<h3>CHAPTER V</h3>
<h4>THE GIRL IN THE AUTOMOBILE</h4>
<p>The men who had gone in with the unconscious boy and the stretcher hung about
the doctor's door, which was some yards from the gateway. Everybody seemed
to have forgotten the girl, a stranger in Cheslow, and for the first day
of her life away from kind and indulgent friends.
</p>
<p>It was only ten minutes walk to the railroad station, and Ruth remembered
that it was a straight road. She arrived in the waiting room safely enough.
Sam Curtis, the station master, descried her immediately and came out of
his office with her bag.
</p>
<p>"Well, and what happened? Is that boy really hurt?" he asked.
</p>
<p>"He has a broken arm and his head is cut. I do not know how seriously, for
Doctor Davison had not finished examining him when I—I came away," she replied,
bravely enough, and hiding the fact that she had been overlooked.
</p>
<p>"They took him to the doctor's house, did they?" asked Sam.
</p>
<p>"Yes, sir," said Ruth. "But—"
</p>
<p>"Mr. Curtis, has there been anybody here for me?"
</p>
<p>"For you, Miss?" the station master returned, somewhat surprised it seemed.
</p>
<p>"Yes, sir. Anybody from Red Mill?"
</p>
<p>Curtis smote one fist into his other palm, exclaiming:
</p>
<p>"You don't mean to say that you was what Jabe Potter was after?"
</p>
<p>"Mr. Jabez Potter, who keeps the Red Mill, is my uncle," Ruth observed, with
dignity.
</p>
<p>"My goodness gracious me, Miss! He was here long before your train was due.
He's kind of short in his speech, Miss. And he asked me if there was anything
here for him, and I told him no. And he stumped out again without another
word. Why, I thought he was looking for an express package, or freight. Never
had an idea he was expectin' a niece!"
</p>
<p>Ruth still looked at him earnestly. The man did not suspect, by her appearance,
how hard a time she was having to keep the tears from overrunning those calm,
gray eyes.
</p>
<p>"And you expected to go out to the Red Mill to-night, Miss?" he continued.
"They're country folk out there and they'd all be abed before you could get
there, even if you took a carriage."
</p>
<p>"I don't know that I have enough to pay for carriage hire," Ruth said, softly.
"Is—is there any place I can stop over night in the village? Then I can
walk out in the morning."
</p>
<p>"Why—there's a hotel. But a young girl like you—You'll excuse me, Miss.
You're young to be traveling alone."
</p>
<p>"Perhaps I haven't money enough to pay for a lodging there?" suggested Ruth.
"I have a dollar. It was given me to spend as I liked on the way. But Miss
True gave me such a big box of luncheon that I did not want anything."
</p>
<p>"A dollar wouldn't go far at the Brick Hotel," murmured the station agent.
He still stared at her, stroking his lean, shaven jaw. Finally he burst out
with: "I tell you! We'll go home and see what my wife says."
</p>
<p>At the moment the station began to jar with the thunder of a coming train
and Ruth could not make herself heard in reply to his proposal. Besides,
Sam Curtis hurried out on the platform. Nor was Ruth ready to assert her
independence and refuse any kind of help the station master might offer.
So she sat down patiently and waited for him.
</p>
<p>There were one or two passengers only to disembark from this train and they
went away from the station without even coming into the waiting room. Then
Curtis came back, putting out the lights and locking his ticket office. The
baggage room was already locked and Ruth's old trunk was in it.
</p>
<p>"Come on now, girl—What's your name?" asked Curtis.
</p>
<p>"Ruth Fielding."
</p>
<p>"Just so! Well, it's only a step to our house and wife will have supper waiting.
And there's nobody else there save Mercy."
</p>
<p>Ruth was a little curious about "Mercy"—whether it referred to abounding
grace, or was a person's name. But she asked no questions as they came out
of the railroad station and Sam Curtis locked the door.
</p>
<p>They did not cross the tracks this time, but went into the new part of the
town. Turning a corner very soon as they walked up what Curtis said was Market
Street, they reached, on a narrow side street, a little, warm-looking cottage,
from almost all the lower windows of which the lamplight shone cheerfully.
There was a garden beside it, with a big grape arbor arranged like a summer-house
with rustic chairs and a table. The light shining on the side porch revealed
the arbor to Ruth's quick eyes.
</p>
<p>When they stepped upon this porch Ruth heard a very shrill and not at all
pleasant voice saying—very rapidly, and over and over again: "I don't want
to! I don't want to! I don't want to!" It might have been a parrot, or some
other ill-natured talking bird; only Ruth saw nothing of the feathered
conversationalist when Sam opened the door and ushered her in.
</p>
<p>"Here we are, wife!" he exclaimed, cheerfully. "And how's Mercy?"
</p>
<p>The reiterated declaration had stopped instantly. A comely, kind-faced woman
with snow-white hair, came forward. Ruth saw that she was some years younger
than Curtis, and he was not yet forty. It was not Father Time that had powdered
Mrs. Curtis' head so thickly.
</p>
<p>"Mercy is—Why, who's this?" she asked espying Ruth. "One of the girls come
in to see her?"
</p>
<p>Instantly the same whining, shrill voice began:
</p>
<p>"I don't want her to see me! They come to stare at me! I hate 'em all! All
girls do is to run and jump and play tag and ring-around-a-rosy and run errands,
and dance! I hate 'em!"
</p>
<p>This was said very, very fast—almost chattered; and it sounded so ill-natured,
so impatient, so altogether mean and hateful, that Ruth fell back a step,
almost afraid to enter the pleasant room. But then she saw the white-haired
lady's face, and it was so grieved, yet looked such a warm welcome to her,
that she took heart and stepped farther in, so that Sam Curtis could shut
the door.
</p>
<p>The father appeared to pay no attention to the fault-finding, shrill declamation
of the unhappy voice. He said, in explanation, to his wife:
</p>
<p>"This is Ruth Fielding. She has come a long way by train to-day, expecting
to meet her uncle, old Jabe Potter of the Red Mill. And you know how funny
Jabe is, wife? He came before the train, and did not wait, but drove right
away with his mules and so there was nobody here to meet Ruthie. She's marooned
here till the morning, you see."
</p>
<p>"Then she shall stay with us to-night," declared Mrs. Curtis, quickly.
</p>
<p>"I don't want her to stay here to-night!" ejaculated the same shrill voice.
</p>
<p>Mr. and Mrs. Curtis paid no attention to what was said by this mysterious
third party. Ruth, coming farther into the room, found that it was large
and pleasant. There was a comfortable look about it all. The supper table
was set and the door was opened into the warm kitchen, from which delicious
odors of tea and toast with some warm dish of meat, were wafted in. But the
shrill and complaining voice had not come from the next room.
</p>
<p>In the other corner beside the stove, yet not too near it, stood a small
canopy bed with the pretty chintz curtains drawn all about it. Beside it
stood a wheel-chair such as Ruth knew was used by invalids who could not
walk. It was a tiny chair, too, and it and the small bed went together. But
of the occupant of either she saw not a sign.
</p>
<p>"Supper will be ready just as soon as our guest has a chance to remove the
traces of travel, Sam," said Mrs. Curtis, briskly. "Come with me, Ruth."
</p>
<p>When they returned from the pleasant little bed-chamber which the good-hearted
lady told Ruth was to be her own for that night, they heard voices in the
sitting room—the voice of Mr. Curtis and the querulous one. But it was not
so sharp and strained as it seemed before. However, on opening the door,
Mr. Curtis was revealed sitting alone and there was no sign of the owner
of the sharp voice, which Ruth supposed must belong to the invalid.
</p>
<p>"Mercy has had her supper; hasn't she, wife?" said the station master as
he drew his chair to the table and motioned Ruth to the extra place Mrs.
Curtis had set.
</p>
<p>The woman nodded and went briskly about putting the supper on the table.
While they ate Mr. Curtis told about Reno stopping the train, and of the
search for and recovery of the injured Cameron boy. All the time Ruth, who
sat sideways to the canopied bed, realized that the curtains at the foot
were drawn apart just a crack and that two very bright, pin-point eyes were
watching her. So interested did these eyes become as the story progressed,
and Ruth answered questions, that more of Mercy Curtis' face was revealed—a
sharp, worn little face, with a peaked chin and pale, thin cheeks.
</p>
<p>Ruth was very tired when supper was ended and the kind Mrs. Curtis suggested
that she go to bed and obtain a good night's rest if she was to walk to the
Red Mill in the morning. But even when she bade her entertainers good-night
she did not see the child in the canopy bed and she felt diffident about
asking Mrs. Curtis about her. The young traveler slept soundly—almost from
the moment her head touched the pillow. Yet her last thought was of Uncle
Jabez. He had been in town some time before the train on which she arrived
was due and had driven away from the station with his mules, Mr. Curtis said.
Had he driven over that dark and dangerous road on which Tom Cameron met
with his accident, and had he run down the injured boy, or forced him over
the bank of the deep gully where they had found Tom lying unconscious?
</p>
<p>"It was Jabe Potter—he did it," the injured lad had murmured, and these
words were woven in the pattern of Ruth's dreams all night.
</p>
<p>The little cottage was astir early and Ruth was no laggard. She came down
to breakfast while the sun was just peeping above the house-tops and as she
entered the sitting room she found an occupant at last in the little wheel-chair.
It was the sharp, pale little face that confronted her above the warm wrapper
and the rug that covered the lower part of the child's body; for child Mercy
Curtis was, and little older than Ruth herself, although her face seemed
so old.
</p>
<p>To Ruth's surprise the first greeting of the invalid was a most ill-natured
one. She made a very unpleasant face at the visitor, ran out her tongue,
and then said, in her shrill, discordant voice:
</p>
<p>"I don't like you at all—I tell you that, Miss!"
</p>
<p>"I am sorry you do not like me," replied Ruth, gently. "I think I should
like you if you'd let me."
</p>
<p>"Yah!" ejaculated the very unpleasant, but much to be pitied invalid.
</p>
<p>The mother and father ignored all this ill-nature on the part of the lame
girl and were as kind and friendly with their visitor as they had been on
the previous evening. Once during breakfast time (Mercy took hers from a
tray that was fastened to her chair before her) the child burst out again,
speaking to Ruth. There were eggs on the table and, pointing to the golden-brown
fried egg that Mrs. Curtis had just placed upon Ruth's plate, Mercy snapped:
</p>
<p>"Do you know what's the worst wish I'd wish on My Enemy?"
</p>
<p>Ruth looked her astonishment and hesitated to reply. But Mercy did not expect
a reply, for she continued quickly:
</p>
<p>"I'd wish My Enemy to have to eat every morning for breakfast two soft fried
eggs with his best clothes on—<i>that's</i> what I'd wish!"
</p>
<p>And this is every word she would say to the visitor while Ruth remained.
But Mr. Curtis bade Ruth good-bye very kindly when he hurried away to the
station, and Mrs. Curtis urged her to come and see them whenever she came
to town after getting settled at the Red Mill.
</p>
<p>It was a fresh and lovely morning, although to the weather-wise the haze
in the West foredoomed the end of the day to disaster. Ruth felt more cheerful
as she crossed the railroad tracks and struck into the same street she had
followed with the searching party the evening before. She could not mistake
Doctor Davison's house when she passed it, and there was a fine big automobile
standing before the gate where the two green lanterns were. But there was
nobody in the car, nor did she see anybody about the doctor's house.
</p>
<p>Beyond the doctor's abode the houses were far apart—farther and farther
apart as she trudged on. Nobody noticed or spoke to the girl as she went
on with her small bag—the bag that grew heavy, despite its smallness, as
she progressed. And so she traveled two miles, or more, along the pleasant
road. Then she heard the purring of an automobile behind her—the first vehicle
that she had seen since leaving town.
</p>
<p>It was the big gray car that had been standing before Doctor Davison's house
when she had passed, and Ruth would have known the girl who sat at the steering
wheel and was driving the car alone, even had Reno, the big mastiff, not
sat in great dignity on the seat beside her. For no girl could look so much
like Tom Cameron without being Tom Cameron's sister.
</p>
<p>And the girl, the moment she saw Ruth on the road, retarded the speed of
the machine. Reno, too, lost all semblance of dignity and would not wait
for the car to completely stop before bounding into the road and coming to
caress her hand.
</p>
<p>"I know who you are!" cried the girl in the automobile. "You are Ruth Fielding."
</p>
<p>She was a brilliant, black-eyed, vivacious girl, perhaps a year or more older
than Ruth, and really handsome, having her brother's olive complexion with
plenty of color in cheeks and lips. And that her nature was impulsive and
frank there could be no doubt, for she immediately leaped out of the automobile,
when it had stopped, and ran to embrace Ruth.
</p>
<p>"Thank you! thank you!" she cried. "Doctor Davison has told us all about
you—and how brave you are! And see how fond Reno is of you! He knows who
found his master; don't you, Reno?"
</p>
<p>"Oh, dear me," said Ruth, breathlessly, "Doctor Davison has been too kind.
I did nothing at all toward finding your brother—I suppose he is your brother,
Miss?"
</p>
<p>"How <i>dare </i>you 'Miss' me?" demanded the other girl, hugging her again.
"You're a dear; I knew you must be! And I was running back and intended to
stop at the Red Mill to see you. I took father to town this morning, as he
had to take an early train to the city, and we wished to see Tom again."
</p>
<p>"He—he isn't badly hurt, then—your brother, I mean?" said Ruth, timidly.
</p>
<p>"He is going to stay at the doctor's to-day, and then he can come home. But
he will carry his arm in a sling for a while, although no bone was broken,
after all. His head is badly cut, but his hair will hide that. Poor Tom!
he is always falling down, or getting bumped, or something. And he's just
as reckless as he can be. Father says he is not to be trusted with the car
as much as <i>I</i> am."
</p>
<p>"How—how did he come to fall over that bank?" asked Ruth, anxiously.
</p>
<p>"Why—it was dark, I suppose. That was the way of it. I don't know as he
really told me what made him do such a foolish thing. And wasn't it lucky
Reno was along with him?" cried Tom's sister.
</p>
<p>"Now, I see you remained in town over night. They thought somebody had come
for yon and taken you out to the mill. Is Jabez Potter really your uncle?"
</p>
<p>"Yes. He was my mother's uncle. And I have no other relative."
</p>
<p>"Well, dear, I am more than sorry for you," declared the girl from the
automobile. "And now we will climb right in and I'll take you along to the
mill."
</p>
<p>But whether she was sorry for Ruth Fielding's friendlessness, or sorry because
she was related to Jabez Potter, the young traveler could not decide.</p>
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