<SPAN name="startofbook"></SPAN>
<h2> <i>GALSWORTHY'S PLAYS</i> </h2>
<hr />
<p><br/></p>
<h2> PLAYS IN THE FOURTH SERIES </h2>
<p><br/><br/></p>
<h1> THE SKIN GAME </h1>
<h3> (A Tragi-Comedy) </h3>
<p><br/><br/></p>
<h2> By John Galsworthy </h2>
<p><br/><br/><br/></p>
<h4>
"Who touches pitch shall be defiled"
</h4>
<p><br/></p>
<hr />
<p><br/></p>
<table summary="" style="margin-right: auto; margin-left: auto" cellpadding="4" border="3">
<tr>
<td>
<p><SPAN href="#link2H_4_0001"> ACT I </SPAN></p>
<p><SPAN href="#link2H_4_0002"> ACT II </SPAN></p>
<p><SPAN href="#link2H_4_0003"> ACT III </SPAN></p>
</td>
</tr>
</table>
<p><br/></p>
<hr />
<p><br/></p>
<p>CHARACTERS<br/>
<br/>
HILLCRIST...............A Country Gentleman<br/>
AMY.....................His Wife<br/>
JILL....................His Daughter<br/>
DAWKER..................His Agent<br/>
HORNBLOWER..............A Man Newly-Rich<br/>
CHARLES.................His Elder Son<br/>
CHLOE...................Wife to Charles<br/>
ROLF....................His Younger Son<br/>
FELLOWS.................Hillcrist's Butler<br/>
ANNA....................Chloe's Maid<br/>
THE JACKMANS............Man and Wife<br/>
<br/>
AN AUCTIONEER<br/>
A SOLICITOR<br/>
TWO STRANGERS<br/>
<br/>
<br/>
<br/>
<br/>
ACT I. HILLCRIST'S Study<br/>
<br/>
ACT II.<br/>
SCENE I. A month later. An Auction Room.<br/>
SCENE II. The same evening. CHLOE'S Boudoir.<br/>
<br/>
ACT III<br/>
<br/>
SCENE I. The following day. HILLCRIST'S Study. Morning.<br/>
SCENE II. The Same. Evening.<br/></p>
<p><br/></p>
<hr />
<p><SPAN name="link2H_4_0001" id="link2H_4_0001"></SPAN></p>
<h2> ACT I </h2>
<blockquote>
<p>HILLCRIST'S study. A pleasant room, with books in calf bindings, and
signs that the HILLCRIST'S have travelled, such as a large photograph of
the Taj Mahal, of Table Mountain, and the Pyramids of Egypt. A large
bureau [stage Right], devoted to the business of a country estate. Two
foxes' masks. Flowers in bowls. Deep armchairs. A large French window
open [at Back], with a lovely view of a slight rise of fields and trees
in August sunlight. A fine stone fireplace [stage Left]. A door [Left].
A door opposite [Right]. General colour effect—stone, and
cigar-leaf brown, with spots of bright colour. [HILLCRIST sits in a
swivel chair at the bureau, busy with papers. He has gout, and his left
foot is encased accord: He is a thin, dried-up man of about fifty-five,
with a rather refined, rather kindly, and rather cranky countenance.
Close to him stands his very upstanding nineteen-year-old daughter JILL,
with clubbed hair round a pretty, manly face.]</p>
</blockquote>
<p>JILL. You know, Dodo, it's all pretty good rot in these days.</p>
<p>HILLCRIST. Cads are cads, Jill, even in these days.</p>
<p>JILL. What is a cad?</p>
<p>HILLCRIST. A self-assertive fellow, without a sense of other people.</p>
<p>JILL. Well, Old Hornblower I'll give you.</p>
<p>HILLCRIST. I wouldn't take him.</p>
<p>JILL. Well, you've got him. Now, Charlie—Chearlie—I say—the
importance of not being Charlie——</p>
<p>HILLCRIST. Good heavens! do you know their Christian names?</p>
<p>JILL. My dear father, they've been here seven years.</p>
<p>HILLCRIST. In old days we only knew their Christian names from their
tombstones.</p>
<p>JILL. Charlie Hornblower isn't really half a bad sport.</p>
<p>HILLCRIST. About a quarter of a bad sport I've always thought out hunting.</p>
<p>JILL. [Pulling his hair] Now, his wife—Chloe—-</p>
<p>HILLCRIST. [Whimsical] Gad! your mother'd have a fit if she knew you
called her Chloe.</p>
<p>JILL. It's a ripping name.</p>
<p>HILLCRIST. Chloe! H'm! I had a spaniel once——</p>
<p>JILL. Dodo, you're narrow. Buck up, old darling, it won't do. Chloe has
seen life, I'm pretty sure; THAT'S attractive, anyway. No, mother's not in
the room; don't turn your uneasy eyes.</p>
<p>HILLCRIST. Really, my dear, you are getting——</p>
<p>JILL. The limit. Now, Rolf——</p>
<p>HILLCRIST. What's Rolf? Another dog?</p>
<p>JILL. Rolf Hornblower's a topper; he really is a nice boy.</p>
<p>HILLCRIST. [With a sharp look] Oh! He's a nice boy?</p>
<p>JILL. Yes, darling. You know what a nice boy is, don't you?</p>
<p>HILLCRIST. Not in these days.</p>
<p>JILL. Well, I'll tell you. In the first place, he's not amorous.</p>
<p>HILLCRIST. What! Well, that's some comfort.</p>
<p>JILL. Just a jolly good companion.</p>
<p>HILLCRIST. To whom?</p>
<p>JILL. Well, to anyone—me.</p>
<p>HILLCRIST. Where?</p>
<p>JILL. Anywhere. You don't suppose I confine myself to the home paddocks,
do you? I'm naturally rangey, Father.</p>
<p>HILLCRIST. [Ironically] You don't say so!</p>
<p>JILL. In the second place, he doesn't like discipline.</p>
<p>HILLCRIST. Jupiter! He does seem attractive.</p>
<p>JILL. In the third place, he bars his father.</p>
<p>HILLCRIST. Is that essential to nice girls too?</p>
<p>JILL. [With a twirl of his hair] Fish not! Fourthly, he's got ideas.</p>
<p>HILLCRIST. I knew it!</p>
<p>JILL. For instance, he thinks—as I do——</p>
<p>HILLCRIST. Ah! Good ideas.</p>
<p>JILL. [Pulling gently] Careful! He thinks old people run the show too
much. He says they oughtn't to, because they're so damtouchy. Are you
damtouchy, darling?</p>
<p>HILLCRIST. Well, I'm——! I don't know about touchy.</p>
<p>JILL. He says there'll be no world fit to live in till we get rid of the
old. We must make them climb a tall tree, and shake them off it.</p>
<p>HILLCRIST. [Drily] Oh! he says that!</p>
<p>JILL. Otherwise, with the way they stand on each other's rights, they'll
spoil the garden for the young.</p>
<p>HILLCRIST. Does his father agree?</p>
<p>JILL. Oh! Rolf doesn't talk to him, his mouth's too large. Have you ever
seen it, Dodo?</p>
<p>HILLCRIST. Of course.</p>
<p>JILL. It's considerable, isn't it? Now yours is—reticent, darling.
[Rumpling his hair.]</p>
<p>HILLCRIST. It won't be in a minute. Do you realise that I've got gout?</p>
<p>JILL. Poor ducky! How long have we been here, Dodo?</p>
<p>HILLCRIST. Since Elizabeth, anyway.</p>
<p>JILL. [Looking at his foot] It has its drawbacks. D'you think Hornblower
had a father? I believe he was spontaneous. But, Dodo, why all this—this
attitude to the Hornblowers?</p>
<blockquote>
<p>[She purses her lips and makes a gesture as of pushing persons away.]</p>
</blockquote>
<p>HILLCRIST. Because they're pushing.</p>
<p>JILL. That's only because we are, as mother would say, and they're not—yet.
But why not let them be?</p>
<p>HILLCRIST. You can't.</p>
<p>JILL. Why?</p>
<p>HILLCRIST. It takes generations to learn to live and let live, Jill.
People like that take an ell when you give them an inch.</p>
<p>JILL. But if you gave them the ell, they wouldn't want the inch. Why
should it all be such a skin game?</p>
<p>HILLCRIST. Skin game? Where do you get your lingo?</p>
<p>JILL. Keep to the point, Dodo.</p>
<p>HILLCRIST. Well, Jill, all life's a struggle between people at different
stages of development, in different positions, with different amounts of
social influence and property. And the only thing is to have rules of the
game and keep them. New people like the Hornblowers haven't learnt those
rules; their only rule is to get all they can.</p>
<p>JILL. Darling, don't prose. They're not half as bad as you think.</p>
<p>HILLCRIST. Well, when I sold Hornblower Longmeadow and the cottages, I
certainly found him all right. All the same, he's got the cloven hoof.
[Warming up] His influence in Deepwater is thoroughly bad; those potteries
of his are demoralising—the whole atmosphere of the place is
changing. It was a thousand pities he ever came here and discovered that
clay. He's brought in the modern cutthroat spirit.</p>
<p>JILL. Cut our throat spirit, you mean. What's your definition of a
gentleman, Dodo?</p>
<p>HILLCRIST. [Uneasily] Can't describe—only feel it.</p>
<p>JILL. Oh! Try!</p>
<p>HILLCRIST. Well—er—I suppose you might say—a man who
keeps his form and doesn't let life scupper him out of his standards.</p>
<p>JILL. But suppose his standards are low?</p>
<p>HILLCRIST. [With some earnestness] I assume, of course, that he's honest
and tolerant, gentle to the weak, and not self-seeking.</p>
<p>JILL. Ah! self-seeking? But aren't we all, Dodo? I am.</p>
<p>HILLCRIST. [With a smile] You!</p>
<p>JILL. [Scornfully] Oh! yes—too young to know.</p>
<p>HILLCRIST. Nobody knows till they're under pretty heavy fire, Jill.</p>
<p>JILL. Except, of course, mother.</p>
<p>HILLCRIST. How do you mean—mother?</p>
<p>JILL. Mother reminds me of England according to herself—always right
whatever she does.</p>
<p>HILLCRIST. Ye-es. Your mother it perhaps—the perfect woman.</p>
<p>JILL. That's what I was saying. Now, no one could call you perfect, Dodo.
Besides, you've got gout.</p>
<p>HILLCRIST. Yes; and I want Fellows. Ring that bell.</p>
<p>JILL. [Crossing to the bell] Shall I tell you my definition of a
gentleman? A man who gives the Hornblower his due. [She rings the bell]
And I think mother ought to call on them. Rolf says old Hornblower resents
it fearfully that she's never made a sign to Chloe the three years she's
been here.</p>
<p>HILLCRIST. I don't interfere with your mother in such matters. She may go
and call on the devil himself if she likes.</p>
<p>JILL. I know you're ever so much better than she is.</p>
<p>HILLCRIST. That's respectful.</p>
<p>JILL. You do keep your prejudices out of your phiz. But mother literally
looks down her nose. And she never forgives an "h." They'd get the "hell"
from her if they took the "hinch."</p>
<p>HILLCRIST. Jill-your language!</p>
<p>JILL. Don't slime out of it, Dodo. I say, mother ought to call on the
Hornblowers. [No answer.] Well?</p>
<p>HILLCRIST. My dear, I always let people have the last word. It makes them—feel
funny. Ugh! My foot![Enter FELLOWS, Left.] Fellows, send into the village
and get another bottle of this stuff.</p>
<p>JILL. I'll go, darling.</p>
<blockquote>
<p>[She blow him a kiss, and goes out at the window.]</p>
</blockquote>
<p>HILLCRIST. And tell cook I've got to go on slops. This foot's worse.</p>
<p>FELLOWS. [Sympathetic] Indeed, sir.</p>
<p>HILLCRIST. My third go this year, Fellows.</p>
<p>FELLOWS. Very annoying, sir.</p>
<p>HILLCRIST. Ye-es. Ever had it?</p>
<p>FELLOWS. I fancy I have had a twinge, sir.</p>
<p>HILLCRIST. [Brightening] Have you? Where?</p>
<p>FELLOWS. In my cork wrist, sir.</p>
<p>HILLCRIST. Your what?</p>
<p>FELLOWS. The wrist I draw corks with.</p>
<p>HILLCRIST. [With a cackle] You'd have had more than a twinge if you'd
lived with my father. H'm!</p>
<p>FELLOWS. Excuse me, sir—Vichy water corks, in my experience, are
worse than any wine.</p>
<p>HILLCRIST. [Ironically] Ah! The country's not what it was, is it, Fellows?</p>
<p>FELLOWS. Getting very new, sir.</p>
<p>HILLCRIST. [Feelingly] You're right. Has Dawker come?</p>
<p>FELLOWS. Not yet, sir. The Jackmans would like to see you, sir.</p>
<p>HILLCRIST. What about?</p>
<p>FELLOWS. I don't know, sir.</p>
<p>HILLCRIST. Well, show them in.</p>
<p>FELLOWS. [Going] Yes, sir.</p>
<blockquote>
<p>[HILLCRIST turns his swivel chair round. The JACKMANS come in. He, a big
fellow about fifty, in a labourer's dress, with eyes which have more in
then than his tongue can express; she, a little woman with a worn face,
a bright, quick glance, and a tongue to match.]</p>
</blockquote>
<p>HILLCRIST. Good morning, Mrs. Jackman! Morning, Jackman! Haven't seen you
for a long time. What can I do?</p>
<blockquote>
<p>[He draws in foot, and breath, with a sharp hiss.]</p>
</blockquote>
<p>HILLCRIST. [In a down-hearted voice] We've had notice to quit, sir.</p>
<p>HILLCRIST. [With emphasis] What!</p>
<p>JACKMAN. Got to be out this week.</p>
<p>MRS. J. Yes, sir, indeed.</p>
<p>HILLCRIST. Well, but when I sold Longmeadow and the cottages, it was on
the express understanding that there was to be no disturbance of
tenancies:</p>
<p>MRS. J. Yes, sir; but we've all got to go. Mrs. 'Arvey, and the Drews, an'
us, and there isn't another cottage to be had anywhere in Deepwater.</p>
<p>HILLCRIST. I know; I want one for my cowman. This won't do at all. Where
do you get it from?</p>
<p>JACKMAN. Mr. 'Ornblower, 'imself, air. Just an hour ago. He come round and
said: "I'm sorry; I want the cottages, and you've got to clear."</p>
<p>MRS. J. [Bitterly] He's no gentleman, sir; he put it so brisk. We been
there thirty years, and now we don't know what to do. So I hope you'll
excuse us coming round, sir.</p>
<p>HILLCRIST. I should think so, indeed! H'm! [He rises and limps across to
the fireplace on his stick. To himself] The cloven hoof. By George! this
is a breach of faith. I'll write to him, Jackman. Confound it! I'd
certainly never have sold if I'd known he was going to do this.</p>
<p>MRS. J. No, sir, I'm sure, sir. They do say it's to do with the potteries.
He wants the cottages for his workmen.</p>
<p>HILLCRIST. [Sharply] That's all very well, but he shouldn't have led me to
suppose that he would make no change.</p>
<p>JACKMAN. [Heavily] They talk about his havin' bought the Centry to gut up
more chimneys there, and that's why he wants the cottages.</p>
<p>HINT. The Centry! Impossible!</p>
<blockquote>
<p>[Mrs. J. Yes, air; it's such a pretty spot-looks beautiful from here.
[She looks out through the window] Loveliest spot in all Deepwater, I
always say. And your father owned it, and his father before 'im. It's a
pity they ever sold it, sir, beggin' your pardon.]</p>
</blockquote>
<p>HILLCRIST. The Centry! [He rings the bell.]</p>
<p>Mrs. J. [Who has brightened up] I'm glad you're goin' to stop it, sir. It
does put us about. We don't know where to go. I said to Mr. Hornblower, I
said, "I'm sure Mr. Hillcrist would never 'eve turned us out." An' 'e
said: "Mr. Hillcrist be——" beggin' your pardon, sir. "Make no
mistake," 'e said, "you must go, missis." He don't even know our name; an'
to come it like this over us! He's a dreadful new man, I think, with his
overridin notions. And sich a heavyfooted man, to look at. [With a sort of
indulgent contempt] But he's from the North, they say.</p>
<blockquote>
<p>[FELLOWS has entered, Left.]</p>
</blockquote>
<p>HILLCRIST. Ask Mrs. Hillcrist if she'll come.</p>
<p>FELLOWS. Very good, sir.</p>
<p>HILLCRIST. Is Dawker here?</p>
<p>FELLOWS. Not yet, sir.</p>
<p>HILLCRIST. I want to see him at once.</p>
<blockquote>
<p>[FELLOWS retires.]</p>
</blockquote>
<p>JACKMAN. Mr. Hornblower said he was comin' on to see you, sir. So we
thought we'd step along first.</p>
<p>HILLCRIST. Quite right, Jackman.</p>
<p>MRS. J. I said to Jackman: "Mr. Hillcrist'll stand up for us, I know. He's
a gentleman," I said. "This man," I said, "don't care for the
neighbourhood, or the people; he don't care for anything so long as he
makes his money, and has his importance. You can't expect it, I suppose,"
I said; [Bitterly] "havin' got rich so sudden." The gentry don't do things
like that.</p>
<p>HILLCRIST. [Abstracted] Quite, Mrs. Jackman, quite! [To himself] The
Centry! No!</p>
<blockquote>
<p>[MRS. HILLCRIST enters. A well-dressed woman, with a firm, clear-cut
face.]</p>
</blockquote>
<p>Oh! Amy! Mr. and Mrs. Jackman turned out of their cottage, and Mrs.
Harvey, and the Drews. When I sold to Hornblower, I stipulated that they
shouldn't be.</p>
<p>MRS. J. Our week's up on Saturday, ma'am, and I'm sure I don't know where
we shall turn, because of course Jackman must be near his work, and I
shall lose me washin' if we have to go far.</p>
<p>HILLCRIST. [With decision] You leave it to me, Mrs. Jackman. Good morning!
Morning, Jackman! Sorry I can't move with this gout.</p>
<p>MRS. J. [For them both] I'm sure we're very sorry, sir. Good morning, sir.
Good morning, ma'am; and thank you kindly. [They go out.]</p>
<p>HILLCRIST. Turning people out that have been there thirty years. I won't
have it. It's a breach of faith.</p>
<p>MRS. H. Do you suppose this Hornblower will care two straws about that
Jack?</p>
<p>HILLCRIST. He must, when it's put to him, if he's got any decent feeling.</p>
<p>MRS. H. He hasn't.</p>
<p>HILLCRIST. [Suddenly] The Jackmans talk of his having bought the Centry to
put up more chimneys.</p>
<p>MRS. H. Never! [At the window, looking out] Impossible! It would ruin the
place utterly; besides cutting us off from the Duke's. Oh, no! Miss
Mullins would never sell behind our backs.</p>
<p>HILLCRIST. Anyway I must stop his turning these people out.</p>
<p>Mrs. H. [With a little smile, almost contemptuous] You might have known
he'd do something of the sort. You will imagine people are like yourself,
Jack. You always ought to make Dawker have things in black and white.</p>
<p>HILLCRIST. I said quite distinctly: "Of course you won't want to disturb
the tenancies; there's a great shortage of cottages." Hornblower told me
as distinctly that he wouldn't. What more do you want?</p>
<p>Mrs. H. A man like that thinks of nothing but the short cut to his own
way. [Looking out of the window towards the rise] If he buys the Centry
and puts up chimneys, we simply couldn't stop here.</p>
<p>HILLCRIST. My father would turn in his grave.</p>
<p>MRS. H. It would have been more useful if he'd not dipped the estate, and
sold the Centry. This Hornblower hates us; he thinks we turn up our noses
at him.</p>
<p>HILLCRIST. As we do, Amy.</p>
<p>MRS. H. Who wouldn't? A man without traditions, who believes in nothing
but money and push.</p>
<p>HILLCRIST. Suppose he won't budge, can we do anything for the Jackmans?</p>
<p>MRS. H. There are the two rooms Beaver used to have, over the stables.</p>
<p>FELLOWS. Mr. Dawker, sir.</p>
<blockquote>
<p>[DAWKERS is a short, square, rather red-faced terrier of a man, in
riding clothes and gaiters.]</p>
</blockquote>
<p>HILLCRIST. Ah! Dawker, I've got gout again.</p>
<p>DAWKER. Very sorry, sir. How de do, ma'am?</p>
<p>HILLCRIST. Did you meet the Jackmans?</p>
<p>DAWKERS. Yeh.</p>
<blockquote>
<p>[He hardly ever quite finishes a word, seeming to snap of their tails.]</p>
</blockquote>
<p>HILLCRIST. Then you heard?</p>
<p>DAWKER. [Nodding] Smart man, Hornblower; never lets grass grow.</p>
<p>HILLCRIST. Smart?</p>
<p>DAWKER. [Grinning] Don't do to underrate your neighbours.</p>
<p>MRS. H. A cad—I call him.</p>
<p>DAWKER. That's it, ma'am-got all the advantage.</p>
<p>HILLCRIST. Heard anything about the Centry, Dawker?</p>
<p>DAWKER. Hornblower wants to buy.</p>
<p>HILLCRIST. Miss Mullins would never sell, would she?</p>
<p>DAWKER. She wants to.</p>
<p>HILLCRIST. The deuce she does!</p>
<p>DAWKER. He won't stick at the price either.</p>
<p>MRS. H. What's it worth, Dawker?</p>
<p>DAWKER. Depends on what you want it for.</p>
<p>MRS. H. He wants it for spite; we want it for sentiment.</p>
<p>DAWKER. [Grinning] Worth what you like to give, then; but he's a rich man.</p>
<p>MRS. H. Intolerable!</p>
<p>DAWKER. [To HILLCRIST] Give me your figure, sir. I'll try the old lady
before he gets at her.</p>
<p>HILLCRIST. [Pondering] I don't want to buy, unless there's nothing else
for it. I should have to raise the money on the estate; it won't stand
much more. I can't believe the fellow would be such a barbarian. Chimneys
within three hundred yards, right in front of this house! It's a
nightmare.</p>
<p>MRS. H. You'd much better let Dawker make sure, Jack.</p>
<p>HILLCRIST. [Uncomfortable] Jackman says Hornblower's coming round to see
me. I shall put it to him.</p>
<p>DAWKER. Make him keener than ever. Better get in first.</p>
<p>HILLCRIST. Ape his methods!—Ugh! Confound this gout! [He gets back
to his chair with difficulty] Look here, Dawker, I wanted to see you about
gates——</p>
<p>FELLOWS. [Entering] Mr. Hornblower.</p>
<blockquote>
<p>[HORNBLOWER enters-a man of medium, height, thoroughly broadened, blown
out, as it were, by success. He has thick, coarse, dark hair, just
grizzled, wry bushy eyebrow, a wide mouth. He wears quite ordinary
clothes, as if that department were in charge of someone who knew about
such, things. He has a small rose in his buttonhole, and carries a
Homburg hat, which one suspects will look too small on his head.]</p>
</blockquote>
<p>HORNBLOWER. Good morning! good morning! How are ye, Dawker? Fine morning!
Lovely weather!</p>
<blockquote>
<p>[His voice has a curious blend in its tone of brass and oil, and an
accent not quite Scotch nor quite North country.]</p>
</blockquote>
<p>Haven't seen ye for a long time, Hillcrist.</p>
<p>HILLCRIST. [Who has risen] Not since I sold you Longmeadow and those
cottages, I believe.</p>
<p>HORNBLOWER. Dear me, now! that's what I came about.</p>
<p>HILLCRIST. [Subsiding again into his chair] Forgive me! Won't you sit
down?</p>
<p>HORNBLOWER. [Not sitting] Have ye got gout? That's unfortunate. I never
get it. I've no disposition that way. Had no ancestors, you see. Just me
own drinkin' to answer for.</p>
<p>HILLCRIST. You're lucky.</p>
<p>HORNBLOWER. I wonder if Mrs. Hillcrist thinks that! Am I lucky to have no
past, ma'am? Just the future?</p>
<p>MRS. H. You're sure you have the future, Mr. Hornblower?</p>
<p>HORNBLOWER. [With a laugh] That's your aristocratic rapier thrust. You
aristocrats are very hard people underneath your manners. Ye love to lay a
body out. But I've got the future all right.</p>
<p>HILLCRIST. [Meaningly] I've had the Dackmans here, Mr. Hornblower.</p>
<p>HORNBLOWER. Who are they—man with the little spitfire wife?</p>
<p>HILLCRIST. They're very excellent, good people, and they've been in that
cottage quietly thirty years.</p>
<p>HORNBLOWER. [Throwing out his forefinger—a favourite gesture] Ah!
ye've wanted me to stir ye up a bit. Deepwater needs a bit o' go put into
it. There's generally some go where I am. I daresay you wish there'd been
no "come." [He laughs].</p>
<p>MRS. H. We certainly like people to keep their word, Mr. Hornblower.</p>
<p>HILLCRIST. Amy!</p>
<p>HORNBLOWER. Never mind, Hillcrist; takes more than that to upset me.</p>
<blockquote>
<p>[MRS. HILLCRIST exchanges a look with DAWKER who slips out unobserved.]</p>
</blockquote>
<p>HILLCRIST. You promised me, you know, not to change the tenancies.</p>
<p>HORNBLOWER. Well, I've come to tell ye that I have. I wasn't expecting to
have the need when I bought. Thought the Duke would sell me a bit down
there; but devil a bit he will; and now I must have those cottages for my
workmen. I've got important works, ye know.</p>
<p>HILLCRIST. [Getting heated] The Jackmans have their importance too, sir.
Their heart's in that cottage.</p>
<p>HORNBLOWER. Have a sense of proportion, man. My works supply thousands of
people, and my, heart's in them. What's more, they make my fortune. I've
got ambitions—I'm a serious man. Suppose I were to consider this and
that, and every little potty objection— where should I get to?—nowhere!</p>
<p>HILLCRIST. All the same, this sort of thing isn't done, you know.</p>
<p>HORNBLOWER. Not by you because ye've got no need to do it. Here ye are,
quite content on what your fathers made for ye. Ye've no ambitions; and ye
want other people to have none. How d'ye think your fathers got your land?</p>
<p>HILLCRIST. [Who has risen] Not by breaking their word.</p>
<p>HORNBLOWER. [Throwing out his, finger] Don't ye believe it. They got it by
breaking their word and turnin' out Jackmans, if that's their name, all
over the place.</p>
<p>MRS. H. That's an insult, Mr. Hornblower.</p>
<p>HORNBLOWER. No; it's a repartee. If ye think so much of these Jackmans,
build them a cottage yourselves; ye've got the space.</p>
<p>HILLCRIST. That's beside the point. You promised me, and I sold on that
understanding.</p>
<p>HORNBLOWER. And I bought on the understandin' that I'd get some more land
from the Duke.</p>
<p>HILLCRIST. That's nothing to do with me.</p>
<p>HORNBLOWER. Ye'll find it has; because I'm going to have those cottages.</p>
<p>HILLCRIST. Well, I call it simply——</p>
<blockquote>
<p>[He checks himself.]</p>
</blockquote>
<p>HORNBLOWER. Look here, Hillcrist, ye've not had occasion to understand men
like me. I've got the guts, and I've got the money; and I don't sit still
on it. I'm going ahead because I believe in meself. I've no use for
sentiment and that sort of thing. Forty of your Jackmans aren't worth me
little finger.</p>
<p>HILLCRIST. [Angry] Of all the blatant things I ever heard said!</p>
<p>HORNBLOWER. Well, as we're speaking plainly, I've been thinkin'. Ye want
the village run your oldfashioned way, and I want it run mine. I fancy
there's not room for the two of us here.</p>
<p>MRS. H. When are you going?</p>
<p>HORNBLOWER. Never fear, I'm not going.</p>
<p>HILLCRIST. Look here, Mr. Hornblower—this infernal gout makes me
irritable—puts me at a disadvantage. But I should be glad if you'd
kindly explain yourself.</p>
<p>HORNBLOWER. [With a great smile] Ca' canny; I'm fra' the North.</p>
<p>HILLCRIST. I'm told you wish to buy the Centry and put more of your
chimneys up there, regardless of the fact [He Points through the window]
that it would utterly ruin the house we've had for generations, and all
our pleasure here.</p>
<p>HORNBLOWER. How the man talks! Why! Ye'd think he owned the sky, because
his fathers built him a house with a pretty view, where he's nothing to do
but live. It's sheer want of something to do that gives ye your fine
sentiments, Hillcrist.</p>
<p>HILLCRIST. Have the goodness not to charge me with idleness. Dawker—where
is he?——[He shows the bureau] When you do the drudgery of your
works as thoroughly as I do that of my estate—— Is it true
about the Centry?</p>
<p>HORNBLOWER. Gospel true. If ye want to know, my son Chearlie is buyin' it
this very minute.</p>
<p>MRS. H. [Turning with a start] What do you say?</p>
<p>HORNBLOWER. Ay, he's with the old lady she wants to sell, an' she'll get
her price, whatever it is.</p>
<p>HILLCRIST. [With deep anger] If that isn't a skin game, Mr. Hornblower, I
don't know what is.</p>
<p>HORNBLOWER. Ah! Ye've got a very nice expression there. "Skin game!" Well,
bad words break no bones, an' they're wonderful for hardenin' the heart.
If it wasn't for a lady's presence, I could give ye a specimen or two.</p>
<p>MRS. H. Oh! Mr. Hornblower, that need not stop you, I'm sure.</p>
<p>HORNBLOWER. Well, and I don't know that it need. Ye're an obstruction—the
like of you—ye're in my path. And anyone in my path doesn't stay
there long; or, if he does, he stays there on my terms. And my terms are
chimneys in the Centry where I need 'em. It'll do ye a power of good, too,
to know that ye're not almighty.</p>
<p>HILLCRIST. And that's being neighbourly!</p>
<p>HORNBLOWER. And how have ye tried bein' neighbourly to me? If I haven't a
wife, I've got a daughter-in-law. Have Ye celled on her, ma'am? I'm new,
and ye're an old family. Ye don't like me, ye think I'm a pushin' man. I
go to chapel, an' ye don't like that. I make things and I sell them, and
ye don't like that. I buy land, and ye don't like that. It threatens the
view from your windies. Well, I don't lie you, and I'm not goin' to put up
with your attitude. Ye've had things your own way too long, and now ye're
not going to have them any longer.</p>
<p>HILLCRIST. Will you hold to your word over those cottages?</p>
<p>HORNBLOWER. I'm goin' to have the cottages. I need them, and more besides,
now I'm to put up me new works.</p>
<p>HILLCRIST. That's a declaration of war.</p>
<p>HORNBLOWER. Ye never said a truer word. It's one or the other of us, and I
rather think it's goin' to be me. I'm the risin' and you're the settin'
sun, as the poet says.</p>
<p>HILLCRIST. [Touching the bell] We shall see if you can ride rough-shod
like this. We used to have decent ways of going about things here. You
want to change all that. Well, we shall do our damnedest to stop you. [To
FELLOWS at the door] Are the Jackmans still in the house? Ask them to be
good enough to come in.</p>
<p>HORNBLOWER. [With the first sign of uneasiness] I've seen these people.
I've nothing more to say to them. I told 'em I'd give 'em five pounds to
cover their moving.</p>
<p>HILLCRIST. It doesn't occur to you that people, however humble, like to
have some say in their own fate?</p>
<p>HORNBLOWER. I never had any say in mine till I had the brass, and nobody
ever will. It's all hypocrisy. You county folk are fair awful hypocrites.
Ye talk about good form and all that sort o' thing. It's just the
comfortable doctrine of the man in the saddle; sentimental varnish. Ye're
every bit as hard as I am, underneath.</p>
<p>MRS. H. [Who had been standing very still all this time] You flatter us.</p>
<p>HORNBLOWER. Not at all. God helps those who 'elp themselves— that's
at the bottom of all religion. I'm goin' to help meself, and God's going
to help me.</p>
<p>MRS. H. I admire your knowledge.</p>
<p>HILLCRIST. We are in the right, and God helps——</p>
<p>HORNBLOWER. Don't ye believe it; ye 'aven't got the energy.</p>
<p>MRS. H. Nor perhaps the conceit.</p>
<p>HORNBLOWER. [Throwing out his forefinger] No, no; 'tisn't conceit to
believe in yourself when ye've got reason to. [The JACKMAN'S have
entered.]</p>
<p>HILLCRIST. I'm very sorry, Mrs. Jackman, but I just wanted you to realise
that I've done my best with this gentleman.</p>
<p>MRS. J. [Doubtfully] Yes, sir. I thought if you spoke for us, he'd feel
different-like.</p>
<p>HORNBLOWER. One cottage is the same as another, missis. I made ye a fair
offer of five pounds for the moving.</p>
<p>JACKMAN. [Slowly] We wouldn't take fifty to go out of that 'ouse. We
brought up three children there, an' buried two from it.</p>
<p>MRS. J. [To MRS. HILLCRIST] We're attached to it like, ma'am.</p>
<p>HILLCRIST. [To HORNBLOWER.] How would you like being turned out of a place
you were fond of?</p>
<p>HORNBLOWER. Not a bit. But little considerations have to give way to big
ones. Now, missis, I'll make it ten pounds, and I'll send a wagon to shift
your things. If that isn't fair—! Ye'd better accept, I shan't keep
it open.</p>
<blockquote>
<p>[The JACKMANS look at each other; their faces show deep anger— and
the question they ask each other is which will speak.]</p>
</blockquote>
<p>MRS. J. We won't take it; eh, George?</p>
<p>JACKMAN. Not a farden. We come there when we was married.</p>
<p>HORNBLOWER. [Throwing out his finger] Ye're very improvident folk.</p>
<p>HILLCRIST. Don't lecture them, Mr. Hornblower; they come out of this miles
above you.</p>
<p>HORNBLOWER. [Angry] Well, I was going to give ye another week, but ye'll
go out next Saturday; and take care ye're not late, or your things'll be
put out in the rain.</p>
<p>MRS. H. [To MRS. JACKMAN] We'll send down for your things, and you can
come to us for the time being.</p>
<blockquote>
<p>[MRS. JACKMAN drops a curtsey; her eyes stab HORNBLOWERS.]</p>
</blockquote>
<p>JACKMAN. [Heavily, clenching his fists] You're no gentleman! Don't put
temptation in my way, that's all.</p>
<p>HILLCRIST. [In a low voice] Jackman!</p>
<p>HORNBLOWER. [Triumphantly] Ye hear that? That's your protegee! Keep out o'
my way, me man, or I'll put the police on to ye for utterin' threats.</p>
<p>HILLCRIST. You'd better go now, Jackman.</p>
<blockquote>
<p>[The JACKMANS move to the door.]</p>
</blockquote>
<p>MRS. J. [Turning] Maybe you'll repent it some day, sir.</p>
<blockquote>
<p>[They go out, MRS. HILLCRIST following.]</p>
</blockquote>
<p>HORNBLOWER. We-ell, I'm sorry they're such unreasonable folk. I never met
people with less notion of which side their bread was buttered.</p>
<p>HILLCRIST. And I never met anyone so pachydermatous.</p>
<p>HORNBLOWER. What's that, in Heaven's name? Ye needn' wrap it up in long
words now your good lady's gone.</p>
<p>HILLCRIST. [With dignity] I'm not going in for a slanging match. I resent
your conduct much too deeply.</p>
<p>HORNBLOWER. Look here, Hillcrist, I don't object to you personally; ye
seem to me a poor creature that's bound to get left with your gout and
your dignity; but of course ye can make yourself very disagreeable before
ye're done. Now I want to be the movin' spirit here. I'm full of plans.
I'm goin' to stand for Parliament; I'm goin' to make this a prosperous
place. I'm a good-matured man if you'll treat me as such. Now, you take me
on as a neighbour and all that, and I'll manage without chimneys on the
Centry. Is it a bargain? [He holds out his hand.]</p>
<p>HILLCRIST. [Ignoring it] I thought you said you didn't keep your word when
it suited you to break it?</p>
<p>HORNBLOWER. Now, don't get on the high horse. You and me could be very
good friends; but I can be a very nasty enemy. The chimneys will not look
nice from that windie, ye know.</p>
<p>HILLCRIST. [Deeply angry] Mr. Hornblower, if you think I'll take your hand
after this Jackman business, you're greatly mistaken. You are proposing
that I shall stand in with you while you tyrannise over the neighbourhood.
Please realise that unless you leave those tenancies undisturbed as you
said you would, we don't know each other.</p>
<p>HORNBLOWER. Well, that won't trouble me much. Now, ye'd better think it
over; ye've got gout and that makes ye hasty. I tell ye again: I'm not the
man to make an enemy of. Unless ye're friendly, sure as I stand here I'll
ruin the look of your place.</p>
<blockquote>
<p>[The toot of a car is heard.]</p>
</blockquote>
<p>There's my car. I sent Chearlie and his wife in it to buy the Centry. And
make no mistake—he's got it in his packet. It's your last chance,
Hillcrist. I'm not averse to you as a man; I think ye're the best of the
fossils round here; at least, I think ye can do me the most harm socially.
Come now!</p>
<blockquote>
<p>[He holds out his hand again.]</p>
</blockquote>
<p>HILLCRIST. Not if you'd bought the Centry ten times over. Your ways are
not mine, and I'll have nothing to do with you.</p>
<p>HORNBLOWER. [Very angry] Really! Is that so? Very well. Now ye're goin' to
learn something, an' it's time ye did. D'ye realise that I'm 'very nearly
round ye? [He draws a circle slowly in the air] I'm at Uphill, the works
are here, here's Longmeadow, here's the Centry that I've just bought,
there's only the Common left to give ye touch with the world. Now between
you and the Common there's the high road.</p>
<p>I come out on the high road here to your north, and I shall come out on it
there to your west. When I've got me new works up on the Centry, I shall
be makin' a trolley track between the works up to the road at both ends,
so any goods will be running right round ye. How'll ye like that for a
country place?</p>
<blockquote>
<p>[For answer HILLCRIST, who is angry beyond the power of speech, walks,
forgetting to use his stick, up to the French window. While he stands
there, with his back to HORNBLOWER, the door L. is flung open, and Jim
enters, preceding CHARLES, his wife CHLOE, and ROLF. CHARLES is a
goodish-looking, moustached young man of about twenty-eight, with a
white rim to the collar of his waistcoat, and spats. He has his hand
behind CHLOE'S back, as if to prevent her turning tail. She is rather a
handsome young woman, with dark eyes, full red lips, and a suspicion of
powder, a little under-dressed for the country. ROLF, mho brings up the
rear, is about twenty, with an open face and stiffish butter-coloured
hair. JILL runs over to her father at the window. She has a bottle.]</p>
</blockquote>
<p>JILL. [Sotto voce] Look, Dodo, I've brought the lot! Isn't it a treat,
dear Papa? And here's the stuff. Hallo!</p>
<blockquote>
<p>[The exclamation is induced by the apprehension that there has been a
row. HILLCRIST gives a stiff little bow, remaining where he is in the
window. JILL, stays close to him, staring from one to the other, then
blocks him off and engages him in conversation. CHARLES has gone up to
his father, who has remained maliciously still, where he delivered his
last speech. CHLOE and ROLF stand awkwardly waiting between the
fireplace and the door.]</p>
</blockquote>
<p>HORNBLOWER. Well, Chearlie?</p>
<p>CHARLES. Not got it.</p>
<p>HORNBLOWER. Not!</p>
<p>CHARLES. I'd practically got her to say she'd sell at three thousand five
hundred, when that fellow Dawker turned up.</p>
<p>HORNBLOWER. That bull-terrier of a chap! Why, he was here a while ago. Oh—ho!
So that's it!</p>
<p>CHARLES. I heard him gallop up. He came straight for the old lady, and got
her away. What he said I don't know; but she came back looking wiser than
an owl; said she'd think it over, thought she had other views.</p>
<p>HORNBLOWER. Did ye tell her she might have her price?</p>
<p>CHARLES. Practically I did.</p>
<p>HORNBLOWER. Well?</p>
<p>CHARLES. She thought it would be fairer to put it up to auction. There
were other enquiries. Oh! She's a leery old bird—reminds me of one
of those pictures of Fate, don't you know.</p>
<p>HORNBLOWER. Auction! Well, if it's not gone we'll get it yet. That damned
little Dawker! I've had a row with Hillcrist.</p>
<p>CHARLES. I thought so.</p>
<blockquote>
<p>[They are turning cautiously to look at HILLCRIST, when JILL steps
forward.]</p>
</blockquote>
<p>JILL. [Flushed and determined] That's not a bit sporting of you, Mr.
Hornblower.</p>
<blockquote>
<p>[At her words ROLE comes forward too.]</p>
</blockquote>
<p>HORNBLOWER. Ye should hear both sides before ye say that, missy.</p>
<p>JILL. There isn't another side to turning out the Jackmans after you'd
promised.</p>
<p>HORNBLOWER. Oh! dear me, yes. They don't matter a row of gingerbread to
the schemes I've got for betterin' this neighbourhood.</p>
<p>JILL. I had been standing up for you; now I won't.</p>
<p>HOUNBLOWER. Dear, dear! What'll become of me?</p>
<p>JILL. I won't say anything about the other thing because I think it's
beneath, dignity to notice it. But to turn poor people out of their
cottages is a shame.</p>
<p>HORNBLOWER. Hoity me!</p>
<p>ROLF. [Suddenly] You haven't been doing that, father?</p>
<p>CHARLES. Shut up, Rolf!</p>
<p>HORNBLOWER. [Turning on ROLF] Ha! Here's a league o' Youth! My young
whipper-snapper, keep your mouth shut and leave it to your elders to know
what's right.</p>
<blockquote>
<p>[Under the weight of this rejoinder ROLF stands biting his lips. Then he
throws his head up.]</p>
</blockquote>
<p>ROLF. I hate it!</p>
<p>HORNBLOWER. [With real venom] Oh! Ye hate it? Ye can get out of my house,
then.</p>
<p>JILL. Free speech, Mr. Hornblower; don't be violent.</p>
<p>HORNBLOWER. Ye're right, young lady. Ye can stay in my house, Rolf, and
learn manners. Come, Chearlie!</p>
<p>JILL. [Quite softly] Mr. Hornblower!</p>
<p>HILLCRIST. [From the window] Jill!</p>
<p>JILL. [Impatiently] Well, what's the good of it? Life's too short for
rows, and too jolly!</p>
<p>ROLF. Bravo!</p>
<p>HORNBLOWER. [Who has shown a sign of weakening] Now, look here! I will not
have revolt in my family. Ye'll just have to learn that a man who's worked
as I have, who's risen as I have, and who knows the world, is the proper
judge of what's right and wrong. I'll answer to God for me actions, and
not to you young people.</p>
<p>JILL. Poor God!</p>
<p>HORNBLOWER. [Genuinely shocked] Ye blasphemous young thing! [To ROLF] And
ye're just as bad, ye young freethinker. I won't have it.</p>
<p>HILLCRIST. [Who has come down, Right] Jill, I wish you would kindly not
talk.</p>
<p>JILL. I can't help it.</p>
<p>CHARLES. [Putting his arm through HORNBLOWER'S] Come along, father! Deeds,
not words.</p>
<p>HORNBLOWER. Ay! Deeds!</p>
<blockquote>
<p>[MRS. HILLCRIST and DAWKERS have entered by the French window.]</p>
</blockquote>
<p>MRS. H. Quite right!</p>
<blockquote>
<p>[They all turn and look at her.]</p>
</blockquote>
<p>HORNBLOWER. Ah! So ye put your dog on to it. [He throws out his finger at
DAWKERS] Very smart, that—I give ye credit.</p>
<p>MRS. H. [Pointing to CHLOE, who has stood by herself, forgotten and
uncomfortable throughout the scene] May I ask who this lady is?</p>
<blockquote>
<p>[CHLOE turns round startled, and her vanity bag slips down her dress to
the floor.]</p>
</blockquote>
<p>HORNBLOWER. No, ma'am, ye may not, for ye know perfectly well.</p>
<p>JILL. I brought her in, mother [She moves to CHLOE's side.]</p>
<p>MRS. H. Will you take her out again, then.</p>
<p>HILLCRIST. Amy, have the goodness to remember——</p>
<p>MRS. H. That this is my house so far as ladies are concerned.</p>
<p>JILL. Mother!</p>
<blockquote>
<p>[She looks astonished at CHLOE, who, about to speak, does not, passing
her eyes, with a queer, half-scarred expression, from MRS. HILLCRIST to
DAWKER.] [To CHLOE] I'm awfully sorry. Come on! [They go out, Left. ROLF
hurries after them.]</p>
</blockquote>
<p>CHARLES. You've insulted my wife. Why? What do you mean by it?</p>
<blockquote>
<p>[MRS. HILLCRIST simply smiles.]</p>
</blockquote>
<p>HILLCRIST. I apologise. I regret extremely. There is no reason why the
ladies of your family or of mine should be involved in our quarrel. For
Heaven's sake, let's fight like gentlemen.</p>
<p>HORNBLOWER. Catchwords—sneers! No; we'll play what ye call a skin
game, Hillcrist, without gloves on; we won't spare each other. Ye look out
for yourselves, for, begod, after this morning I mean business. And as for
you, Dawker, ye sly dog, ye think yourself very clever; but I'll have the
Centry yet. Come, Chearlie!</p>
<blockquote>
<p>[They go out, passing JILL, who is coming in again, in the doorway.]</p>
</blockquote>
<p>HILLCRIST. Well, Dawker?</p>
<p>DAWKER. [Grinning] Safe for the moment. The old lady'll put it up to
auction. Couldn't get her to budge from that. Says she don't want to be
unneighbourly to either. But, if you ask me, it's money she smells!</p>
<p>JILL. [Advancing] Now, mother</p>
<p>MRS. H. Well?</p>
<p>JILL. Why did you insult her?</p>
<p>MRS. H. I think I only asked you to take her out.</p>
<p>JILL. Why? Even if she is Old Combustion's daughter-in-law?</p>
<p>MRS. H. My dear Jill, allow me to judge the sort of acquaintances I wish
to make. [She looks at DAWKER.]</p>
<p>JILL. She's all right. Lots of women powder and touch up their lips
nowadays. I think she's rather a good sort; she was awfully upset.</p>
<p>MRS. H. Too upset.</p>
<p>JILL. Oh! don't be so mysterious, mother. If you know something, do spit
it out!</p>
<p>MRS. H. Do you wish me to—er—"spit it out," Jack?</p>
<p>HILLCRIST. Dawker, if you don't mind——</p>
<blockquote>
<p>[DAWKER, with a nod, passes away out of the French window.]</p>
</blockquote>
<p>Jill, be respectful, and don't talk like a bargee.</p>
<p>JILL. It's no good, Dodo. It made me ashamed. It's just as—as
caddish to insult people who haven't said a word, in your own house, as it
is to be—old Hornblower.</p>
<p>MRS. H. You don't know what you're talking about.</p>
<p>HILLCRIST. What's the matter with young Mrs. Hornblower?</p>
<p>MRS. H. Excuse me, I shall keep my thoughts to myself at present.</p>
<blockquote>
<p>[She looks coldly at JILL, and goes out through the French window.]</p>
</blockquote>
<p>HILLCRIST. You've thoroughly upset your mother, Jill.</p>
<p>JILL. It's something Dawker's told her; I saw them. I don't like Dawker,
father, he's so common.</p>
<p>HILLCRIST. My dear, we can't all be uncommon. He's got lots of go, You
must apologise to your mother.</p>
<p>JILL. [Shaking-her clubbed hair] They'll make you do things you don't
approve of, Dodo, if you don't look out. Mother's fearfully bitter when
she gets her knife in. If old Hornblower's disgusting, it's no reason we
should be.</p>
<p>HILLCRIST. So you think I'm capable—that's nice, Jill!</p>
<p>JILL. No, no, darling! I only want to warn you solemnly that mother'll
tell you you're fighting fair, no matter what she and Dawker do.</p>
<p>HILLCRIST. [Smiling] Jill, I don't think I ever saw you so serious.</p>
<p>JILL. No. Because—[She swallows a lump in her throat] Well—I
was just beginning to enjoy, myself; and now—everything's going to
be bitter and beastly, with mother in that mood. That horrible old man!
Oh, Dodo! Don't let them make you horrid! You're such a darling. How's
your gout, ducky?</p>
<p>HILLCRIST. Better; lot better.</p>
<p>JILL. There, you see! That shows! It's going to be half-interesting for
you, but not for—us.</p>
<p>HILLCRIST. Look here, Jill—is there anything between you and young
what's-his-name—Rolf?</p>
<p>JILL. [Biting her lip] No. But—now it's all spoiled.</p>
<p>HILLCRIST. You can't expect me to regret that.</p>
<p>JILL. I don't mean any tosh about love's young dream; but I do like being
friends. I want to enjoy things, Dodo, and you can't do that when
everybody's on the hate. You're going to wallow in it, and so shall I—oh!
I know I shall!—we shall all wallow, and think of nothing but "one
for his nob."</p>
<p>HILLCRIST. Aren't you fond of your home?</p>
<p>JILL. Of course. I love it.</p>
<p>HILLCRIST. Well, you won't be able to live in it unless we stop that
ruffian. Chimneys and smoke, the trees cut down, piles of pots. Every kind
of abomination. There! [He points] Imagine! [He points through the French
window, as if he could see those chimneys rising and marring the beauty of
the fields] I was born here, and my father, and his, and his, and his.
They loved those fields, and those old trees. And this barbarian, with his
"improvement" schemes, forsooth! I learned to ride in the Centry meadows—prettiest
spring meadows in the world; I've climbed every tree there. Why my father
ever sold——! But who could have imagined this? And come at a
bad moment, when money's scarce.</p>
<p>JILL. [Cuddling his arm] Dodo!</p>
<p>HILLCRIST. Yes. But you don't love the place as I do, Jill. You youngsters
don't love anything, I sometimes think.</p>
<p>JILL. I do, Dodo, I do!</p>
<p>HILLCRIST. You've got it all before you. But you may live your life and
never find anything so good and so beautiful as this old home. I'm not
going to have it spoiled without a fight.</p>
<blockquote>
<p>[Conscious of batting betrayed Sentiment, he walks out at the French
window, passing away to the right. JILL following to the window, looks.
Then throwing back her head, she clasps her hands behind it.]</p>
</blockquote>
<p>JILL. Oh—oh-oh!</p>
<blockquote>
<p>[A voice behind her says, "JILL!" She turns and starts back, leaning
against the right lintel of the window. ROLF appears outside the window
from Left.]</p>
</blockquote>
<p>Who goes there?</p>
<p>ROLE. [Buttressed against the Left lintel] Enemy—after Chloe's bag.</p>
<p>JILL. Pass, enemy! And all's ill!</p>
<blockquote>
<p>[ROLF passes through the window, and retrieves the vanity bag from the
floor where CHLOE dropped it, then again takes his stand against the
Left lintel of the French window.]</p>
</blockquote>
<p>ROLF. It's not going to make any difference, is it?</p>
<p>JILL. You know it is.</p>
<p>ROLF. Sins of the fathers.</p>
<p>JILL. Unto the third and fourth generations. What sin has my father
committed?</p>
<p>ROLF. None, in a way; only, I've often told you I don't see why you should
treat us as outsiders. We don't like it.</p>
<p>JILL. Well, you shouldn't be, then; I mean, he shouldn't be.</p>
<p>ROLF. Father's just as human as your father; he's wrapped up in us, and
all his "getting on" is for us. Would you like to be treated as your
mother treated Chloe? Your mother's set the stroke for the other big-wigs
about here; nobody calls on Chloe. And why not? Why not? I think it's
contemptible to bar people just because they're new, as you call it, and
have to make their position instead of having it left them.</p>
<p>JILL. It's not because they're new, it's because—if your father
behaved like a gentleman, he'd be treated like one.</p>
<p>ROLF. Would he? I don't believe it. My father's a very able man; he thinks
he's entitled to have influence here. Well, everybody tries to keep him
down. Oh! yes, they do. That makes him mad and more determined than ever
to get his way. You ought to be just, Jill.</p>
<p>JILL. I am just.</p>
<p>ROLF. No, you're not. Besides, what's it got to do with Charlie and Chloe?
Chloe's particularly harmless. It's pretty sickening for her. Father
didn't expect people to call until Charlie married, but since——</p>
<p>JILL. I think it's all very petty.</p>
<p>ROLF. It is—a dog-in-the-manger business; I did think you were above
it.</p>
<p>JILL. How would you like to have your home spoiled?</p>
<p>ROLE. I'm not going to argue. Only things don't stand still. Homes aren't
any more proof against change than anything else.</p>
<p>JILL. All right! You come and try and take ours.</p>
<p>ROLF. We don't want to take your home.</p>
<p>JILL. Like the Jackmans'?</p>
<p>ROLF. All right. I see you're hopelessly prejudiced.</p>
<blockquote>
<p>[He turns to go.]</p>
</blockquote>
<p>JILL. [Just as he is vanishing—softly] Enemy?</p>
<p>ROLF. [Turning] Yes, enemy.</p>
<p>JILL. Before the battle—let's shake hands.</p>
<blockquote>
<p>[They move from the lintels and grasp each other's hands in the centre
of the French window.] CURTAIN</p>
</blockquote>
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