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<h2> XIII </h2>
<p>Mr. Dosson, as we know, was, almost more than anything else, loosely
contemplative, and the present occasion could only minister to that side
of his nature, especially as, so far at least as his observation of his
daughters went, it had not urged him into uncontrollable movement. But the
truth is that the intensity, or rather the continuity, of his meditations
did engender an act not perceived by these young ladies, though its
consequences presently became definite enough. While he waited for the
Proberts to arrive in a phalanx and noted that they failed to do so he had
plenty of time to ask himself—and also to ask Delia—questions
about Mr. Flack. So far as they were addressed to his daughter they were
promptly answered, for Delia had been ready from the first, as we have
seen, to pronounce upon the conduct of the young journalist. Her view of
it was clearer every hour; there was a difference however in the course of
action which she judged this view to demand. At first he was to have been
blown up sky-high for the mess he had got them into—profitless as
the process might be and vain the satisfaction; he was to have been
scourged with the sharpest lashes the sense of violated confidence could
inflict. At present he was not to be touched with a ten-foot pole, but
rather cut dead, cast off and ignored, let alone to his dying day: Delia
quickly caught at this for the right grand way of showing displeasure.
Such was the manner in which she characterised it in her frequent
conversations with her father, if that can be called conversation which
consisted of his serenely smoking while she poured forth arguments that
kept repetition abreast of variety. The same cause will according to
application produce effects without sameness: as a mark of which truth the
catastrophe that made Delia express freely the hope she might never again
see so much as the end of Mr. Flack's nose had just the opposite action on
her parent. The best balm for his mystification would have been to let his
eyes sociably travel over his young friend's whole person; this would have
been to deal again with quantities and forces he could measure and in
terms he could understand. If indeed the difference had been pushed
further the girl would have kept the field, for she had the advantage of
being able to motive her attitude, to which Mr. Dosson could have opposed
but an indefensible, in fact an inarticulate, laxity. She had touched on
her deepest conviction in saying to Francie that the correspondent of the
Reverberator had played them that trick on purpose to get them into such
trouble with the Proberts that he might see his own hopes bloom again in
the heat of their disaster. This had many of the appearances of a strained
interpretation, but that didn't prevent Delia from placing it before her
father several times an hour. It mattered little that he should remark in
return that he didn't see what good it could do Mr. Flack that Francie—and
he and Delia, for all he could guess—should be disgusted with him:
to Mr. Dosson's mind that was such a queer way of reasoning. Delia
maintained that she understood perfectly, though she couldn't explain—and
at any rate she didn't want the manoeuvring creature to come flying back
from Nice. She didn't want him to know there had been a scandal, that they
had a grievance against him, that any one had so much as heard of his
article or cared what he published or didn't publish; above all she didn't
want him to know that the Proberts had cooled off. She didn't want him to
dream he could have had such effects. Mixed up with this high rigour on
Miss Dosson's part was the oddest secret complacency of reflexion that in
consequence of what Mr. Flack HAD published the great American community
was in a position to know with what fine folks Francie and she were
associated. She hoped that some of the people who used only to call when
they were "off to-morrow" would take the lesson to heart.</p>
<p>While she glowed with this consolation as well as with the resentment for
which it was required her father quietly addressed a few words by letter
to their young friend in the south. This communication was not of a
minatory order; it expressed on the contrary the loose sociability which
was the essence of the good gentleman's nature. He wanted to see Mr.
Flack, to talk the whole thing over, and the desire to hold him to an
account would play but a small part in the interview. It commended itself
much more to him that the touchiness of the Proberts should be a sign of a
family of cranks—so little did any experience of his own match it—than
that a newspaper-man had misbehaved in trying to turn out an attractive
piece. As the newspaper-man happened to be the person with whom he had
most consorted for some time back he felt drawn to him in presence of a
new problem, and somehow it didn't seem to Mr. Dosson to disqualify him as
a source of comfort that it was just he who had been the fountain of
injury. The injury wouldn't be there if the Proberts didn't point to it
with a thousand ringers. Moreover Mr. Dosson couldn't turn his back at
such short notice on a man who had smoked so many of his cigars, ordered
so many of his dinners and helped him so handsomely to spend his money:
such acts constituted a bond, and when there was a bond people gave it a
little jerk in time of trouble. His letter to Nice was the little jerk.</p>
<p>The morning after Francie had passed with such an air from Gaston's sight
and left him planted in the salon—he had remained ten minutes, to
see if she would reappear, and then had marched out of the hotel—she
received by the first post a letter from him, written the evening before.
It conveyed his deep regret that their meeting that day should have been
of so painful, so unnatural a character, and the hope that she didn't
consider, as her strange behaviour had seemed to suggest, that SHE had
anything to complain of. There was too much he wanted to say, and above
all too much he wanted to ask, for him to consent to the indefinite
postponement of a necessary interview. There were explanations,
assurances, de part et d'autre, with which it was manifestly impossible
that either of them should dispense. He would therefore propose that she
should see him again, and not be wanting in patience to that end, late on
the morrow. He didn't propose an earlier moment because his hands were
terribly full at home. Frankly speaking, the state of things there was of
the worst. Jane and her husband had just arrived and had made him a
violent, an unexpected scene. Two of the French newspapers had got hold of
the article and had given the most perfidious extracts. His father hadn't
stirred out of the house, hadn't put his foot inside a club, for more than
a week. Marguerite and Maxime were immediately to start for England on an
indefinite absence. They couldn't face their life in Paris. For himself he
was in the breach, fighting hard and making, on her behalf, asseverations
it was impossible for him to believe, in spite of the dreadful defiant
confession she had appeared to throw at him in the morning, that she
wouldn't virtually confirm. He would come in as soon after nine as
possible; the day up to that time would be stiff in the Cours la Reine,
and he begged her in the meantime not to doubt of his perfect tenderness.
So far from her having caused it at all to shrink, he had never yet felt
her to have, in his affection, such a treasure of indulgence to draw upon.</p>
<p>A couple of hours after the receipt of this manifesto Francie lay on one
of the satin sofas with her eyes closed and her hand clinched upon it in
her pocket. Delia sat hard by with a needle in her fingers, certain
morsels of silk and ribbon in her lap, several pins in her mouth, and her
attention turning constantly from her work to her sister's face. The
weather was now so completely vernal that Mr. Dosson was able to haunt the
court, and he had lately resumed this practice, in which he was presumably
at the present moment absorbed. Delia had lowered her needle and was
making sure if her companion were awake—she had been perfectly still
for so long—when her glance was drawn to the door, which she heard
pushed open. Mr. Flack stood there, looking from one to the other of the
young ladies as to see which would be most agreeably surprised by his
visit.</p>
<p>"I saw your father downstairs—he says it's all right," said the
journalist, advancing with a brave grin. "He told me to come straight up—I
had quite a talk with him."</p>
<p>"All right—ALL RIGHT?" Delia Dosson repeated, springing up. "Yes
indeed—I should say so!" Then she checked herself, asking in another
manner: "Is that so? poppa sent you up?" And then in still another: "Well,
have you had a good time at Nice?"</p>
<p>"You'd better all come right down and see. It's lovely down there. If
you'll come down I'll go right back. I guess you want a change," Mr. Flack
went on. He spoke to Delia but he looked at Francie, who showed she had
not been asleep by the quick consciousness with which she raised herself
on her sofa. She gazed at the visitor with parted lips, but uttered no
word. He barely faltered, coming toward her with his conscious grimace and
his hand out. His knowing eyes were more knowing than ever, but had an odd
appearance of being smaller, like penetrating points. "Your father has
told me all about it. Did you ever hear of anything so cheap?"</p>
<p>"All about what?—all about what?" said Delia, whose attempt to
represent happy ignorance was menaced by an intromission of ferocity. She
might succeed in appearing ignorant, but could scarcely succeed in
appearing kind. Francie had risen to her feet and had suffered Mr. Flack
to possess himself for a moment of her hand, but neither of them had asked
the young man to sit down. "I thought you were going to stay a month at
Nice?" Delia continued.</p>
<p>"Well, I was, but your father's letter started me up."</p>
<p>"Father's letter?"</p>
<p>"He wrote me about the row—didn't you know it? Then I broke. You
didn't suppose I was going to stay down there when there were such times
up here."</p>
<p>"Gracious!" Delia panted.</p>
<p>"Is it pleasant at Nice? Is it very gay? Isn't it very hot now?" Francie
rather limply asked.</p>
<p>"Oh it's all right. But I haven't come up here to crow about Nice, have
I?"</p>
<p>"Why not, if we want you to?"—Delia spoke up.</p>
<p>Mr. Flack looked at her for a moment very hard, in the whites of the eyes;
then he replied, turning back to her sister: "Anything YOU like, Miss
Francie. With you one subject's as good as another. Can't we sit down?
Can't we be comfortable?" he added.</p>
<p>"Comfortable? of course we can!" cried Delia, but she remained erect while
Francie sank upon the sofa again and their companion took possession of
the nearest chair.</p>
<p>"Do you remember what I told you once, that the people WILL have the
plums?" George Flack asked with a hard buoyancy of the younger girl.</p>
<p>She looked an instant as if she were trying to recollect what he had told
her; and then said, more remotely, "DID father write to you?"</p>
<p>"Of course he did. That's why I'm here."</p>
<p>"Poor father, sometimes he doesn't know WHAT to do!" Delia threw in with
violence.</p>
<p>"He told me the Reverberator has raised a breeze. I guessed that for
myself when I saw the way the papers here were after it. That thing will
go the rounds, you'll see. What brought me was learning from him that they
HAVE got their backs up."</p>
<p>"What on earth are you talking about?" Delia Dosson rang out.</p>
<p>Mr. Flack turned his eyes on her own as he had done a moment before;
Francie sat there serious, looking hard at the carpet. "What game are you
trying, Miss Delia? It ain't true YOU care what I wrote, is it?" he
pursued, addressing himself again to Francie.</p>
<p>After a moment she raised her eyes. "Did you write it yourself?"</p>
<p>"What do you care what he wrote—or what does any one care?" Delia
again interposed.</p>
<p>"It has done the paper more good than anything—every one's so
interested," said Mr. Flack in the tone of reasonable explanation. "And
you don't feel you've anything to complain of, do you?" he added to
Francie kindly.</p>
<p>"Do you mean because I told you?"</p>
<p>"Why certainly. Didn't it all spring out of that lovely drive and that
walk up in the Bois we had—when you took me up to see your portrait?
Didn't you understand that I wanted you to know that the public would
appreciate a column or two about Mr. Waterlow's new picture, and about you
as the subject of it, and about your being engaged to a member of the
grand old monde, and about what was going on in the grand old monde, which
would naturally attract attention through that? Why Miss Francie," Mr.
Flack ever so blandly pursued, "you regularly TALKED as if you did."</p>
<p>"Did I talk a great deal?" asked Francie.</p>
<p>"Why most freely—it was too lovely. We had a real grand old jaw.
Don't you remember when we sat there in the Bois?"</p>
<p>"Oh rubbish!" Delia panted.</p>
<p>"Yes, and Mme. de Cliche passed."</p>
<p>"And you told me she was scandalised. And we had to laugh," he reminded
her—"it struck us as so idiotic. I said it was a high old POSE, and
I knew what to think of it. Your father tells me she's scandalised now—she
and all the rest of them—at the sight of their names at last in a
REAL newspaper. Well now, if you want to know, it's a bigger pose than
ever, and, as I said just now, it's too damned cheap. It's THIN—that's
what it is; and if it were genuine it wouldn't count. They pretend to be
shocked because it looks exclusive, but in point of fact they like it
first-rate."</p>
<p>"Are you talking about that old piece in the paper? Mercy, wasn't that
dead and buried days and days ago?" Delia quavered afresh. She hovered
there in dismay as well as in displeasure, upset by the news that her
father had summoned Mr. Flack to Paris, which struck her almost as a
treachery, since it seemed to denote a plan. A plan, and an uncommunicated
plan, on Mr. Dosson's part was unnatural and alarming; and there was
further provocation in his appearing to shirk the responsibility of it by
not having come up at such a moment with his accomplice. Delia was
impatient to know what he wanted anyway. Did he want to drag them down
again to such commonness—ah she felt the commonness now!—even
though it COULD hustle? Did he want to put Mr. Flack forward, with a
feeble flourish that didn't answer one of their questions, as a substitute
for the alienated Gaston? If she hadn't been afraid that something still
more uncanny than anything that had happened yet might come to pass
between her two companions in case of her leaving them together she would
have darted down to the court to appease her conjectures, to challenge her
father and tell him how particularly pleased she should be if he wouldn't
put in his oar. She felt liberated, however, the next moment, for
something occurred that struck her as a sure proof of the state of her
sister's spirit.</p>
<p>"Do you know the view I take of the matter, according to what your father
has told me?" Mr. Flack enquired. "I don't mean it was he gave me the tip;
I guess I've seen enough over here by this time to have worked it out.
They're scandalised all right—they're blue with horror and have
never heard of anything so dreadful. Miss Francie," her visitor roared,
"that ain't good enough for you and me. They know what's in the papers
every day of their lives and they know how it got there. They ain't like
the fellow in the story—who was he?—who couldn't think how the
apples got into the dumplings. They're just grabbing a pretext to break
because—because, well, they don't think you're blue blood. They're
delighted to strike a pretext they can work, and they're all cackling over
the egg it has taken so many hens of 'em to lay. That's MY diagnosis if
you want to know."</p>
<p>"Oh—how can you say such a thing?" Francie returned with a tremor in
her voice that struck her sister. Her eyes met Delia's at the same moment,
and this young woman's heart bounded with the sense that she was safe. Mr.
Flack's power to hustle presumed too far—though Mr. Dosson had crude
notions about the licence of the press she felt, even as an untutored
woman, what a false step he was now taking—and it seemed to her that
Francie, who was not impressed (the particular light in her eyes now
showed it) could be trusted to allow him no benefit.</p>
<p>"What does it matter what he says, my dear?" she interposed. "Do make him
drop the subject—he's talking very wild. I'm going down to see what
poppa means—I never heard of anything so flat!" At the door she
paused a moment to add mutely, by mere facial force: "Now just wipe him
out, mind!" It was the same injunction she had launched at her from afar
that day, a year before, when they all dined at Saint-Germain, and she
could remember how effective it had then been. The next moment she flirted
out.</p>
<p>As soon as she had gone Mr. Flack moved nearer to Francie. "Now look here,
you're not going back on me, are you?"</p>
<p>"Going back on you—what do you mean?"</p>
<p>"Ain't we together in this thing? WHY sure! We're CLOSE together, Miss
Francie!"</p>
<p>"Together—together?" Francie repeated with charming wan but not at
all tender eyes on him.</p>
<p>"Don't you remember what I said to you—just as straight as my course
always is—before we went up there, before our lovely drive? I stated
to you that I felt—that I always feel—my great hearty hungry
public behind me."</p>
<p>"Oh yes, I understood—it was all for you to work it up. I told them
so. I never denied it," Francie brought forth.</p>
<p>"You told them so?"</p>
<p>"When they were all crying and going on. I told them I knew it—I
told them I gave you the tip as you call it."</p>
<p>She felt Mr. Flack fix her all alarmingly as she spoke these words; then
he was still nearer to her—he had taken her hand. "Ah you're too
sweet!" She disengaged her hand and in the effort she sprang up; but he,
rising too, seemed to press always nearer—she had a sense (it was
disagreeable) that he was demonstrative—so that she retreated a
little before him. "They were all there roaring and raging, trying to make
you believe you had outraged them?"</p>
<p>"All but young Mr. Probert. Certainly they don't like it," she said at her
distance.</p>
<p>"The cowards!" George Flack after a moment remarked. "And where was young
Mr. Probert?" he then demanded.</p>
<p>"He was away—I've told you—in America."</p>
<p>"Ah yes, your father told me. But now he's back doesn't he like it
either?"</p>
<p>"I don't know, Mr. Flack," Francie answered with impatience.</p>
<p>"Well I do then. He's a coward too—he'll do what his poppa tells
him, and the countess and the duchess and his French brothers-in-law from
whom he takes lessons: he'll just back down, he'll give you up."</p>
<p>"I can't talk with you about that," said Francie.</p>
<p>"Why not? why is he such a sacred subject, when we ARE together? You can't
alter that," her visitor insisted. "It was too lovely your standing up for
me—your not denying me!"</p>
<p>"You put in things I never said. It seems to me it was very different,"
she freely contended.</p>
<p>"Everything IS different when it's printed. What else would be the good of
the papers? Besides, it wasn't I; it was a lady who helps me here—you've
heard me speak of her: Miss Topping. She wants so much to know you—she
wants to talk with you."</p>
<p>"And will she publish THAT?" Francie asked with unstudied effect.</p>
<p>Mr. Flack stared a moment. "Lord, how they've worked on you! And do YOU
think it's bad?"</p>
<p>"Do I think what's bad?"</p>
<p>"Why the letter we're talking about."</p>
<p>"Well—I didn't see the point of so much."</p>
<p>He waited a little, interestedly. "Do you think I took any advantage?"</p>
<p>She made no answer at first, but after a moment said in a tone he had
never heard from her: "Why do you come here this way? Why do you ask me
such questions?"</p>
<p>He hesitated; after which he broke out: "Because I love you. Don't you
know that?"</p>
<p>"Oh PLEASE don't!" she almost moaned, turning away.</p>
<p>But he was launched now and he let himself go. "Why won't you understand
it—why won't you understand the rest? Don't you see how it has
worked round—the heartless brutes they've turned into, and the way
OUR life, yours and mine, is bound to be the same? Don't you see the
damned sneaking scorn with which they treat you and that <i>I</i> only
want to do anything in the world for you?"</p>
<p>Francie's white face, very quiet now, let all this pass without a sign of
satisfaction. Her only response was presently to say: "Why did you ask me
so many questions that day?"</p>
<p>"Because I always ask questions—it's my nature and my business to
ask them. Haven't you always seen me ask you and ask every one all I
could? Don't you know they're the very foundation of my work? I thought
you sympathised with my work so much—you used to tell me you did."</p>
<p>"Well, I did," she allowed.</p>
<p>"You put it in the dead past, I see. You don't then any more?"</p>
<p>If this remark was on her visitor's part the sign of a rare assurance the
girl's cold mildness was still unruffled by it. She considered, she even
smiled; then she replied: "Oh yes I do—only not so much."</p>
<p>"They HAVE worked on you; but I should have thought they'd have disgusted
you. I don't care—even a little sympathy will do: whatever you've
got left." He paused, looking at her, but it was a speech she had nothing
for; so he went on: "There was no obligation for you to answer my
questions—you might have shut me up that day with a word."</p>
<p>"Really?" she asked with all her grave good faith in her face. "I thought
I HAD to—for fear I should appear ungrateful."</p>
<p>"Ungrateful?"</p>
<p>"Why to you—after what you had done. Don't you remember that it was
you who introduced us—?" And she paused with a fatigued delicacy.</p>
<p>"Not to those snobs who are screaming like frightened peacocks. I beg your
pardon—I haven't THAT on my conscience!" Mr. Flack quite grandly
declared.</p>
<p>"Well, you introduced us to Mr. Waterlow and he introduced us to—to
his friends," she explained, colouring, as if it were a fault for the
inexactness caused by her magnanimity. "That's why I thought I ought to
tell you what you'd like."</p>
<p>"Why, do you suppose if I'd known where that first visit of ours to
Waterlow was going to bring you out I'd have taken you within fifty miles—?"
He stopped suddenly; then in another tone: "Jerusalem, there's no one like
you! And you told them it was all YOU?"</p>
<p>"Never mind what I told them."</p>
<p>"Miss Francie," said George Flack, "if you'll marry me I'll never ask a
question again. I'll go into some other business."</p>
<p>"Then you didn't do it on purpose?" Francie asked.</p>
<p>"On purpose?"</p>
<p>"To get me into a quarrel with them—so that I might be free again."</p>
<p>"Well, of all the blamed ideas—!" the young man gasped. "YOUR pure
mind never gave birth to that—it was your sister's."</p>
<p>"Wasn't it natural it should occur to me, since if, as you say, you'd
never consciously have been the means—"</p>
<p>"Ah but I WAS the means!" Mr. Flack interrupted. "We must go, after all,
by what DID happen."</p>
<p>"Well, I thanked you when I drove with you and let you draw me out. So
we're square, aren't we?" The term Francie used was a colloquialism
generally associated with levity, but her face, as she spoke, was none the
less deeply serious—serious even to pain.</p>
<p>"We're square?" he repeated.</p>
<p>"I don't think you ought to ask for anything more. Good-bye."</p>
<p>"Good-bye? Never!" cried George Flack, who flushed with his defeat to a
degree that spoke strangely of his hopes.</p>
<p>Something in the way she repeated her "Goodbye!" betrayed her impression
of this, and not a little withal that so much confidence left her
unflattered. "Do go away!" she broke out.</p>
<p>"Well, I'll come back very soon"—and he took up his hat.</p>
<p>"Please don't—I don't like it." She had now contrived to put a wide
space between them.</p>
<p>"Oh you tormentress!" he groaned. He went toward the door, but before he
reached it turned round.</p>
<p>"Will you tell me this anyway? ARE you going to marry the lot—after
this?"</p>
<p>"Do you want to put that in the paper?"</p>
<p>"Of course I do—and say you said it!" Mr. Flack held up his head.</p>
<p>They stood looking at each other across the large room. "Well then—I
ain't. There!"</p>
<p>"That's all right," he said as he went out.</p>
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