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<h2> CHAPTER 5. Family Affairs </h2>
<p>As the city clocks struck nine on Monday morning, Mrs Clennam was wheeled
by Jeremiah Flintwinch of the cut-down aspect to her tall cabinet. When
she had unlocked and opened it, and had settled herself at its desk,
Jeremiah withdrew—as it might be, to hang himself more effectually—and
her son appeared.</p>
<p>'Are you any better this morning, mother?'</p>
<p>She shook her head, with the same austere air of luxuriousness that she
had shown over-night when speaking of the weather.</p>
<p>'I shall never be better any more. It is well for me, Arthur, that I know
it and can bear it.'</p>
<p>Sitting with her hands laid separately upon the desk, and the tall cabinet
towering before her, she looked as if she were performing on a dumb church
organ. Her son thought so (it was an old thought with him), while he took
his seat beside it.</p>
<p>She opened a drawer or two, looked over some business papers, and put them
back again. Her severe face had no thread of relaxation in it, by which
any explorer could have been guided to the gloomy labyrinth of her
thoughts.</p>
<p>'Shall I speak of our affairs, mother? Are you inclined to enter upon
business?'</p>
<p>'Am I inclined, Arthur? Rather, are you? Your father has been dead a year
and more. I have been at your disposal, and waiting your pleasure, ever
since.'</p>
<p>'There was much to arrange before I could leave; and when I did leave, I
travelled a little for rest and relief.'</p>
<p>She turned her face towards him, as not having heard or understood his
last words. 'For rest and relief.'</p>
<p>She glanced round the sombre room, and appeared from the motion of her
lips to repeat the words to herself, as calling it to witness how little
of either it afforded her.</p>
<p>'Besides, mother, you being sole executrix, and having the direction and
management of the estate, there remained little business, or I might say
none, that I could transact, until you had had time to arrange matters to
your satisfaction.'</p>
<p>'The accounts are made out,' she returned. 'I have them here. The vouchers
have all been examined and passed. You can inspect them when you like,
Arthur; now, if you please.'</p>
<p>'It is quite enough, mother, to know that the business is completed. Shall
I proceed then?'</p>
<p>'Why not?' she said, in her frozen way.</p>
<p>'Mother, our House has done less and less for some years past, and our
dealings have been progressively on the decline. We have never shown much
confidence, or invited much; we have attached no people to us; the track
we have kept is not the track of the time; and we have been left far
behind. I need not dwell on this to you, mother. You know it necessarily.'</p>
<p>'I know what you mean,' she answered, in a qualified tone. 'Even this old
house in which we speak,' pursued her son, 'is an instance of what I say.
In my father's earlier time, and in his uncle's time before him, it was a
place of business—really a place of business, and business resort.
Now, it is a mere anomaly and incongruity here, out of date and out of
purpose. All our consignments have long been made to Rovinghams' the
commission-merchants; and although, as a check upon them, and in the
stewardship of my father's resources, your judgment and watchfulness have
been actively exerted, still those qualities would have influenced my
father's fortunes equally, if you had lived in any private dwelling: would
they not?'</p>
<p>'Do you consider,' she returned, without answering his question, 'that a
house serves no purpose, Arthur, in sheltering your infirm and afflicted—justly
infirm and righteously afflicted—mother?'</p>
<p>'I was speaking only of business purposes.'</p>
<p>'With what object?'</p>
<p>'I am coming to it.'</p>
<p>'I foresee,' she returned, fixing her eyes upon him, 'what it is. But the
Lord forbid that I should repine under any visitation. In my sinfulness I
merit bitter disappointment, and I accept it.'</p>
<p>'Mother, I grieve to hear you speak like this, though I have had my
apprehensions that you would—'</p>
<p>'You knew I would. You knew ME,' she interrupted.</p>
<p>Her son paused for a moment. He had struck fire out of her, and was
surprised.</p>
<p>'Well!' she said, relapsing into stone. 'Go on. Let me hear.'</p>
<p>'You have anticipated, mother, that I decide for my part, to abandon the
business. I have done with it. I will not take upon myself to advise you;
you will continue it, I see. If I had any influence with you, I would
simply use it to soften your judgment of me in causing you this
disappointment: to represent to you that I have lived the half of a long
term of life, and have never before set my own will against yours. I
cannot say that I have been able to conform myself, in heart and spirit,
to your rules; I cannot say that I believe my forty years have been
profitable or pleasant to myself, or any one; but I have habitually
submitted, and I only ask you to remember it.'</p>
<p>Woe to the suppliant, if such a one there were or ever had been, who had
any concession to look for in the inexorable face at the cabinet. Woe to
the defaulter whose appeal lay to the tribunal where those severe eyes
presided. Great need had the rigid woman of her mystical religion, veiled
in gloom and darkness, with lightnings of cursing, vengeance, and
destruction, flashing through the sable clouds. Forgive us our debts as we
forgive our debtors, was a prayer too poor in spirit for her. Smite Thou
my debtors, Lord, wither them, crush them; do Thou as I would do, and Thou
shalt have my worship: this was the impious tower of stone she built up to
scale Heaven.</p>
<p>'Have you finished, Arthur, or have you anything more to say to me?</p>
<p>I think there can be nothing else. You have been short, but full of
matter!'</p>
<p>'Mother, I have yet something more to say. It has been upon my mind, night
and day, this long time. It is far more difficult to say than what I have
said. That concerned myself; this concerns us all.'</p>
<p>'Us all! Who are us all?'</p>
<p>'Yourself, myself, my dead father.'</p>
<p>She took her hands from the desk; folded them in her lap; and sat looking
towards the fire, with the impenetrability of an old Egyptian sculpture.</p>
<p>'You knew my father infinitely better than I ever knew him; and his
reserve with me yielded to you. You were much the stronger, mother, and
directed him. As a child, I knew it as well as I know it now. I knew that
your ascendancy over him was the cause of his going to China to take care
of the business there, while you took care of it here (though I do not
even now know whether these were really terms of separation that you
agreed upon); and that it was your will that I should remain with you
until I was twenty, and then go to him as I did. You will not be offended
by my recalling this, after twenty years?'</p>
<p>'I am waiting to hear why you recall it.'</p>
<p>He lowered his voice, and said, with manifest reluctance, and against his
will:</p>
<p>'I want to ask you, mother, whether it ever occurred to you to suspect—'</p>
<p>At the word Suspect, she turned her eyes momentarily upon her son, with a
dark frown. She then suffered them to seek the fire, as before; but with
the frown fixed above them, as if the sculptor of old Egypt had indented
it in the hard granite face, to frown for ages.</p>
<p>'—that he had any secret remembrance which caused him trouble of
mind—remorse? Whether you ever observed anything in his conduct
suggesting that; or ever spoke to him upon it, or ever heard him hint at
such a thing?'</p>
<p>'I do not understand what kind of secret remembrance you mean to infer
that your father was a prey to,' she returned, after a silence. 'You speak
so mysteriously.'</p>
<p>'Is it possible, mother,' her son leaned forward to be the nearer to her
while he whispered it, and laid his hand nervously upon her desk, 'is it
possible, mother, that he had unhappily wronged any one, and made no
reparation?'</p>
<p>Looking at him wrathfully, she bent herself back in her chair to keep him
further off, but gave him no reply.</p>
<p>'I am deeply sensible, mother, that if this thought has never at any time
flashed upon you, it must seem cruel and unnatural in me, even in this
confidence, to breathe it. But I cannot shake it off.</p>
<p>Time and change (I have tried both before breaking silence) do nothing to
wear it out. Remember, I was with my father. Remember, I saw his face when
he gave the watch into my keeping, and struggled to express that he sent
it as a token you would understand, to you. Remember, I saw him at the
last with the pencil in his failing hand, trying to write some word for
you to read, but to which he could give no shape. The more remote and
cruel this vague suspicion that I have, the stronger the circumstances
that could give it any semblance of probability to me. For Heaven's sake,
let us examine sacredly whether there is any wrong entrusted to us to set
right. No one can help towards it, mother, but you.'</p>
<p>Still so recoiling in her chair that her overpoised weight moved it, from
time to time, a little on its wheels, and gave her the appearance of a
phantom of fierce aspect gliding away from him, she interposed her left
arm, bent at the elbow with the back of her hand towards her face, between
herself and him, and looked at him in a fixed silence.</p>
<p>'In grasping at money and in driving hard bargains—I have begun, and
I must speak of such things now, mother—some one may have been
grievously deceived, injured, ruined. You were the moving power of all
this machinery before my birth; your stronger spirit has been infused into
all my father's dealings for more than two score years. You can set these
doubts at rest, I think, if you will really help me to discover the truth.
Will you, mother?'</p>
<p>He stopped in the hope that she would speak. But her grey hair was not
more immovable in its two folds, than were her firm lips.</p>
<p>'If reparation can be made to any one, if restitution can be made to any
one, let us know it and make it. Nay, mother, if within my means, let ME
make it. I have seen so little happiness come of money; it has brought
within my knowledge so little peace to this house, or to any one belonging
to it, that it is worth less to me than to another. It can buy me nothing
that will not be a reproach and misery to me, if I am haunted by a
suspicion that it darkened my father's last hours with remorse, and that
it is not honestly and justly mine.' There was a bell-rope hanging on the
panelled wall, some two or three yards from the cabinet. By a swift and
sudden action of her foot, she drove her wheeled chair rapidly back to it
and pulled it violently—still holding her arm up in its shield-like
posture, as if he were striking at her, and she warding off the blow.</p>
<p>A girl came hurrying in, frightened.</p>
<p>'Send Flintwinch here!'</p>
<p>In a moment the girl had withdrawn, and the old man stood within the door.
'What! You're hammer and tongs, already, you two?' he said, coolly
stroking his face. 'I thought you would be. I was pretty sure of it.'</p>
<p>'Flintwinch!' said the mother, 'look at my son. Look at him!'</p>
<p>'Well, I AM looking at him,' said Flintwinch.</p>
<p>She stretched out the arm with which she had shielded herself, and as she
went on, pointed at the object of her anger.</p>
<p>'In the very hour of his return almost—before the shoe upon his foot
is dry—he asperses his father's memory to his mother! Asks his
mother to become, with him, a spy upon his father's transactions through a
lifetime! Has misgivings that the goods of this world which we have
painfully got together early and late, with wear and tear and toil and
self-denial, are so much plunder; and asks to whom they shall be given up,
as reparation and restitution!'</p>
<p>Although she said this raging, she said it in a voice so far from being
beyond her control that it was even lower than her usual tone. She also
spoke with great distinctness.</p>
<p>'Reparation!' said she. 'Yes, truly! It is easy for him to talk of
reparation, fresh from journeying and junketing in foreign lands, and
living a life of vanity and pleasure. But let him look at me, in prison,
and in bonds here. I endure without murmuring, because it is appointed
that I shall so make reparation for my sins. Reparation! Is there none in
this room? Has there been none here this fifteen years?'</p>
<p>Thus was she always balancing her bargains with the Majesty of heaven,
posting up the entries to her credit, strictly keeping her set-off, and
claiming her due. She was only remarkable in this, for the force and
emphasis with which she did it. Thousands upon thousands do it, according
to their varying manner, every day.</p>
<p>'Flintwinch, give me that book!'</p>
<p>The old man handed it to her from the table. She put two fingers between
the leaves, closed the book upon them, and held it up to her son in a
threatening way. 'In the days of old, Arthur, treated of in this
commentary, there were pious men, beloved of the Lord, who would have
cursed their sons for less than this: who would have sent them forth, and
sent whole nations forth, if such had supported them, to be avoided of God
and man, and perish, down to the baby at the breast. But I only tell you
that if you ever renew that theme with me, I will renounce you; I will so
dismiss you through that doorway, that you had better have been motherless
from your cradle. I will never see or know you more. And if, after all,
you were to come into this darkened room to look upon me lying dead, my
body should bleed, if I could make it, when you came near me.'</p>
<p>In part relieved by the intensity of this threat, and in part (monstrous
as the fact is) by a general impression that it was in some sort a
religious proceeding, she handed back the book to the old man, and was
silent.</p>
<p>'Now,' said Jeremiah; 'premising that I'm not going to stand between you
two, will you let me ask (as I have been called in, and made a third) what
is all this about?'</p>
<p>'Take your version of it,' returned Arthur, finding it left to him to
speak, 'from my mother. Let it rest there. What I have said, was said to
my mother only.' 'Oh!' returned the old man. 'From your mother? Take it
from your mother? Well! But your mother mentioned that you had been
suspecting your father. That's not dutiful, Mr Arthur. Who will you be
suspecting next?'</p>
<p>'Enough,' said Mrs Clennam, turning her face so that it was addressed for
the moment to the old man only. 'Let no more be said about this.'</p>
<p>'Yes, but stop a bit, stop a bit,' the old man persisted. 'Let us see how
we stand. Have you told Mr Arthur that he mustn't lay offences at his
father's door? That he has no right to do it? That he has no ground to go
upon?'</p>
<p>'I tell him so now.'</p>
<p>'Ah! Exactly,' said the old man. 'You tell him so now. You hadn't told him
so before, and you tell him so now. Ay, ay! That's right! You know I stood
between you and his father so long, that it seems as if death had made no
difference, and I was still standing between you. So I will, and so in
fairness I require to have that plainly put forward. Arthur, you please to
hear that you have no right to mistrust your father, and have no ground to
go upon.'</p>
<p>He put his hands to the back of the wheeled chair, and muttering to
himself, slowly wheeled his mistress back to her cabinet. 'Now,' he
resumed, standing behind her: 'in case I should go away leaving things
half done, and so should be wanted again when you come to the other half
and get into one of your flights, has Arthur told you what he means to do
about the business?'</p>
<p>'He has relinquished it.'</p>
<p>'In favour of nobody, I suppose?'</p>
<p>Mrs Clennam glanced at her son, leaning against one of the windows.</p>
<p>He observed the look and said, 'To my mother, of course. She does what she
pleases.'</p>
<p>'And if any pleasure,' she said after a short pause, 'could arise for me
out of the disappointment of my expectations that my son, in the prime of
his life, would infuse new youth and strength into it, and make it of
great profit and power, it would be in advancing an old and faithful
servant. Jeremiah, the captain deserts the ship, but you and I will sink
or float with it.'</p>
<p>Jeremiah, whose eyes glistened as if they saw money, darted a sudden look
at the son, which seemed to say, 'I owe YOU no thanks for this; YOU have
done nothing towards it!' and then told the mother that he thanked her,
and that Affery thanked her, and that he would never desert her, and that
Affery would never desert her. Finally, he hauled up his watch from its
depths, and said, 'Eleven. Time for your oysters!' and with that change of
subject, which involved no change of expression or manner, rang the bell.</p>
<p>But Mrs Clennam, resolved to treat herself with the greater rigour for
having been supposed to be unacquainted with reparation, refused to eat
her oysters when they were brought. They looked tempting; eight in number,
circularly set out on a white plate on a tray covered with a white napkin,
flanked by a slice of buttered French roll, and a little compact glass of
cool wine and water; but she resisted all persuasions, and sent them down
again—placing the act to her credit, no doubt, in her Eternal
Day-Book.</p>
<p>This refection of oysters was not presided over by Affery, but by the girl
who had appeared when the bell was rung; the same who had been in the
dimly-lighted room last night. Now that he had an opportunity of observing
her, Arthur found that her diminutive figure, small features, and slight
spare dress, gave her the appearance of being much younger than she was. A
woman, probably of not less than two-and-twenty, she might have been
passed in the street for little more than half that age. Not that her face
was very youthful, for in truth there was more consideration and care in
it than naturally belonged to her utmost years; but she was so little and
light, so noiseless and shy, and appeared so conscious of being out of
place among the three hard elders, that she had all the manner and much of
the appearance of a subdued child.</p>
<p>In a hard way, and in an uncertain way that fluctuated between patronage
and putting down, the sprinkling from a watering-pot and hydraulic
pressure, Mrs Clennam showed an interest in this dependent. Even in the
moment of her entrance, upon the violent ringing of the bell, when the
mother shielded herself with that singular action from the son, Mrs
Clennam's eyes had had some individual recognition in them, which seemed
reserved for her. As there are degrees of hardness in the hardest metal,
and shades of colour in black itself, so, even in the asperity of Mrs
Clennam's demeanour towards all the rest of humanity and towards Little
Dorrit, there was a fine gradation.</p>
<p>Little Dorrit let herself out to do needlework. At so much a day—or
at so little—from eight to eight, Little Dorrit was to be hired.
Punctual to the moment, Little Dorrit appeared; punctual to the moment,
Little Dorrit vanished. What became of Little Dorrit between the two
eights was a mystery.</p>
<p>Another of the moral phenomena of Little Dorrit. Besides her consideration
money, her daily contract included meals. She had an extraordinary
repugnance to dining in company; would never do so, if it were possible to
escape. Would always plead that she had this bit of work to begin first,
or that bit of work to finish first; and would, of a certainty, scheme and
plan—not very cunningly, it would seem, for she deceived no one—to
dine alone. Successful in this, happy in carrying off her plate anywhere,
to make a table of her lap, or a box, or the ground, or even as was
supposed, to stand on tip-toe, dining moderately at a mantel-shelf; the
great anxiety of Little Dorrit's day was set at rest.</p>
<p>It was not easy to make out Little Dorrit's face; she was so retiring,
plied her needle in such removed corners, and started away so scared if
encountered on the stairs. But it seemed to be a pale transparent face,
quick in expression, though not beautiful in feature, its soft hazel eyes
excepted. A delicately bent head, a tiny form, a quick little pair of busy
hands, and a shabby dress—it must needs have been very shabby to
look at all so, being so neat—were Little Dorrit as she sat at work.</p>
<p>For these particulars or generalities concerning Little Dorrit, Mr Arthur
was indebted in the course of the day to his own eyes and to Mrs Affery's
tongue. If Mrs Affery had had any will or way of her own, it would
probably have been unfavourable to Little Dorrit. But as 'them two clever
ones'—Mrs Affery's perpetual reference, in whom her personality was
swallowed up—were agreed to accept Little Dorrit as a matter of
course, she had nothing for it but to follow suit. Similarly, if the two
clever ones had agreed to murder Little Dorrit by candlelight, Mrs Affery,
being required to hold the candle, would no doubt have done it.</p>
<p>In the intervals of roasting the partridge for the invalid chamber, and
preparing a baking-dish of beef and pudding for the dining-room, Mrs
Affery made the communications above set forth; invariably putting her
head in at the door again after she had taken it out, to enforce
resistance to the two clever ones. It appeared to have become a perfect
passion with Mrs Flintwinch, that the only son should be pitted against
them.</p>
<p>In the course of the day, too, Arthur looked through the whole house. Dull
and dark he found it. The gaunt rooms, deserted for years upon years,
seemed to have settled down into a gloomy lethargy from which nothing
could rouse them again. The furniture, at once spare and lumbering, hid in
the rooms rather than furnished them, and there was no colour in all the
house; such colour as had ever been there, had long ago started away on
lost sunbeams—got itself absorbed, perhaps, into flowers,
butterflies, plumage of birds, precious stones, what not. There was not
one straight floor from the foundation to the roof; the ceilings were so
fantastically clouded by smoke and dust, that old women might have told
fortunes in them better than in grouts of tea; the dead-cold hearths
showed no traces of having ever been warmed but in heaps of soot that had
tumbled down the chimneys, and eddied about in little dusky whirlwinds
when the doors were opened. In what had once been a drawing-room, there
were a pair of meagre mirrors, with dismal processions of black figures
carrying black garlands, walking round the frames; but even these were
short of heads and legs, and one undertaker-like Cupid had swung round on
its own axis and got upside down, and another had fallen off altogether.
The room Arthur Clennam's deceased father had occupied for business
purposes, when he first remembered him, was so unaltered that he might
have been imagined still to keep it invisibly, as his visible relict kept
her room up-stairs; Jeremiah Flintwinch still going between them
negotiating. His picture, dark and gloomy, earnestly speechless on the
wall, with the eyes intently looking at his son as they had looked when
life departed from them, seemed to urge him awfully to the task he had
attempted; but as to any yielding on the part of his mother, he had now no
hope, and as to any other means of setting his distrust at rest, he had
abandoned hope a long time.</p>
<p>Down in the cellars, as up in the bed-chambers, old objects that he well
remembered were changed by age and decay, but were still in their old
places; even to empty beer-casks hoary with cobwebs, and empty
wine-bottles with fur and fungus choking up their throats. There, too,
among unusual bottle-racks and pale slants of light from the yard above,
was the strong room stored with old ledgers, which had as musty and
corrupt a smell as if they were regularly balanced, in the dead small
hours, by a nightly resurrection of old book-keepers.</p>
<p>The baking-dish was served up in a penitential manner on a shrunken cloth
at an end of the dining-table, at two o'clock, when he dined with Mr
Flintwinch, the new partner. Mr Flintwinch informed him that his mother
had recovered her equanimity now, and that he need not fear her again
alluding to what had passed in the morning. 'And don't you lay offences at
your father's door, Mr Arthur,' added Jeremiah, 'once for all, don't do
it! Now, we have done with the subject.'</p>
<p>Mr Flintwinch had been already rearranging and dusting his own particular
little office, as if to do honour to his accession to new dignity. He
resumed this occupation when he was replete with beef, had sucked up all
the gravy in the baking-dish with the flat of his knife, and had drawn
liberally on a barrel of small beer in the scullery. Thus refreshed, he
tucked up his shirt-sleeves and went to work again; and Mr Arthur,
watching him as he set about it, plainly saw that his father's picture, or
his father's grave, would be as communicative with him as this old man.</p>
<p>'Now, Affery, woman,' said Mr Flintwinch, as she crossed the hall. 'You
hadn't made Mr Arthur's bed when I was up there last. Stir yourself.
Bustle.'</p>
<p>But Mr Arthur found the house so blank and dreary, and was so unwilling to
assist at another implacable consignment of his mother's enemies (perhaps
himself among them) to mortal disfigurement and immortal ruin, that he
announced his intention of lodging at the coffee-house where he had left
his luggage. Mr Flintwinch taking kindly to the idea of getting rid of
him, and his mother being indifferent, beyond considerations of saving, to
most domestic arrangements that were not bounded by the walls of her own
chamber, he easily carried this point without new offence. Daily business
hours were agreed upon, which his mother, Mr Flintwinch, and he, were to
devote together to a necessary checking of books and papers; and he left
the home he had so lately found, with depressed heart.</p>
<p>But Little Dorrit?</p>
<p>The business hours, allowing for intervals of invalid regimen of oysters
and partridges, during which Clennam refreshed himself with a walk, were
from ten to six for about a fortnight. Sometimes Little Dorrit was
employed at her needle, sometimes not, sometimes appeared as a humble
visitor: which must have been her character on the occasion of his
arrival. His original curiosity augmented every day, as he watched for
her, saw or did not see her, and speculated about her. Influenced by his
predominant idea, he even fell into a habit of discussing with himself the
possibility of her being in some way associated with it. At last he
resolved to watch Little Dorrit and know more of her story.</p>
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