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<h1>HILDA LESSWAYS</h1>
<h2>BY<br/> ARNOLD BENNETT</h2>
<hr/>
<h1><SPAN name="b1">BOOK I</SPAN><br/> HER START IN LIFE</h1>
<h2><SPAN name="b1c1">CHAPTER I</SPAN><br/> AN EVENT IN MR. SKELLORN'S LIFE</h2>
<h3>I</h3>
<p>The Lessways household, consisting of Hilda and her widowed mother, was
temporarily without a servant. Hilda hated domestic work, and because she
hated it she often did it passionately and thoroughly. That afternoon, as
she emerged from the kitchen, her dark, defiant face was full of grim
satisfaction in the fact that she had left a kitchen polished and
irreproachable, a kitchen without the slightest indication that it ever had
been or ever would be used for preparing human nature's daily food; a show
kitchen. Even the apron which she had worn was hung in concealment behind
the scullery door. The lobby clock, which stood over six feet high and had
to be wound up every night by hauling on a rope, was noisily getting ready
to strike two. But for Mrs. Lessways' disorderly and undesired assistance,
Hilda's task might have been finished a quarter of an hour earlier. She
passed quietly up the stairs. When she was near the top, her mother's
voice, at once querulous and amiable, came from the sitting-room:</p>
<p>"Where are you going to?"</p>
<p>There was a pause, dramatic for both of them, and in that minute pause
the very life of the house seemed for an instant to be suspended, and then
the waves of the hostile love that united these two women resumed their
beating, and Hilda's lips hardened.</p>
<p>"Upstairs," she answered callously.</p>
<p>No reply from the sitting-room!</p>
<p>At two o'clock on the last Wednesday of every month, old Mr. Skellorn,
employed by Mrs. Lessways to collect her cottage-rents, called with a
statement of account, and cash in a linen bag. He was now due. During his
previous visit Hilda had sought to instil some common sense into her mother
on the subject of repairs, and there had ensued an altercation which had
never been settled.</p>
<p>"If I stayed down, she wouldn't like it," Hilda complained fiercely
within herself, "and if I keep away she doesn't like that either! That's
mother all over!"</p>
<p>She went to her bedroom. And into the soft, controlled shutting of the
door she put more exasperated vehemence than would have sufficed to bang it
off its hinges.</p>
<h3>II</h3>
<p>At this date, late October in 1878, Hilda was within a few weeks of
twenty-one. She was a woman, but she could not realize that she was a
woman. She remembered that when she first went to school, at the age of
eight, an assistant teacher aged nineteen had seemed to her to be
unquestionably and absolutely a woman, had seemed to belong definitely to a
previous generation. The years had passed, and Hilda was now older than
that mature woman was then; and yet she could not feel adult, though her
childhood gleamed dimly afar off, and though the intervening expanse of ten
years stretched out like a hundred years, like eternity. She was in
trouble; the trouble grew daily more and more tragic; and the trouble was
that she wanted she knew not what. If her mother had said to her squarely,
"Tell me what it is will make you a bit more contented, and you shall have
it even if it kills me!" Hilda could only have answered with the fervour of
despair, "I don't know! I don't know!"</p>
<p>Her mother was a creature contented enough. And why not--with a
sufficient income, a comfortable home, and fair health? At the end of a day
devoted partly to sheer vacuous idleness and partly to the monotonous
simple machinery of physical existence--everlasting cookery, everlasting
cleanliness, everlasting stitchery--her mother did not with a yearning sigh
demand, "Must this sort of thing continue for ever, or will a new era
dawn?" Not a bit! Mrs. Lessways went to bed in the placid expectancy of a
very similar day on the morrow, and of an interminable succession of such
days. The which was incomprehensible and offensive to Hilda.</p>
<p>She was in a prison with her mother, and saw no method of escape, saw
not so much as a locked door, saw nothing but blank walls. Even could she
by a miracle break prison, where should she look for the unknown object of
her desire, and for what should she look? Enigmas! It is true that she
read, occasionally with feverish enjoyment, especially verse. But she did
not and could not read enough. Of the shelf-ful of books which in thirty
years had drifted by one accident or another into the Lessways household,
she had read every volume, except Cruden's Concordance. A heterogeneous and
forlorn assemblage! Lavater's <i>Physiognomy</i>, in a translation and in
full calf! Thomson's <i>Seasons</i>, which had thrilled her by its romantic
beauty! Mrs. Henry Wood's <i>Danesbury House</i>, and one or two novels by
Charlotte M. Yonge and Dinah Maria Craik, which she had gulped eagerly down
for the mere interest of their stories. Disraeli's <i>Ixion</i>, which she
had admired without understanding it. A <i>History of the North American
Indians!</i> These were the more exciting items of the set. The most
exciting of all was a green volume of Tennyson's containing <i>Maud</i>.
She knew <i>Maud</i> by heart. By simple unpleasant obstinacy she had
forced her mother to give her this volume for a birthday present, having
seen a quotation from it in a ladies' magazine. At that date in Turnhill,
as in many other towns of England, the poem had not yet lived down a
reputation for immorality; but fortunately Mrs. Lessways had only the
vaguest notion of its dangerousness, and was indeed a negligent kind of
woman. Dangerous the book was! Once in reciting it aloud in her room, Hilda
had come so near to fainting that she had had to stop and lie down on the
bed, until she could convince herself that she was not the male lover
crying to his beloved. An astounding and fearful experience, and not to be
too lightly renewed! For Hilda, <i>Maud</i> was a source of lovely and
exquisite pain.</p>
<p>Why had she not used her force of character to obtain more books? One
reason lay in the excessive difficulty to be faced. Birthdays are
infrequent; and besides, the enterprise of purchasing <i>Maud</i> had
proved so complicated and tedious that Mrs. Lessways, with that curious
stiffness which marked her sometimes, had sworn never to attempt to buy
another book. Turnhill, a town of fifteen thousand persons, had no
bookseller; the only bookseller that Mrs. Lessways had ever heard of did
business at Oldcastle. Mrs. Lessways had journeyed twice over the Hillport
ridge to Oldcastle, in the odd quest of a book called <i>Maud</i> by
"Tennyson--the poet laureate"; the book had had to be sent from London; and
on her second excursion to Oldcastle Mrs. Lessways had been caught by the
rain in the middle of Hillport Marsh. No! Hilda could not easily demand the
gift of another book, when all sorts of nice, really useful presents could
be bought in the High Street. Nor was there in Turnhill a Municipal
Library, nor any public lending-library.</p>
<p>Yet possibly Hilda's terrific egoism might have got fresh books somehow
from somewhere, had she really believed in the virtue of books. Thus far,
however, books had not furnished her with what she wanted, and her faith in
their promise was insecure.</p>
<p>Books failing, might she not have escaped into some vocation? The sole
vocation conceivable for her was that of teaching, and she knew, without
having tried it, that she abhorred teaching. Further, there was no
economical reason why she should work. In 1878, unless pushed by necessity,
no girl might dream of a vocation: the idea was monstrous; it was almost
unmentionable. Still further, she had no wish to work for work's sake.
Marriage remained. But she felt herself a child, ages short of marriage.
And she never met a man. It was literally a fact that, except Mr. Skellorn,
a few tradesmen, the vicar, the curate, and a sidesman or so, she never
even spoke to a man from one month's end to the next. The Church choir had
its annual dance, to which she was invited; but the perverse creature cared
not for dancing. Her mother did not seek society, did not appear to require
it. Nor did Hilda acutely feel the lack of it. She could not define her
need. All she knew was that youth, moment by moment, was dropping down
inexorably behind her. And, still a child in heart and soul, she saw
herself ageing, and then aged, and then withered. Her twenty-first birthday
was well above the horizon. Soon, soon, she would be 'over twenty-one'! And
she was not yet born! That was it! She was not yet born! If the passionate
strength of desire could have done the miracle time would have stood still
in the heavens while Hilda sought the way of life.</p>
<p>And withal she was not wholly unhappy. Just as her attitude to her
mother was self-contradictory, so was her attitude towards existence.
Sometimes this profound infelicity of hers changed its hues for an instant,
and lo! it was bliss that she was bathed in. A phenomenon which
disconcerted her! She did not know that she had the most precious of all
faculties, the power to feel intensely.</p>
<h3>III</h3>
<p>Mr. Skellorn did not come; he was most definitely late.</p>
<p>From the window of her bedroom, at the front of the house, Hilda looked
westwards up toward the slopes of Chatterley Wood, where as a child she
used to go with other children to pick the sparse bluebells that thrived on
smoke. The bailiwick of Turnhill lay behind her; and all the murky district
of the Five Towns, of which Turnhill is the northern outpost, lay to the
south. At the foot of Chatterley Wood the canal wound in large curves on
its way towards the undefiled plains of Cheshire and the sea. On the
canal-side, exactly opposite to Hilda's window, was a flour-mill, that
sometimes made nearly as much smoke as the kilns and chimneys closing the
prospect on either hand. From the flour-mill a bricked path, which
separated a considerable row of new cottages from their appurtenant
gardens, led straight into Lessways Street, in front of Mrs. Lessways'
house. By this path Mr. Skellorn should have arrived, for he inhabited the
farthest of the cottages.</p>
<p>Hilda held Mr. Skellorn in disdain, as she held the row of cottages in
disdain. It seemed to her that Mr. Skellorn and the cottages mysteriously
resembled each other in their primness, their smugness, their detestable
self-complacency. Yet those cottages, perhaps thirty in all, had stood for
a great deal until Hilda, glancing at them, shattered them with her scorn.
The row was called Freehold Villas: a consciously proud name in a district
where much of the land was copyhold and could only change owners subject to
the payment of 'fines' and to the feudal consent of a 'court' presided over
by the agent of a lord of the manor. Most of the dwellings were owned by
their occupiers, who, each an absolute monarch of the soil, niggled in his
sooty garden of an evening amid the flutter of drying shirts and towels.
Freehold Villas symbolized the final triumph of Victorian economics, the
apotheosis of the prudent and industrious artisan. It corresponded with a
Building Society Secretary's dream of paradise. And indeed it was a very
real achievement. Nevertheless Hilda's irrational contempt would not admit
this. She saw in Freehold Villas nothing but narrowness (what long narrow
strips of gardens, and what narrow homes all flattened together!), and
uniformity, and brickiness, and polished brassiness, and righteousness, and
an eternal laundry.</p>
<p>From the upper floor of her own home she gazed destructively down upon
all that, and into the chill, crimson eye of the descending sun. Her own
home was not ideal, but it was better than all that. It was one of the two
middle houses of a detached terrace of four houses built by her grandfather
Lessways, the teapot manufacturer; it was the chief of the four, obviously
the habitation of the proprietor of the terrace. One of the corner houses
comprised a grocer's shop, and this house had been robbed of its just
proportion of garden so that the seigneurial garden-plot might be
triflingly larger than the others. The terrace was not a terrace of
cottages, but of houses rated at from twenty-six to thirty-six pounds a
year; beyond the means of artisans and petty insurance agents and
rent-collectors. And further, it was well built, generously built; and its
architecture, though debased, showed some faint traces of Georgian amenity.
It was admittedly the best row of houses in that newly settled quarter of
the town. In coming to it out of Freehold Villas Mr. Skellorn obviously
came to something superior, wider, more liberal.</p>
<p>Suddenly Hilda heard her mother's voice, in a rather startled
conversational tone, and then another woman speaking; then the voices died
away. Mrs. Lessways had evidently opened the back door to somebody, and
taken her at once into the sitting-room. The occurrence was unusual. Hilda
went softly out on to the landing and listened, but she could catch nothing
more than a faint, irregular murmur. Scarcely had she stationed herself on
the landing when her mother burst out of the sitting-room, and called
loudly:</p>
<p>"Hilda!" And again in an instant, very impatiently and excitedly, long
before Hilda could possibly have appeared in response, had she been in her
bedroom, as her mother supposed her to be: "Hilda!"</p>
<p>Hilda could see without being seen. Mrs. Lessways' thin, wrinkled face,
bordered by her untidy but still black and glossy hair, was upturned from
below in an expression of tragic fretfulness. It was the uncontrolled face,
shamelessly expressive, of one who thinks himself unwatched. Hilda moved
silently to descend, and then demanded in a low tone whose harsh
self-possession was a reproof to that volatile creature, her mother:</p>
<p>"What's the matter?"</p>
<p>Mrs. Lessways gave a surprised "Oh!" and like a flash her features
changed in the attempt to appear calm and collected.</p>
<p>"I was just coming downstairs," said Hilda. And to herself: "She's
always trying to pretend I'm nobody, but when the least thing happens out
of the way, she runs to me for all the world like a child." And as Mrs.
Lessways offered no reply, but simply stood at the foot of the stairs, she
asked again: "What is it?"</p>
<p>"Well," said her mother lamentably. "It's Mr. Skellorn. Here's Mrs.
Grant--"</p>
<p>"Who's Mrs. Grant?" Hilda inquired, with a touch of scorn, although she
knew perfectly well that Mr. Skellorn had a married daughter of that
name.</p>
<p>"Hsh! Hsh!" Mrs. Lessways protested, indicating the open door of the
sitting-room. "You know Mrs. Grant! It seems Mr. Skellorn has had a
paralytic stroke. Isn't it terrible?"</p>
<p>Hilda continued smoothly to descend the stairs, and followed her mother
into the sitting-room.</p>
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