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<h2> Chapter XXI </h2>
<p>Casting my eyes on Mr. Wemmick as we went along, to see what he was like
in the light of day, I found him to be a dry man, rather short in stature,
with a square wooden face, whose expression seemed to have been
imperfectly chipped out with a dull-edged chisel. There were some marks in
it that might have been dimples, if the material had been softer and the
instrument finer, but which, as it was, were only dints. The chisel had
made three or four of these attempts at embellishment over his nose, but
had given them up without an effort to smooth them off. I judged him to be
a bachelor from the frayed condition of his linen, and he appeared to have
sustained a good many bereavements; for he wore at least four mourning
rings, besides a brooch representing a lady and a weeping willow at a tomb
with an urn on it. I noticed, too, that several rings and seals hung at
his watch-chain, as if he were quite laden with remembrances of departed
friends. He had glittering eyes,—small, keen, and black,—and
thin wide mottled lips. He had had them, to the best of my belief, from
forty to fifty years.</p>
<p>"So you were never in London before?" said Mr. Wemmick to me.</p>
<p>"No," said I.</p>
<p>"I was new here once," said Mr. Wemmick. "Rum to think of now!"</p>
<p>"You are well acquainted with it now?"</p>
<p>"Why, yes," said Mr. Wemmick. "I know the moves of it."</p>
<p>"Is it a very wicked place?" I asked, more for the sake of saying
something than for information.</p>
<p>"You may get cheated, robbed, and murdered in London. But there are plenty
of people anywhere, who'll do that for you."</p>
<p>"If there is bad blood between you and them," said I, to soften it off a
little.</p>
<p>"O! I don't know about bad blood," returned Mr. Wemmick; "there's not much
bad blood about. They'll do it, if there's anything to be got by it."</p>
<p>"That makes it worse."</p>
<p>"You think so?" returned Mr. Wemmick. "Much about the same, I should say."</p>
<p>He wore his hat on the back of his head, and looked straight before him:
walking in a self-contained way as if there were nothing in the streets to
claim his attention. His mouth was such a post-office of a mouth that he
had a mechanical appearance of smiling. We had got to the top of Holborn
Hill before I knew that it was merely a mechanical appearance, and that he
was not smiling at all.</p>
<p>"Do you know where Mr. Matthew Pocket lives?" I asked Mr. Wemmick.</p>
<p>"Yes," said he, nodding in the direction. "At Hammersmith, west of
London."</p>
<p>"Is that far?"</p>
<p>"Well! Say five miles."</p>
<p>"Do you know him?"</p>
<p>"Why, you're a regular cross-examiner!" said Mr. Wemmick, looking at me
with an approving air. "Yes, I know him. I know him!"</p>
<p>There was an air of toleration or depreciation about his utterance of
these words that rather depressed me; and I was still looking sideways at
his block of a face in search of any encouraging note to the text, when he
said here we were at Barnard's Inn. My depression was not alleviated by
the announcement, for, I had supposed that establishment to be an hotel
kept by Mr. Barnard, to which the Blue Boar in our town was a mere
public-house. Whereas I now found Barnard to be a disembodied spirit, or a
fiction, and his inn the dingiest collection of shabby buildings ever
squeezed together in a rank corner as a club for Tom-cats.</p>
<p>We entered this haven through a wicket-gate, and were disgorged by an
introductory passage into a melancholy little square that looked to me
like a flat burying-ground. I thought it had the most dismal trees in it,
and the most dismal sparrows, and the most dismal cats, and the most
dismal houses (in number half a dozen or so), that I had ever seen. I
thought the windows of the sets of chambers into which those houses were
divided were in every stage of dilapidated blind and curtain, crippled
flower-pot, cracked glass, dusty decay, and miserable makeshift; while To
Let, To Let, To Let, glared at me from empty rooms, as if no new wretches
ever came there, and the vengeance of the soul of Barnard were being
slowly appeased by the gradual suicide of the present occupants and their
unholy interment under the gravel. A frowzy mourning of soot and smoke
attired this forlorn creation of Barnard, and it had strewn ashes on its
head, and was undergoing penance and humiliation as a mere dust-hole. Thus
far my sense of sight; while dry rot and wet rot and all the silent rots
that rot in neglected roof and cellar,—rot of rat and mouse and bug
and coaching-stables near at hand besides—addressed themselves
faintly to my sense of smell, and moaned, "Try Barnard's Mixture."</p>
<p>So imperfect was this realization of the first of my great expectations,
that I looked in dismay at Mr. Wemmick. "Ah!" said he, mistaking me; "the
retirement reminds you of the country. So it does me."</p>
<p>He led me into a corner and conducted me up a flight of stairs,—which
appeared to me to be slowly collapsing into sawdust, so that one of those
days the upper lodgers would look out at their doors and find themselves
without the means of coming down,—to a set of chambers on the top
floor. MR. POCKET, JUN., was painted on the door, and there was a label on
the letter-box, "Return shortly."</p>
<p>"He hardly thought you'd come so soon," Mr. Wemmick explained. "You don't
want me any more?"</p>
<p>"No, thank you," said I.</p>
<p>"As I keep the cash," Mr. Wemmick observed, "we shall most likely meet
pretty often. Good day."</p>
<p>"Good day."</p>
<p>I put out my hand, and Mr. Wemmick at first looked at it as if he thought
I wanted something. Then he looked at me, and said, correcting himself,—</p>
<p>"To be sure! Yes. You're in the habit of shaking hands?"</p>
<p>I was rather confused, thinking it must be out of the London fashion, but
said yes.</p>
<p>"I have got so out of it!" said Mr. Wemmick,—"except at last. Very
glad, I'm sure, to make your acquaintance. Good day!"</p>
<p>When we had shaken hands and he was gone, I opened the staircase window
and had nearly beheaded myself, for, the lines had rotted away, and it
came down like the guillotine. Happily it was so quick that I had not put
my head out. After this escape, I was content to take a foggy view of the
Inn through the window's encrusting dirt, and to stand dolefully looking
out, saying to myself that London was decidedly overrated.</p>
<p>Mr. Pocket, Junior's, idea of Shortly was not mine, for I had nearly
maddened myself with looking out for half an hour, and had written my name
with my finger several times in the dirt of every pane in the window,
before I heard footsteps on the stairs. Gradually there arose before me
the hat, head, neckcloth, waistcoat, trousers, boots, of a member of
society of about my own standing. He had a paper-bag under each arm and a
pottle of strawberries in one hand, and was out of breath.</p>
<p>"Mr. Pip?" said he.</p>
<p>"Mr. Pocket?" said I.</p>
<p>"Dear me!" he exclaimed. "I am extremely sorry; but I knew there was a
coach from your part of the country at midday, and I thought you would
come by that one. The fact is, I have been out on your account,—not
that that is any excuse,—for I thought, coming from the country, you
might like a little fruit after dinner, and I went to Covent Garden Market
to get it good."</p>
<p>For a reason that I had, I felt as if my eyes would start out of my head.
I acknowledged his attention incoherently, and began to think this was a
dream.</p>
<p>"Dear me!" said Mr. Pocket, Junior. "This door sticks so!"</p>
<p>As he was fast making jam of his fruit by wrestling with the door while
the paper-bags were under his arms, I begged him to allow me to hold them.
He relinquished them with an agreeable smile, and combated with the door
as if it were a wild beast. It yielded so suddenly at last, that he
staggered back upon me, and I staggered back upon the opposite door, and
we both laughed. But still I felt as if my eyes must start out of my head,
and as if this must be a dream.</p>
<p>"Pray come in," said Mr. Pocket, Junior. "Allow me to lead the way. I am
rather bare here, but I hope you'll be able to make out tolerably well
till Monday. My father thought you would get on more agreeably through
to-morrow with me than with him, and might like to take a walk about
London. I am sure I shall be very happy to show London to you. As to our
table, you won't find that bad, I hope, for it will be supplied from our
coffee-house here, and (it is only right I should add) at your expense,
such being Mr. Jaggers's directions. As to our lodging, it's not by any
means splendid, because I have my own bread to earn, and my father hasn't
anything to give me, and I shouldn't be willing to take it, if he had.
This is our sitting-room,—just such chairs and tables and carpet and
so forth, you see, as they could spare from home. You mustn't give me
credit for the tablecloth and spoons and castors, because they come for
you from the coffee-house. This is my little bedroom; rather musty, but
Barnard's is musty. This is your bedroom; the furniture's hired for the
occasion, but I trust it will answer the purpose; if you should want
anything, I'll go and fetch it. The chambers are retired, and we shall be
alone together, but we shan't fight, I dare say. But dear me, I beg your
pardon, you're holding the fruit all this time. Pray let me take these
bags from you. I am quite ashamed."</p>
<p>As I stood opposite to Mr. Pocket, Junior, delivering him the bags, One,
Two, I saw the starting appearance come into his own eyes that I knew to
be in mine, and he said, falling back,—</p>
<p>"Lord bless me, you're the prowling boy!"</p>
<p>"And you," said I, "are the pale young gentleman!"</p>
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