow from his moccasined feet. "The Cure, M'sieu' Loisel, has come," he said. Charley turned, and, without a word, followed Jo into the house. There, standing at the window and looking down at the village beneath, was the Cure. As Charley entered, M. Loisel came forward with outstretched hand. "I am glad to see you well again, Monsieur," he said, and his cool thin hand held Charley's for a moment, as he looked him benignly in the eye. With a kind of instinct as to the course he must henceforth pursue, Charley replied simply, dropping his eye-glass as he met that clear soluble look of the priest—such a well of simplicity he had never before seen. Only naked eye could meet that naked eye, imperfect though his own sight was. "It is good of you to feel so, and to come and tell me so," he answered quietly. "I have been a great trouble, I know." There was none of the old pose in his manner, none of the old cryptic quality in his words. "We were anxious for your sake—and for the sake of your friends, Monsieur." Charley evaded the suggestion. "I cannot easily repay your kindness and that of Jo Portugais, my good friend here," he rejoined. "M'sieu'," replied Jo, his face turned away, and his foot pushing a log on the fire, "you have repaid it." Charley shook his head. "I am in a conspiracy of kindness," he said. "It is all a mystery to me. For why should one expect such treatment from strangers, when, besides all, one can never make any real return, not even to pay for board and lodging!" "'I was a stranger and ye took me in,"' said the Cure, smiling by no means sentimentally. "So said the Friend of the World." Charley looked the Curb steadily in the eyes. He was thinking how simply this man had said these things; as if, indeed, they were part of his life; as though it were usual speech with him, a something that belonged, not an acquired language. There was the old impulse to ask a question, and he put the monocle to his eye, but his lips did not open, and the eye-glass fell again. He had seen familiarity with sacred names and things in the uneducated, in excited revivalists, worked up to a state clairvoyant and conversational with the Creator; but he had never heard an educated man speak as this man did. At last Charley said: "Your brother—Portugais tells me that your brother, the surgeon, has gone away. I should have liked to thank him—if no more." "I have written him of your good recovery. He will be glad, I know. But my brother, from one stand-point—a human stand-point—had scruples. These I did not share, but they were strong in him, Monsieur. Marcel asked himself—" He stopped suddenly and looked towards Jo. Charley saw the look, and said quickly: "Speak plainly. Portugais is my friend." Jo turned slowly towards him, and a light seemed to come to his eyes—a shining something that resolved itself into a dog-like fondness, an utter obedience, a strange intense gratitude. "Marcel asked himself," the Cure continued, "whether you would thank him for bringing you back to—to life and memory. I fear he was trying to see what I should say—I fear so. Marcel said, 'Suppose that he should curse me for it? Who knows what he would be brought back to—to what suffering and pain, perhaps?' Marcel said that." "And you replied, Monsieur le Cure?" "I replied that Nature required you to answer that question for yourself, and whether bitterly or gladly, it was your duty to take up your life and live it out. Besides, it was not you alone that had to be considered. One does not live alone or die alone in this world. There were your friends to consider." "And because I had no friends here, you were compelled to think for me!" answered Charley calmly. "Truth is, it was not a question of my friends, for what I was during those seven months, or what I am now, can make no difference to them." He looked the Cure in the eyes steadily, and as though he would convey his intentions without words. The Curb understood. The habit of listening to the revelations of the human heart had given him something of that clairvoyance which can only be pursued by the primitive mind, unvexed by complexity. "It is, then, as though you had not come to life again? It is as though you had no past, Monsieur?" "It is that, Monsieur." Jo suddenly turned and left the room, for he heard a step on the frosty snow without. "You will remain here, Monsieur?" said the Cure. "I cannot tell." The Cure had the bravery of simple souls with a duty to perform. He fastened his eyes on Charley. "Monsieur, is there any reason why you should not stay here? I ask it now, man to man—not as a priest of my people, but as man to man." Charley did not answer for a moment. He was wondering how he should put his reply. But his look did not waver, and the Cure saw the honesty of the gaze. At length he replied: "If you mean, have I committed any crime which the law may punish?—I answer no, Monsieur. If you mean, have I robbed or killed, or forged—or wronged a woman as men wrong women? No. These, I take it, are the things that matter first. For the rest, you can think of me as badly as you will, or as well, for what I do henceforth is the only thing that really concerns the world, Monsieur le Cure." The Cure came forward and put out his hand with a kindly gesture. "Monsieur, you have suffered," he said. "Never, never at all, Monsieur. Never for a moment, until I was dropped down here like a stone from a sling. I had life by the throat; now it has me there—that is all." "You are not a Catholic, Monsieur?" asked the priest, almost pleadingly, and as though the question had been much on his mind. "No, Monsieur." The Cure made no rejoinder. If he was not a Catholic, what matter what he was? If he was not a Catholic, were he Buddhist, pagan, or Protestant, the position for them personally was the same. "I am very sorry," he said gently. "I might have helped you had you been a Catholic." The eye-glass came like lightning to the eye, and a caustic, questioning phrase was on the tongue, but Charley stopped himself in time. For, apart from all else, this priest had been his friend in calamity, had acted with a charming sensibility. The eye-glass troubled the Cure, and the look on Charley's face troubled him still more, but it passed as Charley said, in a voice as simple as the Cure's own: "You may still help me as you have already done. I give you my word, too"—strange that he touched his lips with his tongue as he did in the old days when his mind turned to Jean Jolicoeur's saloon—"that I will do nothing to cause regret for your humanity and—and Christian kindness." Again the tongue touched the lips—a wave of the old life had swept over him, the old thirst had rushed upon him. Perhaps it was the force of this feeling which made him add, with a curious energy, "I give you my word, Monsieur le Cure." At that moment the door opened and Jo entered. "M'sieu'," he said to Charley, "a registered parcel has come for you. It has been brought by the postmaster's daughter. She will give it to no one but yourself." Charley's face paled, and the Cure's was scarcely less pale. In Charley's mind was the question, Who had discovered his presence here? Was he not, then, to escape? Who should send him parcels through the post? The Cure was perturbed. Was he, then, to know who this man was—his name and history? Was the story of his life now to be told? Charley broke the silence. "Tell the girl to come in." Instantly afterwards the postmaster's daughter entered. The look of the girl's face, at once delicate and rosy with health, almost put the question of the letter out of his mind for an instant. Her dark eyes met his as he came forward with outstretched hand. "This is addressed, as you will see, 'To the Sick Man at the House of Jo Portugais, at Vadrome Mountain.' Are you that person, Monsieur?" she asked. As she handed the parcel, Charley's eyes scanned her face quickly. How did this habitant girl come by this perfect French accent, this refined manner? He did not know the handwriting on the parcel; he hastily tore it open. Inside were a few dozen small packets. Here also was a sheet of paper. He opened and read it quickly. It said: Monsieur, I am not sure that you have recovered your memory and your health, and I am also not sure that in such case you will thank me for my work. If you think I have done you an injury, pray accept my profound apologies. Monsieur, you have been a drunkard. If you would reverse the record now, these powders, taken at opportune moments, will aid you. Monsieur, with every expression of my good- will, and the hope that you will convey to me without reserve your feelings on this delicate matter, I append my address in Paris, and I have the honour to subscribe myself, with high consideration, Monsieur, yours faithfully, MARCEL LOISEL. The others looked at him with varied feelings as he read. Curiosity, inquiry, expectation, were common to them all, but with each was a different personal feeling. The Cure's has been described. Jo Portugais' mind was asking if this meant that the man who had come into his life must now go out of it; and the girl was asking who was this mysterious man, like none she had ever seen or known. Without hesitation Charley handed over the letter to the Cure, who took it with surprise, read it with amazement, and handed it back with a flush on his face. "Thank you," said Charley to the girl. "It is good of you to bring it all this way. May I ask—" "She is Mademoiselle Rosalie Evanturel," said the Cure smiling. "I am Charles Mallard," said Charley slowly. "Thank you. I will go now, Monsieur Mallard," the girl said, lifting her eyes to his face. He bowed. As she turned and went towards the door her eyes met his. She blushed. "Wait, Mademoiselle; I will go back with you," said the Cure kindly. He turned to Charley and held out his hand. "God be with you, Monsieur—Charles," he said. "Come and see me soon." Remembering that his brother had written that the man was a drunkard, his eyes had a look of pity. This was the man's own secret and his. It was a way to the man's heart; he would use it. As the two went out of the door, the girl looked back. Charley was putting the surgeon's letter into the fire, and did not see her; yet she blushed again. <h2> CHAPTER XIII. HOW CHARLEY WENT ADVENTURING AND WHAT HE FOUND </h2> A week passed. Charley's life was running in a tiny circle, but his mind was compassing large revolutions. The events of the last few days had cut deep. His life had been turned upside down. All his predispositions had been suddenly brought to check, his habits turned upon the flank and routed, his mental postures flung into confusion. He had to start life again; but it could not be in the way of any previous travel of mind or body. The line of cleavage was sharp and wide, and the only connection with the past was in the long-reaching influence of evil habits, which crept from their coverts, now and again, to mock him as his old self had mocked life—to mock him and to tempt him. Through seven months of healthy life for his body, while brain and will were sleeping, the whole man had made long strides towards recreation. But with the renewal of will and mind the old weaknesses, roused by memory, began to emerge intermittently, as water rises from a spring. There was something terrible in this repetition of sensation—the law of habit answering to the machine-like throbbing of memory, as, a kaleidoscope turning, turning, its pictures pass a certain point at fixed intervals—an automatic recurrence. He found himself at times touching his lips with his tongue, and with this act came the dry throat, the hot eye, the restless hand feeling for a glass that eluded his fingers. Twice in one week did this fever surge up in him, and it caught him in those moments when, exhausted by the struggle of his mind to adapt itself to the new conditions, his senses were delicately susceptible. Visions of Jolicoeur's saloon came to his mind's eye. With a singular separateness, a new-developed dual sense, he saw himself standing in the summer heat, looking over to the cool dark doorway of the saloon, and he caught again the smell of the fresh-drawn beer. He was conscious of watching himself do this and that, of seeing himself move here and there. He began to look upon Charley Steele as a man he had known—he, Charles Mallard, had known—while he had to suffer for what Charley Steele had done. Then, all at once, as he was thinking and dreaming and seeing, there would seize upon him the old appetite, coincident with the seizure of his brain by the old sense of cynicism at its worst—such a worst as had made him insult Jake Hough when the rough countryman was ready to take his part that wild night at the Cote Dorion. At such moments life became a conflict—almost a terror—for as yet he had not swung into line with the new order of things. In truth, there was no order of things; for one life was behind him and the new one was not yet decided upon, save that here he would stay—here out of the world, out of the game, far from old associations, cut off, and to be for ever cut off, from all that he had ever known or seen or felt or loved!... Loved! When did he ever love? If love was synonymous with unselfishness, with the desire to give greater than the desire to get, then he had never known love. He realised now that he had given Kathleen only what might be given across a dinner-table—the sensuous tribute of a temperament, passionate without true passion or faith or friendship. Kathleen had known that he gave her nothing worth the having; for in some meagre sense she knew what love was, and had given it meagrely, after her nature, to another man, preserving meanwhile the letter of the law, respecting that bond which he had shamed by his excesses. Kathleen was now sitting at another man's table—no, probably at his own table—his, Charley Steele's own table in his own house—the house he had given her by deed of gift the day he died. Tom Fairing was sitting where he used to sit, talking across the table—not as he used to talk—looking into Kathleen's face as he had never looked. He was no more to them than a dark memory. "Well, why should I be more?" he asked himself. "I am dead, if not buried. They think me down among the fishes. My game is done; and when she gets older and understands life better, Kathleen will say, 'Poor Charley—he might have been anything!' She'll be sure to say that some day, for habit and memory go round in a circle and pass the same point again and again. For me—they take me by the throat—" He put his hand up as if to free his throat from a grip, his tongue touched his lips, his hands grew restless. "It comes back on me like a fit of ague, this miserable thirst. If I were within sight of Jolicoeur's saloon, I should be drinking hard this minute. But I'm here, and—" His hand felt his pocket, and he took out the powders the great surgeon had sent him. "He knew—how did he know that I was a drunkard? Does a man carry in his face the tale he would not tell? Jo says I didn't talk of the past, that I never had delirium, that I never said a word to suggest who I was, or where I came from. Then how did the doctor—man know? I suppose every particular habit carries its own signal, and the expert knows the ciphers." He opened the paper containing the powders, and looked round for water, then paused, folded the paper up, and put it in his pocket again. He went over to the window and looked out. His shoulders set square. "No, no, no, not a speck on my tongue!" he said. "What I can't do of my own will is not worth doing. It's too foolish, to yield to the shadow of an old appetite. I play this game alone—here in Chaudiere." He looked out and down. The sweet sun of early spring was shining hard, and the snow was beginning to pack, to hang like a blanket on the branches, to lie like a soft coverlet over all the forest and the fields. Far away on the frozen river were saplings stuck up to show where the ice was safe—a long line of poles from shore to shore—and carioles were hurrying across to the village. Being market-day, the place was alive with the cheerful commerce of the habitant. The bell of the parish church was ringing. The sound of it came up distantly and peacefully. Charley drew a long breath, turned away to a pail of water, filled a dipper half full, and drank it off gaspingly. Then he returned to the window with a look of relief. "That does it," he said. "The horrible thing is gone again—out of my brain and out of my throat." As he stood there, Jo came up the hill with a bundle in his arms. Charley watched him for a moment, half whimsically, half curiously. Yet he sighed once too as Portugais opened the door and came into the room. "Well done, Jo!" said he. "You have 'em?" "Yes, M'sieu'. A good suit, and I believe they'll fit. Old Trudel says it's the best suit he's made in a year. I'm afraid he'll not make many more suits, old Trudel. "He's very bad. When he goes there'll be no tailor—ah, old Trudel will be missed for sure, M'sieu'!" Jo spread the clothes out on the table—a coat, waistcoat, and trousers of fulled cloth, grey and bulky, and smelling of the loom and the tailor's iron. Charley looked at them interestedly, then glanced at the clothes he had on, the suit that had belonged to him last year—grave-clothes. He drew himself up as though rousing from a dream. "Come, Jo, clear out, and you shall have your new habitant in a minute," he said. Portugais left the room, and when he came back, Charley was dressed in the suit of grey fulled cloth. It was loose, but comfortable, and save for the refined face—on which a beard was growing now—and the eye-glass, he might easily have passed for a farmer. When he put on the dog-skin fur cap and a small muffler round his neck, it was the costume of the habitant complete. Yet it was no disguise, for it was part of the life that Charles Mallard, once Charley Steele, should lead henceforth. He turned to the door and opened it. "Good-bye, Portugais," he said. Jo was startled. "Where are you going, M'sieu'?" "To the village." "What to do, M'sieu'?" "Who knows?" "You will come back?" Jo asked anxiously. "Before sundown, Jo. Good-bye!" This was the first long walk he had taken since he had become himself again. The sweet, cold air, with a bracing wind in his face, gave peace to the nerves but now strained and fevered in the fight with appetite. His mind cleared, and he drank in the sunny air and the pungent smell of the balsams. His feet light with moccasins, he even ran a distance, enjoying the glow from a fast-beating pulse. As he came into the high-road, people passed him in carioles and sleighs. Some eyed him curiously. What did he mean to do? What object had he in coming to the village? What did he expect? As he entered the village his pace slackened. He had no destination, no object. He was simply aware that his new life was beginning. He passed a little house on which was a sign, "Narcisse Dauphin, Notary." It gave him a curious feeling. It was the old life before him. "Charles Mallard, Notary?"—No, that was not for him. Everything that reminded him of the past, that brought him in touch with it, must be set aside. He moved on. Should he go to the Cure? No; one thing at a time, and today he wanted his thoughts for himself. More people passed him, and spoke of him to each other, though there was no coarse curiosity—the habitant has manners. Presently he passed a low shop with a divided door. The lower half was closed, the upper open, and the winter sun was shining full into the room, where a bright fire burned. Charley looked up. Over the door was painted, in straggling letters: "Louis Trudel, Tailor." He looked inside. There, on a low table, bent over his work, with a needle in his hand, sat Louis Trudel the tailor. Hearing footsteps, feeling a shadow, he looked up. Charley started at the look of the shrunken, yellow face; for if ever death had set his seal, it was on that haggard parchment. The tailor's yellow eyes ran from Charley's face to his clothes. "I knew they'd fit," he said, with a snarl. "Drove me hard, too!" Charley had an inspiration. He opened the halfdoor, and entered. "Do you want help?" he said, fixing his eyes on the tailor's, steady and persistent. "What's the good of wanting—I can't get it," was the irritable reply, as he uncrossed his legs. Charley took the iron out of his hand. "I'll press, if you'll show me how," he said. "I don't want a fiddling ten-minutes' help like that." "It isn't fiddling. I'm going to stay, if you think I'll do." "You are going to stop-every day?" The old man's voice quavered a little. "Precisely that." Charley wetted a seam with water as he had often seen tailors do. He dropped the hot iron on the seam, and sniffed with satisfaction. "Who are you?" said the tailor. "A man who wants work. The Cure knows. It's all right. Shall I stay?" The tailor nodded, and sat down with a colour in his face. <h2> CHAPTER XIV. ROSALIE, CHARLEY, AND THE MAN THE WIDOW PLOMONDON JILTED </h2> From the moment there came to the post-office the letter addressed to "The Sick Man at the House of Jo Portugais at Vadrome Mountain," Rosalie Evanturel dreamed dreams. Mystery, so fascinating a thing in all the experiences of life, took hold of her. The strange man in the lonely hut on the hill, the bandaged head, the keen, piercing blue eyes, the monocle, like a masked battery of the mind, levelled at her—all appealed to that life she lived apart from the people with whom she had daily commerce. Her world was a world of books and dreams, and simple, practical duties of life. Most books were romance to her, for most were of a life to which she had not been educated. Even one or two purely Protestant books of missionary enterprise, found in a box in her dead mother's room, had had all the charms of poetry and adventure. It was all new, therefore all delightful, even when the Protestant sentiments shocked her as being not merely untrue, but hurting that aesthetic sense never remote from the mind of the devout Catholic. She had blushed when monsieur had first looked at her, in the hut on Vadrome Mountain, not because there was any soft sentiment about him in her heart—how could there be for a man she had but just seen!—but because her feelings, her imagination, were all at high temperature; because the man compelled attention. The feeling sprang from a deep sensibility, a natural sense, not yet made incredulous by the ironies of life. These had never presented themselves to her in a country, in a parish, where people said of fortune and misfortune, happiness and sorrow, "C'est le bon Dieu!"—always "C'est le bon Dieu!" In some sense it was a pity that she had brains above the ordinary, that she had had a good education and nice tastes. It was the cultivation of the primitive and idealistic mind, which could not rationalise a sense of romance, of the altruistic, by knowledge of life. As she sat behind the post-office counter she read all sorts of books that came her way. When she learned English so as to read it almost as easily as she read French, her greatest joy was to pore over Shakespeare, with a heart full of wonder, and, very often, eyes full of tears—so near to the eyes of her race. Her imagination inhabited Chaudiere with a different folk, living in homes very unlike these wide, sweeping-roofed structures, with double windows and clean-scrubbed steps, tall doors, and wide, uncovered stoops. Her people—people of bright dreaming—were not quarrelsome, or childish, or merely traditional, like the habitants. They were picturesque and able and simple, doing good things in disguise, succouring distress, yielding their lives without thought for a cause, or a woman, and loving with an undying love. Charley was of these people—from the first instant she saw him. The Cure, the Avocat, and the Seigneur were also of them, but placidly, unimportantly. "The Sick Man at Jo Portugais' House" came out of a mysterious distance. Something in his eyes said, "I have seen, I have known," told her that when he spoke she would answer freely, that they were kinsfolk in some hidden way. Her nature was open and frank; she lived upon the house-tops, as it were, going in and out of the lives of the people of Chaudiere with neighbourly sympathy and understanding. Yet she knew that she was not of them, and they knew that, poor as she was, in her veins flowed the blood of the old nobility of France. For this the Cure could vouch. Her official position made her the servant of the public, and she did her duty with naturalness. She had been a figure in the parish ever since the day she returned from the convent at Quebec, and took her dead mother's place in the home and the parish. She had a quick temper, but there was not a cheerless note in her nature, and there was scarce a dog or a horse in the parish but knew her touch, and responded to it. Squirrels ate out of her hand, she had even tamed two partridges, and she kept in her little garden a bear she had brought up from a cub. Her devotion to her crippled father was in keeping with her quick response to every incident of sorrow or joy in the parish—only modified by wilful prejudices scarcely in keeping with her unselfishness. As Mrs. Flynn, the Seigneur's Irish cook, said of her: "Shure, she's not made all av wan piece, the darlin'! She'll wear like silk, but she's not linen for everybody's washin'." And Mrs. Flynn knew a thing or two, as was conceded by all in Chaudiere. No gossip was Mrs. Flynn, but she knew well what was going on in the parish, and she had strong views upon all subjects, and a special interest in the welfare of two people in Chaudiere. One of these was the Seigneur, who, when her husband died, leaving behind him a name for wit and neighbourliness, and nothing else, proposed that she should come to be his cook. In spite of her protest that what was "fit for Teddy was not fit for a gintleman of quality," the Seigneur had had his way, never repenting of his choice. Mrs. Flynn's cooking was not her only good point. She had the rarest sense and an unfailing spring of good-nature—life bubbled round her. It was she that had suggested the crippled M. Evanturel to the Seigneur when the office of postmaster became vacant, and the Seigneur had acted on her suggestion, henceforth taking greater interest in Rosalie. It was Mrs. Flynn who gave Rosalie information concerning Charley's arrival at the shop of Louis Trudel the tailor. The morning after Charley came, Mrs. Flynn had called for a waistcoat of the Seigneur, who was expected home from a visit to Quebec. She found Charley standing at a table pressing seams, and her quick eye took him in with knowledge and instinct. She was the one person, save Rosalie, who could always divert old Louis, and this morning she puckered his sour face with amusement by the story of the courtship of the widow Plomondon and Germain Boily the horse-trainer, whose greatest gift was animal-training, and greatest weakness a fondness for widows, temporary and otherwise. Before she left the shop, with the stranger's smile answering to her nod, she had made up her mind that Charley was a tailor by courtesy only. So she told Rosalie a few moments afterwards. "'Tis a man, darlin', that's seen the wide wurruld. 'Tis himisperes he knows, not parrishes. Fwhat's he doin' here, I dun'no'. Fwhere's he come from, I dun'no'. French or English, I dun'no'. But a gintleman born, I know. 'Tis no tailor, darlin', but tailorin' he'll do as aisy as he'll do a hunderd other things anny day. But how he shlipped in here, an' when he shlipped in here, an' what's he come for, an' how long he's stayin', an' meanin' well, or doin' ill, I dun'no', darlin', I dun' no'." "I don't think he'll do ill, Mrs. Flynn," said Rosalie, in English. "An' if ye haven't seen him, how d'ye know?" asked Mrs. Flynn, taking a pinch of snuff. "I have seen him—but not in the tailor-shop. I saw him at Jo Portugais' a fortnight ago." "Aisy, aisy, darlin'. At Jo Portugais'—that's a quare place for a stranger. 'Tis not wid Jo's introducshun I'd be comin' to Chaudiere." "He comes with the Cure's introduction." "An' how d'ye know that, darlin'?" "The Curb was at Jo Portugais' with monsieur when I went there." "You wint there!" "To take him a letter—the stranger." "What's his name, darlin'?" "The letter I took him was addressed, 'To the Sick Man at Jo Portugais' House at Vadrome Mountain.'" "Ah, thin, the Cure knows. 'Tis some rich man come to get well, and plays at bein' tailor. But why didn't the letther come to his name, I wander now? That's what I wander." Rosalie shook her head, and looked reflectively through the window towards the tailor-shop. "How manny times have ye seen him?" "Only once;" answered Rosalie truthfully. She did not, however, tell Mrs. Flynn that she had thrice walked nearly to Vadrome Mountain in the hope of seeing him again; and that she had gone to her favourite resort, the Rest of the Flax-Beaters, lying in the way of the riverpath from Vadrome Mountain, on the chance of his passing. She did not tell Mrs. Flynn that there had scarcely been a waking hour when she had not thought of him. "What Portugais knows, he'll not be tellin'," said Mrs. Flynn, after a moment. "An' 'tis no business of ours, is it, darlin'? Shure, there's Jo comin' out of the tailor-shop now!" They both looked out of the window, and saw Jo encounter Filion Lacasse the saddler, and Maximilian Cour the baker. The three stood in the middle of the street for a minute, Jo talking freely. He was usually morose and taciturn, but now he spoke as though eager to unburden his mind—Charley and he had agreed upon what should be said to the people of Chaudiere. The sight of the confidences among the three was too much for Mrs. Flynn. She opened the door of the post office and called to Jo. "Like three crows shtandin' there!" she said. "Come in—ma'm'selle says come in, and tell your tales here, if they're fit to hear, Jo Portugais. Who are you to say no when ma'm'selle bids!" she added. Very soon afterwards Jo was inside the post-office, telling his tale with the deliberation of a lesson learned by heart. "It's all right, as ma'm'selle knows," he said. "The Cure was there when ma'm'selle brought a letter to M'sieu' Mallard. The Cure knows all. M'sieu' come to my house sick-and he stayed there. There is nothing like the pine-trees and the junipers to cure some things. He was with me very quiet some time. The Cure come and come. He knows. When m'sieu' got well, he say, 'I will not go from Chaudiere; I will stay. I am poor, and I will earn my bread here.' At first, when he is getting well, he is carpent'ring. He makes cupboards and picture-frames. The Cure has one of the cupboards in the sacristy; the frames he puts on the Stations of the Cross in the church." "That's good enough for me!" said Maximilian Cour. "Did he make them for nothing?" asked Filion Lacasse solemnly. "Not one cent did he ask. What's more, he's working for Louis Trudel for nothing. He come through the village yesterday; he see Louis old and sick on his bench, and he set down and go to work." "That's good enough for me," said the saddler. "If a man work for the Church for nothing, he is a Christian. If he work for Louis Trudel for nothing, he is a fool—first-class—or a saint. I wouldn't work for Louis Trudel if he give me five dollars a day." "Tiens! the man that work for Louis Trudel work for the Church, for all old Louis makes goes to the Church in the end—that is his will. The Notary knows," said Maximilian Cour. "See there, now," interposed Mrs. Flynn, pointing across the street to the tailor-shop. "Look at that grocer-man stickin' in his head; and there's Magloire Cadoret and that pig of a barber, Moise Moisan, starin' through the dure, an'—" As she spoke, the barber and his companion suddenly turned their faces to the street, and started forward with startled exclamations, the grocer following. They all ran out from the post-office. Not far up the street a crowd was gathering. Rosalie locked the office-door and followed the others quickly. In front of the Hotel Trois Couronnes a painful thing was happening. Germain Boily, the horse-trainer, fresh from his disappointment with the widow Plomondon, had driven his tamed moose up to the Trois Couronnes, and had drunk enough whiskey to make him ill-tempered. He had then begun to "show off" the animal, but the savage instincts of the moose being roused, he had attacked his master, charging with wide-branching horns, and striking with his feet. Boily was too drunk to fight intelligently. He went down under the hoofs of the enraged animal, as his huge boar-hound, always with him, fastened on the moose's throat, dragged him to the ground, and tore gaping wounds in his neck. It was all the work of a moment. People ran from the doorways and sidewalks, but stayed at a comfortable distance until the moose was dragged down; then they made to approach the insensible man. Before any one could reach him, however, the great hound, with dripping fangs, rushed to his master's body, and, standing over it, showed his teeth savagely. The hotel-keeper approached, but the bristles of the hound stood up, he prepared to attack, and the landlord drew back in haste. Then M. Dauphin, the Notary, who had joined the crowd, held out a hand coaxingly, and with insinuating rhetoric drew a little nearer than the landlord had done; but he retreated precipitously as the hound crouched back for a spring. Some one called for a gun, and Filion Lacasse ran into his shop. The animal had now settled down on his master's body, his bloodshot eyes watching in menace. The one chance seemed to be to shoot him, and there must be no bungling, lest his prostrate master suffer at the same time. The crowd had melted away into the houses, and were now standing at doorways and windows, ready for instant retreat. Filion Lacasse's gun was now at disposal, but who would fire it? Jo Portugais was an expert shot, and he reached out a hand for the weapon. As he did so, Rosalie Evanturel cried: "Wait, oh, wait!" Before any one could interfere she moved along the open space to the mad beast, speaking soothingly, and calling his name. The crowd held their breath. A woman fainted. Some wrung their hands, and Jo Portugais, with blanched face, stood with gun half raised. With assured kindness of voice and manner, Rosalie walked deliberately over to the hound. At first the animal's bristles came up, and he prepared to spring, but murmuring to him, she held out her hand, and presently laid it on his huge head. With a growl of subjection, the dog drew from the body of his master, and licked Rosalie's fingers as she knelt beside Boily and felt his heart. She put her arm round the dog's neck, and said to the crowd, "Some one come—only one—ah, yes, you, Monsieur!" she added, as Charley, who had just arrived on the scene, came forward. "Only you, if you can lift him. Take him to my house." Her arm still round the dog, she talked to him, as Charley came forward, and, lifting up the body of the little horse-trainer, drew him across his shoulder. The hound at first resented the act, but under Rosalie's touch became quiet, and followed at their heels towards the post-office, licking the wounded man's hands as they hung down. Inside M. Evanturel's house the injured man was laid upon a couch. Charley examined his wounds, and, finding them severe, advised that the Cure be sent for, while he and Jo Portugais set about restoring him to consciousness. Jo had skill of a sort, and his crude medicaments were efficacious. When the Cure came, the injured man was handed over to his care, and he arranged that in the evening Boily should be removed to his house, to await the arrival of the doctor from the next parish. This was Charley's public introduction to the people of Chaudiere, and it was his second meeting with Rosalie Evanturel. The incident brought him into immediate prominence. Before he left the post-office, Filion Lacasse, Maximilian Cour, and Mrs. Flynn had given forth his history, as related by Jo Portugais. The village was agog with excitement. But attention was not centred on himself, for Rosalie's courage had set the parish talking. When the Notary stood on the steps of the saddler's shop, and with fine rhetoric proposed a vote of admiration for the girl, the cheering could be heard inside the post-office, and it brought Mrs. Flynn outside. "'Tis for her, the darlin'—for Ma'm'selle Rosalie—they're splittin' their throats!" she said to Charley as he was making his way from the sick man's room to the street door. "Did ye iver see such an eye an' hand? That avil baste that's killed two Injins already—an' all the men o' the place sneakin' behind dures, an' she walkin' up cool as leaf in mornin' dew, an' quietin' the divil's own! Did ye iver see annything like it, sir—you that's seen so much?" "Madame, it is not touch of hand alone, or voice alone," answered Charley. "Shure, 'tis somethin' kin in baste an' maid, you're manin' thin?" "Quite so, Madame." "Simple like, an' understandin' what Noah understood in that ark av his—for talk to the bastes he must have, explainin' what was for thim to do." "Like that, Madame." "Thrue for you, sir, 'tis as you say. There's language more than tongue of man can shpake. But listen, thin, to me"—her voice got lower—"for 'tis not the furst time, a thing like that, the lady she is—granddaughter of a Seigneur, and descinded from nobility in France! 'Tis not the furst time to be doin' brave things. Just a shlip of a girl she was, three years ago, afther her mother died, an' she was back from convint. A woman come to the parish an' was took sick in the house of her brother—from France she was. Small-pox they said at furst. 'Twas no small-pox, but plague, got upon the seas. Alone she was in the house—her brother left her alone, the black-hearted coward. The people wouldn't go near the place. The Cure was away. Alone the woman was—poor soul! Who wint—who wint and cared for her? Who do ye think, sir?" "Mademoiselle?" "None other. 'Go tell Mrs. Flynn,' says she, 'to care for my father till I come back,' an' away she wint to the house of plague. A week she stayed, an' no one wint near her. Alone she was with the woman and the plague. 'Lave her be,' said the Cure when he come back; ''tis for the love of God. God is with her—lave her be, and pray for her,' says he. An' he wint himself, but she would not let him in. ''Tis my work,' says she. ''Tis God's work for me to do,' says she. 'An' the woman will live if 'tis God's will,' says she. 'There's an agnus dei on her breast,' says she. 'Go an' pray,' says she. Pray the Cure did, an' pray did we all, but the woman died of the plague. All alone did Rosalie draw her to the grave on a stone-boat down the lane, an' over the hill, an' into the churchyard. An' buried her with her own hands at night, no one knowin' till the mornin', she did. So it was. An' the burial over, she wint back an' burned the house to the ground—sarve the villain right that lave the sick woman alone! An' her own clothes she burned, an' put on the clothes I brought her wid me own hand. An' for that thing she did, the love o' God in her heart, is it for Widdy Flynn or Cure or anny other to forgit? Shure the Cure was for iver broken-hearted, for that he was sick abed for days an' could not go to the house when the woman died, an' say to Rosalie, 'Let me in for her last hour.' But the word of Rosalie—shure 'twas as good as the words of a praste, savin' the Cure prisince wheriver he may be!" This was the story of Rosalie which Mrs. Flynn told Charley, as he stood at the street door of the post-office. When she had finished, Charley went back into the room where Rosalie sat beside the sick man's couch, the hound at her feet. She came forward, surprised, for he had bade her good-bye but a few minutes before. "May I sit and watch for an hour longer, Mademoiselle?" he said. "You will have your duties in the post-office." "Monsieur—it is good of you," she answered. For two hours Charley watched her going in and out, whispering directions to Mrs. Flynn, doing household duty, bringing warmth in with her, and leaving light behind her. It was afternoon when he returned to his bench in the tailor-shop, and was received by old Louis Trudel in peevish silence. For an hour they worked in silence, and then the tailor said: "A brave girl—that. We will work till nine to-night!" <div style="break-after:column;"></div>

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