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<div class="figcenter"> <ANTIMG src="images/cover.jpg" width-obs="340" height-obs="500" alt="The Shrieking Pit" title="The Shrieking Pit" /></div>
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<div class="trans-note">
Transcriber's Notes:
Obvious printer errors have been corrected, all other
inconsistencies are as in the original.</div>
<h1>THE SHRIEKING PIT</h1>
<br/>
<h3>BY</h3>
<h2>ARTHUR J. REES</h2>
<h5>CO-AUTHOR OF</h5>
<h4>THE MYSTERY OF THE DOWNS,</h4>
<h4>THE HAMPSTEAD MYSTERY.</h4>
<center>
<p><small>NEW YORK</small><br/>
<big>GROSSET & DUNLAP</big><br/>
<small>PUBLISHERS</small></p>
<small>Made in the United States of America</small>
</center>
<p><span class="pagenum"><SPAN name="Page_5" id="Page_5"></SPAN></span></p>
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<p>COPYRIGHT, 1918,<br/>
BY STREET & SMITH CORPORATION</p>
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<p>COPYRIGHT, 1919,<br/>
BY JOHN LANE COMPANY</p>
</center>
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<small>TO</small>
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MY SISTERS IN AUSTRALIA
</center>
<br/>
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<big>ANNIE AND FRANCES</big>
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<div class="poem">
<div class="stanza">
<span class="i0"><i>The sea beats in at Blakeney—</i><br/>
</span> <span class="i0"><i>Beats wild and waste at Blakeney;</i><br/>
</span> <span class="i0"> <i>O'er ruined quay and cobbled
street,</i><br/>
</span> <span class="i0"> <i>O'er broken masts of fisher
fleet,</i><br/>
</span> <span class="i0"><i>Which go no more to sea.</i><br/>
</span></div>
<div class="stanza">
<span class="i0"><i>The bitter pools at ebb-tide lie,</i><br/>
</span> <span class="i0"><i>In barren sands at Blakeney;</i><br/>
</span> <span class="i0"> <i>Green, grey and green the marshes
creep,</i><br/>
</span> <span class="i0"> <i>To where the grey north waters
leap</i><br/>
</span> <span class="i0"><i>By dead and silent Blakeney.</i><br/>
</span></div>
<div class="stanza">
<span class="i0"><i>And Time is dead at Blakeney—</i><br/>
</span> <span class="i0"><i>In old, forgotten Blakeney;</i><br/>
</span> <span class="i0"> <i>What care they for Time's Scythe
or Glass;</i><br/>
</span> <span class="i0"> <i>Who do not feel the hours
pass,</i><br/>
</span> <span class="i0"><i>Who sleep in sea-worn Blakeney?</i><br/>
</span></div>
<div class="stanza">
<span class="i0"><i>By the old grey church in Blakeney,</i><br/>
</span> <span class="i0"><i>By quenched turret light in Blakeney,</i><br/>
</span> <span class="i0"> <i>They slumber deep, they do not
know,</i><br/>
</span> <span class="i0"> <i>If Life's told tale is Death and
Woe;</i><br/>
</span> <span class="i0"><i>Through all eternity.</i><br/>
</span></div>
<div class="stanza">
<span class="i0"><i>But Love still lives at Blakeney,</i><br/>
</span> <span class="i0"><i>'Tis graven deep at Blakeney;</i><br/>
</span> <span class="i0"> <i>Of Love which seeks beyond the
grave,</i><br/>
</span> <span class="i0"> <i>Of Love's sad faith which fain
would save—</i><br/>
</span> <span class="i0"><i>The headstones tell the story.</i><br/>
</span></div>
<div class="stanza">
<span class="i0"><i>Grave-grasses grow at Blakeney</i><br/>
</span> <span class="i0"><i>Sea pansies, sedge, and rosemary;</i><br/>
</span> <span class="i0"> <i>Frail fronds thrust forth in dim
dank air,</i><br/>
</span> <span class="i0"> <i>A message from those lying
there:</i><br/>
</span> <span class="i0"><i>Wan leaves of memory.</i><br/>
</span></div>
<div class="stanza">
<span class="i0"><i>I send you this from Blakeney—</i><br/>
</span> <span class="i0"><i>From distant, dreaming Blakeney;</i><br/>
</span> <span class="i0"> <i>Love and Remembrance: These are
sure;</i><br/>
</span> <span class="i0"> <i>Though Death is strong they shall
endure,</i><br/>
</span> <span class="i0"><i>Till all things cease to be.</i><br/>
</span></div>
</div>
<p><span style="margin-left: 6em;"><i>Blakeney</i></span>,<span style="margin-left: 12em;"><i><b>A. J. R.</b></i></span></p>
<p><span style="margin-left: 6em;"><i>Norfolk</i>.</span></p>
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<h3>CHAPTER LIST</h3>
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<SPAN href="#PREFACE"><b>PREFACE</b></SPAN> <SPAN href="#CHAPTER_I"><b>CHAPTER
I</b></SPAN> <SPAN href="#CHAPTER_II"><b>CHAPTER II</b></SPAN> <SPAN href="#CHAPTER_III"><b>CHAPTER III</b></SPAN> <SPAN href="#CHAPTER_IV"><b>CHAPTER
IV</b></SPAN> <SPAN href="#CHAPTER_V"><b>CHAPTER V</b></SPAN><br/>
</center>
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<SPAN href="#CHAPTER_VI"><b>CHAPTER VI</b></SPAN> <SPAN href="#CHAPTER_VII"><b>CHAPTER
VII</b></SPAN> <SPAN href="#CHAPTER_VIII"><b>CHAPTER VIII</b></SPAN> <SPAN href="#CHAPTER_IX"><b>CHAPTER IX</b></SPAN> <SPAN href="#CHAPTER_X"><b>CHAPTER
X</b></SPAN> <SPAN href="#CHAPTER_XI"><b>CHAPTER XI</b></SPAN><br/>
</center>
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<SPAN href="#CHAPTER_XII"><b>CHAPTER XII</b></SPAN> <SPAN href="#CHAPTER_XIII"><b>CHAPTER XIII</b></SPAN> <SPAN href="#CHAPTER_XIV"><b>CHAPTER XIV</b></SPAN> <SPAN href="#CHAPTER_XV"><b>CHAPTER
XV</b></SPAN> <SPAN href="#CHAPTER_XVI"><b>CHAPTER XVI</b></SPAN> <SPAN href="#CHAPTER_XVII"><b>CHAPTER XVII</b></SPAN><br/>
</center>
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<center>
<SPAN href="#CHAPTER_XVIII"><b>CHAPTER XVIII</b></SPAN> <SPAN href="#CHAPTER_XIX"><b>CHAPTER XIX</b></SPAN> <SPAN href="#CHAPTER_XX"><b>CHAPTER
XX</b></SPAN> <SPAN href="#CHAPTER_XXI"><b>CHAPTER XXI</b></SPAN> <SPAN href="#CHAPTER_XXII"><b>CHAPTER XXII</b></SPAN> <SPAN href="#CHAPTER_XXIII"><b>CHAPTER XXIII</b></SPAN><br/>
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<SPAN href="#CHAPTER_XXIV"><b>CHAPTER XXIV</b></SPAN> <SPAN href="#CHAPTER_XXV"><b>CHAPTER XXV</b></SPAN> <SPAN href="#CHAPTER_XXVI"><b>CHAPTER
XXVI</b></SPAN> <SPAN href="#CHAPTER_XXVII"><b>CHAPTER XXVII</b></SPAN> <SPAN href="#CHAPTER_XXVIII"><b>CHAPTER XXVIII</b></SPAN> <SPAN href="#CHAPTER_XXIX"><b>CHAPTER XXIX</b></SPAN><br/>
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<h2><SPAN name="PREFACE" id="PREFACE"></SPAN>PREFACE</h2>
<blockquote>
As the scenes of this story are laid in a part of Norfolk which will be readily
identified by many Norfolk people, it is perhaps well to state that all the
personages are fictitious, and that the Norfolk police officials who appear in the
book have no existence outside these pages. They and the other characters are drawn
entirely from imagination.
</blockquote>
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<blockquote>
To East Anglian readers I offer my apologies for any faults there may be in
reproducing the Norfolk dialect. My excuse is the fascination the language produced
on myself, and that it is as essential to the scene of the story as the marshes and
the sea. Though I have found it impossible to transliterate the pronunciation into
the ordinary English alphabet, I hope I have been able to convey enough of the
characteristic speech of the native to enable those familiar with it to put it for
themselves into the accents of their own people. To those who are not familiar with
the dialect, I can only say, "Go and study this relic of old English in that remote
part of the country where the story is laid, where the ghosts of a ruined past
mingle with the primitive survivors of to-day, who walk very near the unseen."
<p align="right"><b>A. J. R.</b></p>
LONDON<br/>
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<h1>THE SHRIEKING PIT</h1>
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