<SPAN name="chap05"></SPAN>
<h3> CHAPTER V </h3>
<h4>
IN THE LOFT
</h4>
<p>"I declare," said Miss Petingill, laying down her work, "if them
children don't beat all! What on airth <i>are</i> they going to do now?"</p>
<p>Miss Petingill was sitting in the little room in the back building,
which she always had when she came to the Carr's for a week's mending
and making over. She was the dearest, funniest old woman who ever went
out sewing by the day. Her face was round, and somehow made you think of
a very nice baked apple, it was so criss-crossed, and lined by a
thousand good-natured puckers. She was small and wiry, and wore caps and
a false front, which was just the color of a dusty Newfoundland dog's
back. Her eyes were dim, and she used spectacles; but for all that, she
was an excellent worker. Every one liked Miss Petingill though Aunt
Izzie <i>did</i> once say that her tongue "was hung in the middle." Aunt
Izzie made this remark when she was in a temper, and was by no means
prepared to have Phil walk up at once and request Miss Petingill to
"stick it out," which she obligingly did; while the rest of the children
crowded to look. They couldn't see that it was different from other
tongues, but Philly persisted in finding something curious about it;
there must be, you know—since it was hung in that queer way!</p>
<p>Wherever Miss Petingill went, all sorts of treasures went with her. The
children liked to have her come, for it was as good as a fairy story, or
the circus, to see her things unpacked. Miss Petingill was very much
afraid of burglars; she lay awake half the night listening for them and
nothing on earth would have persuaded her to go anywhere, leaving behind
what she called her "Plate." This stately word meant six old teaspoons,
very thin and bright and sharp, and a butter-knife, whose handle set
forth that it was "A testimonial of gratitude, for saving the life of
Ithuriel Jobson, aged seven, on the occasion of his being attacked with
quinsy sore throat." Miss Petingill was very proud of her knife. It and
the spoons travelled about in a little basket which hung on her arm, and
was never allowed to be out of her sight, even when the family she was
sewing for were the honestest people in the world.</p>
<p>Then, beside the plate-basket, Miss Petingill never stirred without Tom,
her tortoiseshell cat. Tom was a beauty, and knew his power; he ruled
Miss Petingill with a rod of iron, and always sat in the rocking-chair
when there was one. It was no matter where <i>she</i> sat, Miss Petingill
told people, but Tom was delicate, and must be made comfortable. A big
family Bible always came too, and a special red merino pin-cushion, and
some "shade pictures" of old Mr. and Mrs. Petingill and Peter Petingill,
who was drowned at sea; and photographs of Mrs. Porter, who used to be
Marcia Petingill, and Mrs. Porter's husband, and all the Porter
children. Many little boxes and jars came also, and a long row of phials
and bottles, filled with homemade physic and herb teas. Miss Petingill
could not have slept without having them beside her, for, as she said,
how did she know that she might not be "took sudden" with something, and
die for want of a little ginger-balsam or pennyroyal?</p>
<p>The Carr children always made so much noise, that it required something
unusual to make Miss Petingill drop her work, as she did now, and fly to
the window. In fact there was a tremendous hubbub: hurrahs from Dorry,
stamping of feet, and a great outcry of shrill, glad voices. Looking
down, Miss Petingill saw the whole six—no, seven, for Cecy was there
too—stream out of the wood-house door—which wasn't a door, but only a
tall open arch—and rush noisily across the yard. Katy was at the head,
bearing a large black bottle without any cork in it, while the others
carried in each hand what seemed to be a cookie.</p>
<p>"Katherine Carr! Kather-<i>ine</i>!" screamed Miss Petingill, tapping loudly
on the glass. "Don't you see that it's raining? you ought to be ashamed
to let your little brothers and sisters go out and get wet in such a
way!" But nobody heard her, and the children vanished into the shed,
where nothing could be seen but a distant flapping of pantalettes and
frilled trousers, going up what seemed to be a ladder, farther back in
the shed. So, with a dissatisfied cluck, Miss Petingill drew back her
head, perched the spectacles on her nose, and went to work again on
Katy's plaid alpaca, which had two immense zigzag rents across the
middle of the front breadth. Katy's frocks, strange to say, always tore
exactly in that place!</p>
<p>If Miss Petingill's eyes could have reached a little farther, they would
have seen that it wasn't a ladder up which the children were climbing,
but a tall wooden post, with spikes driven into it about a foot apart.
It required quite a stride to get from one spike to the other; in fact
the littler ones couldn't have managed it at all, had it not been for
Clover and Cecy "boosting" very hard from below, while Katy, making a
long arm, clawed from above. At last they were all safely up, and in the
delightful retreat which I am about to describe:</p>
<p>Imagine a low, dark loft without any windows, and with only a very
little light coming in through the square hole in the floor, to which
the spikey post led. There was a strong smell of corn-cobs, though the
corn had been taken away, a great deal of dust and spiderweb in the
corners, and some wet spots on the boards; for the roof always leaked a
little in rainy weather.</p>
<p>This was the place, which for some reason I have never been able to find
out, the Carr children preferred to any other on rainy Saturdays, when
they could not play out-doors, Aunt Izzie was as much puzzled at this
fancy as I am. When she was young (a vague, far-off time, which none of
her nieces and nephews believed in much), she had never had any of these
queer notions about getting off into holes and corners, and poke-away
places. Aunt Izzie would gladly have forbidden them to go the loft, but
Dr. Carr had given his permission, so all she could do was to invent
stories about children who had broken their bones in various dreadful
ways, by climbing posts and ladders. But these stories made no
impression on any of the children except little Phil, and the
self-willed brood kept on their way, and climbed their spiked post as
often as they liked.</p>
<p>"What's in the bottle?" demanded Dorry, the minute he was fairly landed
in the loft.</p>
<p>"Don't be greedy," replied Katy, severely; "you will know when the time
comes. It is something <i>delicious</i>, I can assure you.</p>
<p>"Now," she went on, having thus quenched Dorry, "all of you had better
give me your cookies to put away: if you don't, they'll be sure to be
eaten up before the feast, and then you know there wouldn't be anything
to make a feast of."</p>
<p>So all of them handed over their cookies. Dorry, who had begun on his as
he came up the ladder, was a little unwilling, but he was too much in
the habit of minding Katy to dare to disobey. The big bottle was set in
a corner, and a stack of cookies built up around it.</p>
<p>"That's right," proceeded Katy, who, as oldest and biggest, always took
the lead in their plays. "Now if we're fixed and ready to begin, the
F�te (Katy pronounced it <i>Feet</i>) can commence. The opening exercise will
be 'A Tragedy of the Alhambra,' by Miss Hall."</p>
<p>"No," cried Clover; "first 'The Blue Wizard, or Edwitha of the
Hebrides,' you know, Katy."</p>
<p>"Didn't I tell you?" said Katy; "a dreadful accident has happened to
that."</p>
<p>"Oh, what?" cried all the rest, for Edwitha was rather a favorite with
the family. It was one of the many serial stories which Katy was forever
writing, and was about a lady, a knight, a blue wizard, and a poodle
named Bop. It had been going on so many months now, that everybody had
forgotten the beginning, and nobody had any particular hope of living to
hear the end, but still the news of its untimely fate was a shock.</p>
<p>"I'll tell you," said Katy. "Old Judge Kirby called this morning to
see Aunt Izzie; I was studying in the little room, but I saw him come
in, and pull out the big chair and sit down, and I almost screamed
out 'don't!'"</p>
<p>"Why?" cried the children.</p>
<p>"Don't you see? I had stuffed 'Edwitha' down between the back and the
seat. It was a <i>beau</i>tiful hiding-place, for the seat goes back ever so
far; but Edwitha was such a fat bundle, and old Judge Kirby takes up so
much room, that I was afraid there would be trouble. And sure enough,
he had hardly dropped down before there was a great crackling of paper,
and he jumped up again and called out, 'Bless me! what is that?' And
then he began poking, and poking, and just as he had poked out the
whole bundle, and was putting on his spectacles to see what it was,
Aunt Izzie came in."</p>
<p>"Well, what next?" cried the children, immensely tickled.</p>
<p>"Oh!" continued Katy, "Aunt Izzie put on her glasses too, and screwed up
her eyes—you know the way she does, and she and the judge read a little
bit of it; that part at the first, you remember, where Bop steals the
blue-pills, and the Wizard tries to throw him into the sea. You can't
think how funny it was to hear Aunt Izzie reading 'Edwitha' out loud—"
and Katy went into convulsions at the recollection "where she got to 'Oh
Bop—my angel Bop—' I just rolled under the table, and stuffed the
table-cover in my mouth to keep from screaming right out. By and by I
heard her call Debby, and give her the papers, and say: 'Here is a mass
of trash which I wish you to put at once into the kitchen fire.' And she
told me afterward that she thought I would be in an insane asylum before
I was twenty. It was too bad," ended Katy half laughing and half
crying, "to burn up the new chapter and all. But there's one good
thing—she didn't find 'The Fairy of the Dry Goods Box,' that was
stuffed farther back in the seat.</p>
<p>"And now," continued the mistress of ceremonies, "we will begin. Miss
Hall will please rise."</p>
<p>"Miss Hall," much flustered at her fine name, got up with very
red cheeks.</p>
<p>"It was once upon a time," she read, "Moonlight lay on the halls of the
Alhambra, and the knight, striding impatiently down the passage, thought
she would never come."</p>
<p>"Who, the moon?" asked Clover.</p>
<p>"No, of course not," replied Cecy, "a lady he was in love with. The next
verse is going to tell about her, only you interrupted.</p>
<p>"She wore a turban of silver, with a jewelled crescent. As she stole
down the corregidor the beams struck it and it glittered like stars.</p>
<p>"'So you are come, Zuleika?'</p>
<p>"'Yes, my lord.'</p>
<p>"Just then a sound as of steel smote upon the ear, and Zuleika's
mail-clad father rushed in. He drew his sword, so did the other. A
moment more, and they both lay dead and stiff in the beams of the moon.
Zuleika gave a loud shriek, and threw herself upon their bodies. She was
dead, too! And so ends the Tragedy of the Alhambra."</p>
<p>"That's lovely," said Katy, drawing a long breath, "only very sad! What
beautiful stories you do write, Cecy! But I wish you wouldn't always
kill the people. Why couldn't the knight have killed the father,
and—no, I suppose Zuleika wouldn't have married him then. Well, the
father might have—oh, bother! why must anybody be killed, anyhow? why
not have them fall on each other's necks, and make up?"</p>
<p>"Why, Katy!" cried Cecy, "it wouldn't have been a tragedy then. You know
the name was A <i>Tragedy</i> of the Alhambra."</p>
<p>"Oh, well," said Katy, hurriedly, for Cecy's lips were beginning to
pout, and her fair, pinkish face to redden, as if she were about to cry;
"perhaps it <i>was</i> prettier to have them all die; only I thought, for
a change, you know!—What a lovely word that was—. 'Corregidor'—what
does it mean?"</p>
<p>"I don't know," replied Cecy, quite consoled. "It was in the 'Conquest
of Granada.' Something to walk over, I believe."</p>
<p>"The next," went on Katy, consulting her paper, "is 'Yap,' a Simple
Poem, by Clover Carr."</p>
<p>All the children giggled, but Clover got up composedly, and recited the
following verses:</p>
<p class="poem">
"Did you ever know Yap?<br/>
The best little dog<br/>
Who e'er sat on lap<br/>
Or barked at a frog.<br/></p>
<p class="poem">
"His eyes were like beads,<br/>
His tail like a mop,<br/>
And it waggled as if<br/>
It never would stop.<br/></p>
<p class="poem">
"His hair was like silk<br/>
Of the glossiest sheen,<br/>
He always ate milk,<br/>
And once the cold-cream<br/></p>
<p class="poem">
"Off the nursery bureau<br/>
(That line is too long!)<br/>
It made him quite ill,<br/>
So endeth my song.<br/></p>
<p class="poem">
"For Yappy he died<br/>
Just two months ago,<br/>
And we oughtn't to sing<br/>
At a funeral, you know."<br/></p>
<p>The "Poem" met with immense applause; all the children laughed, and
shouted, and clapped, till the loft rang again. But Clover kept her face
perfectly, and sat down as demure as ever, except that the little
dimples came and went at the corners of her mouth; dimples, partly
natural, and partly, I regret to say, the result of a pointed
slate-pencil, with which Clover was in the habit of deepening them every
day while she studied her lessons.</p>
<p>"Now," said Katy, after the noise had subsided, "now come 'Scripture
Verses,' by Miss Elsie and Joanna Carr. Hold up your head, Elsie, and
speak distinctly; and oh, Johnnie, you <i>mustn't</i> giggle in that way
when it comes your turn!"</p>
<p>But Johnnie only giggled the harder at this appeal, keeping her hands
very tight across her mouth, and peeping out over her fingers. Elsie,
however, was solemn as a little judge, and with great dignity began:</p>
<p class="poem">
"An angel with a fiery sword,<br/>
Came to send Adam and Eve abroad<br/>
And as they journeyed through the skies<br/>
They took one look at Paradise.<br/>
They thought of all the happy hours<br/>
Among the birds and fragrant bowers,<br/>
And Eve she wept, and Adam bawled,<br/>
And both together loudly squalled."<br/></p>
<p>Dorry snickered at this, but sedate Clover hushed him.</p>
<p>"You mustn't," she said; "it's about the Bible, you know. Now John, it's
your turn."</p>
<p>But Johnnie would persist in holding her hands over her mouth, while her
fat little shoulders shook with laughter. At last, with a great effort,
she pulled her face straight, and speaking as fast as she possibly
could, repeated, in a sort of burst:</p>
<p class="poem">
"Balaam's donkey saw the Angel,<br/>
And stopped short in fear.<br/>
Balaam didn't see the Angel,<br/>
Which is very queer."<br/></p>
<p>After which she took refuge again behind her fingers, while Elsie went
on—</p>
<p class="poem">
"Elijah by the creek,<br/>
He by ravens fed,<br/>
Took from their horny beak<br/>
Pieces of meat and bread."<br/></p>
<p>"Come, Johnnie," said Katy, but the incorrigible Johnnie was shaking
again, and all they could make out was—</p>
<p class="poem">
"The bears came down, and ate———and ate."<br/></p>
<p>These "Verses" were part of a grand project on which Clover and Elsie
had been busy for more than a year. It was a sort of rearrangement of
Scripture for infant minds; and when it was finished, they meant to have
it published, bound in red, with daguerreotypes of the two authoresses
on the cover. "The Youth's Poetical Bible" was to be the name of it.
Papa, much tickled with the scraps which he overheard, proposed,
instead, "The Trundle-Bed Book," as having been composed principally in
that spot, but Elsie and Clover were highly indignant, and would not
listen to the idea for a moment.</p>
<p>After the "Scripture Verses," came Dorry's turn. He had been allowed to
choose for himself, which was unlucky, as his taste was peculiar, not
to say gloomy. On this occasion he had selected that cheerful hymn
which begins—</p>
<p class="poem">
"Hark, from the tombs a doleful sound."<br/></p>
<p>And he now began to recite it in a lugubrious voice and with great
emphasis, smacking his lips, as it were, over such lines as—</p>
<p class="poem">
"Princes, this clay <i>shall</i> be your bed,<br/>
In spite of all your towers."<br/></p>
<p>The older children listened with a sort of fascinated horror, rather
enjoying the cold chills which ran down their backs, and huddling close
together, as Dorry's hollow tones echoed from the dark corners of the
loft. It was too much for Philly, however. At the close of the piece he
was found to be in tears.</p>
<p>"I don't want to st-a-a-y up here and be groaned at," he sobbed.</p>
<p>"There, you bad boy!" cried Katy, all the more angry because she was
conscious of having enjoyed it herself, "that's what you do with your
horrid hymns, frightening us to death and making Phil cry!" And she gave
Dorry a little shake. He began to whimper, and as Phil was still
sobbing, and Johnnie had begun to sob too, out of sympathy with the
others, the <i>Feet</i> in the Loft seemed likely to come to a sad end.</p>
<p>"I'm goin' to tell Aunt Izzie that I don't like you," declared Dorry,
putting one leg through the opening in the floor.</p>
<p>"No, you aren't," said Katy, seizing him, "you are going to stay,
because <i>now</i> we are going to have the Feast! Do stop, Phil; and
Johnnie, don't be a goose, but come and pass round the cookies."</p>
<p>The word "Feast" produced a speedy effect on the spirits of the party.
Phil cheered at once, and Dorry changed his mind about going. The black
bottle was solemnly set in the midst, and the cookies were handed about
by Johnnie, who was now all smiles. The cookies had scalloped edges and
caraway seeds inside, and were very nice. There were two apiece; and as
the last was finished, Katy put her hand in her pocket, and amid great
applause, produced the crowning addition to the repast—seven long,
brown sticks of cinnamon.</p>
<p>"Isn't it fun?" she said. "Debby was real good-natured to-day, and let
me put my own hand into the box, so I picked out the longest sticks
there were. Now, Cecy, as you're company, you shall have the first drink
out of the bottle."</p>
<p>The "something delicious" proved to be weak vinegar-and-water. It was
quite warm, but somehow, drank up there in the loft, and out of a
bottle, it tasted very nice. Beside, they didn't <i>call</i> it
vinegar-and-water—of course not! Each child gave his or her swallow a
different name, as if the bottle were like Signor Blitz's and could pour
out a dozen things at once. Clover called her share "Raspberry Shrub,"
Dorry christened his "Ginger Pop," while Cecy, who was romantic, took
her three sips under the name of "Hydomel," which she explained was
something nice, made, she believed, of beeswax. The last drop gone, and
the last bit of cinnamon crunched, the company came to order again, for
the purpose of hearing Philly repeat his one piece,—</p>
<p class="poem">
"Little drops of water,"<br/></p>
<P CLASS="noindent">
which exciting poem he had said every Saturday as far back as they could
remember. After that Katy declared the literary part of the "Feet" over,
and they all fell to playing "Stagecoach," which, in spite of close
quarters and an occasional bump from the roof, was such good fun, that a
general "Oh dear!" welcomed the ringing of the tea-bell. I suppose
cookies and vinegar had taken away their appetites, for none of them
were hungry, and Dorry astonished Aunt Izzie very much by eyeing the
table in a disgusted way, and saying: "Pshaw! <i>only</i> plum sweatmeats and
sponge cake and hot biscuit! I don't want any supper."</p>
<p>"What ails the child? he must be sick," said Dr. Carr; but Katy
explained.</p>
<p>"Oh no, Papa, it isn't that—only we've been having a feast in
the loft."</p>
<p>"Did you have a good time?" asked Papa, while Aunt Izzie gave a
dissatisfied groan. And all the children answered at once:
"Splendiferous!"</p>
<br/><br/><br/>
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