<h2>CHAPTER IV.</h2>
<div class='chaptertitle'>WARE'S WIGWAM</div>
<p><span class="smcap">Phil Tremont</span>, driving out from Phoenix in a
high, red-wheeled cart, paused at the cross-roads,
uncertain whether to turn there or keep on to the
next section-line. According to part of the directions
given him, this was the turning-place. Still,
he had not yet come in sight of Camelback Mountain,
which was to serve as a guide-post. Not a
house was near at which he might inquire, and not
a living thing in sight except a jack-rabbit, which
started up from the roadside, and bounded away at
his approach.</p>
<p>Then he caught sight of the little whirl of dust
surrounding Mary in her terrified flight, and touched
his horse with the whip. In a moment he was alongside
of the breathless, bareheaded child.</p>
<p>"Little girl," he called, "can you tell me if this
is the road to Lee's ranch?" Then, as she turned
a dirty, tear-stained face, he exclaimed, in amazement,<span class="pagenum"><SPAN name="Page_57" id="Page_57"></SPAN></span>
"Of all people under the sun! The little
vicar! Well, you <i>are</i> a sprinter! What are you
racing with?"</p>
<p>Mary sank down on the road, so exhausted by
her long run that she breathed in quick, gasping
sobs. Her relief at seeing a white face instead
of a red one was so great that she had no room
for surprise in her little brain that the face should
be Phil Tremont's, who was supposed to be far away
in California. She recognized him instantly, although
he no longer wore his uniform, and the
broad-brimmed hat he wore suggested the cowboy
of the plains rather than the cadet of the military
school.</p>
<p>"What are you racing with?" he repeated,
laughingly. "That jack-rabbit that passed me down
yonder?"</p>
<p>"A—a—a <i>Indian</i>!" she managed to gasp.
"He chased me—all the way—from the schoolhouse!"</p>
<p>"An Indian!" repeated Phil, standing up in the
cart to look back down the road. "Oh, it must
have been that old fellow I passed half a mile
back. He was an ugly-looking specimen, but he
couldn't have chased you; his pony was so stiff
and old it couldn't go out of a walk."</p>
<p><span class="pagenum"><SPAN name="Page_58" id="Page_58"></SPAN></span></p>
<p>"He <i>was</i> a-chasing me!" insisted Mary, the
tears beginning to roll down her face again. She
looked so little and forlorn, sitting there in a heap
beside the road, that Phil sprang from the cart,
and picked her up in his strong arms.</p>
<p>"There," said he, lifting her into the cart.
"'Weep no more, my lady, weep no more to-day!'
Fortune has at last changed in your favour. You
are snatched from the bloody scalper of the plains,
and shall be driven home in style by your brave
rescuer, if you'll only tell me which way to go."</p>
<p>The tear-stained little face was one broad smile
as Mary leaned back in the seat. She pointed up
the road to a clump of umbrella-trees. "That's
where we turn," she said. "When you come to
the trees you'll see there's a little house behind them.
It's the White Bachelor's. We call him that because
his horse and dog and cows and cats and chickens
are all white. That's how I first remembered where
to turn on my way home, by the place where there's
so awful many white chickens. I was hoping to
get to his place before I died of running, when you
came along. You saved my life, didn't you? I
never had my life saved before. Wasn't it strange
the way you happened by at exactly the right
moment? It's just as if we were in a book. I<span class="pagenum"><SPAN name="Page_59" id="Page_59"></SPAN></span>
thought you were away off in California at school.
How <i>did</i> it happen anyway?" she asked, peering
up at him under his broad-brimmed hat.</p>
<p>A dull red flushed his face an instant, then he
answered, lightly, "Oh, I thought I'd take a vacation.
I got tired of school, and I've started out
to see the world. I remembered what your brother
said about the quail-shooting out here, and the
ducks, so I thought I'd try it a few weeks, and then
go on somewhere else. I've always wanted a taste
of ranch life and camping."</p>
<p>"I'm tired of school, too," said Mary, "specially
after all the terrible unpleasant things that have
happened to-day. But my family won't let me stop,
not if I begged all night and all day. How did you
get yours to?"</p>
<p>"Didn't ask 'em," said Phil, grimly. "Just
chucked it, and came away."</p>
<p>"But didn't your father say anything at all?
Didn't he care?"</p>
<p>The red came up again in the boy's face. "He
doesn't know anything about it—yet; he's in
Europe, you know."</p>
<p>They had reached the White Bachelor's now, and
turning, took the road that ran like a narrow ribbon
between the irrigated country and the desert. On<span class="pagenum"><SPAN name="Page_60" id="Page_60"></SPAN></span>
one side were the wastes of sand between the red
buttes and old Camelback Mountain, on the other
were the green ranches with their rows of figs
and willows and palms, bordering all the waterways.</p>
<p>"Now we're just half a mile from Lee's ranch,"
said Mary. "We'll be there in no time."</p>
<p>"Do you suppose they'll have room for me?"
inquired Phil. "That's what I've come out for,
to engage board."</p>
<p>"Oh, I'm sure they will, anyhow, after to-morrow,
for we're going to move then, and that'll
leave three empty tents. We've rented a place half
a mile farther up the road, and Jack and Joyce are
having more fun fixing it up. That's one reason
I want to stop school. I'm missing all the good
times."</p>
<p>"Hello! This seems to be quite a good-sized
camp!" exclaimed Phil, as they came in sight of
an adobe house, around which clustered a group of
twenty or more tents, like a brood of white chickens
around a motherly old brown hen. "There comes
Mrs. Lee now," cried Mary, as a tall, black-haired
woman came out of the house, and started across
to one of the tents with a tray in her hands. Her
pink dress fluttered behind her as she moved forward,<span class="pagenum"><SPAN name="Page_61" id="Page_61"></SPAN></span>
with a firm, light tread, suggestive of buoyant
spirits and unbounded cheerfulness.</p>
<p>"She's doing something for somebody all the
time," remarked Mary. "If you were sick she'd
nurse you as if she was your mother, but as long
as you're not sick, maybe she won't let you come.
Oh, I never thought about that. This is a camp
for invalids, you know, and she is so interested in
helping sick people get well, that maybe she won't
take any interest in you. Have you got a letter
from anybody? Oh, I do hope you have!"</p>
<p>"A letter," repeated Phil. "What kind?"</p>
<p>"A letter to say that you're all right, you know,
from somebody that knows you. I heard her tell
Doctor Adams last week that she wouldn't take
anybody else unless she had a letter of—of something
or other, I can't remember, because one man
went off without paying his board. <i>We</i> had a letter
from her brother."</p>
<p>"No, I haven't any letter of recommendation or
introduction, if that's what you mean," said Phil,
"but maybe I can fix it up all right with her. Can't
you say a good word for me?"</p>
<p>"Of course," answered Mary, taking his question
in all seriousness. "And I'll run and get mamma,
too. She'll make it all right."</p>
<p><span class="pagenum"><SPAN name="Page_62" id="Page_62"></SPAN></span></p>
<p>Springing out, Phil lifted her over the wheel, and
then stood flicking the dry Bermuda grass with
his whip, as he waited for Mary to announce his
coming. He could hear her shrill little voice in
the tent, whither she had followed Mrs. Lee to tell
her of his arrival.</p>
<p>"It's the Mr. Phil Tremont we met on the train,"
he heard her say. "Don't you know, the one I
told you about running away with his little sister
and the monkey and the music-box one time. He
isn't sick, but he wants to stay here awhile, and
I told him you'd be good to him, anyhow."</p>
<p>Then she hurried away to her mother's tent, and
Mrs. Lee came out laughing. There was something
so genial and friendly in the humourous
twinkle of her eyes, something so frank and breezy
in her hospitable Western welcome, that Phil met
her with the same outspoken frankness.</p>
<p>"I heard what Mary said," he began, "and I do
hope you'll take me in, for I've run away again,
Mrs. Lee." Then his handsome face sobered, and
he said, in his straightforward, boyish way that
Mrs. Lee found very attractive, "I got into a scrape
at the military school. It wasn't anything wicked,
but four of us were fired. The other fellows' fathers
got them taken back, but mine is in Europe, and<span class="pagenum"><SPAN name="Page_63" id="Page_63"></SPAN></span>
it's so unsatisfactory making explanations at that
long range, and I thought they hadn't been altogether
fair in the matter, so I—well, I just skipped
out. Mary said I'd have to have references. I
can't give you any now, but I can pay in advance
for a month's board, if you'll take me that way."</p>
<p>He pulled out such a large roll of bills as he spoke,
that Mrs. Lee looked at him keenly. All sorts of
people had drifted to her ranch, but never before
a schoolboy of seventeen with so much money in
his pocket. He caught the glance, and something
in the motherly concern that seemed to cross her
face made him say, hastily, "Father left an emergency
fund for my sister and me when he went
away, besides our monthly allowance, and I drew
on mine before I came out here."</p>
<p>While they were discussing prices, Mrs. Ware
came out with a cordial greeting. Mary's excited
tale of her rescue had almost led her to believe that
Phil had snatched her little daughter from an Indian's
tomahawk. She was heartily glad to see
him, for the few hours' acquaintance on the train
had given her a strong interest in the motherless
boy and girl, and she had thought of them many
times since then. Phil felt that in coming back
to the Wares he was coming back to old friends.<span class="pagenum"><SPAN name="Page_64" id="Page_64"></SPAN></span>
After it was settled that he might send his trunk
out next day, when a tent would be vacant, he sat
for a long time talking to Mrs. Ware and Mary,
in the rustic arbour covered with bamboo and palm
leaves.</p>
<p>Chris was calling the cows to the milking when
he finally rose to go, and only rapid driving would
take him back to Phoenix before nightfall. As the
red wheels disappeared down the road, Mary exclaimed,
"This has certainly been the most exciting
day of my life! It has been so full of unexpected
things. Isn't it grand to think that Mr. Phil is
coming to the ranch? Fortune certainly changed in
my favour when he happened along just in time
to save my life. Oh, dear, there come Joyce and
Jack! They've just missed him!"</p>
<hr class="tb" />
<p>Saturday afternoon found the new home all ready
for its occupants. Even the trunks had been brought
up from the ranch and stowed away in the tents.
Although it was only two o'clock, the table was
already set for tea in one corner of the clean, fresh
kitchen, behind a tall screen.</p>
<p>Joyce, with her blue calico sleeves tucked up above
her white elbows, whistled softly as she tied on a
clean apron before beginning her baking. She had<span class="pagenum"><SPAN name="Page_65" id="Page_65"></SPAN></span>
not been as happy in months. The hard week's
work had turned the bare adobe house into a comfortable
little home, and she could hardly wait for
her mother to see it. Mrs. Lee was to bring her
and Norman over in the surrey. Any moment they
might come driving up the road.</p>
<p>Jack had offered to stay if his services were needed
further, but she had sent him away to take his well-earned
holiday. As he tramped off with his gun
over his shoulder, her voice followed him pleasantly:
"Good luck to you, Jack. You deserve it, for you've
stuck by me like a man this week."</p>
<p>Since dinner Mary and Holland had swept the
yard, brought wood for the camp-fire, filled the
boiler and the pitchers in the tents, and then gone
off, as Joyce supposed, to rest under the cottonwood-trees.
Presently she heard Mary tiptoeing
into the sitting-room, and peeped in to find her
standing in the middle of the floor, with her hands
clasped behind her.</p>
<p>"Isn't it sweet and homey!" Mary exclaimed.
"I'm so glad to see the old furniture again I could
just hug it! I came in to get the book about Hiawatha,
sister. Holland keeps teasing me 'cause I
said I wished I was named Minnehaha, and says<span class="pagenum"><SPAN name="Page_66" id="Page_66"></SPAN></span>
I am Mary-ha-ha. And I want to find a name for
him, a real ugly one!"</p>
<p>"Call him Pau-Puk-Keewis,—mischief-maker,"
suggested Joyce. "There's the book on the second
shelf of the bookcase." She stepped into the room
to slip the soft silk curtain farther down the brass
rod.</p>
<p>"I'm prouder of this bookcase than almost anything
else we have," she said. "Nobody would
guess that it was made of the packing-boxes that
the goods came in, and that this lovely Persian silk
curtain was once the lining of one of Cousin Kate's
party dresses."</p>
<p>"I'm glad that everything looks so nice," said
Mary, "for Mr. Phil said he was coming up to
see us this evening. I'm going to put on a clean
dress and my best hair-ribbons before then."</p>
<p>"Very well," assented Joyce, going back to the
kitchen. "I'll change my dress, too," she thought,
as she went on with her work. "And I'll light both
lamps. The Indian rugs and blankets make the
room look so bright and cosy by lamplight."</p>
<p>It had been so long since she had seen any one
but the family and the invalids at the ranch, that
the thought of talking to the jolly young cadet
added another pleasure to her happy day.</p>
<p><span class="pagenum"><SPAN name="Page_67" id="Page_67"></SPAN></span></p>
<p>"Oh, Joyce," called Holland, from behind the
tents, "may we have the paint that is left in the
cans? There's only a little in each one."</p>
<p>"I don't care," she called back. That had been
an hour ago, and now, as she broke the eggs for
a cake into a big platter, and began beating them
with a fork, she wondered what they were doing
that kept them so quiet. As the fork clacked noisily
back and forth in the dish and the white foam rose
high and stiff, her whistling grew louder. It seemed
to fill all the sunny afternoon silence with its trills,
for Joyce's whistle was as clear and strong as any
boy's or any bird's. But suddenly, as it reached
its highest notes, it stopped short. Joyce looked
up as a shadow fell across the floor, to see Jack
coming in the back door with Phil Tremont.</p>
<p>She had not heard the sound of their coming, for
the noise of her egg-beating and her whistling.
Joyce blushed to the roots of her hair, at being taken
thus unawares, whistling like a boy over her cake-baking.
For an instant she wanted to shake Jack
for bringing this stranger to the kitchen door.</p>
<p>"We just stopped by for a drink," Jack explained.
"Tremont was coming out of the ranch
with his gun when I passed with mine, so we've<span class="pagenum"><SPAN name="Page_68" id="Page_68"></SPAN></span>
been hunting together. Come in, Phil, I'll get a
cup."</p>
<p>There was such a mischievous twinkle in Phil's
eyes as he greeted her, that Joyce blushed again.
This was a very different meeting from the one
she had anticipated. Instead of him finding her,
appearing to her best advantage in a pretty white
dress, sitting in the lamplight with a book in her
hands, perhaps, he had caught her in her old blue
calico, her sleeves rolled up, and a streak of flour
across her bare arm. She rubbed it hastily across
her apron, and gathered up the egg-shells in embarrassed
silence.</p>
<p>"Did you tell those kids that they might paint
up the premises the way they are doing?" demanded
Jack.</p>
<p>"What way?" asked Joyce, in surprise.</p>
<p>"Haven't you seen what they've done to the front
of the house? They haven't waited for your name
contest, but have fixed up things to suit themselves.
You just ought to come out and look!"</p>
<p>Phil followed as they hurried around to the front
of the house, then stood smiling at the look of blank
amazement which slowly spread over Joyce's face.
Down one of the rough cottonwood posts, which
supported the palm and bamboo thatch of their<span class="pagenum"><SPAN name="Page_69" id="Page_69"></SPAN></span>
Robinson Crusoe porch, was painted in big,
straggling, bloody letters: "W-A-R-E-S W-I-G-W-A-M."
Joyce groaned. She had made such an
attempt to convert the rude shade into an attractive
spot, spreading a Navajo blanket over her mother's
camp-chair, and putting cushions on the rustic bench
to make a restful place, where one could read or
watch the shadows grow long across the desert.
She had even brought out a little wicker tea-table
this afternoon, with a vase of flowers on it, and
leaned her mother's old guitar against it to give a
final civilizing touch to the picture. But the effect
was sadly marred by the freshly painted name, glaring
at her from the post.</p>
<p>"Oh, the little savages!" she exclaimed. "How
could they do it? Ware's Wigwam, indeed!"</p>
<p>Then her gaze followed Jack's finger pointing to
the tents pitched under the cottonwood-trees. The
one which she was to share with Mary and her
mother stood white and clean, the screen-door open,
showing the white beds within, the rug on the floor,
the flowers on the table; but the large, circular one,
which the boys were to occupy, was a sight to make
any one pause, open-mouthed.</p>
<p>Perched beside it on a scaffolding of boxes and
barrels stood Holland, with a paint-can in one hand<span class="pagenum"><SPAN name="Page_70" id="Page_70"></SPAN></span>
and a brush in the other, putting the finishing
touches to some startling decorations. Mary, on
the other side, was brandishing another brush, and
both were so intent on their work that neither
looked up. Joyce gave a gasp. Never had she seen
such amazing hieroglyphics as those which chased
each other in zigzag green lines around the fly of
the tent. They bore a general resemblance to those
seen on Indian baskets and blankets and pottery,
but nothing so grotesque had ever flaunted across
her sight before.</p>
<p>"Now, get the book," called Holland to Mary,
"and see if we've left anything out." Only Mary's
back was visible to the amused spectators. She
took up the copy of "Hiawatha" from the barrel
where it lay, careful to keep the hem of her apron
between it and her paint-bedaubed thumbs.</p>
<p>"I think we've painted every single figure he
wrote about," said Mary. "Now, I'll read, and you
walk around and see if we've left anything out:</p>
<div class='poem'>
"Very spacious was the wigwam<br/>
<span style="margin-left: 0.5em;">With the gods of the Dacotahs</span><br/>
<span style="margin-left: 0.5em;">Drawn and painted on the curtains."</span><br/></div>
<p>"No, skip that," ordered Holland. "It's farther
down." Mary's paint-smeared fingers travelled
slowly down the page, then she began again:</p>
<p><span class="pagenum"><SPAN name="Page_71" id="Page_71"></SPAN></span></p>
<div class='poem'>
"Sun and moon and stars he painted,<br/>
<span style="margin-left: 0.5em;">Man and beast and fish and reptile.</span><br/>
<br/>
"Figures of the Bear and Reindeer,<br/>
<span style="margin-left: 0.5em;">Of the Turtle, Crane, and Beaver.</span><br/>
<br/>
"Owl and Eagle, Crane and Hen-hawk,<br/>
<span style="margin-left: 0.5em;">And the Cormorant, bird of magic.</span><br/>
<br/>
"Figures mystical and awful,<br/>
<span style="margin-left: 0.5em;">Figures strange and brightly coloured."</span><br/></div>
<p>"They're all here," announced Holland, "specially
the figures mystical and awful. I'll have to
label mine, or somebody will take my turtle for
a grizzly."</p>
<p>"Oh, the little savages!" exclaimed Joyce again.
"How could they make such a spectacle of the
place! We'll be the laughing-stock of the whole
country."</p>
<p>"I don't suppose that'll ever come off the tent,
but we can paint the name off the post," said Jack.</p>
<p>"Oh, that's a fine name," said Phil, laughing,
"leave it on. It's so much more original than most
people have."</p>
<p>Before Joyce could answer, the rattle of wheels
announced the coming of the surrey, and Mrs. Lee
drove into the yard with Mrs. Ware and Norman,
and her own little daughter, Hazel. Then Joyce's
anger, which had burned to give Holland and Mary<span class="pagenum"><SPAN name="Page_72" id="Page_72"></SPAN></span>
a good shaking, vanished completely at sight of her
mother's amusement. Mrs. Ware had not laughed
so heartily in months as she did at the ridiculous
figures grinning from the tent. It seemed so good
to see her like her old cheerful self again that, when
she laughingly declared that the name straggling
down the post exactly suited the place, and was
far more appropriate than Bide-a-wee or Alamo,
Joyce's frown entirely disappeared. Mrs. Lee
caught up the old guitar, and began a rattling
parody of "John Brown had a little Indian," changing
the words to a ridiculous rhyme about "<i>The</i>
Wares had a little Wigwam."</p>
<p>Mrs. Ware sat down to try the new rustic seat,
and then jumped up like a girl again to look at
the view of the mountains from the camp-chair, and
then led the way, laughing and talking, to investigate
the new home. She was as pleased as a child,
and her pleasure made a festive occasion of the
home-coming, which Joyce had feared at first would
be a sorry one.</p>
<p>Phil shouldered his gun ready to start off again,
feeling that he ought not to intrude, but Jack had
worked too hard to miss the reward of hearing his
mother's pleased exclamations and seeing her face
light up over every little surprise they had prepared<span class="pagenum"><SPAN name="Page_73" id="Page_73"></SPAN></span>
for her comfort. "Come and see, too," he urged
so cordially that Phil fell into line, poking into all
the corners, inspecting all the little shelves and cupboards,
and admiring all the little makeshifts as
heartily as Mrs. Lee or Mrs. Ware.</p>
<p>They went through the tents first, then the
kitchen, and last into the living-room, of which
Joyce was justly proud. There was only the old
furniture they had had in Plainsville, with the books
and pictures, but it was restful and homelike and
really artistic, Phil acknowledged to himself, looking
around in surprise.</p>
<p>"Here's the Little Colonel's corner," said Mary,
leading him to a group of large photographs framed
in passe-partout. "You know mamma used to live
in Kentucky, and once Joyce went back there to a
house-party. Here's the place, Locust. That's
where the Little Colonel lives. Her right name is
Lloyd Sherman. And there she is on her pony,
Tar Baby, and there's her grandfather at the gate."</p>
<p>Phil stooped for a closer view of the photograph,
and then straightened up, with a look of dawning
recognition in his face.</p>
<p>"Why, I've seen her," he said, slowly. "I've
been past that place. Once, several years ago, I was
going from Cincinnati to Louisville with father, and<span class="pagenum"><SPAN name="Page_74" id="Page_74"></SPAN></span>
something happened that we stopped on a switch in
front of a place that looked just like that. And the
brakeman said it was called Locust. I was out
on the rear platform. I believe we were waiting
for an express train to pass us, or something of
the sort. At any rate, I saw that same old gentleman,—he
had only one arm and was all dressed
in white. Everybody was saying what a picture he
made. The locusts were in bloom, you know. And
while he stood there, the prettiest little girl came
riding up on a black pony, with a magnificent St.
Bernard dog following. She was all in white, too,
with a spray of locust blossoms stuck in the cockade
of the little black velvet Napoleon cap she wore,
exactly as it is in that picture; and she held up a
letter and called out: 'White pigeon wing fo' you,
grandfathah deah.' I never forgot how sweet it
sounded."</p>
<p>"Oh, that was Lloyd! That was Lloyd!" called
Mary and Joyce in the same breath, and Joyce
added: "She always used to call out that when
she had a letter for the old Colonel, and it must
have been Hero that you saw, the Red Cross war-dog
that was given to her in Switzerland. How
strange it seems that you should come across her
picture away out here in the desert!"</p>
<p><span class="pagenum"><SPAN name="Page_75" id="Page_75"></SPAN></span></p>
<p>Mary's eyes grew rounder and rounder as she
listened. She delighted in romantic situations, and
this seemed to her one of the most romantic she had
ever known in real life, quite as interesting as anything
she had ever read about.</p>
<p>"Doesn't it seem queer to think that he's seen
Lloyd and Locust?" she exclaimed. "It makes
him seem almost like home folks, doesn't it,
mamma?"</p>
<p>Mrs. Ware smiled. "It certainly does, dear, and
we must try to make him feel at home with us in
our wild wigwam." She had seen the wistful expression
of his eyes a few moments before when,
catching Joyce and Jack by the arms, she had cried,
proudly: "Nobody in the world has such children
as mine, Mrs. Lee! Don't you think I have cause
to be proud of my five little Indians, who fixed up
this house so beautifully all by themselves?"</p>
<p>"Come back and take supper with us, won't
you?" she asked, as he and Jack started on their
interrupted hunt. "We'll make a sort of house-warming
of our first meal together in the new wigwam,
and I'll be glad to count you among my little
Indians."</p>
<p>"Thank you, Mrs. Ware," he said, in his gentlemanly
way and with the frank smile which she<span class="pagenum"><SPAN name="Page_76" id="Page_76"></SPAN></span>
found so winning; "you don't know how much
that means to a fellow who has been away from
a real home as long as I have. I'll be the gladdest
'little Indian' in the bunch to be counted in that
way."</p>
<p>"Then I'll get back to my cake-making," said
Joyce, "if we're to have company for supper. I
won't promise that it'll be a success, though, for
while it bakes I'm going to write to Lloyd. I've
thought for days that I ought to write, for I've
owed her a letter ever since Christmas. She doesn't
even know that we've left Plainsville. And I'm
going to tell her about your having seen her, and
recognized her picture away out here on the desert.
I wish she'd come out and make us a visit."</p>
<p>"Here," said Phil, playfully, taking a sprig of
orange blossoms from his buttonhole, and putting it
in the vase on the wicker table. "When you get your
letter written, put that in, as a sample of what grows
out here. I picked it as we passed Clayson's ranch.
If it reaches her on a cold, snowy day, it will make
her want to come out to this land of sunshine. You
needn't tell her I sent it."</p>
<p>"I'll dare you to tell," said Jack, as they started
off.</p>
<p>Joyce's only answer was a laugh, as she went back<span class="pagenum"><SPAN name="Page_77" id="Page_77"></SPAN></span>
to her egg-beating. Almost by the time the boys
were out of sight, she had whisked the cake dough
into a pan, and the pan into the oven, and, while
Mrs. Ware and Mrs. Lee talked in the other room,
she spread her paper out on the kitchen table, and
began her letter to the Little Colonel.</p>
<hr class="chap" /><p><span class="pagenum"><SPAN name="Page_78" id="Page_78"></SPAN></span></p>
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