<p><SPAN name="link2HCH0058" id="link2HCH0058"></SPAN></p>
<h2> CHAPTER LVIII. WITH HIS BACK TO THE WALL. </h2>
<p>In four days ten thousand dollars in notes and gold had been brought to
the office of the Notary by the faithful people of Chaudiere. All day in
turn M. Loisel and M. Rossignol sat in the office and received that which
represented one-fortieth of the value of each man's goods, estate, and
wealth—the fortieth value of a woodsawyer's cottage, or a widow's
garden. They did it impartially for all, as the Cure and three of the
best-to-do habitants had done for the Seigneur, whose four thousand
dollars had been paid in first of all.</p>
<p>Charley had been confined to his room for three days, because of his
injuries and a feverish cold he had caught, and the habitants did not
disturb his quiet. But Mrs. Flynn took him broth made by Rosalie's hands,
and Rosalie fought with her desire to go to him and nurse him. She was
not, however, the Rosalie of the old impulse and impetuous resolve—the
arrow had gone too deep; she waited till she could see his face again and
look into his eyes. Not apathy, but a sense of the inevitable was upon
her, and pale and fragile, but with a calm spirit, she waited for she knew
not what.</p>
<p>She felt that the day of fate was closing down. She must hold herself
ready for the hour when he would need her most. At first, when the
conviction had come to her that the end of all was near, she had revolted.
She had had impulse to go to him at all hazards, to say to him: "Come away—anywhere,
anywhere!" But that had given place to the deeper thing in her, and
something of Charley's spirit of stoic waiting had come upon her.</p>
<p>She watched the people going to the Notary's office with their tributes
and free-will offerings, and they seemed like people in a play—these
days she lived no life which was theirs. It was a dream, unimportant and
temporary. She was feeling what was behind all life, and permanent. It
could not last, but there it was; and she could not return to the
transitory till this cloud of fate was lifted. She was much too young to
suffer so, but the young ever suffer most.</p>
<p>On the fourth day she saw Charley. He came from his shop and went to the
Notary's office. At first she was startled, for he was clean-shaven—the
fire had burned his beard to the skin. She saw a different man, far
removed from this life about them both—individual, singular. He was
pale, and his eye-glass, with the cleanshaven face, gave an impression of
refined separateness. She did not know that the same look was in both
their faces. She watched him till he entered the Notary's shop, then she
was called away to her duties.</p>
<p>Charley had come to give his one-fortieth with the rest. When he entered
the Notary's office, the Seigneur and M. Dauphin stood up to greet him.
They congratulated him on his recovery, while feeling also that the change
in his personal appearance somehow affected their relations. A crowd
gathered round the door of the shop. When Charley made his offering, with
a statement of his goods and income, the Seigneur and Notary did not know
what to do. They were disposed to decline it, for since Monsieur was no
Catholic, it was not his duty to help. At this moment of delicate anxiety
M. Loisel entered. With a swift bright flush to his cheek he saw the
difficulty, and at once accepted freely.</p>
<p>"God bless you," he said, as he took the money, and Charley left. "It
shall build the doorway of my church."</p>
<p>Later in the day the Cure sent for Charley. There were grave matters to
consider, and his counsel was greatly needed. They had all come to depend
on the soundness of his judgment. It had never gone astray in Chaudiere,
they said. They owed to him this extraordinary scheme, which would be an
example to all modern Christianity. They told him so. He said nothing in
reply.</p>
<p>In an hour he had planned for them a scheme for the consideration of
contractors; had drawn, with the help of M. Loisel, an architect's rough
plan of the new church, and, his old professional instincts keenly alive,
had lucidly suggested the terms and safeguards of the contracts.</p>
<p>Then came the question of the money contributed. The day before, M.
Dauphin and the Seigneur's steward had arrived in safety from Quebec with
twenty thousand dollars in bank-bills. These M. Rossignol had exchanged
for the notes of hand of such of the habitants as had not ready cash to
give. All of this twenty thousand dollars had been paid over. They had now
thirty thousand dollars in cash, besides three thousand which the Cure had
at his house, the proceeds of the Passion Play. It was proposed to send
this large sum to the bank in Quebec in another two days, when the whole
contributions should be complete.</p>
<p>As to the safety of the money, the timid M. Dauphin did not care to take
responsibility. Strangers were still arriving, ignorant of the fact that
the Passion Play had ceased, and some of them must be aware that this
large sum of money was in the parish—no doubt also knew that it was
in his house. It was therefore better, he urged, that M. Rossignol or the
Cure should take charge of it. M. Loisel urged that secrecy as to the
resting-place of the money was important. It was better that it should be
deposited in the most unlikely place, and with some unofficial person who
might not be supposed to have it in charge.</p>
<p>"I have it!" said the Seigneur. "The money shall be placed in old Louis
Trudel's safe in the wall of the tailor-shop."</p>
<p>It was so arranged, after Charley's protests of unwillingness, and
counter-appeals from the others. That evening at sundown thirty-three
thousand dollars was deposited in the safe in the old stone wall of the
tailorshop, and the lock was sealed with the parish seal.</p>
<p>But the Notary's wife had wormed the secret from her husband, and she
found it hard to keep. She told it to Maximilian Cour, and he kept it. She
told it to her cousin, the wife of Filion Lacasse, and she did not keep
it. Before twenty-four hours went round, a dozen people knew it.</p>
<p>The evening of the second day, another two thousand dollars was added to
the treasure, and the lock was again sealed—with the utmost secrecy.
Charley and Jo Portugais, the infidel and the murderer, were thus the
sentries to the peace of a parish, the bankers of its gifts, the security
for the future of the church of Chaudiere. Their weapons of defence were
two old pistols belonging to the Seigneur.</p>
<p>"Money is the master of the unexpected," the Seigneur had said as he
handed them over. He chuckled for hours afterwards as he thought of his
epigram. That night, as he turned over in bed for the third time, as was
his custom before going to sleep, another epigram came to him—"Money
is the only fox hunted night and day." He kept repeating it over and over
again with vain pride.</p>
<p>The truth of M. Rossignol's aphorisms had been demonstrated several days
before. On his return from Quebec with the twenty thousand dollars of the
Seigneur's money, M. Dauphin had dwelt with great pride on the discretion
and energy he and the steward had shown; had told dramatically of the
skill which had enabled them to make a journey of such importance so
secretly and safely; had covered himself with blushes for his own coolness
and intrepidity. Fortune had, however, favoured his reputation and his
intrepidity, for he had been pursued from the hour he and his companion
left Quebec. A taste for the picturesque had impelled him to arrange for
two relays of horses, and this fact saved him and the twenty thousand
dollars he carried. Two hours after he had left Quebec, four determined
men had got upon his trail, and had only been prevented from overtaking
him by the freshness of the horses which his dramatic foresight had
provided.</p>
<p>The leader of these four pursuers was Billy Wantage, who had come to know
of the curious action of the Seigneur of Chaudiere from an intimate
friend, a clerk in the bank. Billy's fortunes were now in a bad way, and,
in desperate straits for money, he had planned this bold attempt at the
highwayman's art with two gamblers, to whom he owed money, and a certain
notorious horse-trader of whom he had made a companion of late. Having
escaped punishment for a crime once before, through Charley's supposed
death, the immunity nerved him to this later and more dangerous
enterprise. The four rode as hard as their horses would permit, but M.
Dauphin and his companion kept always an hour or more ahead, and, from the
high hills overlooking the village, Billy and his friends saw the two
enter it safely in the light of evening.</p>
<p>His three friends urged Billy to turn back, since they were out of
provisions and had no shelter. It was unwise to go to a tavern or a
farmer's house, where they must certainly be suspected. Billy, however,
determined to make an effort to find the banking-place of the money, and
refused to turn back without a trial. He therefore proposed that they
should separate, going different directions, secure accommodation for the
night, rest the following day, and meet the next night at a point
indicated. This was agreed upon, and they separated.</p>
<p>When the four met again, Billy had nothing to communicate, as he had been
taken ill during the night before, and had been unable to go secretly into
Chaudiere village. They separated once more. When they met the next night
Billy was accompanied by an old confederate. As he was entering Chaudiere
the previous evening, he had met John Brown, with his painted wagon and a
new mottled horse. John Brown had news of importance to give; for, in the
stable-yard of the village tavern, he had heard one habitant confide to
another that the money for the new church was kept in the safe of the
tailor-shop. John Brown was as ready to share in Billy's second enterprise
as he had been to incite him to his first crime.</p>
<p>So it was that as the Seigneur made his epigram and gloated over it, the
five men, with horses at a convenient distance, armed to the teeth, broke
stealthily into Charley's house.</p>
<p>They entered silently through the kitchen window, and made their way into
the little hall. Two stood guard at the foot of the stairs, and three
crept into the shop.</p>
<p>This night Jo Portugais was sleeping up-stairs, while Charley lay upon the
bench in the tailor-shop. Charley heard the door open, heard unfamiliar
steps, seized his pistol, and, springing up, with his back to the safe,
called out loudly to Jo. As he dimly saw men rush at him, he fired. The
bullet reached its mark, and one man fell dead. At that moment a
dark-lantern was turned full on Charley, and a pistol was fired pointblank
at him.</p>
<p>As he fell, shot through the breast, the man who had fired dropped the
lantern with a shriek of terror. He had seen the ghost of his
brother-in-law-Charley Steele.</p>
<p>With a quaking cry of warning to the others, Billy bolted from the house,
followed by his companions, two of whom were struggling with Jo Portugais
on the stairway. These now also broke and ran.</p>
<p>Jo rushed into the shop, and saw, as he thought, Charley lying dead—saw
the robber dead upon the floor. His master and friend gone, the conviction
seized him that his own time had come. He would give himself to justice
now—but to God's justice, not to man's. The robbers were four to
one, and he would avenge his master's death and give his own life to do
it! It was all the thought of a second. He rushed out after the robbers,
shouting as he ran, to awake the villagers. He heard the marauders ahead
of him, and, fleet of foot, rushed on. Reaching them as they mounted, he
fired, and brought down his man—a shivering quack-doctor, who, like
his leader, had seen a sight in the tailor-shop that struck terror to his
soul. Two of the others then fired at Jo, who had caught a horse by the
head. He fell without a sound, and lay upon his face—he did not hear
the hoofs of the escaping horses nor any other sound. He had fallen
without a pang beside the quackdoctor, whose medicines would never again
quicken a pulse in his own body or any other.</p>
<p>Behind, in the village, frightened people flocked about the tailor-shop.
Within, Mrs. Flynn and the Notary crudely but tenderly bound up the
dreadful wound in Charley's side, while Rosalie pillowed his head on her
bosom.</p>
<p>With a strange quietness Rosalie gave orders to the Notary and Mrs. Flynn.
There was a light in her eyes—an unnatural light—of strength
and presence of mind. Her hand was steady, and as gently as a mother with
a child she wiped the moist forehead, and poured a little brandy between
the set teeth.</p>
<p>"Stand back—give him air," she said, in a voice of authority to
those who crowded round.</p>
<p>People fell back in awe, for, amid tears and excitement and fear, this
girl had a strange convincing calm. By the time Charley's wound was
stopped, messengers were on the way to the Cure and the Seigneur. By
Rosalie's instructions the dead body of the robber was removed, Charley's
bed up-stairs was prepared for him, a fire was lighted, and twenty hands
were ready to do accurately her will. Now and again she felt his pulse,
and she watched his face intently. In her bitter sorrow her heart had a
sort of thankfulness, for his head was on her breast, he was in her arms.
It had been given her once more to come first to his rescue, and with one
wild cry, unheard by any one, to call out his beloved name.</p>
<p>The world of Chaudiere, roused by the shooting, had then burst in upon
them; but that one moment had been hers, no matter what came after. She
had no illusions—she knew that the end was near: the end of all for
him and for them both.</p>
<p>The Cure entered and hurried forward. There was the seal of the parish
intact on the door of the safe, but at what cost!</p>
<p>"He has given his life for the church," he said, then commanded all to
leave, save those needed to carry the wounded man up-stairs.</p>
<p>Still it was Rosalie that directed the removal. She held his hand; she saw
that he was carefully laid down; she raised his head to a proper height;
she moistened his lips and fanned him. Meanwhile the Cure fell upon his
knees, and the noise of talk and whispering ceased in the house.</p>
<p>But presently there was loud murmuring and shuffling of feet outside
again, and Rosalie left the room hurriedly and went below to stop it. She
met the men who were bringing the body of Jo Portugais into the shop.</p>
<p>Up-stairs the Cure's voice prayed: "Of Thy mercy, O Lord, hear our prayer.
Grant that he be brought into Thy Church ere his last hour come. Forgive,
O Lord—"</p>
<p>Charley stirred and opened his eyes. He saw the Cure bowed in prayer; he
heard the trembling voice. He touched the white head with his hand.</p>
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<h2> CHAPTER LIX. IN WHICH CHARLEY MEETS A STRANGER </h2>
<p>The Cure came to his feet with a joyful cry. "Monsieur—my son," he
said, bending over him.</p>
<p>"Is it all over?" Charley asked calmly, almost cheerfully. Death now was
the only solution of life's problems, and he welcomed it from the void.</p>
<p>The Cure went to the door and locked it. The deepest desire of his life
must here be uttered, his great aspiration be realised.</p>
<p>"My son," he said, as he came softly to the bedside again, "you have given
to us all you had—your charity, your wisdom, your skill. You have "—it
was hard, but the man's wound was mortal, and it must be said "you have
consecrated our new church with your blood. You have given all to us; we
will give all to you—"</p>
<p>There was a soft knocking at the door. He went and opened it a very
little. "He is conscious, Rosalie," he whispered. "Wait—wait—one
moment."</p>
<p>Then came the Seigneur's voice saying that Jo was gone, and that all the
robbers had escaped, save the two disposed of by Charley and Jo.</p>
<p>The Cure turned to the bed once more. "What did he say about Jo?" Charley
asked.</p>
<p>"He is dead, my son, and the quack-doctor also. The others have escaped."</p>
<p>Charley turned his face away. "Au revoir, Jo," he said into the great
distance.</p>
<p>Then there was silence for a moment, while outside the door a girl prayed,
with an old woman's arm around her.</p>
<p>The Cure leaned over Charley again. "Shall not the sacraments of the
Church comfort you in your last hours?" he said. "It is the way, the
truth, and the life. It is the Voice that says: 'Peace' to the vexed mind.
Human intellect is vanity; only the soul survives. Will you not hear the
Voice? Will you not give us who love and honour you the right to make you
ours for ever? Will you not come to the bosom of that Church for which you
have given all?"</p>
<p>"Tell them so," Charley said, and he motioned towards the window, under
which the people were gathered.</p>
<p>With a glad exclamation the Cure hastened to the window, and, in a voice
of sorrowful exultation, spoke to the people below.</p>
<p>Charley reckoned swiftly with his fate. What was there now to do? If his
wound was not mortal, what tragedy might now come! For Billy's hand—the
hand of Kathleen's brother—had brought him low. If the robbers and
murderers were captured, he must be dragged into the old life, and to what
an issue—all the old problems carried into more terrible conditions.
And Rosalie—in his half-consciousness he had felt her near him; he
felt her near him now. Rosalie—in any case, what could there be for
her? Nothing. He had heard the Cure whisper her name at the door. She was
outside-praying for him. He stretched out a hand as though he saw her, and
his lips framed her name. In his weakness and fading life he had no
anguish in the thought of her. Life and Love were growing distant though
he loved her as few love and live. She would be removed from want by him—there
were the pearls and the money in the safe with the money of the Church;
there was the letter to the Cure, his last testament, leaving all to her.
He, sleeping, would fear no foe; she, awake in the living world, would
hold him in dear remembrance. Death were the better thing for all. Then
Kathleen in her happiness would be at peace; and even Billy might go
unmolested, for, who was there to recognise Billy, now that Portugais was
dead?</p>
<p>He heard the Cure's voice at the window—"Oh, my dear people, God has
given him to us at last. I go now to prepare him for his long journey, to—"</p>
<p>Charley realised and shuddered. Receive the sacraments of the Church? Be
made ready by the priest for his going hence—end all the soul's
interrogations, with the solving of his own mortal problems? Say "I
believe," confess his sins, and, receiving absolution, lie down in peace.</p>
<p>He suddenly raised himself on his elbow, flinging his body over. The
bandage of his wound was displaced, and blood gushed out upon the white
clothes of the bed. "Rosalie!" he gasped. "Rosalie, my love! God keep..."</p>
<p>As he sank back he heard the priest's anguished voice above him, calling
for help. He smiled.</p>
<p>"Rosalie—" he whispered. The priest ran and unlocked the door, and
Rosalie entered, followed by the Seigneur and Mrs. Flynn.</p>
<p>"Quick! Quick!" said the priest. "The bandage slipped."</p>
<p>The bandage slipped—or was it slipped? Who knows!</p>
<p>Blind with agony, and as in a direful dream, Rosalie made her way to the
bed. The sight of his ensanguined body roused her, and, murmuring his name—continually
murmuring his name—she assisted Mrs. Flynn to bind up the wound
again. Standing where she stood when she had stayed Louis Trudel's arm
long ago, with an infinite tenderness she touched the scar-the scar of the
cross—on his breast. Terrible as was her grief, her heart had its
comfort in the thought—who could rob her of that for ever?—that
he would die a martyr. It did not matter now who knew the story of her
love. It could not do him harm. She was ready to proclaim it to all the
world. And those who watched knew that they were in the presence of a
great human love.</p>
<p>The priest made ready to receive the unconscious man into the Church. Had
Charley not said, "Tell them so?" Was it not now his duty to say the
sacred offices over a son of the Church in his last bitter hour? So it was
done while he lay unconscious.</p>
<p>For hours he lay still, and then the fevered blood, poisoned by the bullet
which had brought him down, made him delirious, gave him hallucinations—open-eyed
illusions. All the time Rosalie knelt at the foot of the bed, her piteous
tearless eyes for ever fixed on his face.</p>
<p>Towards evening, with an unnatural strength, he sat up in bed.</p>
<p>"See," he whispered, "that woman in the corner there. She has come to take
me, but I will not go." Fantasy after fantasy possessed him-fantasy,
strangely mixed with facts of his own past. Now it was Kathleen, now
Billy, now Jo Portugais, now John Brown, now Suzon Charlemagne at the Cote
Dorion, again Jo Portugais. In strange, touching sentences he spoke to
them, as though they were present before him. At length he stopped
abruptly, and gazed straight before him—over the head of Rosalie
into the distance.</p>
<p>"See," he said, pointing, "who is that? Who? I can't see his face—it
is covered. So tall-so white! He is opening his arms to me. He is coming—closer—closer.
Who is it?"</p>
<p>"It is Death, my son," said the priest in his ear, with a pitying
gentleness.</p>
<p>The Cure's voice seemed to calm the agitated sense, to bring it back to
the outer precincts of understanding. There was an awe-struck silence as
the dying man fumbled, fumbled, over his breast, found his eye-glass, and,
with a last feeble effort, raised it to his eye, shining now with an
unearthly fire. The old interrogation of the soul, the elemental habit
outlived all else in him. The idiosyncrasy of the mind automatically
expressed itself.</p>
<p>"I beg—your—pardon," he whispered to the imagined figure, and
the light died out of his eyes, "have I—ever—been—introduced—to
you?"</p>
<p>"At the hour of your birth, my son," said the priest, as a sobbing cry
came from the foot of the bed.</p>
<p>But Charley did not hear. His ears were for ever closed to the voices of
life and time.</p>
<p><SPAN name="link2HCH0060" id="link2HCH0060"></SPAN></p>
<h2> CHAPTER LX. THE HAND AT THE DOOR </h2>
<p>The eve of the day of the memorable funeral two belated visitors to the
Passion Play arrived in the village, unknowing that it had ended, and of
the tragedy which had set a whole valley mourning; unconscious that they
shared in the bitter fortunes of the tailor-man, of whom men and women
spoke with tears. Affected by the gloom of the place, the two visitors at
once prepared for their return journey, but the manner of the tailorman's
death arrested their sympathies, touched the humanity in them. The woman
was much impressed.</p>
<p>They asked to see the body of the man. They were taken to the door of the
tailor-shop, while their horses were being brought round. Within the house
itself they were met by an old Irishwoman, who, in response to their wish
"to see the brave man's body," showed them into a room where a man lay
dead with a bullet through his heart. It was the body of Jo Portugais,
whose master and friend lay in another room across the hallway. The lady
turned back in disappointment—the dead man was little like a hero.</p>
<p>The Irishwoman had meant to deceive her, for at this moment a girl who
loved the tailor was kneeling beside his body, and, if possible, Mrs.
Flynn would have no curious eyes look upon that scene.</p>
<p>When the visitors came into the hall again, the man said: "There was
another; Kathleen—a woodsman." But standing by the nearly closed
door, behind which lay the dead tailor of Chaudiere—they could see
the holy candles flickering within—Kathleen whispered "We've seen
the tailor—that's enough. It's only the woodsman there. I prefer
not, Tom."</p>
<p>With his fingers at the latch, the man hesitated, even as Mrs. Flynn
stepped apprehensively forward; then, shrugging a shoulder, he responded
to Kathleen's hand on his arm. They went down the stairs together, and out
to their carriage.</p>
<p>As they drove away, Kathleen said: "It's strange that men who do such fine
things should look so commonplace."</p>
<p>"The other one might have been more uncommon," he replied.</p>
<p>"I wonder!" she said, with a sigh of relief, as they passed the bounds of
the village. Then she caught herself flushing, for she suddenly realised
that the exclamation was one so often on the lips of a dead, disgraced man
whose name she once had borne.</p>
<p>If the door of the little room upstairs had opened to the fingers of the
man beside her, the tailor of Chaudiere, though dead, would have been
dearly avenged.</p>
<p><SPAN name="link2HCH0061" id="link2HCH0061"></SPAN></p>
<h2> CHAPTER LXI. THE CURE SPEAKS </h2>
<p>The Cure stood with his back to the ruins of the church, at his feet two
newly made graves, and all round, with wistful faces, crowds of reverent
habitants. A benignant sorrow made his voice in perfect temper with the
pensive striving of this latest day of spring. At the close of his address
he said:</p>
<p>"I owe you much, my people. I owe him more, for it was given him, who knew
not God, to teach us how to know Him better. For his past, it is not given
you to know. It is hidden in the bosom of the Church. Sinner he once was,
criminal never, as one can testify who knows all"—he turned to the
Abbe Rossignol, who stood beside him, grave and compassionate—"and
his sins were forgiven him. He is the one sheaf which you and I may carry
home rejoicing from the pagan world of unbelief. What he had in life he
gave to us, and in death he leaves to our church all that he has not left
to a woman he loved—to Rosalie Evanturel."</p>
<p>There was a gasping murmur among the people, but they stilled again, and
strained to hear.</p>
<p>"He leaves her a little fortune, and to us all else he had. Let us pray
for his soul, and let us comfort her who, loving deeply, reaped no harvest
of love.</p>
<p>"The law may never reach his ruthless murderers, for there is none to
recognise their faces; and were they ten times punished, how should it
avail us now! Let us always remember that, in his grave, our friend bears
on his breast the little iron cross we held so dear. That is all we could
give—our dearest treasure. I pray God that, scarring his breast in
life, it may heal all his woes in death, and be a saving image on his
bosom in the Presence at the last."</p>
<p>He raised his hands in benediction.</p>
<p><SPAN name="link2H_EPIL" id="link2H_EPIL"></SPAN></p>
<h2> EPILOGUE </h2>
<p>Never again was there a Passion Play in the Chaudiere Valley. Spring-times
and harvests and long winters came and went, and a blessing seemed to be
upon the valley, for men prospered, and no untoward things befel the
people. So it was for twenty years, wherein there had been going and
coming in quiet. Some had gone upon short mortal journeys and had come
back, some upon long immortal voyages, and had never returned. Of the last
were the Seigneur and a woman once a Magdalene; but in a house beside a
beautiful church, with a noble doorway, lived the Cure, M. Loisel, aged
and serene. There never was a day, come rain or shine, in which he was not
visited by a beautiful woman, whose life was one with the people of the
valley.</p>
<p>There was no sorrow in the parish which the lady did not share, with the
help of an old Irishwoman called Mrs. Flynn. Was there sickness in the
parish, her hand smoothed the pillow and soothed the pain. Was there
trouble anywhere, her face brought light to the door way. Did any suffer
ill-repute, her word helped to restore the ruined name. They did not know
that she forgave so much in all the world, because she thought she had so
much in herself to forgive.</p>
<p>She was ever called "Madame Rosalie," and she cherished the name, and gave
commands that when her grave came to be made near to a certain other
grave, Madame Rosalie should be carved upon the stone. Cheerfulness and
serenity were ever with her, undisturbed by wish to probe the mystery of
the life which had once absorbed her own. She never sought to know whence
the man came; it was sufficient to know whither he had gone, and that he
had been hers for a brief dream of life. It was better to have lived the
one short thrilling hour with all its pain, than never to have known what
she knew or felt what she had felt. The mystery deepened her romance, and
she was even glad that the ruffians who slew him were never brought to
justice. To her mind they were but part of the mystic machinery of fate.</p>
<p>For her the years had given many compensations, and so she told the Cure,
one midsummer day, when she brought to visit him the orphaned son of
Paulette Dubois, graduated from his college in France and making ready to
go to the far East.</p>
<p>"I have had more than I deserve—a thousand times," she said.</p>
<p>The Cure smiled, and laid a gentle hand upon her own. "It is right for you
to think so," he said, "but after a long life, I am ready to say that, one
way or another, we earn all the real happiness we have. I mean the real
happiness—the moments, my child. I once had a moment full of
happiness."</p>
<p>"May I ask?" she said.</p>
<p>"When my heart first went out to him"—he turned his face towards the
churchyard.</p>
<p>"He was a great man," she said proudly.</p>
<p>The Cure looked at her benignly: she was a woman, and she had loved the
man. He had, however, come to a stage of life where greatness alone seemed
of little moment. He forbore to answer her, but he pressed her hand.</p>
<p><br/></p>
<hr />
<p><br/></p>
<p>ETEXT EDITOR'S BOOKMARKS:<br/>
<br/>
A left-handed boy is all right in the world<br/>
Always hoping the best from the worst of us<br/>
Damnable propinquity<br/>
Good fathers think they have good daughters<br/>
Have not we all something to hide—with or without shame?<br/>
He has wheeled his nuptial bed into the street<br/>
He left his fellow-citizens very much alone<br/>
He had had acquaintances, but never friendships, and never loves<br/>
Hugging the chain of denial to his bosom<br/>
I have a good memory for forgetting<br/>
I am only myself when I am drunk<br/>
I should remember to forget it<br/>
Importunity with discretion was his motto<br/>
In all secrets there is a kind of guilt<br/>
Is the habit of good living mere habit and mere acting<br/>
It is good to live, isn't it?<br/>
Know how bad are you, and doesn't mind<br/>
Liquor makes me human<br/>
Nervous legs at a gallop<br/>
Pathetically in earnest<br/>
Shure, if we could always be 'about the same,' we'd do<br/>
So say your prayers, believe all you can, don't ask questions<br/>
Strike first and heal after—"a kick and a lick"<br/>
Suspicion, the bane of sick old age<br/>
Things that once charmed charm less<br/>
Was not civilisation a mistake<br/>
Who knows!<br/>
Youth is the only comrade for youth<br/>
Youth is the only comrade for youth<br/></p>
<p><br/></p>
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<p><br/></p>
<p><br/>
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End of Project Gutenberg's The Right of Way, Complete, by Gilbert Parker<br/>
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