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Gabriel and the Hour Book

<h1>Gabriel and the Hour Book</h1> <h3>BY</h3> <h2>Evaleen Stein</h2> <hr style="width: 65%;" /> <h2>CHAPTER I.</h2> <h3>THE LITTLE COLOUR GRINDER</h3> IT was a bright morning of early April, many hundred years ago; and through all the fields and meadows of Normandy the violets and cuckoo-buds were just beginning to peep through the tender green of the young grass. The rows of tall poplar-trees that everywhere, instead of fences, served to mark off the farms of the country folk, waved in the[2] spring wind like great, pale green plumes; and among their branches the earliest robins and field-fares were gaily singing as a little boy stepped out from a small thatched cottage standing among the fields, and took his way along the highroad. That Gabriel Viaud was a peasant lad, any one could have told from the blouse of blue homespun, and the wooden shoes which he wore; and that he felt the gladness of the April time could easily be known by the happy little song he began to sing to himself, and by the eager delight with which he now and then stooped to pluck a blue violet or to gather a handful of golden cuckoo-buds.[3] A mile or two behind him, and hidden by a bend in the road, lay the little village of St. Martin-de-Bouchage; while in the soft blue distance ahead of him rose the gray walls of St. Martin's Abbey, whither he was going. Indeed, for almost a year now the little boy had been trudging every day to the Abbey, where he earned a small sum by waiting upon the good brothers who dwelt there, and who made the beautiful painted books for which the Abbey had become famous. Gabriel could grind and mix their colours for them, and prepare the parchment on which they did their writing, and could do many other little things that helped them in their work.[4] The lad enjoyed his tasks at the Abbey, and, above all, delighted in seeing the beautiful things at which the brothers were always busy; yet, as he now drew near the gateway, he could not help but give a little sigh, for it was so bright and sunny out-of-doors. He smiled, though, as he looked at the gay bunches of blossoms with which he had quite filled his hands, and felt that at least he was taking a bit of the April in with him, as he crossed the threshold and entered a large room. "Good morrow, Gabriel," called out several voices as he came in, for the lad was a general favourite with the brothers; and Gabriel, respectfully taking off his[5] blue peasant cap, gave a pleasant "good morrow" to each. The room in which he stood had plain stone walls and a floor of paved stone, and little furniture, except a number of solidly made benches and tables. These were placed beneath a row of high windows, and the tables were covered with writing and painting materials and pieces of parchment; for the brotherhood of St. Martin's was very industrious. In those days,—it was four hundred years ago,—printed books were very few, and almost unknown to most people; for printing-presses had been invented only a few years, and so by far the greater number of books in the world were still made by the[6] patient labour of skilful hands; the work usually being done by the monks, of whom there were very many at that time. These monks, or brothers, as they were often called, lived in monasteries and abbeys, and were men who banded themselves together in brotherhoods, taking solemn vows never to have homes of their own or to mingle in the daily life of others, but to devote their lives to religion; for they believed that they could serve God better by thus shutting themselves off from the world. And so it came about that the brothers, having more time and more learning than most other people of those days, made it their chief work to preserve[7] and multiply all the books that were worth keeping. These they wrote out on parchment (for paper was very scarce so long ago), and then ornamented the pages with such beautiful painted borders of flowers and birds and saints and angels, and such lovely initial letters, all in bright colours and gold, that to this day large numbers of the beautiful books made by the monks are still kept among the choicest treasures of the museums and great libraries of the world. And few of all those wonderful old illuminations (for so the painted ornaments were called) were lovelier than the work of the brotherhood of St. Martin's. Gabriel felt very proud even to grind[8] the colours for them. But as he passed over to one of the tables and began to make ready his paint mortar, the monk who had charge of the writing-room called to him, saying: "Gabriel, do not get out thy work here, for the Abbot hath just ordered that some one must help Brother Stephen, who is alone in the old chapter-house. He hath a special book to make, and his colour-grinder is fallen ill; so go thou at once and take Jacques's place." So Gabriel left the writing-room and passed down the long corridor that led to the chapter-house. This was a room the brothers had kept for years as a meeting-place, when they and the[9] Abbot, who governed them all, wished to talk over the affairs of the Abbey; but as it had at last grown too small for them, they had built a new and larger one; and so the old chapter-house was seldom used any more. Gabriel knew this, and he wondered much why Brother Stephen chose to work there rather than in the regular writing-room with the others. He supposed, however, that, for some reason of his own, Brother Stephen preferred to be alone. He did not know that the monk, at that moment, was sitting moodily by his work-table, his eyes staring aimlessly ahead of him, and his hands dropped idly in his lap. For Brother Stephen[10] was feeling very cross and unhappy and out of sorts with all the world. And this was the reason: poor Brother Stephen had entered the Abbey when a lad scarcely older than Gabriel. He had come of good family, but had been left an orphan with no one to care for him, and for want of other home had been sent to the Abbey, to be trained for the brotherhood; for in those days there were few places where fatherless and motherless children could be taken care of. As little Jean (for this was his name before he joined the monks, when one's own name was always changed) grew up, he took the solemn vows which bound him to[11] the rules of the brotherhood without realizing what it all would mean to him; for Brother Stephen was a born artist; and, by and by, he began to feel that while life in the Abbey was well for most of the brothers, for him it was not well. He wanted to be free to wander about the world; to paint pictures of many things; and to go from city to city, and see and study the work of the world's great artists. It is true he spent the greater part of his time in the Abbey working on the illuminated books, and this he loved; yet it did not wholly satisfy him. He longed to paint other things, and, above all, his artist nature longed for freedom from all the little rules[12] of daily life that governed the days of the brotherhood. Brother Stephen had brooded much over this desire for freedom, and only the day before had sought out the Abbot of St. Martin's and asked to be released from the vows of obedience which he had taken years before, but which now he found so hard to live up to. But, to his great disappointment, the Abbot had refused to grant his request. The Abbot had several reasons for this refusal; one of them was that he himself dearly loved all the little daily ceremonies of the Abbey, and he could not understand why any one who had once lived there could prefer a life in the world. He really thought it[13] was for Brother Stephen's own good that he should stay in the brotherhood. And then, too, perhaps there was another reason less to the Abbot's credit; and this reason was that of all the beautiful illuminated books for which the Abbey of St. Martin's had become so famous, none were quite so exquisitely done as those made by Brother Stephen. So perhaps the Abbot did not wish to lose so skilful an artist from the work-room of the Abbey, and especially at this particular time. For just before Brother Stephen had had his talk with the Abbot, a messenger from the city of Paris had come to the Abbey, bearing an order from[14] the king, Louis XII., who reigned over France, and Normandy also, which was a part of France. Now the following winter, the king was to wed the Lady Anne of Bretagne; and as Lady Anne was a great admirer and collector of beautiful painted books, the king thought no gift would please his bride quite so much as a piece of fine illumination; and he decided that it should be an hour book. These books were so called because in them were written different parts of the Bible, intended to be read at certain hours of the day; for most people at that time were very devout, and the great ladies especially were very fond of having[15] their hour books made as beautiful as possible. As King Louis thought over the best places where he might have his bride's gift painted, at last he made up his mind to send to the monks of St. Martin's. He commanded that the hour book be done in the most beautiful style, and that it must be finished by the following December. The Abbot was delighted with the honour the king had shown the Abbey in sending this order; and he determined that Brother Stephen should stay and make the entire book, as no one else wrote so evenly, or made quite such lovely initials and borders as did he. When the Abbot told this to[16] Brother Stephen, however, it was a pity that he did so in such a cold and haughty way that altogether Brother Stephen's anger was aroused, for he had a rather unruly temper; and so, smarting under the disappointment of not receiving his liberty, and feeling that the book for Lady Anne was one cause of this, he had spoken angrily and disrespectfully to the Abbot, and refused point-blank to touch the king's order. At this the Abbot in his turn became angry, and declared that Brother Stephen should be compelled to paint the hour book whether he wished to or not; that he must do it as punishment for his unruly conduct; and the Abbot threatened, moreover, that[17] if he did not obey, he would be placed under the ban of the Church, which was considered by all the brotherhood as a dreadful misfortune. And so with this threat hanging over him, that very morning, just before Gabriel reached the Abbey, Brother Stephen had been sent to the old chapter-house, where he was ordered to work by himself, and to begin the book at once. And to complete his humiliation, and for fear he might try to run away, the Abbot caused him to be chained to one of the legs of the heavy work-table; and this chain he was to wear every day during working hours. Now all this made Brother Stephen very angry and unhappy,[18] and his heart was full of bitterness toward the Abbot and all of the brotherhood and the world in general, when all at once he heard Gabriel's knock at the door; and then, in another moment, the door was softly pushed open, and there, on the threshold, stood the little boy. <hr style="width: 65%;" />[19] <div style="break-after:column;"></div>

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