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Once a Week

<h3>THE NEWSPAPER PROPRIETOR</h3> The great Hector Strong, lord of journalism and swayer of empires, paced the floor of his luxurious apartment with bowed head, his corrugated countenance furrowed with lines of anxiety. He had just returned from a lunch with all his favourite advertisers ... but it was not this which troubled him. He was thinking out a new policy for The Daily Vane. Suddenly he remembered something. Coming up to town in his third motor, he had glanced through the nineteen periodicals which his house had published that morning, and in one case had noted matter for serious criticism. This was obviously the first business he must deal with. He seated himself at his desk and pushed the bell marked "38." Instantly a footman presented himself with a tray of sandwiches. "What do you want?" said Strong coldly. "You rang for me, sir," replied the trembling menial. "Go away," said Strong. Recognizing magnanimously, however, that the mistake was his own, he pressed bell "28." In another moment the editor of Sloppy Chunks was before him. "In to-day's number," said Strong, as he toyed with a blue pencil, "you apologize for a mistake in last week's number." He waited sternly. "It was a very bad mistake, sir, I'm afraid. We did a great injustice to——" "You know my rule," said Strong. "The mistake of last week I could have overlooked. The apology of this week is a more serious matter. You will ask for a month's salary on your way out." He pressed a button and the editor disappeared through the trap-door. Alone again, Hector Strong thought keenly for a moment. Then he pressed bell "38." Instantly a footman presented himself with a tray of sandwiches. "What do you mean by this?" roared Strong, his iron self-control for a moment giving way. "I b-beg your pardon, sir," stammered the man. "I th-thought——" "Get out!" As the footman retired, Strong passed his hand across his forehead. "My memory is bad to-day," he murmured, and pushed bell "48." A tall thin man entered. "Ah, good afternoon, Mr. Brownlow," said the Proprietor. He toyed with his blue pencil. "Let me see, which of our papers are under your charge at the moment?" Mr. Brownlow reflected. "Just now," he said, "I am editing Snippety Snips, The Whoop, The Girls' Own Aunt, Parings, Slosh, The Sunday Sermon, and Back Chat." "Ah! Well, I want you to take on Sloppy Chunks too for a little while. Mr. Symes has had to leave us." "Yes, sir." Mr. Brownlow bowed and moved to the door. "By the way," Strong said, "your last number of Slosh was very good. Very good indeed. I congratulate you. Good day." Left alone, Hector Strong, lord of journalism and swayer of empires, resumed his pacings. His two mistakes with the bell told him that he was distinctly not himself this afternoon. Was it only the need of a new policy for The Vane which troubled him? Or was it—— Could it be Lady Dorothy? Lady Dorothy Neal was something of an enigma to Hector Strong. He was making more than a million pounds a year, and yet she did not want to marry him. Sometimes he wondered if the woman were quite sane. Yet, mad or sane, he loved her. A secretary knocked and entered. He waited submissively for half an hour until the Proprietor looked up. "Well?" "Lady Dorothy Neal would like to see you for a moment, sir." "Show her in." Lady Dorothy came in brightly. "What nice-looking men you have here," she said. "Who is the one in the blue waistcoat? He has curly hair." "You didn't come to talk about him?" said Hector reproachfully. "I didn't come to talk to him really, but if you keep me waiting half an hour—— Why, what are you doing?" Strong looked up from the note he was writing. The tender lines had gone from his face, and he had become the stern man of action again. "I am giving instructions that the services of my commissionaire, hall-boy, and fifth secretary will no longer be required." "Don't do that," pleaded Dorothy. Strong tore up the note and turned to her. "What do you want of me?" he asked. She blushed and looked down. "I—I have written a—a play," she faltered. He smiled indulgently. He did not write plays himself, but he knew that other people did. "When does it come off?" he asked. "The manager says it will have to at the end of the week. It came on a week ago." "Well," he smiled, "if people don't want to go, I can't make them." "Yes, you can," she said boldly. He gave a start. His brain working at lightning speed saw the possibilities in an instant. At one stroke he could win Lady Dorothy's gratitude, provide The Daily Vane with a temporary policy, and give a convincing exhibition of the power of his press. "Oh, Mr. Strong——" "Hector," he whispered. As he rose from his desk to go to her, he accidentally pressed the button of the trap-door. The next moment he was alone. <hr class="min" /> "That the British public is always ready to welcome the advent of a clean and wholesome home-grown play is shown by the startling success of Christina's Mistake, which is attracting such crowds to The King's every night." So wrote The Daily Vane, and continued in the same strain for a column. "Clubland is keenly exercised," wrote The Evening Vane, "over a problem of etiquette which arises in the Second Act of Christina's Mistake, the great autumn success at The King's Theatre. The point is shortly this. Should a woman ..." And so on. "A pretty little story is going the rounds," said Slosh, "anent that charming little lady, Estelle Rito, who plays the part of a governess in Christina's Mistake, for which ('Manager' Barodo informs me) advance booking up to Christmas has already been taken. It seems that Miss Rito, when shopping in the purlieus of Bond Street ..." Sloppy Chunks had a joke which set all the world laughing. It was called—— "Between the Acts <div class="lett"><div class="blockquot">Flossie. 'Who's the lady in the box with Mr. Johnson?' Gussie. 'Hush! It's his wife!' And Flossie giggled so much that she could hardly listen to the last Act of Christina's Mistake, which she had been looking forward to for weeks!" </div> </div> The Sunday Sermon offered free tickets to a hundred unmarried suburban girls, to which class Christina's Mistake might be supposed to make a special religious appeal. But they had to collect coupons first for The Sunday Sermon. And, finally, The Times, of two months later, said: "A marriage has been arranged between Lady Dorothy Neal, daughter of the Earl of Skye, and the Hon. Geoffrey Bollinger." <hr class="min" /> Than a successful revenge nothing is sweeter in life. Hector Strong was not the man to spare anyone who had done him an injury. Yet I think his method of revenging himself upon Lady Dorothy savoured of the diabolical. He printed a photograph of her in The Daily Picture Gallery. It was headed "The Beautiful Lady Dorothy Neal." <hr /> <h3>THE COLLECTOR</h3> When Peter Plimsoll, the Glue King, died, his parting advice to his sons to stick to the business was followed only by John, the elder. Adrian, the younger, had a soul above adhesion. He disposed of his share in the concern and settled down to follow the life of a gentleman of taste and culture and (more particularly) patron of the arts. He began in a modest way to collect ink-pots. His range at first was catholic, and it was not until he had acquired a hundred and forty-seven ink-pots of various designs that he decided to make a speciality of historic ones. This decision was hastened by the discovery that one of Queen Elizabeth's inkstands—supposed (by the owner) to be the identical one with whose aid she wrote her last letter to Raleigh—was about to be put on the market. At some expense Adrian obtained an introduction, through a third party, to the owner; at more expense the owner obtained, through the same gentleman, an introduction to Adrian; and in less than a month the great Elizabeth Ink-pot was safely established in Adrian's house. It was the beginning of the "Plimsoll Collection." This was twenty years ago. Let us to-day take a walk through the galleries of Mr. Adrian Plimsoll's charming residence, which, as the world knows, overlooks the park. Any friend of mine is always welcome at Number Fifteen. We will start with the North Gallery; I fear that I shall only have time to point out a few of the choicest gems. This is a Pontesiori sword of the thirteenth century—the only example of the master's art without any notches. On the left is a Capricci comfit-box. If you have never heard of Capricci, you oughtn't to come to a house like this. Here we have before us the historic de Montigny topaz. Ask your little boy to tell you about it. In the East Gallery, of course, the chief treasure is the Santo di Santo amulet, described so minutely in his Vindiciæ Veritatis by John of Flanders. The original MS. of this book is in the South Gallery. You must glance at it when we get there. It will save you the trouble of ordering a copy from your library; they would be sure to keep you waiting.... With some such words as these I lead my friends round Number Fifteen. The many treasures in the private parts of the house I may not show, of course; the bathroom, for instance, in which hangs the finest collection of portraits of philatelists that Europe can boast. You must spend a night with Adrian to be admitted to their company; and, as one of the elect, I can assure you that nothing can be more stimulating on a winter's morning than to catch the eye of Frisby Dranger, F.Ph.S., behind the taps as your head first emerges from the icy waters. <hr class="min" /> Adrian Plimsoll sat at breakfast, sipping his hot water and crumbling a dry biscuit. A light was in his eye, a flush upon his pallid countenance. He had just heard from a trusty agent that the Scutori breast-plate had been seen in Devonshire. His car was ready to take him to the station. But alas! a disappointment awaited him. On close examination the breast-plate turned out to be a common Risoldo of inferior working. Adrian left the house in disgust and started on his seven-mile walk back to the station. To complete his misery a sudden storm came on. Cursing alternately his agent and Risoldo, he made his way to a cottage and asked for shelter. An old woman greeted him civilly and bade him come in. "If I may just wait till the storm is over," said Adrian, and he sat down in her parlour and looked appraisingly (as was his habit) round the room. The grandfather clock in the corner was genuine, but he was beyond grandfather clocks. There was nothing else of any value: three china dogs and some odd trinkets on the chimney-piece; a print or two—— Stay! What was that behind the youngest dog? "May I look at that old bracelet?" he asked, his voice trembling a little; and without waiting for permission he walked over and took up the circle of tarnished metal in his hands. As he examined it his colour came and went, his heart seemed to stop beating. With a tremendous effort he composed himself and returned to his chair. It was the Emperor's Bracelet! Of course you know the history of this most famous of all bracelets. Made by Spurius Quintus of Rome in 47 B.C., it was given by Cæsar to Cleopatra, who tried without success to dissolve it in vinegar. Returning to Rome by way of Antony, it was worn at a minor conflagration by Nero, after which it was lost sight of for many centuries. It was eventually heard of during the reign of Canute (or Knut, as his admirers called him); and John is known to have lost it in the Wash, whence it was recovered a century afterwards. It must have travelled thence to France, for it was seen once in the possession of Louis XI; and from there to Spain, for Philip the Handsome presented it to Joanna on her wedding day. Columbus took it to America, but fortunately brought it back again; Peter the Great threw it at an indifferent musician; on one of its later visits to England Pope wrote a couplet to it. And the most astonishing thing in its whole history was that now for more than a hundred years it had vanished completely. To turn up again in a little Devonshire cottage! Verily, truth is stranger than fiction. "That's rather a curious bracelet of yours," said Adrian casually. "My—er—wife has one just like it, which she asked me to match. Is it an old friend, or would you care to sell it?" "My mother gave it me," said the old woman, "and she had it from hers. I don't know no further than that. I didn't mean to sell it, but——" "Quite right," said Adrian, "and, after all, I can easily get another." "But I won't say a bit of money wouldn't be useful. What would you think a fair price, sir? Five shillings?" Adrian's heart jumped. To get the Emperor's bracelet for five shillings! But the spirit of the collector rose up strong within him. He laughed kindly. "My good woman," he said, "they turn out bracelets like that in Birmingham at two shillings apiece. And quite new. I'll give you tenpence." "Make it one-and-sixpence," she pleaded. "Times are hard." Adrian reflected. He was not, strictly speaking, impoverished. He could afford one-and-sixpence. "One-and-tuppence," he said. "No, no, one-and-sixpence," she repeated obstinately. Adrian reflected again. After all, he could always sell it for ten thousand pounds, if the worst came to the worst. "Well, well," he sighed. "One-and-sixpence let it be." He counted out the money carefully. Then, putting the precious bracelet in his pocket, he rose to go. <hr class="min" /> Adrian has no relations living now. When he dies he proposes to leave the Plimsoll Collection to the nation, having—as far as he can foresee—no particular use for it in the next world. This is really very generous of him, and no doubt, when the time comes, the papers will say so. But it is a pity that he cannot be appreciated properly in his lifetime. Personally I should like to see him knighted. <hr /> <h3>THE ADVENTURER</h3> Lionel Norwood, from his earliest days, had been marked out for a life of crime. When quite a child he was discovered by his nurse killing flies on the window-pane. This was before the character of the house-fly had become a matter of common talk among scientists, and Lionel (like all great men, a little before his time) had pleaded hygiene in vain. He was smacked hastily and bundled off to a preparatory school, where his aptitude for smuggling sweets would have lost him many a half-holiday had not his services been required at outside-left in the hockey eleven. With some difficulty he managed to pass into Eton, and three years later—with, one would imagine, still more difficulty—managed to get superannuated. At Cambridge he went down-hill rapidly. He would think nothing of smoking a cigar in academical costume, and on at least one occasion he drove a dogcart on Sunday. No wonder that he was requested, early in his second year, to give up his struggle with the Little-go and betake himself back to London. London is always glad to welcome such people as Lionel Norwood. In no other city is it so simple for a man of easy conscience to earn a living by his wits. If Lionel ever had any scruples (which, after a perusal of the above account of his early days, it may be permitted one to doubt) they were removed by an accident to his solicitor, who was run over in the Argentine on the very day that he arrived there with what was left of Lionel's money. Reduced suddenly to poverty, Norwood had no choice but to enter upon a life of crime. Except, perhaps, that he used slightly less hair-oil than most, he seemed just the ordinary man about town as he sat in his dressing-gown one fine summer morning and smoked a cigarette. His rooms were furnished quietly and in the best of taste. No signs of his nefarious profession showed themselves to the casual visitor. The appealing letters from the Princess whom he was blackmailing, the wire apparatus which shot the two of spades down his sleeve during the coon-can nights at the club, the thimble and pea with which he had performed the three-card trick so successfully at Epsom last week—all these were hidden away from the common gaze. It was a young gentleman of fashion who lounged in his chair and toyed with a priceless straight-cut. There was a tap at the door, and Masters, his confidential valet, came in. "Well," said Lionel, "have you looked through the post?" "Yes, sir," said the man. "There's the usual cheque from Her Highness, a request for more time from the lady in Tite Street with twopence to pay on the envelope, and banknotes from the Professor as expected. The young gentleman of Hill Street has gone abroad suddenly, sir." "Ah!" said Lionel, with a sudden frown. "I suppose you'd better cross him off our list, Masters." "Yes, sir. I had ventured to do so, sir. I think that's all, except that Mr. Snooks is glad to accept your kind invitation to dinner and bridge to-night. Will you wear the hair-spring coat, sir, or the metal clip?" Lionel made no answer. He sat plunged in thought. When he spoke it was about another matter. "Masters," he said, "I have found out Lord Fairlie's secret at last. I shall go to see him this afternoon." "Yes, sir. Will you wear your revolver, sir, as it's a first call?" "I think so. If this comes off, Masters, it will make our fortune." "I hope so, I'm sure, sir." Masters placed the whisky within reach and left the room silently. Alone, Lionel picked up his paper and turned to the Agony Column. As everybody knows, the Agony Column of a daily paper is not actually so domestic as it seems. When "Mother" apparently says to "Floss," "Come home at once. Father gone away for week. Bert and Sid longing to see you," what is really happening is that Barney Hoker is telling Jud Batson to meet him outside the Duke of Westminster's little place at 3 a.m. precisely on Tuesday morning, not forgetting to bring his jemmy and a dark lantern with him. And Floss's announcement next day, "Coming home with George," is Jud's way of saying that he will turn up all right, and half thinks of bringing his automatic pistol with him too, in case of accidents. In this language—which, of course, takes some little learning—Lionel Norwood had long been an expert. The advertisement which he was now reading was unusually elaborate: <div class="blockquot">"Lost, in a taxi between Baker Street and Shepherd's Bush, a gold-mounted umbrella with initials 'J. P.' on it. If Ellen will return to her father immediately all will be forgiven. White spot on foreleg. Mother very anxious and desires to return thanks for kind enquiries. Answers to the name of Ponto. Bis dat qui cito dat." </div> What did it mean? For Lionel it had no secrets. He was reading the revelation by one of his agents of the skeleton in Lord Fairlie's cupboard! Lord Fairlie was one of the most distinguished members of the Cabinet. His vein of high seriousness, his lofty demeanour, the sincerity of his manner endeared him not only to his own party, but even (astounding as it may seem) to a few high-minded men upon the other side, who admitted, in moments of expansion which they probably regretted afterwards, that he might, after all, be as devoted to his country as they were. For years now his life had been without blemish. It was impossible to believe that even in his youth he could have sown any wild oats; terrible to think that these wild oats might now be coming home to roost. "What do you require of me?" he said courteously to Lionel, as the latter was shown into his study. Lionel went to the point at once. "I am here, my lord," he said, "on business. In the course of my ordinary avocations"—the parliamentary atmosphere seemed to be affecting his language—"I ascertained a certain secret in your past life which, if it were revealed, might conceivably have a not undamaging effect upon your career. For my silence in this matter I must demand a sum of fifty thousand pounds." Lord Fairlie had grown paler and paler as this speech proceeded. "What have you discovered?" he whispered. Alas! he knew only too well what the damning answer would be. "Twenty years ago," said Lionel, "you wrote a humorous book." Lord Fairlie gave a strangled cry. His keen mind recognized in a flash what a hold this knowledge would give his enemies. Shafts of Folly, his book had been called. Already he saw the leading articles of the future:— <div class="blockquot">"We confess ourselves somewhat at a loss to know whether Lord Fairlie's speech at Plymouth yesterday was intended as a supplement to his earlier work, Shafts of Folly, or as a serious offering to a nation impatient of levity in such a crisis...." "The Cabinet's jester, in whom twenty years ago the country lost an excellent clown without gaining a statesman, was in great form last night...." "Lord Fairlie has amused us in the past with his clever little parodies; he may amuse us in the future; but as a statesman we can only view him with disgust...." </div> "Well?" said Lionel at last. "I think your lordship is wise enough to understand. The discovery of a sense of humour in a man of your eminence——" But Lord Fairlie was already writing out the cheque. <hr /> <h3>THE EXPLORER</h3> As the evening wore on—and one young man after another asked Jocelyn Montrevor if she were going to Ascot, what? or to Henley, what? or what?—she wondered more and more if this were all that life would ever hold for her. Would she never meet a man, a real man who had done something? These boys around her were very pleasant, she admitted to herself; very useful indeed, she added, as one approached her with some refreshment; but they were only boys. "Here you are," said Freddy, handing her an ice in three colours. "I've had it made specially cold for you. They only had the green, pink, and yellow jerseys left; I hope you don't mind. The green part is arsenic, I believe. If you don't want the wafer I'll take it home and put it between the sashes of my bedroom window. The rattling kept me awake all last night. That's why I'm looking so ill, by the way." Jocelyn smiled kindly and went on with her ice. "That reminds me," Freddy went on, "we've got a nut here to-night. The genuine thing. None of your society Barcelonas or suburban Filberts. One of the real Cob family; the driving-from-the-sixth-tee, inset-on-the-right, and New-Year's-message-to-the-country touch. In short, a celebrity." "Who?" asked Jocelyn eagerly. Perhaps here was a man. "Worrall Brice, the explorer. Don't say you haven't heard of him or Aunt Alice will cry." Heard of him? Of course she had heard of him. Who hadn't? Worrall Brice's adventures in distant parts of the empire would have filled a book—had, in fact, already filled three. A glance at his flat in St. James's Street gave you some idea of the adventures he had been through. Here were the polished spurs of his companion in the famous ride through Australia from south to north—all that had been left by the cannibals of the Wogga-Wogga River after their banquet. Here was the poisoned arrow which, by the merciful intervention of Providence, just missed Worrall and pierced the heart of one of his black attendants, the post-mortem happily revealing the presence of a new and interesting poison. Here, again, was the rope with which he was hanged by mistake as a spy in South America—a mistake which would certainly have had fatal results if he had not had the presence of mind to hold his breath during the performance. In yet another corner you might see his favourite mascot—a tooth of the shark which bit him off the coast of China. Spears, knives, and guns lined the walls; every inch of the floor was covered by skins. His flat was typical of the man—a man who had done things. "Introduce him to me," commanded Jocelyn. "Where is he?" She looked up suddenly and saw him entering the ball-room. He was of commanding height and his face was the face of a man who has been exposed to the forces of Nature. The wind, the waves, the sun, the mosquito had set their mark upon him. Down one side of his cheek was a newly healed scar, a scratch from a hippopotamus in its last death-struggle. A legacy from a bison seared his brow. He walked with the soft easy tread of the python, or the Pathan, or some animal with a "pth" in it. Probably I mean the panther. He bore himself confidently, and his mouth was a trap from which no superfluous word escaped. He was the strong silent man of Jocelyn's dreams. "Mr. Worrall Brice, Miss Montrevor," said Freddy, and left them. Worrall Brice bowed and stood beside her with folded arms, his gaze fixed above her head. "I shall not expect you to dance," said Jocelyn, with a confidential smile which implied that he and she were above such frivolities. As a matter of fact, he could have taught her the Wogga-Wogga one-step, the Bimbo, the Kiyi, the Ju-bu, the Head-hunter's Hug, and many other cannibalistic steps which, later on, were to become the rage of London and the basis of a revue. "I have often imagined you, as you kept watch over your camp," she went on, "and I have seemed myself to hear the savages and lions roaring outside the circle of fire, what time in the swamps the crocodiles were barking." "Yes," he said. "It must be a wonderful life." "Yes." "If I were a man I should want to lead such a life; to get away from all this," and she waved her hand round the room, "back to Nature. To know that I could not eat until I had first killed my dinner; that I could not live unless I slew the enemy! That must be fine!" "Yes," said Worrall. "I cannot get Freddy to see it. He is quite content to have shot a few grouse ... and once to have wounded a beater. There must be more in life than that." "Yes." "I suppose I am elemental. Beneath the veneer of civilization I am a savage. To wake up with the war-cry of the enemy in my ears, to sleep with the—er—barking of the crocodile in my dreams, that is life!" Worrall Brice tugged at his moustache and gazed into space over her head. Then he spoke. "Crocodiles don't bark," he said. Jocelyn looked at him in astonishment. "But in your book, Through Trackless Paths!" she cried. "I know it almost by heart. It was you who taught me. What are the beautiful words? 'On the banks of the sleepy river two great crocodiles were barking.'" "Not 'barking,'" said Worrall. "'Basking.' It was a misprint." "Oh!" said Jocelyn. She had a moment's awful memory of all the occasions when she had insisted that crocodiles barked. There had been a particularly fierce argument with Meta Richards, who had refused to weigh even the printed word of Worrall Brice against the silence of the Reptile House on her last visit to the Zoo. "Well," smiled Jocelyn, "you must teach me about these things. Will you come and see me?" "Yes," said Worrall. He rather liked to stand and gaze into the distance while pretty women talked to him. And Jocelyn was very pretty. "We live in South Kensington. Come on Sunday, won't you? 99 Peele Crescent." "Yes," said Worrall. <hr class="min" /> On Sunday Jocelyn waited eagerly for him in the drawing-room of Peele Crescent. Her father was asleep in the library, her mother was dead; so she would have the great man to herself for an afternoon. Later she would have him for always, for she meant to marry him. And when they were married she was not so sure that they would live with the noise of the crocodile barking or coughing, or whatever it did, in their ears. She saw herself in that little house in Green Street with the noise of motor-horns and taxi-whistles to soothe her to sleep. Yet what a man he was! What had he said to her? She went over all his words.... They were not many. At six o'clock she was still waiting in the drawing-room at Peele Crescent.... At six-thirty Worrall Brice had got as far as Peele Place.... At six-forty-five he found himself in Radcliffe Square again.... At seven o'clock, just as he was giving himself up for lost, he met a taxi and returned to St. James's Street. He was a great traveller, but South Kensington had been too much for him. Next week he went back unmarried to the jungle. It was the narrowest escape he had had. <hr /> Printed in Great Britain at The Mayflower Press, Plymouth. William Brendon & Son, Ltd. <hr /> <div class="adbox1"> BOOKS BY A. A. MILNE <div class="adbox2"> THE SUNNY SIDE Crown 8vo. 6s. net. A final collection of "Punch" articles, uniform with "The Day's Play," "The Holiday Round," and "Once a Week." IF I MAY F'cap. 8vo. 6s. net. A delightful collection of Essays in which War, Gardens, High Finance, Lord Mayors, Desert Islands, Christmas Presents, and many other topics of conversation, are discussed. NOT THAT IT MATTERS Second Edition. F'cap. 8vo. 6s. net. "Wherever you may dip into this book you will be amused."—Times. "The little essays which compose this delicious volume are simply models of their art."—Daily Telegraph. THE DAY'S PLAY Seventh Edition. Crown 8vo. 7s. net. "Full of unforced fun and sly keenness of observation."—Morning Post. THE HOLIDAY ROUND Crown 8vo. 7s. 6d. net. A volume of articles from "Punch," full of fun and fancy. "With each succeeding year Mr. Milne's humour is growing more perfect."—Dundee Advertiser. </div> METHUEN & Co., Ltd., 36 Essex St., LONDON, W.C. 2 </div> <hr /> <div class="adbox1">BOOKS BY E. V. LUCAS <div class="adbox2"> <div class='center'> <table border="0" cellpadding="0" cellspacing="0" summary=""> <tr><td class="td3">Entertainments. Rose and Rose Verena in the Midst The Vermilion Box Landmarks Listener's Lure Over Bemerton's London Lavender Essays. Urbanities Specially Selected The Phantom Journal A Boswell of Baghdad Cloud and Silver Loiterer's Harvest One Day and Another Fireside and Sunshine Character and Comedy Old Lamps for New Cheap Editions. A Little of Everything Harvest Home Variety Lane The Best of Lamb </td> <td class="td4">Topographical. Roving East and Roving West A Wanderer in Venice A Wanderer in Paris A Wanderer in London London Revisited A Wanderer in Holland A Wanderer in Florence Anthologies. The Open Road The Friendly Town Her Infinite Variety Good Company The Gentlest Art The Second Post Biographical, etc. The Life of Charles Lamb The Works of Charles Lamb. Six Volumes A Swan & Her Friends Edwin Austin Abbey, R.A. The British School </td></tr></table></div> </div> METHUEN & Co., Ltd., 36 Essex St., LONDON, W.C. 2 </div> <hr /> <div class="adbox1"><big>NOVELS BY EDGAR RICE BURROUGHS</big> <div class="adbox3"><div class="adbox4">ADVENTURE STORIES EXTRAORDINARY. </div> TARZAN OF THE APES THE RETURN OF TARZAN THE BEASTS OF TARZAN THE SON OF TARZAN TARZAN AND THE JEWELS OF OPAN JUNGLE TALES OF TARZAN TARZAN THE UNTAMED TARZAN THE TERRIBLE <hr class="adhr" /> A PRINCESS OF MARS THE GODS OF MARS THE WARLORD OF MARS THURIA MAID OF MARS <hr class="adhr" /> THE MUCKER THE MAN WITHOUT A SOUL </div> METHUEN & Co., Ltd., 36 Essex St., LONDON, W.C. 2 </div> <hr /> <div class="adbox1">FASCINATING STORIES OF THE EAST <div class="adbox3">NOVELS BY SAX ROHMER THE MYSTERY OF DR. FU-MANCHU THE YELLOW CLAW THE DEVIL DOCTOR THE SI-FAN MYSTERIES TALES OF SECRET EGYPT THE ORCHARD OF TEARS THE GOLDEN SCORPION </div> METHUEN & Co., Ltd., 36 Essex St., LONDON, W.C. 2 </div> <div style="break-after:column;"></div>

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